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Editor’s introduction 编辑器的介绍
Q4 HOSPITALITY, LEISURE, SPORT & TOURISM Pub Date : 2023-01-02 DOI: 10.1080/1755182x.2023.2196803
Bertram M. Gordon, Eric G. E. Zuelow
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引用次数: 0
Architectural Tourism: Site-Seeing, Itineraries and Cultural heritage 建筑旅游:景点游览、行程和文化遗产
IF 0.2 Q4 HOSPITALITY, LEISURE, SPORT & TOURISM Pub Date : 2022-11-25 DOI: 10.1080/1755182x.2022.2094656
Panayiota Pyla
Published in Journal of Tourism History (Vol. 14, No. 3, 2022)
发表于《旅游史杂志》(第14卷第3期,2022年)
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引用次数: 0
A world away: the British package holiday boom, 1950-1974 另一个世界:1950-1974年,英国的度假套餐热潮
IF 0.2 Q4 HOSPITALITY, LEISURE, SPORT & TOURISM Pub Date : 2022-09-02 DOI: 10.1080/1755182x.2022.2152232
Marc J. Alsina
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引用次数: 0
Vagabond tourism and a non-colonial European gaze: Kazimierz Nowak’s bicycle journey across Africa, 1931–1936 游民旅游和非殖民的欧洲目光:卡齐米兹·诺瓦克1931-1936年的非洲自行车之旅
IF 0.2 Q4 HOSPITALITY, LEISURE, SPORT & TOURISM Pub Date : 2022-09-02 DOI: 10.1080/1755182x.2022.2152499
N. Wood
ABSTRACT From November 1931 to November 1936, the Polish citizen Kazimierz Nowak traversed the African continent, from Libya to Cape Town to Algiers, primarily by bicycle and almost entirely without using motorised transportation. With no major sponsors or state support, Nowak paid for his journey by sending numerous photographs and dispatches back to Poland for publication. This article argues that his critical gaze on colonialism and capitalism in those dispatches arose due to his method of travel as a poor, vagabond tourist and because of his position as a European from a country without colonies in Africa.
摘要1931年11月至1936年11月,波兰公民Kazimierz Nowak穿越非洲大陆,从利比亚到开普敦再到阿尔及尔,主要是骑自行车,几乎完全不使用机动交通工具。在没有主要赞助商或国家支持的情况下,诺瓦克通过将大量照片和急件寄回波兰出版来支付他的旅行费用。这篇文章认为,他在这些报道中对殖民主义和资本主义的批判性凝视是由于他作为一个贫穷的流浪游客的旅行方式,以及他作为一名来自非洲没有殖民地国家的欧洲人的地位。
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引用次数: 0
The Riviera, exposed: an ecohistory of postwar tourism and North African labor 暴露的里维埃拉:战后旅游业和北非劳动力的生态史
IF 0.2 Q4 HOSPITALITY, LEISURE, SPORT & TOURISM Pub Date : 2022-09-02 DOI: 10.1080/1755182x.2022.2152223
Megan Brown
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引用次数: 2
The summer trade: a history of tourism on prince Edward Island 夏季贸易:爱德华王子岛的旅游历史
IF 0.2 Q4 HOSPITALITY, LEISURE, SPORT & TOURISM Pub Date : 2022-09-02 DOI: 10.1080/1755182X.2022.2127529
C. Campbell
can indeed provide opportunities for alterative and more complex narratives on architecture and culture, as the author suggests, or whether bodily visits will simply reinforce the strong preconceptions that are systematically reinforced by the abundance of virtual exposure is a question that can again be redirected to architectural or tourism histories and other critical scholarship. Perhaps it is not the act of travel that can ultimately ‘shake us out of complacency’ (p. 41) but an increased level of criticality--and thus more critical historical work-about the very ways in which buildings, monuments, and culture are appropriated by tourism trends.
正如作者所建议的那样,这确实可以为关于建筑和文化的交替和更复杂的叙述提供机会,或者身体访问是否会简单地强化强烈的先入为主的观念,而这种观念会因大量的虚拟曝光而系统地强化,这是一个可以再次转向建筑或旅游史和其他批判性学术的问题。也许最终能“让我们摆脱自满情绪”的不是旅行行为(第41页),而是一种更为批判性的程度——从而是关于建筑、纪念碑和文化被旅游趋势侵占的方式的更具批判性的历史作品。
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引用次数: 0
Iran’s golden age of tourism: the development of the travel industry in the late Pahlavi period (c. 1960-1979) 伊朗旅游业的黄金时代:巴列维后期旅游业的发展(约1960-1979年)
IF 0.2 Q4 HOSPITALITY, LEISURE, SPORT & TOURISM Pub Date : 2022-09-02 DOI: 10.1080/1755182X.2022.2127928
R. Steele
ABSTRACT This article examines the development of Iran’s tourism sector in the two decades before the revolution of 1979. In this period, the number of tourists visiting Iran each year grew from fewer than 80,000 in 1962 to nearly 700,000 by 1977, and as a result, tourism became an increasingly important sector of Iran’s economy. The article assesses the factors that contributed to the growth of the industry and investigates the extent to which this growth was the direct result of policies enacted by governmental organisations, in particular the Sāzmān-e Jalb-e Sayyāhān (Tourist Organisation), the Plan Organisation and Iran Air. Because Iran’s tourism industry was so underdeveloped in the 1960s, one of the primary tasks of Iran’s tourism planners was to market Iran around the world as an attractive tourist destination. The article evaluates the various advertisement strategies the government employed to attract tourists, particularly tourists from the more lucrative markets in Europe and the United States. It utilises a variety of primary sources in Persian and English, most importantly the three-volume Asnādi az Sanʿat-e Jahāngardi dar Irān (Documents on the Tourism Industry in Iran), which contains a wealth of material on tourism in Iran from 1922 until 1978.
