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Writing from the edge. Reflections on Twenty Years of L1 从边缘开始写作。L1二十年的反思
IF 0.5 Q1 Arts and Humanities Pub Date : 2021-08-01 DOI: 10.17239/l1esll-2021.21.04.02
B. Green
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引用次数: 0
Dialogic space in Norwegian early-years literacy education 挪威早期扫盲教育的对话空间
IF 0.5 Q1 Arts and Humanities Pub Date : 2021-08-01 DOI: 10.17239/l1esll-2021.21.01.13
Atle Skaftun, Arne Olav Nygard, Å. K. H. Wagner
This study explores and analyses conditions for student participation in Norwegian Year Two classrooms. It is inspired by the concept of dialogic space (Wegerif, 2013) and by Segal and Lefstein’s (2016) model for the realization of student voice. Six classrooms were observed for one week. This yielded field notes and summaries from 105 lessons across all subjects and video data from all 47 Norwegian (L1) lessons. Our analyses show that there is practically no pair or group work and that station work is predominantly silent, leaving whole-class teaching as the most prominent space for dialogue. Our analyses aim to identify events in whole-class teaching with dialogic potential, i.e., where the interaction displays features that might indicate a shift from recitation to conversation (Nystrand & Gamoran, 1991). In these conversa- tional events, we find increased teacher dominance when dealing with disciplinary content. When students are given the floor, the focus tends to be on non- disciplinary content. Students’ talk about texts and disciplinary ideas is suggested as a productive ground for creating dialogic space in early-years literacy education.
本研究探讨并分析挪威二年级课堂学生参与的条件。它的灵感来自对话空间的概念(Wegerif, 2013)和Segal和Lefstein(2016)的学生声音实现模型。对六个教室进行了为期一周的观察。这产生了所有科目的105节课的现场笔记和总结,以及所有47节挪威语(L1)课的视频数据。我们的分析表明,几乎没有结对或小组作业,工作站作业主要是沉默的,使全班教学成为最突出的对话空间。我们的分析旨在识别课堂教学中具有对话潜力的事件,即互动表现出可能表明从背诵到对话转变的特征(Nystrand & Gamoran, 1991)。在这些会话事件中,我们发现教师在处理学科内容时的主导地位增加了。当学生有机会发言时,重点往往放在非学科的内容上。在早期扫盲教育中,学生对文本和学科思想的讨论是创造对话空间的有效基础。
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引用次数: 1
Fluency and its relationship with typology, exposure and lexical retrieval in bilingual Persian-Swedish children’s writing 波斯语-瑞典语双语儿童写作的流畅性及其与类型、暴露和词汇检索的关系
IF 0.5 Q1 Arts and Humanities Pub Date : 2021-07-01 DOI: 10.17239/l1esll-2021.21.01.12
B. Johansson, E. Lindgren
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引用次数: 1
Writing creative and argumentative texts: What's the difference? Exploring how task type affects students' writing behaviour and performance 写作创造性和辩论性的文章:有什么区别?探索任务类型如何影响学生的写作行为和表现
IF 0.5 Q1 Arts and Humanities Pub Date : 2021-06-01 DOI: 10.17239/l1esll-2021.21.01.11
A. Pezé, T. Janssen, Gert Rijlaarsdam, D. V. Weijen
The aim of this study was to gain insight into writing processes of secondary school students when con-fronted with fictional and expressive creative writing prompts compared to argumentative writing prompts. Twenty participants (Grade 10-11) each wrote eight texts, four based on creative prompts, the other four based on argumentative prompts, within a set time. A keystroke logging program recorded participants' writing processes. Texts were rated on global quality. Writing motivation and creativity were measured as well. Results showed that creative text production processes had specific features. Students' writing processes were faster, more stable and resulted in longer texts, and fewer revisions. Furthermore, creative as well as argumentative text quality improved if students wrote longer texts in short production cycles. