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Revising Anthropocentrism of Technics in the Light of the 21st Century New Anthropological Models 21世纪新人类学模式下技术人类中心主义的修正
IF 0.3 0 PHILOSOPHY Pub Date : 2022-06-30 DOI: 10.15802/ampr.v0i21.260334
V. Melnyk, U. Lushch-Purii
Purpose. To substantiate the definition of technics as the attributive characteristics of a human being and the necessity of its orientation towards human flourishing in the context of new anthropological models of the 21st century. Theoretical basis. Correlation between technics, technology and the human essence is examined. The role of technics is traced at different historical stages of human development. Negative and positive effects of digital technology development upon a contemporary human being is analysed in the light of new anthropological models: homo technologicus, homo digitalis and homo eudaimonicus. The content of a new worldview-value paradigm of defining goals of technology is outlined. Originality. Transformation of the role of technics correlates with value and worldview shifts in person’s understanding of his/her purpose in both natural and social worlds. Nowadays, philosophical analysis of anthropological dimension of technics and technology opens a horizon for seeking effective solutions in the face of the contemporary challenges and anti-utopian threats by means of focusing on the fact that, indeed, technological development is subordinate to the humanist goal that is flourishing, wellbeing and comprehensive development of a human being. Conclusions. The essence of technology reveals not through its functional but anthropogenic definitions in a sense of a source of institutionalization and in a sense of a source of realization of a human way of self-identification and self-objectification of human subjectivity. Technics/technology is the attributive characteristics of human essence and being: a human being is as much human as much he/she is a creator of technics. The purpose of technics is not to master the nature and to transform the world; technics is, above all, a tool of human self-improvement and self-creation through broadening the horizon of human capacities. The analysis of new modern anthropological models shows that it is the orientation of technology/technology towards human flourishing that is, on the one hand, a response to the existential demands of modern man, and on the other hand, a way of preventing future threats related to technological development.
目的。在21世纪人类学新模式的背景下,论证技术作为人的属性特征的定义及其走向人类繁荣的必要性。理论基础。考察了工艺、技术与人的本质之间的关系。技术的作用可以追溯到人类发展的不同历史阶段。根据新的人类学模型:技术人、数码人、幸福人,分析了数字技术发展对当代人的消极和积极影响。概述了定义技术目标的新世界观-价值范式的内容。创意。技术角色的转变与人在自然世界和社会世界中对他/她的目的的理解的价值和世界观的转变有关。如今,对技术和技术的人类学维度的哲学分析为面对当代挑战和反乌托邦威胁寻求有效解决方案开辟了一个视野,方法是关注这样一个事实,即技术发展确实服从于人类繁荣、幸福和全面发展的人文主义目标。结论。技术的本质不是通过其功能性而是通过人为的定义来揭示的,在某种意义上,这是制度化的来源,也是实现人类自我认同和人类主体性自我客观化的方式的来源。技术是人的本质和存在的属性特征:人既是人,也是技术的创造者。技术的目的不是为了掌握自然和改造世界;首先,技术是人类自我完善和自我创造的工具,它拓宽了人类能力的视野。对现代新人类学模型的分析表明,技术/技术对人类繁荣的导向,一方面是对现代人生存需求的回应,另一方面是预防与技术发展相关的未来威胁的一种方式。
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引用次数: 0
Virtual-Digital Self of Public Human 公众人的虚拟数字自我
IF 0.3 0 PHILOSOPHY Pub Date : 2021-12-28 DOI: 10.15802/ampr.v0i20.249589
L. Vasylieva
The purpose of the article is distinguishing between "internal" and "external" public human through comprehending the phenomenon of Self in its virtual-digital essence as a popular demonstrative-project space "BETWEEN" aggression and harmony. Theoretical basis of the work is based on the study of the phenomenon of modern human aggression in the virtual-digital space and the "project space" of the living environment through understanding the nature of the human "I". The penetration limits of the Self of the public human into the "project space" are comprehended and the nature of the self-realization and self-search models of human through the "transcendent ego" is revealed. Originality is demonstrated through comprehending the Self phenomenon of the public human, which forms new anthropological research direction and represents a conceptual paradigm of relationship of "human I – publicity – human We – the living space of the Other". Conclusions. The Self of the public human as the space "BETWEEN" does not completely "dissolve" in a separate ontological basis, but is the basis for the formation of his/her "I", while only participation in the existence of others reveals the meaning of his/her own existence. Such interaction requires significant human efforts – skills and competencies of public communication, which are able to create a successful self-identification of a public human without aggression and conflict.
