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“Whatever it is that compels her to write so seldom” “究竟是什么原因使她很少写作呢?”
IF 0.3 3区 文学 Q1 Arts and Humanities Pub Date : 2021-03-01 DOI: 10.3828/EXTR.2021.2
Suzanne F. Boswell
In the pulp magazine period (1926-1946), science fiction’s publishing practices excluded female authors from the burgeoning genre. Using a network analysis of over 2,400 authors and 14,000 stories, this article demonstrates that women’s publication numbers in science fiction went down over the pulp period. Women, unlike their male colleagues, were published in ways that made it nearly impossible to gain economic stability and prestige in the pulps. The consolidation of sf into a marketing genre thus came at the expense of a female sf community who troubled the purity of a newly exclusive field.
在低俗杂志时代(1926-1946),科幻小说的出版实践将女性作家排除在新兴类型之外。通过对2400多名作者和14000个故事的网络分析,这篇文章表明,女性在科幻小说中的出版数量在低俗时期有所下降。与男性同事不同,女性的出版方式几乎不可能在讲坛上获得经济稳定和声望。因此,将sf整合为一种营销类型是以牺牲女性sf社区为代价的,她们困扰着一个新的排他性领域的纯洁性。
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引用次数: 0
From Dystopic to Decolonial 从失调到非殖民化
IF 0.3 3区 文学 Q1 Arts and Humanities Pub Date : 2020-12-01 DOI: 10.3828/extr.2020.17
Hannah Skrynsky
This paper looks to Haisla-Heiltsuk writer Eden Robinson’s short story “Terminal Avenue” (2004) as a literary example of what Canada’s future might look like if the collectively felt anxiety that underpins settler society remains unchecked. I analyze “Terminal Avenue” as a work of speculative fiction that represents what I term the genre’s “ideology of indeterminacy” as a politically productive condition under which Indigenous/settler relations in contemporary Canada can be reassessed. My analysis builds on the work of settler scholars David M. Higgins and Conrad Scott published in Extrapolation, vol 57, nos. 1-2, 2016.
本文将Haisla Heiltsuk作家Eden Robinson的短篇小说《终点大道》(2004)作为一个文学例子,说明如果支撑定居者社会的集体焦虑不受控制,加拿大的未来会是什么样子。我将《终点大道》分析为一部推理小说,它代表了我所说的该类型的“不确定性意识形态”,这是一种政治生产条件,在这种条件下,当代加拿大的土著/定居者关系可以重新评估。我的分析建立在定居者学者David M.Higgins和Conrad Scott的工作基础上,他们发表在《外推》第57卷,2016年第1-2期。
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引用次数: 0
Extrapolation: Volume 61, Issue 3 外推:第61卷,第3期
IF 0.3 3区 文学 Q1 Arts and Humanities Pub Date : 2020-12-01 DOI: 10.3828/extr.2020.61.issue-3
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引用次数: 0
Between Mania and Phobia 在摩尼亚和Phobia之间
IF 0.3 3区 文学 Q1 Arts and Humanities Pub Date : 2020-12-01 DOI: 10.3828/extr.2020.15
Chad Andrews
The 1980s in the United States are now understood as years of widespread cultural and ideological fracture. Neoliberalism became the nation’s economic mantra, détente was jettisoned in favor of military build-up, and conservative backlash movements surfaced to counter the feminist gains of previous decades. These and other developments materialized out of a multitude of conflicts, a crisis of ideas, words, and practices competing to maintain or rework the nation’s defining structures.This paper argues that technology played a central role in the decade’s discordant years, both materially and ideologically, and that certain works of feminist science fiction—particularly by Lois McMaster Bujold, who is the focus here, but also Sheri S. Tepper, Octavia E. Butler, Joan Slonczewski, and others—imagined new structures and practices embedded within the confines of modern technoculture. By doing so, they avoided a prevailing dichotomy conceptualized by Carol Stabile: either technomania, a headlong, manic rush into all things technological, or technophobia, a retreat from such things into a romanticized and idyllic past. Situated between mania and phobia, these works imagined alternatives to the kind of binary thinking that dominates our political climate, as well as visions of what a radically reformed—but also deeply technological—society could look like.
