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‘To be or not to be’ of Eco-Deconstruction 生态解构主义的“生存还是毁灭”
4区 文学 0 LITERARY THEORY & CRITICISM Pub Date : 2023-07-01 DOI: 10.3366/olr.2023.0402
N. Anderson
This paper aims to unravel a tension between the act of naming and ‘differential relationality’. Derrida has taught us that ‘naming’ is an essentialising, and thus metaphysical gesture that works to define and circumscribe a field of work (for instance, ‘Eco-Deconstruction’), the human, and ecology. ‘Naming’ entails the beginning of the institutionalisation and sedimentation of a field, despite a ‘field’s’ claim to the opposite. The danger of such sedimentation is that it perpetuates what Derrida calls ipseity that in the history of western philosophy and metaphysics has worked in contradistinction to the nonhuman (animals, environment, ecology).
本文旨在揭示命名行为与“差异关系”之间的紧张关系。德里达告诉我们,“命名”是一种本质化,因此是一种形而上学的姿态,用于定义和限制工作领域(例如,“生态解构”),人类和生态。“命名”需要一个领域的制度化和沉淀的开始,尽管“领域”声称相反。这种沉淀的危险在于,它延续了德里达所说的冷漠,在西方哲学和形而上学的历史上,这种冷漠与非人类(动物、环境、生态)形成了对比。
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引用次数: 0
Elizabeth Bowen’s The Hotel: An ABC of Reading 伊丽莎白·鲍恩的《酒店:阅读入门》
4区 文学 0 LITERARY THEORY & CRITICISM Pub Date : 2022-12-01 DOI: 10.3366/olr.2022.0395
N. Royle
This essay is an exercise in the phenomenology – and post-phenomenology – of reading in relation to Elizabeth Bowen’s The Hotel (1927), a novel that thematizes and reflects on the uncanny status of reading and provokes in response an experimental critical ABC. Special attention is given to the work of French psychoanalyst Charles Baudouin in foregrounding the role and effects of suggestion in reading. Engaging with the concerns of writing and reading fiction in the ‘Anthropocene’ (especially in the form of what is here called twi-fi) and drawing on notions of literary anachrony, cryptaesthetic resistance, queerness and deferred effect, the essay offers a new critical appreciation of the singularity of Bowen’s novel.
这篇文章是关于阅读现象学和后现象学的练习,与伊丽莎白·鲍恩的《旅馆》(1927)有关,这部小说将阅读的神秘地位主题化并反思,并引发了一种实验性的批判性ABC。特别关注法国精神分析学家查尔斯·博杜安在强调暗示在阅读中的作用和影响方面的工作。通过对“人类世”(Anthropocene)小说写作和阅读的关注(尤其是在这里被称为双fi的形式中),并借鉴了文学时代错误、隐觉抵抗、酷尔性和延迟效应等概念,这篇文章为鲍文小说的独特性提供了一种新的批判性欣赏。
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引用次数: 0
Reading against the Forces of Boredom: Environmental Literary Culture in ‘the Age of Amazon’ 对抗无聊的阅读:“亚马逊时代”的环境文学文化
4区 文学 0 LITERARY THEORY & CRITICISM Pub Date : 2022-12-01 DOI: 10.3366/olr.2022.0392
Timothy Clark
This paper offers an anxious survey of factors inducing boredom or indifference in the readership of environmental writing and criticism. The first is the inertia of limited assumptions in writers and critics about how to engage readers’ attention, with inadequate ideas of what ‘genuine reading’ would be. Secondly and more insidiously, modern readers are usually now immersed in consumerist cultural contexts actively geared to encourage boredom as a market force. Reduced thresholds of attention become effectively a political agent, usually a reactionary one. Next the question is asked: is ‘the reader’ a unified subject? That is, how far are environmental texts and fears unwittingly appealing to unacknowledged fantasies of violence and harm? A final threat to readerly engagement with environmental criticism in particular is that, as the conditions of the ‘Anthropocene’ worsen, just to engage more reading and readers on environmental issues comes to seem less and less adequate, even evasive, an academic theatre only of performing opinions.