本文的目的是通过理解“自我”现象在其虚拟数字本质上作为一种流行的示范项目空间“between”的侵略与和谐,来区分“内部”与“外部”的公共人类。作品的理论基础是通过理解人类“我”的本质,研究现代人类在虚拟-数字空间和生存环境的“项目空间”中的侵略现象。理解了公众人的自我对“项目空间”的渗透界限,揭示了人通过“超越自我”的自我实现和自我探索模式的本质。通过对公众人的自我现象的理解来展现原创性,形成了新的人类学研究方向,代表了“人的我-公共性-人的我们-他者的生存空间”关系的概念范式。结论。作为“BETWEEN”空间的公众人的自我并没有完全“消解”在一个单独的本体论基础中,而是他的“我”形成的基础,而只有参与他人的存在才能揭示他自身存在的意义。这种互动需要人类付出巨大的努力——公共沟通的技能和能力,这些技能和能力能够在没有侵略和冲突的情况下成功地创造一个公众的自我认同。
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引用次数: 0
Laughter as a Semiotic Problem 笑声是一个符号学问题
IF 0.3 0 PHILOSOPHY Pub Date : 2021-12-28 DOI: 10.15802/ampr.v0i20.248949
V. A. Vershyna, O. Mykhailiuk
Purpose. The article is aimed to substantiate the view on the phenomenon of laughter as a subject of semiotic analysis, which leads to the following tasks: to reveal the possibilities of semiotics application in the study of laughter nature; to analyze the phenomenon of laughter as a cultural and natural phenomenon, as a sign and as an attribute; to consider the place of laughter in culture, which is understood as a sign system. Theoretical basis. The semiotic approach proceeds from the fact that human lives in the world of signs, all the surrounding reality can be interpreted as a sign system. The basic concept of semiotics is the concept of a sign. The theoretical basis of the article is understanding the culture as a sign-symbolic system. Laughter is considered as a phenomenon ontologically rooted in human culture. At the same time, laughter is on the edge of culture. The research is based on the work of semiotic authors, cultural researchers, and the researchers of laughter. Originality. The originality lies in the application of the semiotic method to the research of laughter phenomenon, consideration of the dialectics of natural and cultural, signedness and non-signedness, manifested in the phenomenon of laughter. Conclusions. Laughter is considered as a psychophysiological phenomenon (attribute) and as a cultural phenomenon (sign). Laughter acts as an emotional manifestation, a physiological reaction, but socially and culturally mediated. In any case, laughter indicates an emotional or cognitive state of a human. Laughter acts as a process and result of the interpretation of a sign, a reaction to a sign. Laughter is a form and a means of communication. Being a natural phenomenon, in the process of social evolution, laughter acquires signedness, is integrated by culture as a sign system, and, at the same time, maintains a connection with nature. Thus, laughter occupies an ambivalent position between nature and culture. In the phenomenon of laughter, the dual state of human is revealed. In laughter, boundaries are blurred, the unity and opposition of natural and cultural, biological and social, soul and body, thought and feeling, sign and attribute are manifested.
目的。本文旨在证实笑现象作为符号学分析对象的观点,从而引出以下任务:揭示符号学应用于笑本质研究的可能性;分析笑作为一种文化现象和自然现象,作为一种标志和一种属性;考虑笑声在文化中的地位,这被理解为一种符号系统。理论基础。符号学方法源于人类生活在符号世界的事实,所有周围的现实都可以被解释为一个符号系统。符号学的基本概念是符号的概念。本文的理论基础是将文化理解为一个符号-符号系统。笑被认为是一种根植于人类文化的本体论现象。同时,笑也处在文化的边缘。这项研究是基于符号学作者、文化研究者和笑声研究者的工作。创意。其独创性在于将符号学方法应用于笑现象的研究,考虑到自然与文化、符号与非符号的辩证法,体现在笑现象中。结论。笑被认为是一种心理生理现象(属性)和一种文化现象(符号)。笑是一种情感表现,一种生理反应,但受社会和文化的影响。无论如何,笑表明了一个人的情感或认知状态。笑是解读一个信号的过程和结果,是对一个信号的反应。笑是一种交流的形式和手段。笑作为一种自然现象,在社会进化的过程中获得了符号,作为符号系统被文化所整合,同时又与自然保持着联系。因此,笑在自然和文化之间占据了一个矛盾的位置。在笑的现象中,揭示了人的双重状态。在笑中,界限被模糊,自然与文化、生物与社会、灵魂与身体、思想与情感、符号与属性的统一与对立得到体现。
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引用次数: 0
Humanistic Intention of Dystopia in "The Giver" by Lois Lowry 洛伊丝·劳瑞《给予者》中反乌托邦的人文意图
IF 0.3 0 PHILOSOPHY Pub Date : 2021-12-28 DOI: 10.15802/ampr.v0i20.249567
A. Muntian, I. Shpak
Purpose. The aim of this piece is to study the manifestations of humanistic pursuits in a literary fiction work. The main interest is related to the interpretation of those existential and sociocultural concepts that underlie the dystopian novel by Lois Lowry. The theoretical basis of the study is based on works on phenomenology and the theory of reader reception. The method of phenomenology is a descriptive method: the phenomena of consciousness cannot be reduced to limited cognitive forms, and therefore language and means of description are important along with their ability to reveal consciousness through phenomena. Originality of the study lies in the investigation of the humanistic aspect of a dystopian society, depicted in the modern literary fiction. The main attention is focused on the phenomenological identification of existential ideas and their manifestation in the literary characters of the given work. The conclusions speak about the tendencies of humanization and dehumanization of a man and society in the context of philosophical, ethical and aesthetic issues, which are the most important and urgent problems of our time. The current study finds out that in the modern dystopian literature and philosophy, the main subject of attention is a human. This human is perceived and depicted as a phenomenon that cannot be grasped by the notions of intimation and essence. The human is a creature whose freedom presupposes a constant departure from nature and habitual reality to the realm of transcendent through the desire to comprehend his or her certain way of existence.
目的。本文旨在研究一部文学小说作品中人文主义追求的表现形式。主要兴趣在于解释洛伊丝·劳瑞反乌托邦小说背后的存在主义和社会文化概念。本研究的理论基础是现象学著作和读者接受理论。现象学的方法是一种描述性的方法:意识现象不能被简化为有限的认知形式,因此语言和描述手段及其通过现象揭示意识的能力很重要。本研究的独创性在于探究现代文学小说中所描绘的反乌托邦社会的人文方面。主要关注存在主义思想的现象学认同及其在给定作品的文学人物中的表现。结语从哲学、伦理和美学的角度探讨了人类和社会的人性化和非人性化的趋势,这些都是我们这个时代最重要和最紧迫的问题。本研究发现,在现代反乌托邦文学和哲学中,关注的主要对象是人。这个人被视为一种现象,不能被亲密和本质的概念所掌握。人类是一种生物,其自由以不断地脱离自然和惯常的现实为前提,通过渴望理解他或她的某种存在方式而进入超越的领域。
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引用次数: 0
Artist’s Psychophysiology in Disposition to Style (Case Study of Lesia Ukrainka’s Biography Materials) 艺术家在风格倾向中的心理生理(以乌克兰卡的传记材料为例)
IF 0.3 0 PHILOSOPHY Pub Date : 2021-12-28 DOI: 10.15802/ampr.v0i20.249502
H. Yastrubetska, T. Levchuk
Purpose of the study is to shed light on the role of psychophysiology in the creative process, namely, the style corrections connected with pathological changes in the artist’s organism, deviating from empirical-descriptive methods. Theoretical basis of the study implies the interpretation of the notions style and disease not in their narrow professional limitation but from the standpoint of expanding the parameters of these concepts to philosophical dimensions. Based on the principle of analogy, the research findings prove that non-mimetic creative process ("pure" action) manifests itself exclusively in connection with a human from a bodily viewpoint through anthropological mimesis, which can program the propensity to certain capabilities of the individual organism (both psycho-physiological and in its creative and stylistic manifestations). C. G. Jung was the first who pointed to the productivity of this method in his work "Theoretical Reflections on the Nature of the Psyche". The creativity phenomenon (and its most specific feature – style) reflects not only "pure" psychology and the intellectual and spiritual component but also its relation to the artist as a physical being. It, outside its belonging to and being conditioned by transcendent factors, includes a quantitative aspect related to the moment of intensity. The disease (quantitative-intensive indicator) acts to some extent as a stimulator of the production/change of aesthetic enzyme ("The