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El fantasma de Helena en Noli me tangere de Andrea Camilleri. El uso del mito clásico para la creación de una novela policíaca 安德烈亚-卡米莱里的《诺丽我的唐吉拉》中的海伦娜幽灵。古典神话在侦探小说创作中的运用
IF 0.2 3区 社会学 0 CLASSICS Pub Date : 2024-09-16 DOI: 10.1007/s12138-024-00673-1
Rosario López Gregoris

This paper analyses Andrea Camilleri’s use of poems allegedly written by the Greek poet Stesichorus, to develop a detective plot in the novel Noli me tangere. The figure of Stesichorus and his poems about Helen of Sparta serve the Italian writer, firstly, to justify, almost in autobiographical terms, the Greek poet’s first slanderous poem about Helen and the obligatory palinode to restore Helen’s honour. Secondly, it also serves to perpetuate the figure of Helen as an erotic myth in this detective story, starring a cohort of Helen’s suitors, a character who is barely visible in the story. Finally, the author hybridises the classical erotic myth with the Christian trope noli me tangere, with the surprising result that this idea softens the eroticism inherent in the myth of Helen, and the myth of Helen imbues the relationship between Jesus and Mary Magdalene with intimate complicity.

本文分析了安德烈亚-卡米莱里在小说《我的 tangere》中使用据称是希腊诗人 Stesichorus 所写的诗歌来发展侦探情节的手法。首先,意大利作家利用 Stesichorus 的形象及其关于斯巴达的海伦的诗歌,几乎以自传体的形式,为希腊诗人第一首诽谤海伦的诗歌以及为海伦恢复名誉的强制性 palinode 进行辩护。其次,在这个侦探故事中,海伦作为一个色情神话的形象也得到了延续,海伦的追求者之一在故事中几乎没有露面。最后,作者将古典情色神话与基督教的 "我不愿意"(noli me tangere)特例混合在一起,结果出人意料,这一想法软化了海伦神话中固有的情色色彩,而海伦神话则为耶稣与抹大拉的马利亚之间的关系增添了亲密的共谋性。
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引用次数: 0
Science, Life, and Art in Nietzsche’s Notes for ‘We Philologists’ 尼采《我们语言学家》笔记中的科学、生活与艺术
IF 0.2 3区 社会学 0 CLASSICS Pub Date : 2024-08-19 DOI: 10.1007/s12138-024-00676-y
Neriojamil Palumbo

The study retraces Nietzsche’s 1875 notes for the planned but never published Unfashionable Observation, We Philologists, through a specific focus on the topics of science, life and art in their close and seldom discussed interrelation. The questions that the investigation addresses are: what is the significance of Nietzsche’s problematisation of science in We Philologists for our interpretation of the topic in his later works? How should we interpret these notebooks in relation to his previous writings, on the one hand, and to his later treatment of themes like the deconstruction of Christianity, the critique of eudemonism or the historical genesis of the genius on the other? Framing the notebooks as unwittingly experimental precursors of Nietzsche’s aphoristic books, the article interprets the unique nuance of the notes as an opportunity to start shedding a different light on the discussion of these questions in Nietzsche’s later works. Science, life and art become thus the focal points of a more specific and circumscribed analysis of his early thought – reconnecting these topics to their tangible origins, and tracking their early development in the context of Nietzsche’s acclaimed switch from philology to philosophy and cultural criticism.

本研究回溯了尼采 1875 年为计划出版但从未出版的《不合时宜的观察》--《我们语言学家》--所做的笔记,特别关注了科学、生活和艺术等主题之间密切而鲜有讨论的相互关系。这项研究要解决的问题是:尼采在《我们语言学家》中对科学的问题化,对我们解读他后期作品中的科学主题有何意义?一方面,我们应该如何将这些笔记本与他以前的著作联系起来进行解读,另一方面,我们又应该如何将这些笔记本与他后来处理基督教解构、优德门主义批判或天才的历史起源等主题联系起来进行解读?文章将这些笔记视为尼采箴言体著作无意中的实验性先驱,将笔记的独特细微差别解释为一个契机,开始对尼采后期作品中有关这些问题的讨论进行不同的阐释。因此,科学、生命和艺术成为了对尼采早期思想进行更具体、更细致分析的焦点--重新将这些主题与它们的具体起源联系起来,并在尼采从语言学转向哲学和文化批评的过程中追踪它们的早期发展。
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引用次数: 0
The Road Not Taken: Dante’s First Eclogue and Virgil’s Career 未走之路但丁的《第一序》和维吉尔的职业生涯
IF 0.2 3区 社会学 0 CLASSICS Pub Date : 2024-07-29 DOI: 10.1007/s12138-024-00670-4
Syrithe Pugh