20世纪80年代的美国现在被理解为文化和意识形态普遍断裂的年代。新自由主义成为国家的经济口号,缓和政策被抛弃,转而支持军事建设,保守派的反弹运动浮出水面,以对抗前几十年女权主义的成果。这些和其他发展源于大量的冲突,一场思想、言论和实践的危机,这些冲突、言论和做法竞相维护或修改国家的定义结构。本文认为,技术在这十年的不和谐岁月中发挥了核心作用,无论是在物质上还是在意识形态上,女权主义科幻小说的某些作品——尤其是Lois McMaster Bujord的作品,她是这里的焦点,还有Sheri s.Tepper、Octavia E.Butler、Joan Slonczewski,以及其他——在现代技术文化的范围内设想的新结构和实践。通过这样做,他们避免了卡罗尔·斯塔布尔(Carol Stable)概念化的一种流行的二分法:要么是技术狂热,一种对所有技术事物的盲目、狂躁的追求,要么是技术恐惧症,一种从这些事物退回到浪漫化和田园诗般的过去。这些作品介于狂热和恐惧之间,想象着支配我们政治气候的二元思维的替代方案,以及对一个彻底改革但也具有深刻技术性的社会的愿景。
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引用次数: 0
“Everything is changed by virtue of being lost” “一切都因失去而改变”
IF 0.3 3区 文学 Q1 Arts and Humanities Pub Date : 2020-05-07 DOI: 10.3828/extr.2020.8
H. O’Connell
This essay examines Tade Thompson’s 2016 novel Rosewater as an exploration of political and environmental apocalypse, and what, invoking Jacques Derrida by way of Walter Benjamin, I am going to arg...
这篇文章考察了Tade Thompson 2016年的小说《玫瑰水》,作为对政治和环境启示录的探索,以及通过Walter Benjamin的方式援引Jacques Derrida的话,我要说的是。。。
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引用次数: 1
Twenty-First Century Afrofuturist Aliens 21世纪非洲未来主义者外星人
IF 0.3 3区 文学 Q1 Arts and Humanities Pub Date : 2020-05-07 DOI: 10.3828/extr.2020.6
Jessica M Fitzpatrick
It may seem odd that Afrofuturism, a dynamic movement, still employs alien figures. Sun-Ra’s extraterrestrial performances offered foundational alternatives to negative social inscriptions and dele...
非洲未来主义,一个充满活力的运动,仍然使用外星人的形象,这似乎有些奇怪。Sun-Ra的外星表演为负面的社会铭文和删除提供了基本的选择。
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引用次数: 2
Land and Pessimistic Futures in Contemporary African American Speculative Fiction 土地与当代非裔美国思辨小说中的悲观未来
IF 0.3 3区 文学 Q1 Arts and Humanities Pub Date : 2020-05-07 DOI: 10.3828/extr.2020.9
Kirsten Dillender
Little existing scholarship studies how relationships between blackness and the environment in contemporary speculative fiction represent or remedy antiblack behaviors. Jesmyn Ward’s Sing, Unburied...
现有的学术很少研究当代思辨小说中黑人与环境之间的关系如何代表或补救反黑人行为。Jesmyn Ward的歌唱,未埋葬。。。
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引用次数: 3
The Mirror of Afrofuturism 非洲尿症的镜子
IF 0.3 3区 文学 Q1 Arts and Humanities Pub Date : 2020-05-07 DOI: 10.3828/extr.2020.11
Samuel R. Delany
Unless we set up our critical mirrors very carefully, arguably there is no such thing as Afrofuturism. I contend that what is needed for Afrofuturism is black characters in the future, irrespective...
除非我们非常仔细地设置我们的批判性镜子,否则可以说不存在非洲主义。我认为,非洲主义需要的是未来的黑人角色,不管。。。
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引用次数: 1
Capturing the Future Back in Africa 在非洲捕捉未来
IF 0.3 3区 文学 Q1 Arts and Humanities Pub Date : 2020-05-07 DOI: 10.3828/extr.2020.5
Lidia Kniaź
Over the last few decades, Afrofuturism has firmly established itself as one of the most recognizable sf aesthetics. Identified predominantly with literature (Butler, Delany, Hopkinson), comics (Mi...
在过去的几十年里,非洲主义已经成为最知名的sf美学之一。主要与文学(巴特勒,德莱尼,霍普金森),漫画(米。。。
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引用次数: 1
Black Technoculture and/as Afrofuturism 黑人技术文化和/或非洲文化
IF 0.3 3区 文学 Q1 Arts and Humanities Pub Date : 2020-05-07 DOI: 10.3828/extr.2020.3
André Brock
This essay argues for a reboot of Afrofuturism: a thoughtful engagement with the Black everyday, enacted through technoculture, to ground continued speculation on possible Afro Futures. This approa...
这篇文章主张重启非洲主义:通过技术文化,每天与黑人进行深思熟虑的接触,为对可能的非洲未来的持续猜测奠定基础。这种方法。。。
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引用次数: 9
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