Obsessed" by Lesia Ukrainka). In this context, the dialectic method is also effective because the subject of study cannot be comprehensively argued using naturalistic approaches only and requires (according to A. Losev) a semantic explanation too. The essence of it is the logic of contradictions. In this case, the antinomy of matter-spirit plays a conceptual role in the projection on the plane of word-formation. Originality of the research findings is in the expansion of the causal relationship range of the creative process, namely the inclusion of the factor of psycho-physiological pathology into the system artist-work. This factor performs important stylistic functions. Conclusions. In contrast to scientific studies, where 1) style is analyzed separately (mostly in terms of text landscape description) and 2) the figure of the artist (mainly – in the parameters of empiricism, rarely – in psychoanalytic perspective), this study argues the need to correlate these issues, taking them beyond descriptiveness to avoid schematics and one-dimensionality.
本研究的目的是阐明心理生理学在创作过程中的作用,即与艺术家机体病理变化相关的风格纠正,偏离了经验描述性方法。本研究的理论基础意味着对风格和疾病概念的解释不是在其狭窄的专业范围内,而是从将这些概念的参数扩展到哲学维度的角度出发。基于类比原理,研究结果证明,非模仿的创造过程(“纯粹”行为)通过人类学的模仿,从身体的角度与人类联系,这可以编程个体有机体的某些能力的倾向(心理生理及其创造性和风格表现)。荣格是第一个在他的著作《对心灵本质的理论反思》中指出这种方法的生产力的人。创作现象(及其最具体的特征-风格)不仅反映了“纯粹的”心理和智力和精神成分,而且反映了它与艺术家作为一个物质存在的关系。它在属于和受超越因素制约之外,还包括一个与强度矩有关的量的方面。这种疾病(数量密集的指标)在某种程度上作为审美酶的产生/变化的刺激物(Lesia Ukrainka的“痴迷”)。在这种情况下,辩证法也是有效的,因为研究的主题不能只用自然主义的方法来全面论证,而且还需要(根据a . Losev的说法)语义解释。它的本质是矛盾逻辑。在这种情况下,物质-精神的二律背反在构词平面上的投射中起着概念性的作用。研究成果的独创性在于扩大了创作过程的因果关系范围,即将心理-生理病理因素纳入艺术家-作品的系统。这一因素具有重要的文体功能。结论。与科学研究相比,1)风格是单独分析的(主要是根据文本景观描述),2)艺术家的形象(主要-在经验主义的参数中,很少-在精神分析的角度),这项研究认为需要将这些问题联系起来,使它们超越描述性,以避免图式和一维性。
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引用次数: 0
From Information Search to the Loss of Personality: The Phenomenon of Dataism 从信息搜索到个性丧失:数据主义现象
IF 0.3 0 PHILOSOPHY Pub Date : 2021-12-28 DOI: 10.15802/ampr.v0i20.249591
D. Kobelieva, N. M. Nikolaienko
Purpose. The research is devoted to the analysis of the urgent problem of the information society: the overload of a person with information and, as a result, the impossibility of adequate formation and development of the personality; as well as the problem of "digitization" of human existence and the formation of a new reality of dataism. Theoretical basis. A lot of modern scientific works are devoted to the analysis of the information society, its problems and features. The information society is a logical continuation of the scientific and technological revolution, which led to the rapid growth of scientific knowledge and the technology development. In the 20th century, technologies have touched the sphere of knowledge and information, as a result of which the formation and development of the information society, or "knowledge society", takes place. Information becomes the main resource in it, and, one way or another, a person’s life is inextricably connected with the information space. With the information society formation, the problem of information search and processing becomes one of the most urgent. It turns out that despite the abundance and availability of information, it is very difficult to determine its relevance. A lot of effort is spent on developing information retrieval algorithms. Another problem is related to the person’s inability to process large amounts of data. This situation begins to influence not only the education process and professional activity, but also the formation of a person’s personality. A person is "lost" in the information space and gradually loses his/her "I". Algorithms for data analysis come to the rescue, but gradually, instead of giving a person material for thought, they begin to make decisions on their own, and therefore, live life instead of a person. With the advent of Big Data processing algorithms, a new ideological paradigm appears – dataism, which predicts the merger of a person with the general data flow. Originality. The authors make assumptions that the dataistic future is "natural". A lot of works, including in the framework of philosophy, are focused on the problem of "dissolving" a person in the information space and finding ways to overcome it. But, in our opinion, this process is a completely logical continuation of human evolution. Conclusions. Existence of a person as a data flow is not a problem and a threat, but a new dimension of his/her being, and, therefore, requires a careful study and formulation of the main principles of this form of existence.
