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Born to Mourn 为哀悼而生
4区 文学 0 LITERARY THEORY & CRITICISM Pub Date : 2022-07-01 DOI: 10.3366/olr.2022.0382
P. Brault
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引用次数: 0
Editor’s Preface 编辑前言
4区 文学 0 LITERARY THEORY & CRITICISM Pub Date : 2022-07-01 DOI: 10.3366/olr.2022.0371
Peggy Kamuf
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引用次数: 0
Michael Naas, Plato and the Invention of Life 迈克尔·纳斯、柏拉图与生命的发明
4区 文学 0 LITERARY THEORY & CRITICISM Pub Date : 2022-07-01 DOI: 10.3366/olr.2022.0384
J. Kelleher
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引用次数: 0
Phantom Threads 幽灵线程
4区 文学 0 LITERARY THEORY & CRITICISM Pub Date : 2022-07-01 DOI: 10.3366/olr.2022.0373
R. Young
In this essay I contrast Freud’s account of mourning in Mourning and Melancholia to that of Merleau-Ponty in Phenomenology of Perception. In suggesting a somatic as well as a psychic response, Merleau-Ponty, I argue, more accurately accounts for the ways in which we experience loss and why, contrary to Freud’s suggestion, mourning’s work is never completed.
在这篇文章中,我将弗洛伊德在《哀悼与忧郁》中对哀悼的描述与梅洛-庞蒂在《知觉现象学》中的描述进行了对比。我认为,梅洛-庞蒂在提出身体反应和精神反应的同时,更准确地解释了我们经历失去的方式,以及为什么与弗洛伊德的建议相反,哀悼的工作永远不会完成。
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引用次数: 0
Commemoration and Autobiography: In Memory of Laura Marcus 纪念与自传:纪念劳拉·马库斯
4区 文学 0 LITERARY THEORY & CRITICISM Pub Date : 2022-07-01 DOI: 10.3366/olr.2022.0375
N. Royle
This piece seeks to explore notions of commemoration and autobiography with particular reference to the life and work of Laura Marcus. Special attention is given to her Auto/Biographical Discourses, Virginia Woolf and Autobiography, as well as Paul de Man’s essay ‘Autobiography as De-Facement’, the work of Jacques Derrida (in Mémoires: For Paul de Man and elsewhere), and Woolf’s ‘biography’, Orlando (1927).
这件作品试图探索纪念和自传的概念,特别参考劳拉·马库斯的生活和工作。特别关注的是她的自传/传记话语,弗吉尼亚·伍尔夫和自传,以及保罗·德曼的文章“自传作为面相”,雅克·德里达的作品(在m moires: For Paul de Man和其他地方),以及伍尔夫的“传记”,奥兰多(1927)。
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引用次数: 0
Lapses: When Friends Clock Out 失误:当朋友打卡下班时
4区 文学 0 LITERARY THEORY & CRITICISM Pub Date : 2022-07-01 DOI: 10.3366/olr.2022.0372
Avital Ronell
Remembrance involves so many shots in the dark, part of an effort to locate the disappeared as they clock out. In the dead center of Hölderlin’s hymn, Andenken, the question flares: ‘But–where are my friends?’ Nancy, writing on Derrida’s inconceivable demise, says we await them, demanding a return in some form, drawing on a shadowing nearness, maybe an image that appears in distinction to the non-image of the living friend. Have they really elapsed – ? Or, are they bound to show up at midnight, like the Rat Man’s father or Hamlet’s ghost? Derrida wonders if we don’t take another few laps with them, worried and anxious about their well-being over there. Ach! Give us the off chance of an apparition, a sign, an alias vanishing down the block. With Derrida Nancy turns a radical corner: We don’t have at hand the syntax to say a disappearance so resolute. We have no cause to assert a fact that is not fact, the factum negativum, of one perpetually disappearing. For nobody is dead, not so dead or dead so, as if we were not still involved in naming a state of being, of being de-parted. That is why he offers a sidebar on rethinking the philosophical formulation, ‘God is dead’.
纪念活动包括在黑暗中拍摄许多镜头,这是在失踪人员下班时寻找他们的努力的一部分。在霍尔德林赞美诗《Andenken》的死中心,问题突然出现:“但是——我的朋友在哪里?”南希在写德里达不可思议的死亡时说,我们在等待他们,要求以某种形式回归,利用一种阴影般的接近,也许是一种与活着的朋友的非图像不同的图像。它们真的过去了吗 – ? 或者,他们一定会像鼠人的父亲或哈姆雷特的鬼魂一样在午夜出现吗?德里达想知道我们是否不和他们一起再跑几圈,担心他们在那里的健康。啊!给我们一个幻影、一个标志、一个别名消失在街区的机会。随着德里达·南希彻底转危为安:我们手头没有语法来形容一次如此坚决的消失。我们没有理由断言一个不是事实的事实,一个永远消失的事实的否定。因为没有人死了,没有那么死,也没有那么死了,就好像我们还没有参与命名一种存在的状态,一种被分离的状态。这就是为什么他提供了一个关于重新思考哲学公式的侧边栏,“上帝死了”。
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引用次数: 0
Auto-memoration, Con-memoration: A ‘Self’/Reflection 自动记忆,记忆:一个“自我”/反思
4区 文学 0 LITERARY THEORY & CRITICISM Pub Date : 2022-07-01 DOI: 10.3366/olr.2022.0376
Nicole Anderson
Exploring who, what and how we remember, this piece proposes that to remember requires, on the one hand, an auto-memoration (the means by which we remember ourselves, and therefore how we shape and present ourselves to others), and at the same time, on the other hand, auto-memoration always detours through the world and through the other, which requires ‘con-memoration’ (remembering with the other). Referring to Derrida and Nancy, this piece argues that the memories of ourselves, and of others, is always already mediated because structured by differance and the other, and thus entails also a forgetting.