本文对环境写作和批评读者中引起无聊或冷漠的因素进行了焦虑调查。首先是作家和评论家对如何吸引读者注意力的有限假设的惰性,对什么是“真正的阅读”的想法不足。其次,更隐蔽的是,现代读者现在通常沉浸在消费主义文化背景中,积极鼓励无聊成为一种市场力量。注意力阈值的降低实际上成为了一种政治代理人,通常是一种反动的代理人。接下来的问题是:“读者”是一个统一的主体吗?也就是说,环境文本和恐惧在多大程度上无意中吸引了对暴力和伤害的未被承认的幻想?对认真参与环境批评的最后一个威胁是,随着“人类世”条件的恶化,仅仅是让更多的读者参与环境问题的阅读和阅读似乎越来越不充分,甚至是回避,成为一个只表达意见的学术舞台。
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引用次数: 0
Editor's Preface 编者序言
4区 文学 0 LITERARY THEORY & CRITICISM Pub Date : 2022-12-01 DOI: 10.3366/olr.2022.0389
N. Royle
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引用次数: 0
Reading Pieces 阅读部分
4区 文学 0 LITERARY THEORY & CRITICISM Pub Date : 2022-12-01 DOI: 10.3366/olr.2022.0393
Peggy Kamuf
These are three pieces on reading (‘surface reading’, teaching and learning to read) that take lessons from Flaubert, Derrida, Billy Collins and Rousseau.
以下是福楼拜、德里达、比利·柯林斯和卢梭的三篇关于阅读的文章(“表面阅读”、教学和学习阅读)。
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引用次数: 0
Happy Reading! 阅读的快乐!
4区 文学 0 LITERARY THEORY & CRITICISM Pub Date : 2022-12-01 DOI: 10.3366/olr.2022.0391
Geoffrey Bennington
The ‘Happy Few’ of Stendhal's dedications are certainly readers, but they do not cohere into a community, and are vigilant and suspicious around the use of the first-person plural pronoun. This already sets them apart from the proponents of ‘surface reading’, who, moreover, have a historically questionable and conceptually feeble understanding of the intimate relationship between deconstruction and reading-and indeed of what thinking in terms of ‘surface’ entails.
司汤达献词中的“快乐少数”当然是读者,但他们并没有团结成一个群体,并且对第一人称复数代词的使用保持警惕和怀疑。这已经将他们与“表面阅读”的支持者区分开来,此外,他们对解构和阅读之间的亲密关系,以及从“表面”的角度思考意味着什么,有着历史上值得怀疑和概念上薄弱的理解。
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引用次数: 0
No Reading Aloud! Sound and Silence in Plato’s Socrates and Derrida’s Plato 不要大声朗读!柏拉图的苏格拉底和德里达的柏拉图中的声音和寂静
4区 文学 0 LITERARY THEORY & CRITICISM Pub Date : 2022-12-01 DOI: 10.3366/olr.2022.0394
Michael Naas
In ‘Reading and Its Discontents’, Anne Emmanuelle Berger makes a plea for the specificity of reading literature. Unlike other kinds of reading, the reading of literature has the unique ability to ‘keep the wound open’. As such, it can never be reduced, as some have recently tried, to just another form of culture production or to some politically motivated pedagogical therapeutics. It is also a type of reading, this essay will argue, that cannot be reduced to the kind of silent reading that, as Derrida demonstrated in ‘Plato’s Pharmacy’, has been the model and telos of reading since Plato. After a brief look at the controversy surrounding the history of silent reading, this essay looks at the question of reading in Plato and, especially, at the surprising number of references in the dialogues to Socrates as a reader. It then turns to Derrida’s reading of Plato in ‘Plato’s Pharmacy’, first to Derrida’s critique of the Platonic model of reading and writing in the dialogues and then to the deployment of a new kind of philosophical reading and writing in Derrida’s own work, a reading that, as Berger herself suggests, is always also a writing, a reading that is itself then always double, at once silent and aloud.
