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Romanticism最新文献

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Liz Bellamy, The Language of Fruit: Literature and Horticulture in the Long Eighteenth Century 莉兹·贝拉米,《水果的语言:漫长的18世纪的文学与园艺》
2区 文学 0 LITERATURE Pub Date : 2023-10-01 DOI: 10.3366/rom.2023.0616
Penny Bradshaw
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引用次数: 0
Katherine Bergren, The Global Wordsworth: Romanticism Out of Place and Jeffrey C. Robinson, Fibres of These Thoughts: Poetic Innovation in Wordsworth 1825–1833 凯瑟琳·伯格伦,《全球华兹华斯:格格不入的浪漫主义》和杰弗里·c·罗宾逊,《这些思想的纤维:华兹华斯1825-1833年的诗歌创新》
2区 文学 0 LITERATURE Pub Date : 2023-10-01 DOI: 10.3366/rom.2023.0615
Lewis Todd
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引用次数: 0
‘Such conduct bears Philanthropy’s rare stamp’: The Byronic Hero’s Good Works “这样的行为带有慈善事业的罕见印记”:拜伦英雄的善举
2区 文学 0 LITERATURE Pub Date : 2023-10-01 DOI: 10.3366/rom.2023.0612
Andrew Rudd
This article presents for the first time a file of petitions sent to Lord Byron, now held in the John Murray Archive of the National Library of Scotland (MS 43523) and catalogued in 2022. It analyses a sample of the letters and argues that Byron’s correspondents (all outside his regular social circle) framed their requests for assistance based on their reading of scenes of philanthropy in Childe Harold’s Pilgrimage and the Turkish Tales, where the image of the Byronic hero was consolidated. The article goes on to discuss the nature of the Byronic hero’s imaginary giving, characterised by secrecy and unknowability, and why this model was attractive to petitioners in real life. Byronic philanthropy thus provides a new lens to examine the entanglements between literary and epistolary and material cultures in the Romantic period, as well as offering scholars valuable new evidence of Byron’s personal generosity and charitable practices.
这篇文章首次展示了寄给拜伦勋爵的请愿书档案,现在保存在苏格兰国家图书馆的约翰·默里档案馆(MS 43523),并于2022年编目。它分析了拜伦的信件样本,并认为拜伦的通讯员(都不在他的正常社交圈内)根据他们阅读的《哈罗德游记》和《土耳其故事》中的慈善场景来提出他们的援助请求,在这些场景中,拜伦的英雄形象得到了巩固。文章继续讨论了拜伦式英雄的想象捐赠的本质,其特点是秘密和不可知,以及为什么这种模式对现实生活中的上访者有吸引力。因此,拜伦的慈善事业为研究浪漫主义时期文学和书信与物质文化之间的纠缠提供了一个新的视角,也为学者们提供了拜伦个人慷慨和慈善实践的宝贵新证据。
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引用次数: 0
Peter Bell’s Professions 彼得·贝尔的职业
2区 文学 0 LITERATURE Pub Date : 2023-10-01 DOI: 10.3366/rom.2023.0609
Christopher Simons
This article investigates the socioeconomic contexts of Wordsworth’s Peter Bell in relation to Peter’s ‘profession’ – to use Wordsworth’s term, when he wrote that first among the ‘great defects’ of Coleridge’s Ancient Mariner is that the protagonist ‘has no distinct character … in his profession of Mariner’. Peter Bell is a ‘potter’; Wordsworth’s footnote to the 1819 first edition defines this as ‘a hawker of earthenware’. Modern scholarship accepts the northern definition of potter as ‘pedlar’, effacing the connection to pottery. Yet evidence in the poem suggests that Wordsworth understood the socioeconomic contexts of the poem’s Swaledale setting in 1798–1800, with particular knowledge of the area’s role as the heart of Britain’s lead-mining industry. Peter’s presence in Swaledale links him, through his ‘professions’, to lead mining in the Pennines; and through lead mining, to the Staffordshire pottery industry and Wordsworth and Coleridge’s friends and patrons, Tom Wedgwood and Josiah Wedgwood II.