目的。该研究致力于分析信息社会的紧迫问题:一个人的信息过载,因此,不可能充分形成和发展的个性;以及人类生存的“数字化”问题和数据主义新现实的形成。理论基础。许多现代科学著作都致力于分析信息社会及其存在的问题和特点。信息社会是科技革命的逻辑延续,科技革命带来了科学知识的快速增长和技术的飞速发展。在20世纪,技术已经触及了知识和信息领域,信息社会或“知识社会”的形成和发展由此发生。信息成为信息空间的主要资源,人的生活与信息空间有着千丝万缕的联系。随着信息社会的形成,信息的搜索与处理问题成为最紧迫的问题之一。事实证明,尽管信息丰富且可用,但很难确定其相关性。在开发信息检索算法上花费了大量的精力。另一个问题与个人处理大量数据的能力有关。这种情况不仅开始影响到教育过程和专业活动,而且影响到一个人的个性的形成。一个人在信息空间中“迷失”,逐渐失去自己的“我”。用于数据分析的算法开始发挥作用,但渐渐地,它们不再给人提供思考的材料,而是开始自己做决定,因此,它们代替人生活。随着大数据处理算法的出现,出现了一种新的思想范式——数据主义,它预测了个人与一般数据流的融合。创意。作者假设数据化的未来是“自然的”。很多作品,包括在哲学的框架中,都在关注一个人在信息空间中的“溶解”问题,并寻找克服这个问题的方法。但是,在我们看来,这个过程完全是人类进化的逻辑延续。结论。一个人作为数据流的存在不是问题和威胁,而是他/她存在的一个新维度,因此,需要仔细研究和制定这种存在形式的主要原则。
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引用次数: 2
The Co-Existential Educational Community and Culture 共存的教育共同体与文化
IF 0.3 0 PHILOSOPHY Pub Date : 2021-12-28 DOI: 10.15802/ampr.v0i20.249547
S. Voznyak, V. Limonchenko
Purpose. The article aims to comprehend the concept that has a serious anthropological meaning, – a "co-existential educational community" – which points at the real subject and object in the development of the educational reality, as well as to explicate its importance towards understanding the real way of addressing actually to the culture and its acquisition in the pedagogical process. Theoretical basis. To achieve this purpose, the method of categorical-reflexive analysis of texts and problems of real educational realities is used; this allows to involve of such philosophical concepts as "sobornost", "all-unity", "culture" and distinguish their anthropological meaning. Under this approach, philosophical categories are able to appear as internal dimensions of the essence in the educational process, rather than a certain matrix, for which one or another theoretical or practical construction is adjusted. Originality. The originality of the article lies in the actualization of philosophical content in "sobornost" and "all-unity" concepts for philosophical-educational discourse and in solving the question on the real way of entering culture (precisely in its potential that generates its own human in man) in the context of pedagogical communication. Conclusions. Addressing the idea of a co-existential educational community is able to oppose the widespread superficial notions of the so-called "educational environment" in the pedagogical and psychological literature and orient pedagogical theory and pedagogical practices on the real way of entering the individual into truly human forms of life. It is argued that the co-existential educational community can and should unfold not only "horizontally" (in space), but also "vertically" (in historical time), consciously integrating the high culture in itself as a culture of high. The authors emphasized the role of imagination in this process. Education can and should build co-existence with the culture of participants in pedagogical communication. It is with this approach that the education sector can emerge from the systemic crisis and actively oppose those trends in modern social life that increase alienation and depopulation.
