Pub Date : 2022-01-01DOI: 10.5840/studphaen20222210
Vladimir Safatle
This article aims to discuss the gestural character of Chopin’s pianistic writing. We will focus on the set of Etudes pour piano. We expect to show how the notion of musical expression in Romanticism is dependent of a notion of expressive body always in the limit of decomposition. This could show us how musical expression is a privileged space for a better understanding of the dialectical relationship between form and formless.
{"title":"How to Explode an Expressive Body","authors":"Vladimir Safatle","doi":"10.5840/studphaen20222210","DOIUrl":"https://doi.org/10.5840/studphaen20222210","url":null,"abstract":"This article aims to discuss the gestural character of Chopin’s pianistic writing. We will focus on the set of Etudes pour piano. We expect to show how the notion of musical expression in Romanticism is dependent of a notion of expressive body always in the limit of decomposition. This could show us how musical expression is a privileged space for a better understanding of the dialectical relationship between form and formless.","PeriodicalId":42801,"journal":{"name":"Studia Phaenomenologica","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70921314","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.5840/studphaen20222219
R. Marafioti
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Pub Date : 2022-01-01DOI: 10.5840/studphaen2022223
Ainhoa Suárez-Gómez
This paper analyses Merleau‑Ponty’s gestural theory focusing on the ontological and epistemological role attributed to the expressive movements of the lived body. The first section argues that Merleau‑Ponty’s phenomenology recognises movement as a primordial phenomenon from which language and thought emerge. This theorisation allows us to identify a type of logos that grants a specific content, sense and value to bodily movements, here conceptualised as a “kin(aesth)etic logos”. The second section of the paper offers a categorisation of different gestures—perceptive, reflexive, habitual and verbal gestures—which show how the kin(aesth)etic logos is actualised in a myriad of daily activities.
{"title":"Merleau‑Ponty’s Gestural Theory","authors":"Ainhoa Suárez-Gómez","doi":"10.5840/studphaen2022223","DOIUrl":"https://doi.org/10.5840/studphaen2022223","url":null,"abstract":"This paper analyses Merleau‑Ponty’s gestural theory focusing on the ontological and epistemological role attributed to the expressive movements of the lived body. The first section argues that Merleau‑Ponty’s phenomenology recognises movement as a primordial phenomenon from which language and thought emerge. This theorisation allows us to identify a type of logos that grants a specific content, sense and value to bodily movements, here conceptualised as a “kin(aesth)etic logos”. The second section of the paper offers a categorisation of different gestures—perceptive, reflexive, habitual and verbal gestures—which show how the kin(aesth)etic logos is actualised in a myriad of daily activities.","PeriodicalId":42801,"journal":{"name":"Studia Phaenomenologica","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70921679","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.5840/studphaen2022226
Jagna Brudzińska
In this paper, relying on both phenomenology and psychoanalysis, I introduce the concept of transbodily intentionality with the aim of exploring the significance of bodily expression for subjective constitution. The role of the body for the constitution of subjective experience becomes increasingly important in phenomenological analysis. This faces us with the challenge of understanding the intersubjective relevance of bodily processes together with the genetic turn of phenomenology. On this background, the revaluation of the concept of gesture comes into light. The meaning of the gesture cannot be framed in an exclusively subjective context, but rather requires a communicative and intersubjective horizon.
{"title":"Bodily Expression and Transbodily Intentionality. On the Sources of Personal Life","authors":"Jagna Brudzińska","doi":"10.5840/studphaen2022226","DOIUrl":"https://doi.org/10.5840/studphaen2022226","url":null,"abstract":"In this paper, relying on both phenomenology and psychoanalysis, I introduce the concept of transbodily intentionality with the aim of exploring the significance of bodily expression for subjective constitution. The role of the body for the constitution of subjective experience becomes increasingly important in phenomenological analysis. This faces us with the challenge of understanding the intersubjective relevance of bodily processes together with the genetic turn of phenomenology. On this background, the revaluation of the concept of gesture comes into light. The meaning of the gesture cannot be framed in an exclusively subjective context, but rather requires a communicative and intersubjective horizon.","PeriodicalId":42801,"journal":{"name":"Studia Phaenomenologica","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70921750","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.5840/studphaen2022229
Rodolphe Olcèse
In this article, I consider the gesture confronted with its own impossibility, in situations that open the gesture to a dimension of transcendence. Focusing first on the event of beauty, as it is discussed by Jean‑Louis Chrétien, and on the encountering of the face, as it is considered by Emmanuel Lévinas, this paper envisions a “below” and a “beyond” of the gesture, in exceptional situations where the gesture is faced with an excess, acquiring a dimension of a theopathy. Subsequently, I emphasize that the transcendence that takes gesture beyond itself can inhabit and nourish the daily gestures, and this can be an occasion of pain and difficulties. In this perspective, Simone Weil shows how the repeated gestures of manual labour can become the mirror of supernatural beauty.