在《阅读及其不满》一书中,安妮·艾曼纽尔·伯杰为阅读文学的特殊性提出了请求。与其他类型的阅读不同,文学阅读具有“保持伤口张开”的独特能力。因此,它永远不能像最近一些人所尝试的那样,被简化为另一种形式的文化生产或某种出于政治动机的教学疗法。这也是一种阅读,这篇文章会说,它不能被简化为一种无声的阅读,就像德里达在柏拉图的药学中所展示的那样,自柏拉图以来一直是阅读的模式和目的。在简要回顾了围绕默读历史的争议之后,这篇文章将着眼于柏拉图的阅读问题,尤其是在苏格拉底作为读者的对话中令人惊讶的大量引用。然后转向德里达在《柏拉图的药学》中对柏拉图的解读,首先是德里达在对话录中对柏拉图式的阅读和写作模式的批判,然后是德里达在自己的作品中对一种新的哲学阅读和写作的运用,这种阅读,正如伯杰自己所说,也是一种写作,这种阅读本身总是双重的,既沉默又大声。
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引用次数: 0
Reading and Its Discontents 阅读及其不满
4区 文学 0 LITERARY THEORY & CRITICISM Pub Date : 2022-12-01 DOI: 10.3366/olr.2022.0390
A. Berger
This essay ponders over the dismissal of reading practices and theories that were linked to the modernist shift from ‘literature’ to ‘writing’ ( écriture) in the second half of the twentieth century. It provides an intellectual genealogy of the rise and fall of the writing/reading couple, before going on to consider the cultural effects – as well as the educational and institutional consequences in academia – of the challenge to literature’s ‘cultural difference’ mounted by both cognitivist and culturalist approaches to literature, in their turn away from or against ‘language’.
这篇文章思考了20世纪下半叶,与现代主义从“文学”向“写作”(文学文体)转变有关的阅读实践和理论被忽视的问题。它提供了写作/阅读这对夫妇的兴衰的知识谱系,然后再考虑文化影响——以及学术界的教育和制度后果——文学的“文化差异”受到认知主义和文化主义文学方法的挑战,在他们远离或反对“语言”的时候。
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引用次数: 0
Francesco Vitale, Biodeconstruction: Jacques Derrida and the Life Sciences 弗朗西斯科·维塔莱,生物解构:德里达与生命科学
4区 文学 0 LITERARY THEORY & CRITICISM Pub Date : 2022-07-01 DOI: 10.3366/olr.2022.0383
Eszter Timar
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引用次数: 0
Glas Struggles 奋斗玻璃
4区 文学 0 LITERARY THEORY & CRITICISM Pub Date : 2022-07-01 DOI: 10.3366/olr.2022.0381
Thomas Clément Mercier
This essay stages an encounter between several texts by Jacques Derrida (notably Memoires – for Paul de Man, Life Death, and Glas) which delineate the contours of what could be called a ‘memorial agonistics’. Through readings of Marx, Nietzsche and Freud, Derrida shows that memory and commemorations always involve struggles in nomination and classification, jealous movements of appropriation and expropriation of the departed, wars in and for the name converging towards the imposition of some countersignature. These violent plays of preservation and substitution seem always to take place around the enigmatic figure of the mother – a monumental corpse instantiated in the essay through the name ‘Notre-Dame de la Garde’.
这篇文章讲述了雅克·德里达的几篇文章之间的相遇(尤其是回忆录 – 保罗·德曼(Paul de Man)、《生死》(Life Death)和《格拉斯》(Glas。通过对马克思、尼采和弗洛伊德的解读,德里达表明,记忆和纪念活动总是涉及提名和分类的斗争,对逝者的侵占和征用的嫉妒运动,为名字而战的战争汇聚到某种连署。这些保存和替代的暴力游戏似乎总是围绕着神秘的母亲形象发生 – 一具不朽的尸体在文章中以“花园圣母院”的名字出现。
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引用次数: 0
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