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A Collaborative Creation of Home: Recognizing the Multifarious Roles and Representations of Jessie Tanner 家的协同创造:认识杰西·坦纳的多重角色和表现
Q3 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2023-01-01 DOI: 10.24926/24716839.18389
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引用次数: 0
Reflecting on “Toward a More Inclusive Digital Art History” 反思“走向更具包容性的数字艺术史”
Q3 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2023-01-01 DOI: 10.24926/24716839.18316
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引用次数: 0
More Than Just a Database: The Endless Possibilities of Digital Catalogues Raisonnés 不仅仅是一个数据库:数字目录的无限可能
IF 0.5 Q3 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2023-01-01 DOI: 10.24926/24716839.17157
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引用次数: 0
Insurance: Beyond Law 保险:超越法律
IF 0.5 Q3 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2023-01-01 DOI: 10.24926/24716839.17387
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引用次数: 0
Archival Assembly: The Black Artists of Oklahoma Project and Art-Historical Infrastructure 档案大会:俄克拉何马州的黑人艺术家项目和艺术历史基础设施
IF 0.5 Q3 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2023-01-01 DOI: 10.24926/24716839.17282
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引用次数: 0
The Art of Jean LaMarr Jean LaMarr的艺术
Q3 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2023-01-01 DOI: 10.24926/24716839.18305
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引用次数: 0
Philly Necrofutures: Digital Curation to Counter the Under-Resourcing of African Collections at the Philadelphia Museum of Art 费城Necrofutures:数字策展以应对费城艺术博物馆非洲藏品资源不足的问题
Q3 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2023-01-01 DOI: 10.24926/24716839.18261
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引用次数: 0
Against the Private Museum 反对私人博物馆
Q3 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2023-01-01 DOI: 10.24926/24716839.18320
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引用次数: 0
Painting the Inhabited Landscape: Fitz H. Lane and the Global Reach of Antebellum America 绘制有人居住的风景:菲兹·h·莱恩和战前美国的全球影响力
Q3 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2023-01-01 DOI: 10.24926/24716839.18175
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引用次数: 0
“Reading like a Poet” between the Lines of the Cultural Exemption and the Mexican Exception "像诗人一样阅读"在文化豁免和墨西哥例外的字里行间
IF 0.5 Q3 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2023-01-01 DOI: 10.24926/24716839.17440
A. Carroll
In REMEX: Toward an Art History of the NAFTA Era, I argue that the North American Free Trade Agreement/ Tratado de Comercio Libre del América del Norte/ Accord de libreéchange nord-américain (NAFTA/ TLCAN/ ALÉNA), billed as a trilateral agreement to eliminate continental trade barriers between Canada, the United States, and Mexico, represented the most fantastical inter-American social allegory of the late twentieth century.1 Although NAFTA technically went into effect one minute after midnight on January 1, 1994, the continent’s NAFTAfication encompassed the treaty’s contentious negotiation, signing, ratification, and the fifteen years of its implementation from 1994 to 2008. Because the agreement unfolded in the wake of Mexico’s 1984 Faustian pact with the World Bank, wherein Mexico was granted a loan in exchange for its adoption of significant neoliberal reforms, NAFTA’S asymmetrical effects were anticipated: Mexico’s “economic penetration” and US exceptionalism were treated as paired foregone conclusions. Objections to the treaty subsequently assumed distinct shapes in the two nation-states.
在《REMEX:走向北美自由贸易协定时代的艺术史》一书中,我认为北美自由贸易协定(NAFTA/ TLCAN/ ALÉNA)是一项旨在消除加拿大、美国和墨西哥之间大陆贸易壁垒的三边协议,代表了20世纪后期最梦幻的美洲社会寓言虽然从技术上讲,北美自由贸易协定于1994年1月1日午夜后一分钟生效,但该大陆的北美自由贸易协定化包含了该条约有争议的谈判,签署,批准以及从1994年到2008年的15年实施。由于该协定是在墨西哥1984年与世界银行达成浮士德协议(Faustian pact)之后展开的,在该协议中,墨西哥接受重大的新自由主义改革,以换取贷款,因此北美自由贸易协定的不对称效应是可以预料到的:墨西哥的“经济渗透”和美国例外论被视为成对的必然结论。随后,对该条约的反对意见在这两个民族国家中呈现出不同的形式。
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引用次数: 0
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