Near the end of his career, Dante wrote two eclogues, instigating a literary fashion which was to outlast the Renaissance. These poems—Dante's only known compositions in Latin verse—were prompted by a verse epistle from Giovanni ‘del Virgilio’, in which the humanist scholar goaded Dante to compose a martial epic in Latin celebrating contemporary Italian military victories, which would prove him a worthy successor to the author of the Aeneid. Dante’s response is an elaborate bucolic recusatio, which engages in a rich and intricate intertextual dialogue both with Virgil and with his correspondent. Through a pattern of allusions emphasizing the theme of land-confiscation and dispossession in Virgil’s Bucolica and his denunciation of the avarice and violence of contemporary Rome in the Georgics, Dante makes the case that his own career has fulfilled the noble aspirations which Virgil himself compromised, when he abandoned the idea of a cosmological epic, entertained in the second Georgic and chose instead to glorify war and the emperor in the Aeneid.

但丁在其创作生涯即将结束时写下了两首黯然销魂诗,开创了文艺复兴时期的文学风尚。这两首诗--但丁唯一已知的拉丁诗歌作品--是由乔瓦尼-德尔-维吉利奥的一封诗歌书信引发的,这位人文学者在书信中怂恿但丁用拉丁文创作一部武术史诗,颂扬当代意大利的军事胜利,以证明他是埃涅阿斯纪作者当之无愧的继承者。但丁的回信是一篇精心制作的田园诗,与维吉尔及其通信者进行了丰富而复杂的互文对话。通过强调维吉尔《布科利卡》中土地没收和剥夺主题的典故模式,以及他在《乔治亚》中对当代罗马的贪婪和暴力的谴责,但丁证明了他自己的事业已经实现了维吉尔自己在《乔治亚》第二部中放弃宇宙史诗的想法,转而选择在《埃涅伊德》中颂扬战争和皇帝时所妥协的崇高愿望。
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引用次数: 0
Mitología Griega y Discurso Ecológico 希腊神话与生态话语
IF 0.2 3区 社会学 0 CLASSICS Pub Date : 2024-07-22 DOI: 10.1007/s12138-024-00665-1
Jesús Muñoz Morcillo

This article explores the use of Greek mythology in current ecological discourse. In Classical Studies, specifically in Classical Tradition studies, the ecocritical revision of Greco-Latin texts and their survival is still in its infancy. The ecological question is usually approached as a reconstruction of notions and uses of nature, with little reference to the contemporary philosophical and cultural discourse that revolves around the cultural causes of the climate crisis, its historical paradoxes, and its future projections. This has led to a situation in which ancient mythology, especially Greek mythology, is used by ecological discourse representatives for argumentative, explanatory, or informative purposes without the required textual criticism and scientific rigor. This paper insists on the need to critically review the ecological readings of Greek mythology to avoid contradictions, paradoxes, or biased interpretations that could weaken the ecocritical debate. Specifically, two predominant tendencies are analyzed: the argumentative use of myth (e.g., in the case of the adamantine chains of Prometheus or the use of Platonic myths) and its resemanticization for a specific discursive purpose (e.g., the reductionist interpretations of Gaia and Medusa) in authors such as Timothy Morton, Jane Bennett, Ursula Heise, or Donna Haraway. The results show that the treatment of Greek myths in the ecological discourse is often subordinated to argumentative needs, avoiding alternative mythographic sources that relativize what has been exposed or venturing into biased interpretations that can lead to undesired contradictions concerning the postulates of the ecological discourse itself.