本文考察了1979年革命前20年伊朗旅游业的发展。在此期间,每年访问伊朗的游客人数从1962年的不到8万人增加到1977年的近70万人,因此,旅游业成为伊朗经济中越来越重要的部门。本文评估了促成该行业增长的因素,并调查了这种增长在多大程度上是政府组织(特别是Sāzmān-e Jalb-e Sayyāhān(旅游组织)、Plan组织和伊朗航空公司)制定的政策的直接结果。由于伊朗的旅游业在20世纪60年代非常不发达,伊朗旅游规划者的主要任务之一是向世界推销伊朗作为一个有吸引力的旅游目的地。这篇文章评估了政府为吸引游客而采用的各种广告策略,特别是来自利润更丰厚的欧洲和美国市场的游客。它利用了波斯语和英语的各种主要来源,最重要的是三卷Asnādi az San - at-e Jahāngardi dar Irān(伊朗旅游业文件),其中包含了从1922年到1978年伊朗旅游业的丰富材料。
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引用次数: 0
Postcards: the rise and fall of the world’s first social network 明信片:世界上第一个社交网络的兴衰
IF 0.2 Q4 HOSPITALITY, LEISURE, SPORT & TOURISM Pub Date : 2022-09-02 DOI: 10.1080/1755182X.2022.2137133
A. Stefan
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引用次数: 2
Early twentieth century tourism and commercial photography in Egypt and the Holy Land 二十世纪初埃及和圣地的旅游和商业摄影
IF 0.2 Q4 HOSPITALITY, LEISURE, SPORT & TOURISM Pub Date : 2022-09-02 DOI: 10.1080/1755182X.2022.2144483
Paul T. Nicholson
ABSTRACT Tourism, photography and ancient monuments are intimately linked and have a history stretching back to the beginnings of photography and to early mass-tourism. However, in the late nineteenth and early twentieth centuries many tourists either did not own cameras or preferred to rely on professionally produced photographs. Foreign travel for many was the experience of a lifetime and for those visiting Egypt and the Holy Land the desire to have images of places familiar only from the words of the Bible provided a ready market for commercial photographers. This paper takes a rare surviving collection of images from Egypt and the Holy Land, reconstructs the itinerary which the tourist probably took and examines how the images might have been acquired. In this instance, the images are in the form of lantern slides and to have a complete collection survive is rare, and the images offer a window into a now vanished relationship between the tourist and the commercial photographer whose role it was to provide atmospheric, often iconic, views of the monuments and the countries visited. Part of that role may have been to create scenes corresponding to what has become known as the ‘tourist gaze’.
摘要旅游业、摄影和古迹之间有着密切的联系,其历史可以追溯到摄影的起源和早期的大众旅游。然而,在十九世纪末和二十世纪初,许多游客要么没有相机,要么更喜欢依靠专业制作的照片。对许多人来说,出国旅行是一生的经历,对那些访问埃及和圣地的人来说,想要拍摄只从《圣经》的文字中熟悉的地方的图像,这为商业摄影师提供了一个现成的市场。本文从埃及和圣地收集了一批罕见的幸存图像,重建了游客可能拍摄的行程,并考察了这些图像是如何获得的。在这种情况下,这些图像是以幻灯片的形式出现的,能够保存完整的藏品是罕见的,这些图像为了解游客和商业摄影师之间现已消失的关系提供了一扇窗户,商业摄影师的角色是提供纪念碑和所访问国家的大气、往往是标志性的景色。这个角色的一部分可能是创造与所谓的“游客凝视”相对应的场景。
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引用次数: 1
Bodies at the beach: sea bathing on the Athenian seafront, 1870–1940 海滩上的尸体:1870-1940年,雅典海滨的海浴
IF 0.2 Q4 HOSPITALITY, LEISURE, SPORT & TOURISM Pub Date : 2022-05-04 DOI: 10.1080/1755182X.2022.2128903
Yannis Yannitsiotis
ABSTRACT Drawing from Greek newspapers from the period 1870–1940, which preceded the advent of the international massive tourism in Greece, this article examines the relationship between bodies and the beaches on the Athenian seafront within the context of sea bathing. The ways in which this relationship was experienced, represented and regulated became inextricably linked with power dynamics articulated in terms of class, gender and sexuality. Similarly, the practice of sea bathing emerged as an activity vested in meaning that was ascribed by doctors, newspaper chroniclers and gymnasts, while beaches became arenas of contention between the authorities and bathers. Over the last decades of the nineteenth century, the naked bodies of working-class men provoked the fierce reactions of middle-class observers. From 1910 onwards, when a vibrant beach culture had already taken shape, the dissemination of bains-mixtes brought to the fore the female body and its spectacularisation. From this perspective, beach could be considered as one of the social arenas where the expression of modern womanhood emerged.
摘要本文从1870-1940年的希腊报纸上,即希腊国际大规模旅游业出现之前的时期,在海水浴的背景下,探讨了雅典海滨的身体与海滩之间的关系。这种关系的体验、表现和调节方式与阶级、性别和性取向方面的权力动态密不可分。同样,海水浴是一种被医生、报纸记录者和体操运动员赋予意义的活动,而海滩则成为当局和游泳者之间争论的场所。在19世纪的最后几十年里,工人阶级男人的裸体引起了中产阶级观察家的激烈反应。从1910年起,当充满活力的海滩文化已经形成时,贝氏混合物的传播凸显了女性的身体及其壮观之处。从这个角度来看,海滩可以被认为是现代女性表达方式出现的社会舞台之一。
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引用次数: 0
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Journal of Tourism History
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