{"title":"Genesis of the Carl Rungius Catalogue Raisonné","authors":"","doi":"10.24926/24716839.17343","DOIUrl":"https://doi.org/10.24926/24716839.17343","url":null,"abstract":"","PeriodicalId":42739,"journal":{"name":"Panorama","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69337751","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"All That She Carried: The Journey of Ashley’s Sack, a Black Family Keepsake","authors":"","doi":"10.24926/24716839.18149","DOIUrl":"https://doi.org/10.24926/24716839.18149","url":null,"abstract":"","PeriodicalId":42739,"journal":{"name":"Panorama","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135758392","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In 1944, Paramount Pictures featured a “Pin-Up Girl” as part of its Unusual Occupations film series.1 The short film begins not in an artist’s studio—at the site of artistic production—but rather at a site of the images’ consumption: in the drab interior of an army barracks. Accompanied by the spirited drums and horns of “I’m in the Army Now,” a young man reclines on the lower level of a bunk bed, reading a newspaper whose contents cause him to frown and furrow his brow.2 Setting aside the newspaper and laying it across his darkolive woolen blanket, an uplifting thought seems to occur to him. He props himself up on his elbow and turns to look over his shoulder, good-naturedly shaking his head with a smile. The camera pans to follow the object of his gaze: a wooden board whose surface is covered with three rows of colorful cards, tacked up at jaunty angles. Each card features a lithe, scantily clad woman against a bright background. Despite differences in settings and costumes, each illustration emphasizes the model’s long legs, enhanced by high heels, as the women pose in a variety of environments and predicaments. “The pinup girl is at the [battle] front, too!” the narrator informs us. The camera proceeds to zoom in to inspect the small pictures, panning across the cards and the protruding nails that hold them in place, however temporarily. “Who is the artist, and who is the model?” the narrator asks, interrupting himself to note, “The boys don’t care, but we do!”
{"title":"Producing and Consuming the Image of the Female Artist","authors":"Ellery E. Foutch","doi":"10.24926/24716839.17193","DOIUrl":"https://doi.org/10.24926/24716839.17193","url":null,"abstract":"In 1944, Paramount Pictures featured a “Pin-Up Girl” as part of its Unusual Occupations film series.1 The short film begins not in an artist’s studio—at the site of artistic production—but rather at a site of the images’ consumption: in the drab interior of an army barracks. Accompanied by the spirited drums and horns of “I’m in the Army Now,” a young man reclines on the lower level of a bunk bed, reading a newspaper whose contents cause him to frown and furrow his brow.2 Setting aside the newspaper and laying it across his darkolive woolen blanket, an uplifting thought seems to occur to him. He props himself up on his elbow and turns to look over his shoulder, good-naturedly shaking his head with a smile. The camera pans to follow the object of his gaze: a wooden board whose surface is covered with three rows of colorful cards, tacked up at jaunty angles. Each card features a lithe, scantily clad woman against a bright background. Despite differences in settings and costumes, each illustration emphasizes the model’s long legs, enhanced by high heels, as the women pose in a variety of environments and predicaments. “The pinup girl is at the [battle] front, too!” the narrator informs us. The camera proceeds to zoom in to inspect the small pictures, panning across the cards and the protruding nails that hold them in place, however temporarily. “Who is the artist, and who is the model?” the narrator asks, interrupting himself to note, “The boys don’t care, but we do!”","PeriodicalId":42739,"journal":{"name":"Panorama","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69337674","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The Virginia Museum of Contemporary Art’s exhibition Maya Lin: A Study of Water expertly navigated the surging tension between the global and the local in ecocritical art history (as well as in Lin’s oeuvre). Lin drew on extensive ecological knowledge in “poetic representations of the Chesapeake Bay in glass marbles and silver presented alongside rivers made of steel pins, icebergs made of plaster, and waves made of wood.”1 Guest Curator Melissa Messina’s panel texts crisply captured the interconnected themes of climate change, ice melt, deforestation, and sea level rise in a way that was equally rich for those well-versed and those coming to the topics for the first time, revealing, in Lin’s words, “things we may not be thinking about.”