这件作品探讨了我们记忆的对象、内容和方式,提出记忆一方面需要自动记忆(我们记忆自己的方式,因此我们如何塑造自己并向他人展示自己),同时,另一方面,自动记忆总是绕过世界和另一方,这需要“记忆”(与另一方一起记忆)。参考德里达和南希,这篇文章认为,我们自己和他人的记忆,总是已经被调解了,因为它是由差异和他者构成的,因此也需要遗忘。
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引用次数: 0
Salut to Jean-Luc Nancy 向让-卢克·南希致敬
4区 文学 0 LITERARY THEORY & CRITICISM Pub Date : 2022-07-01 DOI: 10.3366/olr.2022.0378
T. Staehler
This piece commemorates Jean-Luc Nancy by focussing our attention on seven citations from his works which are followed by brief, tentative interpretations and reflections.
这篇文章是为了纪念jean - luc南希集中注意力于7引用他的作品,其次是短暂的,初步理解和反思。
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引用次数: 0
Saving the Lost Ones 拯救迷失的人
4区 文学 0 LITERARY THEORY & CRITICISM Pub Date : 2022-07-01 DOI: 10.3366/olr.2022.0379
S. Glendinning
In an essay on the modern idea of political equality, Bernard Williams contrasts what he calls ‘the human point of view’ with a point of view marked by what he calls a ‘technical or professional attitude’. While the latter is concerned with conspicuous structures of someone’s life that might be by occupied by another, the former concerns an attitude towards a singular person, what Wittgenstein calls ‘an attitude towards a soul’ – an attitude characteristically exemplified in the relation to the other who is a friend. It is the one who is in view under such a singularising gaze that seems to be lost as soon as we start counting others, counting our friends. The paper explores the general haunting of the modern-Western idea of all people’s equality by the hazy spectre of what is disclosed by this singularising gaze, and asks how we might organise a response politically to the in each case unique and singular relation to the unique and singular other we call the friend – the one who is both altogether other and my equal.
在一篇关于现代政治平等观念的文章中,伯纳德·威廉姆斯将他所谓的“人类观点”与他所谓的“技术或专业态度”的观点进行了对比。后者关注的是某人生活中可能被另一个人占据的显眼结构,而前者关注的是对一个单独的人的态度,维特根斯坦称之为“对灵魂的态度”——一种典型的态度,体现在与作为朋友的另一个人的关系中。当我们开始数别人、数朋友的时候,在如此奇异的注视下出现的那个人似乎就消失了。本文通过这种奇异的凝视所揭示的朦胧的幽灵,探讨了现代西方所有人平等观念的普遍困扰,并询问我们如何组织政治回应,在每种情况下,我们与我们称之为朋友的独特而独特的他者之间的独特而独特的关系-这个人既完全是他者,又与我平等。
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引用次数: 0
Commemorations: From Dusk to Dawn 纪念活动:从黄昏到黎明
4区 文学 0 LITERARY THEORY & CRITICISM Pub Date : 2022-07-01 DOI: 10.3366/olr.2022.0374
John W. P. Phillips
This essay attempts to answer the question of how one commemorates the event of thinking by raising it in relation to some commemorative texts. Derrida’s Demeure, Athènes provides an exemplary point of departure, but the seminars concerned with the death penalty raise the stakes in readings that deeply trouble an inheritance fixated on the determination of death, with Socrates and Oedipus as ancient figures of an enduring culture. The essay touches on Freud and Heidegger as dissenting figures and concludes by commemorating three distinctive thinkers: Lauren Berlant, Jean-Luc Nancy and Bernard Stiegler.
本文试图通过将思考事件与一些纪念文本联系起来,来回答人们如何纪念思考事件的问题。德里达的《阿塞内斯的失智》提供了一个典型的出发点,但与死刑有关的研讨会增加了阅读的风险,这些阅读深深困扰着一个专注于死亡决定的遗产,苏格拉底和俄狄浦斯是一种持久文化的古老人物。文章将弗洛伊德和海德格尔视为持不同意见的人物,并以纪念三位杰出的思想家:劳伦·贝兰特、让-吕克·南希和伯纳德·斯蒂格勒作为文章的结尾。
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引用次数: 0
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