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The Primal Scenes of Language and the Gesture 语言和手势的原始场景
IF 0.4 3区 哲学 Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.5840/studphaen2022224
Rajiv Kaushik
This paper seeks to develop the connection in Merleau‑Ponty’s later ontology between the gesture and language. There is a concerted effort in Merleau‑Ponty’s “middle period” to illustrate that a linguistic system of signs is internally constellated by the body and its movement. This effort seems to give way to an ontology of flesh in the later period. On closer consideration, however, this ontology and the linguistic system of signs—both “diacritical”—are mutually imbricated. This highlights the crucial importance of separation, deviation, and difference in Merleau‑Ponty’s ontology. A question remains, however: how can the body, and in particular the gesture, be the very site of separation rather than of an initiation or identification? I argue that, for Merleau‑Ponty, every gesture contains something internally antagonistic to it, something that cannot be grasped or moved. In this sense, the gesture is an “implex,” both internally resistant to and productive of signification. It is, in short, the site of a symbolization. In light of this, in the conclusion I reconsider the final passages from “Cézanne’s Doubt” where Merleau‑Ponty discusses Freud’s “hermeneutical musings” on Leonardo, and the passages from “Indirect Language and the Voices of Silence” and the nature lectures where he discusses the painter’s brushwork.
本文试图发展梅洛-庞蒂后期本体论中手势与语言之间的联系。在梅洛-庞蒂的“中期”中,有一种一致的努力来说明符号的语言系统在内部是由身体及其运动组成的。这种努力似乎在后期让位给肉体本体论。然而,仔细考虑一下,这个本体论和符号的语言系统——两者都是“变音符的”——是相互交织的。这凸显了梅洛-庞蒂本体论中分离、偏离和差异的关键重要性。然而,一个问题仍然存在:身体,特别是手势,如何能成为分离的场所,而不是开始或认同?我认为,对梅洛-庞蒂来说,每一个手势都包含着某种内在的对抗性,某种无法把握或移动的东西。在这个意义上,手势是一种“复杂”,既内在地抗拒意义,又产生意义。简而言之,它是一个象征的场所。鉴于此,在结语中,我重新考虑了梅洛-庞蒂讨论弗洛伊德对列奥纳多的“解释学思考”的最后段落,以及梅洛-庞蒂在“间接语言和沉默之声”和自然讲座中讨论画家笔法的段落。
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引用次数: 0
Animate Realities of Gesture 手势的动画现实
IF 0.4 3区 哲学 Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.5840/studphaen2022228
M. Sheets‐Johnstone
Section I details Husserl’s insight into style and how a person’s individual style is played out in affect and action and in the two‑fold articulation of perception and “the kinestheses,” both of which are integral to gestural communication. Section II details how the evolutionary perspectives of Darwin and linguistic scholars complement Husserl’s insights into the animate realities of gesture and bring to light further dimensions of human and nonhuman gestural practices and possibilities through extensive experiential accounts that document the essential role of movement and thinking in movement in animate lives. Section III focuses on critical oversights by prominent phenomenologists who, rather than basing their studies in the rigors of phenomenological methodology, write of “what it is like” with respect to experience or give preferred opinions as in “consciousness of my gesture [...] can tell us nothing about movement.”
第一节详细介绍了胡塞尔对风格的见解,以及一个人的个人风格如何在情感和行动中发挥作用,以及在感知和“动觉”的双重表达中发挥作用,这两者都是手势交流的组成部分。第二部分详细介绍了达尔文和语言学学者的进化观点如何补充胡塞尔对手势的动画现实的见解,并通过广泛的经验叙述来揭示人类和非人类手势实践和可能性的进一步维度,这些经验叙述记录了运动和思考在动画生命中的重要作用。第三部分着重于杰出现象学家的关键性疏忽,他们没有将自己的研究建立在严格的现象学方法论的基础上,而是根据经验写出“它是什么样的”,或者给出偏好的观点,如“我的手势的意识[…]不能告诉我们任何关于运动的信息。”
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引用次数: 0
Appräsentation, Zeichen und Symbol 擦拭,图标和符号
IF 0.4 3区 哲学 Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.1007/978-3-030-95147-4
B. Stuck
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引用次数: 0
Phenomenology of Anxiety 焦虑现象学
IF 0.4 3区 哲学 Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.1007/978-3-030-89018-6
Stefano Micali
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引用次数: 1
Theodor Lipps’ vier Arten der Nachahmung und Revision einiger prominenter Kritiken theodore Lipps的四种思想
IF 0.4 3区 哲学 Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.5840/studphaen20222211
Honghe Wang
Theodor Lipps’ doctrine of empathy (Einfühlung) is enjoying renewed relevance today for two reasons. On the one hand, it offers heuristic potential in researching the functionality of mirror neurons. On the other hand, as many of the early phenomenologists gained their conceptions of empathy by examining Lipps’ related works, the presently widespread interest in empathy necessitates a re‑reading of Lipps in phenomenological circles. The critiques that phenomenology launches against Lipps, however, often remain bound to the established cliché interpretations of Lipps. This article counters such shortsighted readings by differentiating four kinds of imitation in Lipps. The supposed persuasiveness of such critiques, as will be shown, is lost in light of this differentiation.