这篇文章调查了华兹华斯的《彼得·贝尔》的社会经济背景与彼得的“职业”的关系——用华兹华斯的话来说,他写道柯勒律治的《老水手》的第一个“重大缺陷”是主人公“在他的水手职业中没有明显的个性”。彼得·贝尔是一个“陶工”;华兹华斯在1819年第一版的脚注中将其定义为“陶器小贩”。现代学术接受北方对potter的定义为“小贩”,抹去了与陶器的联系。然而,这首诗中的证据表明,华兹华斯了解1798年至1800年间斯瓦尔岱尔地区的社会经济背景,尤其了解该地区作为英国铅矿开采中心的地位。彼得在斯韦代尔的存在,通过他的“职业”,把他和在奔宁山脉的采矿业联系起来;再到斯塔福德郡的陶瓷业华兹华斯和柯勒律治的朋友和赞助人汤姆·韦奇伍德和约西亚·韦奇伍德二世。
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引用次数: 0
Andrew Franta, Systems Failure: The Uses of Disorder in English Literature 安德鲁·弗兰塔:《系统失效:无序在英国文学中的应用》
IF 0.3 2区 文学 0 LITERATURE Pub Date : 2023-07-01 DOI: 10.3366/rom.2023.0602
Aileen Douglas
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引用次数: 0
Front matter 前页
2区 文学 0 LITERATURE Pub Date : 2023-07-01 DOI: 10.3366/rom.2023.0590
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引用次数: 0
Austen’s Men, Immortality and Intertextuality 奥斯汀的男人,不朽和互文性
IF 0.3 2区 文学 0 LITERATURE Pub Date : 2023-07-01 DOI: 10.3366/rom.2023.0596
Sarah Ailwood
Jane Austen’s men are central to her immortality and enduring appeal in the twenty-first century. This article links the intertextual imagining and re-imagining of Austen’s men with her own textual practice in the Romantic Era. Drawing on emerging methodologies for identifying and interpreting literary influence in the Romantic Era, threads of influence are established between Austen and contemporary Romantic-Era novelists, including Jane West, Hannah More, Maria Edgeworth, Sydney Owenson and Jane Porter. Reading these novelists collectively reveals a shared authorial undertaking in interrogating and rewriting masculinity through fictional genres emerging in the Romantic Era.
简·奥斯汀笔下的男人是她在21世纪不朽和持久魅力的核心。本文将奥斯丁对男性的互文想象和再想象与她在浪漫主义时代的文本实践联系起来。利用新兴的方法来识别和解释浪漫主义时代的文学影响,奥斯汀和当代浪漫主义时代小说家之间建立了影响线索,包括简·韦斯特、汉娜·莫尔、玛丽亚·埃奇沃斯、西德尼·欧文森和简·波特。共同阅读这些小说家揭示了一个共同的作者任务,即通过浪漫主义时代出现的虚构流派来质疑和改写男性气质。
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引用次数: 0
Ian Newman, The Romantic Tavern: Literature and Conviviality in the Age of Revolution 伊恩·纽曼,《浪漫的酒馆:革命时代的文学与欢宴》
IF 0.3 2区 文学 0 LITERATURE Pub Date : 2023-07-01 DOI: 10.3366/rom.2023.0603
J. Shears
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引用次数: 0
Bethan Roberts, Charlotte Smith and the Sonnet: Form, Place and Tradition in the Late Eighteenth Century 贝特森·罗伯茨,夏洛特·史密斯与十四行诗:18世纪晚期的形式、地点与传统
IF 0.3 2区 文学 0 LITERATURE Pub Date : 2023-07-01 DOI: 10.3366/rom.2023.0604
V. Derbyshire
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引用次数: 0
Sanditon without a Summer 没有夏天的桑迪顿
IF 0.3 2区 文学 0 LITERATURE Pub Date : 2023-07-01 DOI: 10.3366/rom.2023.0599
Amelia Dale
To be familiar with Jane Austen’s reception history is to also be familiar with her work being frequently characterised as preoccupied with the minor and the inconsequential. This article asks how we might read Austen’s concern with the microhistorical alongside the Anthropocene. Focusing on Sanditon, a fragment with a close relationship to temporal discontinuity, this article responds to the macro/micro bifurcation of Anthropocene time by examining Sanditon, first, in relation to the volcanically induced climate change that occurred in its immediate context, and second, in the dark light of the Anthropocene. To read Sanditon as an ‘Austenocene’ text, hurtling towards catastrophe, reflects, like a carnival mirror, Austen’s own retrospective anticipation of 1816’s climatological disaster. Sanditon, ending when it is still beginning, invites anticipatory and exploratory readings. It is a fragment and a farce that yokes economic and geopolitical history with climatological history. It is a novel of ‘eighteen-hundred and froze to death’ and of the Anthropocene.
熟悉简·奥斯汀的受欢迎历史,也就是熟悉她的作品经常被描述为专注于次要和无关紧要的事情。这篇文章询问我们如何解读奥斯汀对人类世微观历史的关注。本文聚焦于桑迪顿,一个与时间不连续性密切相关的碎片,通过研究桑迪顿,首先是与火山引发的气候变化的关系,其次是在人类世的黑暗中,来回应人类世时间的宏观/微观分叉。将《桑迪顿》解读为一部冲向灾难的“奥新世”文本,就像狂欢节的镜子一样,反映了奥斯汀自己对1816年气候灾难的回顾性预期。《桑迪顿》在刚开始的时候就结束了,它邀请读者进行前瞻性和探索性的阅读。这是一场将经济和地缘政治史与气候史联系在一起的碎片和闹剧。这是一部“1800年冻死”和人类世的小说。
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引用次数: 0
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Romanticism
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