在这篇文章中，我考虑了这种姿态面对其自身的不可能性，在某种情况下，这种姿态打开了一种超越的维度。首先关注美丽的事件，正如Jean - Louis chracimtien所讨论的那样，以及Emmanuel lsamuvinas所考虑的那样，本文设想了手势的“下面”和“超越”，在手势面临过剩的特殊情况下，获得了一种神病的维度。随后，我强调超越自身的超越可以栖息和滋养日常的姿态，这可能是痛苦和困难的场合。从这个角度来看，西蒙娜·韦尔展示了体力劳动的重复动作如何成为超自然美的镜子。
{"title":"Vertige du moindre geste","authors":"Rodolphe Olcèse","doi":"10.5840/studphaen2022229","DOIUrl":"https://doi.org/10.5840/studphaen2022229","url":null,"abstract":"In this article, I consider the gesture confronted with its own impossibility, in situations that open the gesture to a dimension of transcendence. Focusing first on the event of beauty, as it is discussed by Jean‑Louis Chrétien, and on the encountering of the face, as it is considered by Emmanuel Lévinas, this paper envisions a “below” and a “beyond” of the gesture, in exceptional situations where the gesture is faced with an excess, acquiring a dimension of a theopathy. Subsequently, I emphasize that the transcendence that takes gesture beyond itself can inhabit and nourish the daily gestures, and this can be an occasion of pain and difficulties. In this perspective, Simone Weil shows how the repeated gestures of manual labour can become the mirror of supernatural beauty.","PeriodicalId":42801,"journal":{"name":"Studia Phaenomenologica","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70921789","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.5840/studphaen2022222
T. Byrne
By examining the evolution of Husserl’s philosophy from 1901 to 1914, this essay reveals that he possessed a more robust philosophy of gestures than has been accounted for. This study is executed in two stages. First, I explore how Husserl analyzed gestures through the lens of his semiotics in the 1901 Logical Investigations. Although he there presents a simple account of gestures as kinds of indicative signs, he does uncover rich insights about the role that gestures play in communication. Second, I examine how Husserl augmented his theory of gestures in his 1914 Revisions to the Sixth Logical Investigation. Husserl describes some gestures as signals, which are experienced as intersubjective communication, as having a temporally diachronic structure, and as possessing an obliging tendency. Husserl also contrasts gestures to language by showing how language habitually leaves traces on us.
{"title":"Husserl’s Semiotics of Gestures","authors":"T. Byrne","doi":"10.5840/studphaen2022222","DOIUrl":"https://doi.org/10.5840/studphaen2022222","url":null,"abstract":"By examining the evolution of Husserl’s philosophy from 1901 to 1914, this essay reveals that he possessed a more robust philosophy of gestures than has been accounted for. This study is executed in two stages. First, I explore how Husserl analyzed gestures through the lens of his semiotics in the 1901 Logical Investigations. Although he there presents a simple account of gestures as kinds of indicative signs, he does uncover rich insights about the role that gestures play in communication. Second, I examine how Husserl augmented his theory of gestures in his 1914 Revisions to the Sixth Logical Investigation. Husserl describes some gestures as signals, which are experienced as intersubjective communication, as having a temporally diachronic structure, and as possessing an obliging tendency. Husserl also contrasts gestures to language by showing how language habitually leaves traces on us.","PeriodicalId":42801,"journal":{"name":"Studia Phaenomenologica","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70921667","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.5840/studphaen20222212
Hongjian Wang
In his interpretation of Nietzsche, Heidegger on the one hand acknowledges the anti‑metaphysical orientation of Nietzsche’s nihilism, but on the other hand considers Nietzsche to be the ultimate metaphysician. This location is based firstly on Heidegger’s reflections on the relationship between metaphysics and nihilism. By revealing the origin and end of metaphysics, it is to be shown that nihilism and metaphysics are two aspects of the same thing. Moreover, Heidegger expands the meaning of metaphysics by ascribing to it the distinction between the sensuous and supersensuous worlds, between beings and beingness. Based on the critique of Nietzsche, he is able to develop a post‑metaphysical philosophical conception. Nietzsche himself, however, is not addicted to metaphysics, and in his overcoming of metaphysics and his vision of post‑metaphysical thinking he is rather a precursor of Heidegger.