西奥多•利普斯(Theodor Lipps)的同理心学说(einfhlung)如今重新获得关注,原因有二。一方面,它为研究镜像神经元的功能提供了启发式的潜力。另一方面,由于许多早期现象学家是通过考察利普斯的相关著作而获得共情概念的,因此,当前对共情的广泛兴趣使得现象学学界有必要重新阅读利普斯的著作。然而,现象学对利普斯发起的批评,往往仍然局限于对利普斯的既定陈词滥调的解释。本文通过区分利普斯的四种模仿来反驳这种短视的解读。正如我们将会看到的那样,这些批评所假定的说服力,在这种区别的背景下已经丧失了。
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引用次数: 0
Leiblichkeit comme ouverture au monde chez Marc Richir Leiblichkeit是Marc Richir对世界的开放
IF 0.4 3区 哲学 Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.5840/studphaen20222215
Dominic Nnaemeka Ekweariri
In phenomenology, Leiblichkeit articulates the idea of subjectivity and the relationship to the world;Leib attests the phenomenological experience of subjects otherwise captured by the term Leiber. Husserl and Merleau‑Ponty have sought to understand this relationship to the world and to characterize this phenomenological experience. Thus, they thematized a form of relationship to the world which is not only intentional but also, and each in his own way, passive and based on image (bildlich). On his part, Marc Richir sought to overcome this idea by bringing an “active, non‑specular mimesis from within” into play. Proposing an examination of these approaches, I defend the idea that in order to be able to think of the openness to the world—which is made possible by corporeality—it is of great necessity here to articulate the dimension ofsense.
在现象学中,莱布利希基特阐明了主体性的概念和与世界的关系;莱布证明了主体的现象学经验,否则就会被莱伯一词所捕获。胡塞尔和梅洛-庞蒂试图理解这种与世界的关系,并描述这种现象学经验。因此,他们将一种与世界的关系形式主题化,这种关系不仅是有意的,而且是被动的,以自己的方式建立在形象(bildich)的基础上。而Marc Richir则试图通过引入一种“来自内部的主动的、非镜面的模仿”来克服这种想法。在提出对这些方法的考察时,我捍卫这样的观点:为了能够思考对世界的开放——这是由物质现实实现的——在这里阐明感觉的维度是非常必要的。
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引用次数: 0
Doubling the World 世界翻倍
IF 0.4 3区 哲学 Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.5840/studphaen20222217
Emanuele Caminada
In this paper, I offer an analysis of the thought experiment “Two worlds for one ego” in which Husserl imagines an ego that lives two alternated lives. The thought experiment is designed to question the apodicticity of the world’s singularity. If the ego of the thought experiment is a fully concrete social subject, then the world’s singularity proves to be apodictic. If we were to, conversely, conduct the same experiment with an abstract ego, then the counter‑scenario of a doubling of the world would be tenable if and only if this subject was the sole subject of both worlds. This means, in turn, that a more concrete phenomenological conduction of the experiment demonstrates the limits of methodological solipsism. The paper is tripartite. Firstly, I set out the experiment’s terminological terrain and discuss the systematic questions addressed as well as the phenomenological methods involved. In a second step, I analyse Husserl’s conduction of the thought experiment. Finally, I discuss some of the experiment’s possible applications to anthropology.
在本文中,我对“一个自我的两个世界”这个思想实验进行了分析,在这个实验中,胡塞尔想象了一个交替过着两种生活的自我。这个思想实验旨在质疑世界奇点的绝对性。如果思想实验的自我是一个完全具体的社会主体,那么世界的奇点被证明是绝对的。相反,如果我们对一个抽象的自我进行同样的实验,那么当且仅当这个主体是两个世界的唯一主体时,世界加倍的反情景才成立。这意味着,反过来,实验的一个更具体的现象学传导证明了方法论唯我论的局限性。这篇论文有三部分。首先,我列出了实验的术语领域,并讨论了所解决的系统问题以及所涉及的现象学方法。第二步,分析胡塞尔对思想实验的指导。最后,我讨论了该实验在人类学中的一些可能应用。
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引用次数: 1
Why and How Transcendental Phenomenology Should Interact with Neuroscience 先验现象学为什么和如何与神经科学互动
IF 0.4 3区 哲学 Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.5840/studphaen20222218
Zixuan Liu
Current dialogues in neuroscience are limited to phenomenological psychology plus neuroscience, or neurophenomenology. Within these dialogues, transcendental phenomenology is largely expelled. This article proposes a transcendental phenomenology of and through neuroscience. The “phenomenology‑of ” neuroscience is a philosophy that refuses to view the Experience‑Body Relation and Life‑Non‑Life Ambiguity as if they were predetermined, unintelligible, metaphysical gaps. Instead, it attempts to understand them through a correlative intentional experience involving activities of neuro‑scientific investigation and their pre‑theoretical prerequisites. This establishes the indispensability of self‑report and highlights the failings of two naturalistic interpretations of intentionality (representationalism and enactivism). A “phenomenology‑through” neuroscience is thus justifiable and necessary, as illustrated by the example of memory consolidation during sleep. The article finds that as phenomenology‑plus, neurophenomenology can solve its problems only through a mutually constraining “phenomenology‑of ” and “‑through”.