目的。本文旨在理解一个具有重要人类学意义的概念——“共存的教育共同体”,它指出了教育现实发展中的真正主体和客体,并阐明了它对于理解在教学过程中实际处理文化及其获取的真正方式的重要性。理论基础。为了达到这一目的,使用了对文本和真实教育现实问题进行范畴反思性分析的方法;这允许涉及诸如“sobornost”、“all-unity”、“culture”等哲学概念,并区分它们的人类学意义。在这种方法下,哲学范畴能够作为教育过程中本质的内在维度出现,而不是一个特定的矩阵,为其调整一个或另一个理论或实践建构。创意。本文的创新之处在于,它将哲学内容在哲学教育话语的“统一性”和“统一性”概念中得以实现,并在教学传播的语境中解决了文化进入的真正途径问题(确切地说,是文化在人里面产生自己的人的潜能)。结论。探讨一个共存的教育共同体的概念,能够反对在教育学和心理学文献中广泛存在的所谓“教育环境”的肤浅概念,并将教育学理论和教学实践定位于使个人进入真正人类生活形式的真正方式上。认为共存的教育共同体既可以而且应该“横向”(空间上)展开,也应该“纵向”(历史时间上)展开,自觉地将高雅文化作为一种高雅文化融入自身。作者强调了想象力在这一过程中的作用。教育可以而且应该在教学交流中与参与者文化建立共存关系。正是通过这种方法,教育部门才能摆脱体制危机,积极反对现代社会生活中加剧异化和人口减少的趋势。
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引用次数: 0
Lessons of Descartes: Metaphysicity of Man and Poetry 笛卡儿的教训:人与诗的形而上
IF 0.3 0 PHILOSOPHY Pub Date : 2021-12-28 DOI: 10.15802/ampr.v0i20.249593
A. Malivskyi
Purpose. To consider the uniqueness of Descartes’ way of interpreting poetry as a type of philosophizing that makes it possible to comprehend the metaphysical nature of man. Its implementation involves the consistent solution of the following tasks: a) understanding methodological changes in the philosophy of the 20th century in the process of actualization of anthropological interest; b) argumentation of the importance of poetic thinking for early Descartes in the process of addressing modern historians of philosophy and the thinker’s texts. Theoretical basis. I rely on the conceptual positions of phenomenology, existentialism and hermeneutics. Originality. Finding of the study is that poetic thinking is the most authentic way of meaningful comprehension of the metaphysicity of man. The paper outlines the nature of the expression of this correlation in the philosophizing of the 20th-21th centuries and substantiates the thesis about the importance of the poetic principle for understanding the phenomenon of man in early works by Descartes. Conclusions. The paper examined the methodological shifts in anthropologically oriented philosophizing of the 20th-21th centuries and focused on the manifestations of related moments in the philosophical legacy of Descartes. The latter demonstrates the existence of a still underestimated version of interpreting the metaphysical foundations of human existence, the form of understanding of which is poetic thinking. It is a form of caring for the humane in man.