本文探讨了希腊神话在当前生态论述中的应用。在古典研究中,特别是在古典传统研究中,对希腊-拉丁文本的生态批判修正及其存续仍处于起步阶段。生态问题通常是作为对自然的概念和使用的重构来处理的,很少涉及围绕气候危机的文化原因、历史悖论及其未来预测的当代哲学和文化话语。这导致了这样一种情况,即古代神话,尤其是希腊神话,被生态学话语代表用于论证、解释或提供信息,而没有必要的文本批判和科学严谨性。本文坚持认为,有必要对希腊神话的生态解读进行批判性审查,以避免出现矛盾、悖论或偏颇的解释,从而削弱生态批评的辩论。具体而言,本文分析了两种主要倾向:神话的论证性使用(如普罗米修斯的金刚链或柏拉图神话的使用),以及蒂莫西-莫顿(Timothy Morton)、简-贝内特(Jane Bennett)、乌苏拉-海斯(Ursula Heise)或唐娜-哈拉维(Donna Haraway)等作者出于特定话语目的对神话的反语义化(如对盖亚和美杜莎的还原论解释)。研究结果表明,生态学论述中对希腊神话的处理往往从属于论证需要,避免使用其他神话来源将已揭露的内容相对化,或冒险进行有偏见的解释,从而导致与生态学论述本身的假设产生不必要的矛盾。
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引用次数: 0
Senioris visio: C. G. Jung’s Refiguration of Philemon Senioris visio:荣格对腓利门的重构
IF 0.2 3区 社会学 0 CLASSICS Pub Date : 2024-07-03 DOI: 10.1007/s12138-024-00668-y
Fabiana Lopes da Silveira

Carl Gustav Jung’s Red Book (2009) is a literary record of a period of self-experimentation Jung carried out between 1913 and 1916 by means of a technique he would later call ‘active imagination’: Jung would allow himself to ‘drop’ into a fantasizing state and then observe the images that emerged from the unconscious. If he happened to encounter a talking figure, he would try and interact with them. One of such figures was Philemon, an intriguing reinvention of the models from both Ovid’s Metamorphoses and Goethe’s Faust. Jung’s refiguration of Philemon illustrates Jung’s engagement not only with these two works, but also with late antique magical, alchemical and Hermetic writings, as well as classical scholarship dedicated to them. Even though it is widely recognized that Philemon played a central role in Jung’s psychological formulations after his break from Freud in 1912, this figure seems to have received no sustained attention in the scholarship on the reception of Greco-Roman antiquity in depth psychology. This article offers an investigation of how Jung’s refiguration of Philemon relates both to Jung’s psychological research prior to his first encounter with this character and to the path it followed after this encounter took place with regard to the archetype of the ‘wise old man’.

卡尔-古斯塔夫-荣格的《红书》(2009 年)以文学形式记录了荣格在 1913 年至 1916 年间通过一种他后来称之为 "积极想象 "的技术进行的自我实验:荣格会让自己 "坠入 "幻想状态,然后观察从无意识中出现的图像。如果碰巧遇到一个会说话的人物,他就会尝试与之互动。菲利蒙就是其中之一,他对奥维德的《变形记》和歌德的《浮士德》中的人物进行了有趣的再创造。荣格对菲利蒙的重新塑造表明,荣格不仅参与了这两部作品的研究,还参与了晚期古代魔法、炼金术和赫尔墨斯学著作的研究,以及专门研究这些著作的古典学术研究。尽管人们普遍认为腓利门在荣格于 1912 年与弗洛伊德决裂后的心理学理论中扮演了核心角色,但在深度心理学对希腊罗马古代文学的接受研究中,这个人物似乎并没有得到持续的关注。本文探讨了荣格对菲利蒙的重新塑造是如何与荣格在首次接触这个人物之前的心理学研究以及接触之后荣格在 "智慧老人 "原型方面的研究路径相关联的。
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引用次数: 0
Revisiting a Sixteenth-Century ‘Erotic’ Poem Wrongly Ascribed to Elizabeth Dacre 重温被误认为是伊丽莎白-达克尔创作的十六世纪 "情色 "诗歌
IF 0.2 3区 社会学 0 CLASSICS Pub Date : 2024-07-01 DOI: 10.1007/s12138-024-00663-3
Aron L. Ouwerkerk

This article puts on trial the assumed authorship of a sixteenth-century manuscript poem reminiscent of Ovid’s Heroides, currently ascribed to Lady Elizabeth Dacre. After establishing a revised edition of the text, it provides arguments based on historical, material, literary and textual analyses of the source, strongly indicating the unlikeliness of its supposed attribution to this English noblewoman. The arguments suggest that, while Dacre was probably the scribe of the manuscript, the author of the text was most likely her husband, Sir Thomas Dacre. This outcome is used as an example evincing the fundamental importance of usable and informative text editions for historians and literary scholars alike, increasingly calling for close collaboration across disciplines, as well as a renewed appreciation of textual editing.

