{"title":"Michael Naas, Plato and the Invention of Life","authors":"J. Kelleher","doi":"10.3366/olr.2022.0384","DOIUrl":"https://doi.org/10.3366/olr.2022.0384","url":null,"abstract":"","PeriodicalId":43403,"journal":{"name":"OXFORD LITERARY REVIEW","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42871534","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This piece seeks to explore notions of commemoration and autobiography with particular reference to the life and work of Laura Marcus. Special attention is given to her Auto/Biographical Discourses, Virginia Woolf and Autobiography, as well as Paul de Man’s essay ‘Autobiography as De-Facement’, the work of Jacques Derrida (in Mémoires: For Paul de Man and elsewhere), and Woolf’s ‘biography’, Orlando (1927).
这件作品试图探索纪念和自传的概念，特别参考劳拉·马库斯的生活和工作。特别关注的是她的自传/传记话语，弗吉尼亚·伍尔夫和自传，以及保罗·德曼的文章“自传作为面相”，雅克·德里达的作品(在m moires: For Paul de Man和其他地方)，以及伍尔夫的“传记”，奥兰多(1927)。
{"title":"Commemoration and Autobiography: In Memory of Laura Marcus","authors":"N. Royle","doi":"10.3366/olr.2022.0375","DOIUrl":"https://doi.org/10.3366/olr.2022.0375","url":null,"abstract":"This piece seeks to explore notions of commemoration and autobiography with particular reference to the life and work of Laura Marcus. Special attention is given to her Auto/Biographical Discourses, Virginia Woolf and Autobiography, as well as Paul de Man’s essay ‘Autobiography as De-Facement’, the work of Jacques Derrida (in Mémoires: For Paul de Man and elsewhere), and Woolf’s ‘biography’, Orlando (1927).","PeriodicalId":43403,"journal":{"name":"OXFORD LITERARY REVIEW","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45886909","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In this essay I contrast Freud’s account of mourning in Mourning and Melancholia to that of Merleau-Ponty in Phenomenology of Perception. In suggesting a somatic as well as a psychic response, Merleau-Ponty, I argue, more accurately accounts for the ways in which we experience loss and why, contrary to Freud’s suggestion, mourning’s work is never completed.
{"title":"Phantom Threads","authors":"R. Young","doi":"10.3366/olr.2022.0373","DOIUrl":"https://doi.org/10.3366/olr.2022.0373","url":null,"abstract":"In this essay I contrast Freud’s account of mourning in Mourning and Melancholia to that of Merleau-Ponty in Phenomenology of Perception. In suggesting a somatic as well as a psychic response, Merleau-Ponty, I argue, more accurately accounts for the ways in which we experience loss and why, contrary to Freud’s suggestion, mourning’s work is never completed.","PeriodicalId":43403,"journal":{"name":"OXFORD LITERARY REVIEW","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43800120","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Remembrance involves so many shots in the dark, part of an effort to locate the disappeared as they clock out. In the dead center of Hölderlin’s hymn, Andenken, the question flares: ‘But–where are my friends?’ Nancy, writing on Derrida’s inconceivable demise, says we await them, demanding a return in some form, drawing on a shadowing nearness, maybe an image that appears in distinction to the non-image of the living friend. Have they really elapsed – ? Or, are they bound to show up at midnight, like the Rat Man’s father or Hamlet’s ghost? Derrida wonders if we don’t take another few laps with them, worried and anxious about their well-being over there. Ach! Give us the off chance of an apparition, a sign, an alias vanishing down the block. With Derrida Nancy turns a radical corner: We don’t have at hand the syntax to say a disappearance so resolute. We have no cause to assert a fact that is not fact, the factum negativum, of one perpetually disappearing. For nobody is dead, not so dead or dead so, as if we were not still involved in naming a state of being, of being de-parted. That is why he offers a sidebar on rethinking the philosophical formulation, ‘God is dead’.
{"title":"Lapses: When Friends Clock Out","authors":"Avital Ronell","doi":"10.3366/olr.2022.0372","DOIUrl":"https://doi.org/10.3366/olr.2022.0372","url":null,"abstract":"Remembrance involves so many shots in the dark, part of an effort to locate the disappeared as they clock out. In the dead center of Hölderlin’s hymn, Andenken, the question flares: ‘But–where are my friends?’ Nancy, writing on Derrida’s inconceivable demise, says we await them, demanding a return in some form, drawing on a shadowing nearness, maybe an image that appears in distinction to the non-image of the living friend. Have they really elapsed – ? Or, are they bound to show up at midnight, like the Rat Man’s father or Hamlet’s ghost? Derrida wonders if we don’t take another few laps with them, worried and anxious about their well-being over there. Ach! Give us the off chance of an apparition, a sign, an alias vanishing down the block. With Derrida Nancy turns a radical corner: We don’t have at hand the syntax to say a disappearance so resolute. We have no cause to assert a fact that is not fact, the factum negativum, of one perpetually disappearing. For nobody is dead, not so dead or dead so, as if we were not still involved in naming a state of being, of being de-parted. That is why he offers a sidebar on rethinking the philosophical formulation, ‘God is dead’.","PeriodicalId":43403,"journal":{"name":"OXFORD LITERARY REVIEW","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46819089","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In an essay on the modern idea of political equality, Bernard Williams contrasts what he calls ‘the human point of view’ with a point of view marked by what he calls a ‘technical or professional attitude’. While the latter is concerned with conspicuous structures of someone’s life that might be by occupied by another, the former concerns an attitude towards a singular person, what Wittgenstein calls ‘an attitude towards a soul’ – an attitude characteristically exemplified in the relation to the other who is a friend. It is the one who is in view under such a singularising gaze that seems to be lost as soon as we start counting others, counting our friends. The paper explores the general haunting of the modern-Western idea of all people’s equality by the hazy spectre of what is disclosed by this singularising gaze, and asks how we might organise a response politically to the in each case unique and singular relation to the unique and singular other we call the friend – the one who is both altogether other and my equal.