目的。将笛卡儿解读诗歌的独特方式视为一种哲学思考,使理解人的形而上学本质成为可能。它的实施涉及到以下任务的一致解决:a)在人类学兴趣的实现过程中理解20世纪哲学的方法论变化;b)在向现代哲学史和思想家文本发表讲话的过程中,论证诗歌思维对早期笛卡尔的重要性。理论基础。我依赖于现象学、存在主义和解释学的概念立场。创意。研究发现,诗意思维是对人的形而上最有意义的理解方式。本文概述了这种相关性在20 -21世纪哲学思想中的表现性质,并对笛卡尔早期作品中关于诗意原则对理解人的现象的重要性的论点进行了论证。结论。本文考察了20 -21世纪以人类学为导向的哲学思想的方法论转变,并重点关注了笛卡尔哲学遗产中相关时刻的表现。后者证明了存在一种仍然被低估的解释人类存在的形而上学基础的版本,其理解形式是诗歌思维。它是一种关怀人性的形式。
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引用次数: 2
Age Discrimination as a Threat to the Anthropological Absolute of Human Being (Using the Pandemic Crisis as an Example) 年龄歧视对人类人类学绝对地位的威胁(以疫情危机为例)
IF 0.3 0 PHILOSOPHY Pub Date : 2021-12-28 DOI: 10.15802/ampr.v0i20.249525
V. Blikhar, N. Hren
Purpose. The purpose of this paper is to investigate the anthropological and socio-philosophical dimensions of human existence of the older age group given the challenges of pandemic threats caused by COVID-19. To this end, it is planned to solve a number of tasks, among which one should distinguish the following: 1) to investigate the manifestations of age discrimination in the context of the social and labor areas of human existence; 2) to focus on the asymmetry of the behavior of society and the state relative to persons of the older age group in the field of healthcare in the context of a pandemic crisis; 3) to represent the anthropological features of changes in the socialization and activity of older people under the current conditions of globalization-pandemic challenges. Theoretical basis. Despite such a broad representation of the age-related issue in public relations, there are still no practical guarantees that would apply to discriminatory aspects of older age groups in various areas of their manifestation. The synergistic evolution of social reality requires substantive analysis of the issue under the current conditions for the transformation of social life, which is affected by globalization crises caused by the pandemic threats of COVID-19. Originality. The stereotypical assumptions underlying legal policy and established social relations are based solely on the application of chronological age. The novelty is in justifying an individual approach to the elderly through the personification of the personal characteristics of a person. The study of anthropological and socio-philosophical dimensions of the existence of a person of the older age group in the face of the challenges of pandemic threats caused by COVID-19 has made it possible to analyze the destructive nature of age discrimination in the context of the social and labor areas of human existence. As well as focus on the asymmetry of the behavior of society and the state in relation to these persons in the field of health care, and emphasize the anthropological features of changes in the socialization and human activity under the current conditions of globalization-pandemic challenges. Conclusions. External threats to human existence call for special attention to the implementation and protection of human rights, freedoms, individual freedoms, and identity. Pandemic threats have transformed all dimensions of human existence, especially for those groups of society that are less socially protected. The pandemic crisis has created additional grounds for discrimination against older people in various areas of human existence. Equalization of persons by age without personifying the personal characteristics of an individual is discrimination on an age basis, which violates the principles of democracy and humanism in the society, leads to stigmatization of the person, is the cause of the anthropological crisis of a person.
目的。本文的目的是在COVID-19造成的大流行威胁的挑战下,调查老年群体人类存在的人类学和社会哲学维度。为此,计划解决若干任务,其中应区分如下:1)在人类存在的社会和劳动领域的背景下调查年龄歧视的表现;2)在大流行危机的背景下,关注社会和国家在医疗保健领域相对于老年人群体的不对称行为;3)代表在全球化-流行病挑战的当前条件下老年人的社会化和活动变化的人类学特征。理论基础。尽管与年龄有关的问题在公共关系中有如此广泛的代表性,但仍然没有实际的保证适用于老年群体在其表现的各个领域的歧视方面。社会现实的协同演变需要在当前社会生活转型的条件下进行实质性分析,这一条件受到COVID-19大流行威胁造成的全球化危机的影响。创意。作为法律政策和既定社会关系基础的陈规定型假设完全基于实足年龄的适用。新颖之处在于通过拟人化一个人的个人特征来证明对老年人的个人方法是合理的。在面对COVID-19造成的大流行威胁的挑战时,对老年人生存的人类学和社会哲学层面进行研究,使人们能够在人类生存的社会和劳动领域的背景下分析年龄歧视的破坏性。以及关注社会和国家在卫生保健领域与这些人有关的行为的不对称,并强调在全球化-流行病挑战的当前条件下社会化和人类活动变化的人类学特征。结论。对人类生存的外部威胁要求特别注意人权、自由、个人自由和特性的执行和保护。大流行病的威胁已经改变了人类生存的各个方面,特别是对那些社会保护较少的社会群体而言。这场大流行病危机为在人类生活的各个领域歧视老年人创造了更多的理由。没有人格化个人特征的年龄平等是基于年龄的歧视,违背了社会的民主和人道主义原则,导致人的污名化,是人的人类学危机的根源。