弗吉尼亚当代艺术博物馆的展览《林璎:水的研究》(Maya Lin: A Study of Water)巧妙地驾驭了生态批评艺术史(以及林的全部作品)中全球和地方之间日益高涨的紧张关系。林借鉴了广泛的生态知识，“用玻璃弹珠和银器诗意地描绘了切萨皮克湾，旁边是用钢钉做成的河流，用石膏做成的冰山，用木头做成的海浪。”1客座策展人梅利莎·梅西纳(Melissa Messina)的展板文本清晰地捕捉到了气候变化、冰川融化、森林砍伐和海平面上升等相互关联的主题，无论是对那些精通这些主题的人还是第一次接触这些主题的人来说，都同样丰富，用林的话说，揭示了“我们可能没有想到的事情”。
{"title":"Maya Lin: A Study of Water","authors":"M. Lin, Melissa Messina","doi":"10.24926/24716839.17445","DOIUrl":"https://doi.org/10.24926/24716839.17445","url":null,"abstract":"The Virginia Museum of Contemporary Art’s exhibition Maya Lin: A Study of Water expertly navigated the surging tension between the global and the local in ecocritical art history (as well as in Lin’s oeuvre). Lin drew on extensive ecological knowledge in “poetic representations of the Chesapeake Bay in glass marbles and silver presented alongside rivers made of steel pins, icebergs made of plaster, and waves made of wood.”1 Guest Curator Melissa Messina’s panel texts crisply captured the interconnected themes of climate change, ice melt, deforestation, and sea level rise in a way that was equally rich for those well-versed and those coming to the topics for the first time, revealing, in Lin’s words, “things we may not be thinking about.”","PeriodicalId":42739,"journal":{"name":"Panorama","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69337833","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Hear Me Now: The Black Potters of Old Edgefield, South Carolina","authors":"","doi":"10.24926/24716839.18431","DOIUrl":"https://doi.org/10.24926/24716839.18431","url":null,"abstract":"","PeriodicalId":42739,"journal":{"name":"Panorama","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135710587","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Medicine of Art: Disease and the Aesthetic Object in Gilded Age America","authors":"","doi":"10.24926/24716839.18328","DOIUrl":"https://doi.org/10.24926/24716839.18328","url":null,"abstract":"","PeriodicalId":42739,"journal":{"name":"Panorama","volume":"61 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135710236","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Response to Barabási and Shekhtman","authors":"","doi":"10.24926/24716839.18486","DOIUrl":"https://doi.org/10.24926/24716839.18486","url":null,"abstract":"","PeriodicalId":42739,"journal":{"name":"Panorama","volume":"138 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135710599","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
These images are approved only for publication in conjunction with the promotion of Jaune Quick-To-See Smith: Memory Map. Each image may not be cropped, bled off the page, colorized, solarized, overlaid with other matter (e.g., tone, text, another image, etc.), or otherwise altered, except as to overall size. Reproductions must include the full caption information adjacent to the image. Download high-resolution image files on the Whitney press site.
{"title":"Jaune Quick-to-See Smith: Memory Map","authors":"","doi":"10.24926/24716839.18197","DOIUrl":"https://doi.org/10.24926/24716839.18197","url":null,"abstract":"These images are approved only for publication in conjunction with the promotion of Jaune Quick-To-See Smith: Memory Map. Each image may not be cropped, bled off the page, colorized, solarized, overlaid with other matter (e.g., tone, text, another image, etc.), or otherwise altered, except as to overall size. Reproductions must include the full caption information adjacent to the image. Download high-resolution image files on the Whitney press site.","PeriodicalId":42739,"journal":{"name":"Panorama","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135712641","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Woman As Image","authors":"","doi":"10.24926/24716839.17301","DOIUrl":"https://doi.org/10.24926/24716839.17301","url":null,"abstract":"","PeriodicalId":42739,"journal":{"name":"Panorama","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69337730","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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