{"title":"Saving the Lost Ones","authors":"S. Glendinning","doi":"10.3366/olr.2022.0379","DOIUrl":"https://doi.org/10.3366/olr.2022.0379","url":null,"abstract":"In an essay on the modern idea of political equality, Bernard Williams contrasts what he calls ‘the human point of view’ with a point of view marked by what he calls a ‘technical or professional attitude’. While the latter is concerned with conspicuous structures of someone’s life that might be by occupied by another, the former concerns an attitude towards a singular person, what Wittgenstein calls ‘an attitude towards a soul’ – an attitude characteristically exemplified in the relation to the other who is a friend. It is the one who is in view under such a singularising gaze that seems to be lost as soon as we start counting others, counting our friends. The paper explores the general haunting of the modern-Western idea of all people’s equality by the hazy spectre of what is disclosed by this singularising gaze, and asks how we might organise a response politically to the in each case unique and singular relation to the unique and singular other we call the friend – the one who is both altogether other and my equal.","PeriodicalId":43403,"journal":{"name":"OXFORD LITERARY REVIEW","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43787265","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This piece commemorates Jean-Luc Nancy by focussing our attention on seven citations from his works which are followed by brief, tentative interpretations and reflections.
{"title":"Salut to Jean-Luc Nancy","authors":"T. Staehler","doi":"10.3366/olr.2022.0378","DOIUrl":"https://doi.org/10.3366/olr.2022.0378","url":null,"abstract":"This piece commemorates Jean-Luc Nancy by focussing our attention on seven citations from his works which are followed by brief, tentative interpretations and reflections.","PeriodicalId":43403,"journal":{"name":"OXFORD LITERARY REVIEW","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43728365","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Exploring who, what and how we remember, this piece proposes that to remember requires, on the one hand, an auto-memoration (the means by which we remember ourselves, and therefore how we shape and present ourselves to others), and at the same time, on the other hand, auto-memoration always detours through the world and through the other, which requires ‘con-memoration’ (remembering with the other). Referring to Derrida and Nancy, this piece argues that the memories of ourselves, and of others, is always already mediated because structured by differance and the other, and thus entails also a forgetting.
{"title":"Auto-memoration, Con-memoration: A ‘Self’/Reflection","authors":"Nicole Anderson","doi":"10.3366/olr.2022.0376","DOIUrl":"https://doi.org/10.3366/olr.2022.0376","url":null,"abstract":"Exploring who, what and how we remember, this piece proposes that to remember requires, on the one hand, an auto-memoration (the means by which we remember ourselves, and therefore how we shape and present ourselves to others), and at the same time, on the other hand, auto-memoration always detours through the world and through the other, which requires ‘con-memoration’ (remembering with the other). Referring to Derrida and Nancy, this piece argues that the memories of ourselves, and of others, is always already mediated because structured by differance and the other, and thus entails also a forgetting.","PeriodicalId":43403,"journal":{"name":"OXFORD LITERARY REVIEW","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47486038","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Starting with a recall of the overwhelming feeling, voiced by many thinkers, that the post-WWII era brought about the ‘sense of an ending’ of history as Mitsein (being-in-common), the essay explores the renewed necessity to re-learn to be together in the wake of the worst modern pandemic by appealing to Jean-Luc Nancy’s imagination of a community without community. Nancy’s plea for a singular togetherness will be re-examined in relation to his view that COVID-19 makes us equal and ‘communizes’ us, including in our respective isolations, which we attempt to re-interpret within the critical framework, in memory studies, of what James E. Young called ‘collected memory’. Inflecting Maurice Halbwachs’s original ‘collective memory’ to allow for the many discrete, fragmented memories of disparate individuals united in common moments of remembrance, ‘collected memory’ will be seen as a hyphenated process of ‘re-membering’, a poetic piecing together of disjointed, scattered members and isolated communities gathered in virtual unison through their respective losses. This research is supported by The Program for Professor of Special Appointment (Eastern Scholar) at Shanghai Institutions of Higher Learning.
{"title":"Re-Membering – A Plea for Togetherness","authors":"A. Ionescu, Laurent Milesi","doi":"10.3366/olr.2022.0380","DOIUrl":"https://doi.org/10.3366/olr.2022.0380","url":null,"abstract":"Starting with a recall of the overwhelming feeling, voiced by many thinkers, that the post-WWII era brought about the ‘sense of an ending’ of history as Mitsein (being-in-common), the essay explores the renewed necessity to re-learn to be together in the wake of the worst modern pandemic by appealing to Jean-Luc Nancy’s imagination of a community without community. Nancy’s plea for a singular togetherness will be re-examined in relation to his view that COVID-19 makes us equal and ‘communizes’ us, including in our respective isolations, which we attempt to re-interpret within the critical framework, in memory studies, of what James E. Young called ‘collected memory’. Inflecting Maurice Halbwachs’s original ‘collective memory’ to allow for the many discrete, fragmented memories of disparate individuals united in common moments of remembrance, ‘collected memory’ will be seen as a hyphenated process of ‘re-membering’, a poetic piecing together of disjointed, scattered members and isolated communities gathered in virtual unison through their respective losses. This research is supported by The Program for Professor of Special Appointment (Eastern Scholar) at Shanghai Institutions of Higher Learning.","PeriodicalId":43403,"journal":{"name":"OXFORD LITERARY REVIEW","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49141149","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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