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引用次数: 0
Legal Roots of Christian Anthropology 基督教人类学的法律根源
IF 0.3 0 PHILOSOPHY Pub Date : 2021-12-28 DOI: 10.15802/ampr.v0i20.249592
A. Halapsis
Purpose of the article is to reconstruct the legal sources of Christian anthropology. Theoretical basis. The methodological basis of the article is the understanding of the fundamental foundations of Christian anthropology in the context of Roman legal understanding. Originality. From the point of view of the Christian religion, man is a dual being: his body is part of the material world, but his soul is not from this world, he is born directly from God. The transcendent origin of the soul gives it the right to communicate with God, but this right can be realized only with the help of the Church, which is seen as the "bride of the Lamb" and the mystical "body of Christ". Interpretations of the essence of church organization correlate with the principles of organization of the Roman community. The principle of universal priesthood correlates with the idea of "post-Tarquinian democracy", recognizing the people of Rome as the supreme bearer of the empire of Jupiter; catholicity – with the idea of the senate as a meeting of the most deserving leaders of the community; apostolic succession – with the institution of republican magistrates, who even though received their power from the community, but through "consultations with the gods" (auspices). In essence, Christian dogmatism is Roman law applied to the Middle Eastern religion; the Bible was interpreted as a legal document, and theologians acted as lawyers. Conclusions. In the ancient Churches (Catholic, Orthodox, Armenian, Coptic, etc.) the ideal of Roman law was realized as the right of impersonal law, standing outside and above the individual. The latter has no ontological value, it is a "servant of God", but the union of men into the mystical "body of Christ" makes the latter empowered to represent God on earth and to act on his behalf. The Renaissance paved the way for the Reformation, in which a powerful "Greek" ("philosophical") lobby declared itself. Despite the fact that many leaders of the Reformation had a personal dislike for philosophy, they were spontaneous philosophers, believing themselves entitled to interpret the will of God independently, regardless of the authority of the councils. They were strict rationalists who only changed the object of their reason: if the ancient Greeks tried to comprehend the world rationally, the Protestants set themselves the goal of rationally comprehending the Book. Ultimately, the main question of Christian theology is the question of man’s attitude to God, and the differences between the anthropological systems within Christianity are the options for answering this question.
本文的目的是重建基督教人类学的法律渊源。理论基础。本文的方法论基础是在罗马法律理解的背景下对基督教人类学基本基础的理解。创意。从基督教的观点来看,人是一个双重存在:他的身体是物质世界的一部分,但他的灵魂不是来自这个世界,他直接从上帝而生。灵魂的超然起源赋予它与天主沟通的权利,但这种权利只有在教会的帮助下才能实现,教会被视为“羔羊的新娘”和神秘的“基督的身体”。对教会组织本质的解释与罗马社会的组织原则相关联。普遍祭司的原则与“后塔奎尼民主”的思想相联系,承认罗马人民是朱庇特帝国的最高承载者;天主教——认为参议院是社会中最值得尊敬的领导人的会议;使徒继承-与共和行政长官的制度,他们虽然从团体获得权力,但通过“与神协商”(主持)。基督教教条主义本质上是罗马法在中东宗教中的应用;圣经被解释为法律文件,神学家扮演律师的角色。结论。在古代教会(天主教、东正教、亚美尼亚、科普特等)中,罗马法的理想被实现为非人格法的权利,凌驾于个人之上。后者没有本体论的价值,它是“上帝的仆人”,但人的联盟进入神秘的“基督的身体”,使后者有权在地球上代表上帝,并代表他行事。文艺复兴为宗教改革铺平了道路,一个强大的“希腊”(“哲学”)游说团体宣布了自己的立场。尽管许多宗教改革运动的领袖个人不喜欢哲学,但他们都是自发的哲学家,相信自己有权独立地解释上帝的意志,而不受议会权威的影响。他们是严格的理性主义者,只是改变了理性的对象:如果说古希腊人试图理性地理解世界,那么新教徒则为自己设定了理性地理解《圣经》的目标。最终,基督教神学的主要问题是人对上帝的态度问题,基督教内部人类学系统之间的差异是回答这个问题的选择。
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引用次数: 0
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Anthropological Measurements of Philosophical Research
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