这篇文章对一首十六世纪手稿诗歌的假定作者进行了考证,这首诗歌让人联想到奥维德的《英雄传》,目前被认为是伊丽莎白-达克尔夫人所作。在确定了文本的修订版之后,它根据对来源的历史、材料、文学和文本分析提出了论据,有力地说明了将其归于这位英国贵族女士的可能性不大。这些论据表明,虽然达克尔可能是手稿的抄写员,但文本的作者很可能是她的丈夫托马斯-达克尔爵士。这一成果被用作一个例子,证明了对历史学家和文学学者来说,可用且信息丰富的文本版本具有根本性的重要意义,越来越需要跨学科的密切合作,以及对文本编辑的重新认识。
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引用次数: 0
Rewriting Catullus 63 in Renaissance Italy 在文艺复兴时期的意大利重写卡图卢斯 63
IF 0.2 3区 社会学 0 CLASSICS Pub Date : 2024-05-31 DOI: 10.1007/s12138-024-00667-z
Giandamiano Bovi

The article focusses on two Renaissance reinterpretations of Catullus 63, one of his least imitated poems in Italy during that period. I deal with the poetic reinterpretation of Catullus’ lines and the reshaping of his choice of metre and genre. I start with a poem by Marullus that defined the way Catullus 63 was later imitated; I continue with the description of a unique reshaping of Catullus’ Attis by Giovambattista Pigna, in which I show some reminiscences from Ariosto’s Furioso. I add insights on Pigna’s blending of Catullus with other ancient and contemporary sources.

这篇文章重点探讨了文艺复兴时期对卡图卢斯《63》的两种重新诠释,这首诗是卡图卢斯在意大利被模仿最少的一首诗。我探讨了对卡图卢斯诗句的重新诠释,以及对其格律和体裁选择的重新塑造。我从马鲁卢斯的一首诗开始,这首诗确定了卡图卢斯 63 后来被模仿的方式;我继续描述乔万巴蒂斯塔-皮格纳对卡图卢斯的《阿提斯》的独特重塑,其中我展示了阿里奥斯托的《富里奥索》中的一些回忆。我还对皮涅纳将卡图卢斯与其他古代和当代资料相融合的做法提出了自己的见解。
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引用次数: 0
Liber eram. A Propertian Motif in Late Fifteenth-Century Latin Poetry Liber eram.十五世纪晚期拉丁语诗歌中的 "属性 "主题
IF 0.2 3区 社会学 0 CLASSICS Pub Date : 2024-05-13 DOI: 10.1007/s12138-024-00662-4
John Nassichuk

This paper traces the history and evolution of humanist re-use of the first couplet of Propertius’s elegy 2, 2, from Gregorio Tifernate’s Poemata to the end of the Quattrocento. Continued re-use of the couplet, or of its constituent elements, make it a veritable commonplace at a time when collections of loci communi were first coming into existence as ordered and consciously prepared works. The attraction of this particular couplet from Propertius was enhanced considerably by a parallel use in the Petrarchan vernacular love poetry tradition. This poetic commonplace became so well established that its very language appears in Christian moral poetry from the period, as evidenced by an example taken from Baptista Mantuanus’s collection of eclogues entitled Adulescentia. The commonplace established by Quattrocento elegiac poets thus became a weapon in the arsenal of edifying Christian poetry, whose authors redeployed elegiac language in their criticism of mankind’s excessive devotion to earthly passions.

