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BEITRAGE ZUR GESCHICHTE DER DEUTSCHEN SPRACHE UND LITERATUR最新文献

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Elke Brüggen (Hg.): Erzählen von Macht und Herrschaft. Die ›Kaiserchronik‹ im Kontext zeitgenössischer Geschichtsschreibung und Geschichtsdichtung, Göttingen: V&R unipress 2019, 216 S., 1 Abb. (Macht und Herrschaft 5) Hg)说到权力和统治。这些›Kaiserchronik‹Geschichtsdichtung哥廷根:当代叙事背景下V&R unipress 2019年1 216个S .图三.(5)权力和统治
IF 0.1 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2022-03-01 DOI: 10.1515/bgsl-2022-0006
G. Wolf
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引用次数: 0
Kurz und lang, Spreu und Weizen, Arsch und Mond – Volcnant und Walther 时间长,小麦糠秕,屁股和月亮
IF 0.1 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2022-03-01 DOI: 10.1515/bgsl-2022-0002
M. Herweg
Abstract Walther’s von der Vogelweide aggressive stanza against an, otherwise unknown, Volcnant or Wîcman (L 17,25) opens up the lasting tradition of artistic polemics and ›peer-bashing‹ in German Sangspruchdichtung. Henceforth, the agonal rivalry between artists becomes the favourite field of a particularly harsh polemic. The article examines the pioneer’s text with regard to the split (or doubled) role of the singer who adopts two grammatical persons (which seems also to be crucial for Walther’s disputed authorship), to the metaphorical structure and to the discursive as well as generic references of the text. The singer in the text is boasting himself by constructing and simultaneously destructing an aggressively ridiculed counterpart. This, however, is not to be understood in biographical terms, but in genuinely poetological and professional ones: Walther claims his unsurpassed competence (meisterschaft) in all registers and varieties of an art that ranges far from well-tempered courtesy up to the most exquisite scolding. Scharpfer sanc is not an antithesis but a subset of courtly art and poetry.
摘要沃尔瑟的冯·德·傅高义(von der Vogelweide)对一个原本不为人知的沃尔南特(Volcant)或威克曼(Wîcman)的攻击性诗节(L 17,25)开启了德国桑斯普鲁奇迪通艺术论战和›同伴抨击的持久传统。从此,艺术家之间的激烈竞争成为一场特别激烈的争论的最爱领域。这篇文章从采用两个语法人的歌手的分裂(或双重)角色(这似乎对沃尔瑟有争议的作者身份也至关重要)、隐喻结构以及文本的话语和一般参考来审视先锋的文本。文本中的歌手通过构建并同时破坏一个被嘲笑的对手来吹嘘自己。然而,这并不能用传记的术语来理解,而是用真正的诗学和专业术语来理解:沃尔瑟声称他在所有领域和各种艺术中都有无与伦比的能力(meisterschaft),从温和的礼貌到最精致的斥责。Scharpfer sanc不是对立面,而是宫廷艺术和诗歌的一个子集。
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引用次数: 0
Die Erfurter Historienbibel (Historienbibel Gruppe VI), hg. v. Rudolf Bentzinger, Berlin u. Boston: de Gruyter 2016, 527 S. (Deutsche Texte des Mittelalters 95) 《法兰克福历史年鉴》(第六组),hg。v.Rudolf Bentzinger,柏林和波士顿:de Gruyter 2016,527 S.(中世纪德语文本95)
IF 0.1 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2022-03-01 DOI: 10.1515/bgsl-2022-0011
Sebastian Holtzhauer
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引用次数: 0
Thomas Poser: Raum in Bewegung. Mythische Logik und räumliche Ordnung im ›Erec‹ und im ›Lanzelet‹, Tübingen: Narr Francke Attempto 2018, 237 S., 3 Abb. (Bibliotheca Germanica 70) 托马斯·波瑟要行动了神话里的逻辑和转子秩序在›Erec在›和‹Lanzelet‹节:傻子Francke Attempto 2018 237 S . 3 .图三. (Bibliotheca Germanica 70)
IF 0.1 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2022-03-01 DOI: 10.1515/bgsl-2022-0007
Cordula Kropik
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引用次数: 0
Lena Zudrell: Historische Narratologie der Figur. Studien zu den drei Artusromanen des Pleier, Berlin u. Boston: de Gruyter 2020, 252 S. (Hermaea, Neue Folge 152) 朱丽娜·朱德雷尔:历史人物的叙事学。关于Pleier的三部方小说,柏林n。
IF 0.1 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2022-03-01 DOI: 10.1515/bgsl-2022-0008
Christopher Domhardt
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引用次数: 0
Wann und wo ist nû? 时间和地点是û吗?