目前神经科学的对话仅限于现象学心理学加上神经科学,或神经现象学。在这些对话中,先验现象学在很大程度上被排除在外。本文通过神经科学提出了一种先验现象学。神经科学的“现象学”是一种哲学,它拒绝把经验-身体关系和生命-非生命的模糊性看作是预先确定的、不可理解的、形而上学的鸿沟。相反,它试图通过涉及神经科学调查活动及其理论前先决条件的相关意向经验来理解它们。这确立了自我报告的不可或缺性,并突出了两种对意向性的自然主义解释(代表主义和行动主义)的失败。因此,“现象学贯穿”的神经科学是合理和必要的,正如睡眠期间记忆巩固的例子所说明的那样。本文认为,神经现象学作为现象学+,只有通过一种相互制约的“现象学的”与“通过”才能解决问题。
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引用次数: 0
Structure, Institution and Operative Essence 结构、制度与运作本质
IF 0.4 3区 哲学 Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.5840/studphaen2022225
Paola Pazienti
What is the role of gestures within the wider problem of corporeity in Maurice Merleau‑Ponty? How do gestures exemplify and complicate the bodily experience? The aim of this article is to investigate the thematic of gesture in Merleau‑Ponty’s production, with particular attention to the Phenomenology of Perception (1945) and the lessons held at the Collège de France about institution, passivity and nature (1954–60), down to the final indirect ontology inThe Visible and the Invisible. Gestures could be understood as forms (Gestalten), i.e. dynamic structures which express individual and collective behaviours, as well as institutions (Stiftungen), underlying the process of sedimentation and reactivation of meanings. In both cases, gestures have a heuristic or generative function: they shape the individual style in the encounter with the world through “typics” or recurring “motifs”. As a conclusion, the paper argues for the key‑role of gesture, in order to re‑think eidetic intuition as the grasping of operative and emotional essences.
在莫里斯·梅洛-庞蒂的作品中,手势在更广泛的群体问题中扮演什么角色?手势是如何体现并使身体体验复杂化的?本文的目的是研究梅洛-庞蒂作品中的姿态主题,特别关注《知觉现象学》(1945)和法兰西学院关于制度、被动性和自然的课程(1954-60),直到最后的间接本体论《可见与不可见》。手势可以被理解为形式(格式塔),即表达个人和集体行为的动态结构,以及隐含意义沉淀和重新激活过程的制度(Stiftungen)。在这两种情况下,手势都具有启发式或生成功能:它们通过“典型”或反复出现的“主题”来塑造与世界相遇时的个人风格。作为结论,本文认为手势的关键作用,以重新思考作为操作和情感本质的把握的特征直觉。
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引用次数: 0
L’autrui dans la sphère la plus originaire 另一个人在最原始的领域
IF 0.4 3区 哲学 Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.5840/studphaen20222213
Eun‑Hye Choo
This paper examines the influence that Husserl’s drive/instinct theory has on Merleau‑Ponty’s late philosophy. Husserl’s interest in the passive realm of life develops into a study of a more profound level which even precedes the emergence of subjectivity. We analyze how it leads Merleau‑Ponty, in his philosophy of flesh, to furnish an ontological explanation regarding the problem of the relationship with others. In this regard, we investigate firstly Husserl’s theory of originary affection and its limits, before scrutinizing the notion of empathy; thereby we show how Merleau‑Ponty develops the Husserlian intentional relation into a carnal relation based on the idea that others and I belong to the same world. This will reveal that the relationship with the others always lies in the most profound level of our experience, because we share the ontological affinity, namely, the flesh.
本文考察了胡塞尔的驱力/本能理论对梅洛-庞蒂晚期哲学的影响。胡塞尔对被动生活领域的兴趣发展为一种更深刻的研究,甚至在主体性出现之前。我们分析了它是如何引导梅洛-庞蒂在他的肉体哲学中,对与他人的关系问题提供了一种本体论的解释。在这方面,我们首先考察胡塞尔的原始情感理论及其局限性,然后再考察共情的概念;因此,我们展示了梅洛-庞蒂是如何将胡塞尔式的意向性关系发展成一种基于他人和我属于同一个世界的观念的肉体关系的。这将揭示与他人的关系总是存在于我们经验的最深层,因为我们共享本体论的亲和力,即肉体。
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引用次数: 0
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Studia Phaenomenologica
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