本文追溯了从格雷戈里奥-蒂弗纳特(Gregorio Tifernate)的《诗歌》(Poemata)到四世纪末人文主义重新使用普罗佩提乌斯(Propertius)的挽歌 2, 2 首联的历史和演变过程。对联或其构成要素的不断重复使用,使其成为名副其实的常客,而此时,loci communi 作品集作为有序和有意识准备的作品初露端倪。普罗佩提乌斯的这一特殊对联的吸引力因彼特拉克白话爱情诗传统中的平行使用而大大增强。这种诗歌通俗手法已经非常成熟,其语言本身也出现在这一时期的基督教道德诗歌中,巴普蒂斯塔-曼图阿努斯(Baptista Mantuanus)的悼亡诗集《阿杜列辛提亚》(Adulescentia)中的一个例子就是证明。因此,由四重奏挽歌诗人确立的诗歌通例成为了基督教教化诗歌的武器,其作者在批判人类过度沉溺于世俗激情时重新使用了挽歌语言。
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引用次数: 0
Olaus Magnus, Description des Peuples du Nord: Rome 1555, ed. and transl. Jean-Baptiste Brunet-Jailly, 3 vols (Travaux d’humanisme et Renaissance), Geneva: Droz, 2128, pp. 2128, ISBN: 9782251071053, 148.76€ Olaus Magnus,Description des Peuples du Nord: Rome 1555,ed. and transl.Jean-Baptiste Brunet-Jailly, 3 vols (Travaux d'humanisme et Renaissance), Geneva: Droz, 2128, pp.
IF 0.2 3区 社会学 0 CLASSICS Pub Date : 2023-12-11 DOI: 10.1007/s12138-023-00653-x
Elena Balzamo
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引用次数: 0
Surveying Early Intervention Providers to Identify Opportunities for Workforce Support to Strengthen Family-Centered Care. 对早期干预提供者进行调查,以确定劳动力支持的机会,从而加强以家庭为中心的护理。
IF 1.1 3区 社会学 0 CLASSICS Pub Date : 2023-10-01 DOI: 10.1097/iyc.0000000000000247
Shayl F Griffith, Loreen S Magariño, Frances D Martínez Pedraza, Stacy L Frazier, Michelle D Berkovits, Daniel M Bagner

Traditional provider-to-child models of early intervention (EI) service provision have been increasingly replaced by service guidelines that promote a broader family-centered approach to support improvement in the child's primary area of delay. These guidelines include working directly with caregivers and addressing needs of the family that might impact a caregivers' capacity to engage in developmentally supportive interactions with children (e.g., caregiver distress). Knowledge of provider skills, practices, and attitudes would inform efforts to broaden and enhance practice in line with these guidelines. Within an academic-community partnership to support EI, we surveyed 88 providers in Miami and Boston about their usual practice, perceptions of their skills, general attitudes towards evidence-based practices, and interest in specific training opportunities. Findings indicated that providers spent more time working directly with children than caregivers. Providers reported high interest in training to manage caregiver distress, support preschool readiness, and align work with family culture. Negative overall attitudes towards using evidence-based interventions and provider exhaustion were related to less interest in obtaining training in culturally-responsive practice. Exhaustion also related to less interest in training on other topics that represent a broadened scope of care, including building warm parent-child relationships. Findings are informing efforts to design EI training opportunities to improve parent-provider relations, enhance parent-child interactions, and reduce caregiver stress.

传统的提供者对儿童的早期干预(EI)服务模式已逐渐被服务指南所取代,后者提倡更广泛的以家庭为中心的方法,以支持改善儿童的主要发育迟缓领域。这些指导原则包括直接与照料者合作,并解决可能影响照料者与儿童进行有利于发展的互动的能力的家庭需求(如照料者的困扰)。对提供者的技能、实践和态度的了解将为根据这些指导方针扩大和加强实践提供信息。在一个支持幼儿保育的学术社区合作项目中,我们对迈阿密和波士顿的 88 名保育员进行了调查,了解他们的惯常做法、对自身技能的看法、对循证实践的总体态度以及对特定培训机会的兴趣。调查结果显示,托养者直接与儿童打交道的时间多于照护者。托养者表示,他们对管理托养者痛苦、支持学龄前准备、使工作与家庭文化保持一致等方面的培训很感兴趣。对使用循证干预措施的总体消极态度和托养者的疲惫与对获得文化适应性实践培训的兴趣较低有关。疲惫还与对其他主题(包括建立温暖的亲子关系)的培训兴趣较低有关,这些主题代表了更广泛的护理范围。这些研究结果为设计幼儿教育培训机会以改善家长与提供者之间的关系、加强亲子互动和减轻照顾者的压力提供了参考。
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引用次数: 0
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International Journal of the Classical Tradition
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