IF 0.1 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2022-03-01 DOI: 10.1515/bgsl-2022-0004
K. Philipowski, Sonja Zeman
Abstract What are the narrative functions of the present tense in medieval narrations? In order to address this question, the paper brings together linguistic observations on tense semantics and a literary analysis of ›Wilhalm von Wenden‹ by Ulrich von Etzenbach. It shows that the present tense can refer to three different kinds of ›now‹, i. e. the ›discourse now‹, the ›story now‹, and the ›recipient’s now‹. In all three contexts, the present tense is not used as a narrative tense but rather indicates a speaker’s voice commenting on the events. This leads to the hypothesis that the development of the ›narrative present‹ (as common in modern novels) is based on two requirements: The decoupling between the ›discourse now‹ and the diegetic world as well as the decoupling between the author and the fictional instance of the narrator.
中世纪叙事中现在时的叙事功能是什么?为了解决这个问题,本文汇集了对时态语义的语言学观察和乌尔里希·冯·埃岑巴赫对《威廉·冯·文登》的文学分析。它表明现在时态可以指三种不同的“现在”,即:现在是“话语”,现在是“故事”,现在是“接受者”。在这三种语境中,现在时都不是用作叙述时态,而是表示说话人对事件的评论。这导致了一种假设,即“叙事现在”的发展(在现代小说中很常见)基于两个要求:“话语现在”与叙事世界之间的脱钩,以及作者与叙述者的虚构实例之间的脱钩。
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引用次数: 0
Sarah Ihden, Katharina Dreessen u. Robert Langhanke (Hgg.): Studien zur mittelniederdeutschen und frühneuhochdeutschen Sprache und Literatur, Hildesheim, Zürich u. New York: Olms 2021, VI, 238 S. (Kleine und regionale Sprachen 6) Sarah Ihden、Katharina Dreessen和Robert Langhanke(Hg):《中低德语和现代早期高德语语言文学研究》,Hildesheim,苏黎世和纽约:Olms 2021,VI,238 S.(小型和区域语言6)
IF 0.1 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2022-03-01 DOI: 10.1515/bgsl-2022-0005
Nadine Wallmeier
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引用次数: 0
Turnier ohne Zuschauer 无观众争霸赛
IF 0.1 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2022-03-01 DOI: 10.1515/bgsl-2022-0003
Wolfgang Achnitz
Abstract The ›Turnier von Nantes‹, attributed to Konrad von Würzburg, is considered a political poem. However, the specific historical occasion is controversial in research because of the ambiguous facts. This also applies to the dating. But the identified mixture of unspecific facts with fictitious elements can be described according to the rhetoric procedure of narratio verisimilis (verisimilitudo). The work of art therefore does not report an actual, but a fictitious event – and just like the tournament it expresses the common self-image of the medieval aristocratic society.
摘要:《南特Turnier von Nantes》是康拉德·冯·温斯堡(Konrad von w rzburg)创作的一首政治诗。但具体的历史场合由于事实模糊,在研究上存在争议。这也适用于约会。而已识别的非具体事实与虚构元素的混合,则可以根据“真实叙述”的修辞程序来描述。因此,艺术作品并不是在报道一个真实的事件,而是一个虚构的事件——就像比赛一样,它表达了中世纪贵族社会的共同自我形象。
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引用次数: 0
Barbara Sasse: Zwischen Tugend und Laster. Weibliche Rollenbilder in den Tragedi und Comedi des Hans Sachs, Wiesbaden: Reichert 2020, 409 S. (Imagines Medii Aevi 50) 芭芭拉说,美德与恶习之间…威斯巴登,汉斯·萨克斯的戏剧和喜剧中的女性角色:拿2020年409 s。(想象中的Medii Aevi 50)
IF 0.1 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2022-03-01 DOI: 10.1515/bgsl-2022-0012
Niklas Holzberg
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引用次数: 0
Strickers Karl der Große, hg. v. Johannes Singer, Berlin u. Boston: de Gruyter 2016, 458 S., 3 Abb. (Deutsche Texte des Mittelalters 96) 斯特里克斯·查理曼主编。v.Johannes Singer,柏林和波士顿:de Gruyter 2016,458 S.,3图。(中世纪德语文本96)
IF 0.1 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2022-03-01 DOI: 10.1515/bgsl-2022-0009
Dorothea Klein
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引用次数: 0
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BEITRAGE ZUR GESCHICHTE DER DEUTSCHEN SPRACHE UND LITERATUR
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