{"title":"Nihilismus zwischen traditioneller Metaphysik und Post‑Metaphysik. Kritische Untersuchung von Heideggers Nietzsche‑Interpretation","authors":"Hongjian Wang","doi":"10.5840/studphaen20222212","DOIUrl":"https://doi.org/10.5840/studphaen20222212","url":null,"abstract":"In his interpretation of Nietzsche, Heidegger on the one hand acknowledges the anti‑metaphysical orientation of Nietzsche’s nihilism, but on the other hand considers Nietzsche to be the ultimate metaphysician. This location is based firstly on Heidegger’s reflections on the relationship between metaphysics and nihilism. By revealing the origin and end of metaphysics, it is to be shown that nihilism and metaphysics are two aspects of the same thing. Moreover, Heidegger expands the meaning of metaphysics by ascribing to it the distinction between the sensuous and supersensuous worlds, between beings and beingness. Based on the critique of Nietzsche, he is able to develop a post‑metaphysical philosophical conception. Nietzsche himself, however, is not addicted to metaphysics, and in his overcoming of metaphysics and his vision of post‑metaphysical thinking he is rather a precursor of Heidegger.","PeriodicalId":42801,"journal":{"name":"Studia Phaenomenologica","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70921708","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.5840/studphaen20222214
Giulia Lelli
In this article, I aim to analyse the way in which Jan Patočka explores the being of the dead in his text “Phenomenology of life after death.” I wish to show that this seminal text offers the solution to three main difficulties regarding the being of the dead: those difficulties concern their form of being, their possibility to transform themselves and their ability to act. Following this analysis, I propose a three‑folded thesis: firstly, the being of the dead can be grasped not only through privation but also through more positive forms; secondly, the dead persons can continue to transform themselves when being construed by the living; and thirdly, their action can be prolonged even though they cannot act.
{"title":"L’être des morts selon Jan Patočka","authors":"Giulia Lelli","doi":"10.5840/studphaen20222214","DOIUrl":"https://doi.org/10.5840/studphaen20222214","url":null,"abstract":"In this article, I aim to analyse the way in which Jan Patočka explores the being of the dead in his text “Phenomenology of life after death.” I wish to show that this seminal text offers the solution to three main difficulties regarding the being of the dead: those difficulties concern their form of being, their possibility to transform themselves and their ability to act. Following this analysis, I propose a three‑folded thesis: firstly, the being of the dead can be grasped not only through privation but also through more positive forms; secondly, the dead persons can continue to transform themselves when being construed by the living; and thirdly, their action can be prolonged even though they cannot act.","PeriodicalId":42801,"journal":{"name":"Studia Phaenomenologica","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70921451","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.5840/studphaen20222216
M. Senatore
This article casts light on Marc Richir’s remarkable and yet poorly known interpretation of the analyses of animality that Martin Heidegger develops in The Fundamental Concepts of Metaphysics: World, Finitude and Solitude. It shows that this interpretation unfolds as a two‑step critical revision of Heidegger’s analyses within the framework of Richir’s neo‑phenomenological project. On the one hand, Richir aims to offer the “right” interpretation of the cybernetic and grammatological history of life told by Jacques Derrida, by measuring it against Heidegger’s theory of the organism. On the other hand, Richir rewrites the limits of Heidegger’s conception of animality in light of the overview of contemporary ethological research provided by Konrad Lorenz.
{"title":"Gaps in Differance","authors":"M. Senatore","doi":"10.5840/studphaen20222216","DOIUrl":"https://doi.org/10.5840/studphaen20222216","url":null,"abstract":"This article casts light on Marc Richir’s remarkable and yet poorly known interpretation of the analyses of animality that Martin Heidegger develops in The Fundamental Concepts of Metaphysics: World, Finitude and Solitude. It shows that this interpretation unfolds as a two‑step critical revision of Heidegger’s analyses within the framework of Richir’s neo‑phenomenological project. On the one hand, Richir aims to offer the “right” interpretation of the cybernetic and grammatological history of life told by Jacques Derrida, by measuring it against Heidegger’s theory of the organism. On the other hand, Richir rewrites the limits of Heidegger’s conception of animality in light of the overview of contemporary ethological research provided by Konrad Lorenz.","PeriodicalId":42801,"journal":{"name":"Studia Phaenomenologica","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70921526","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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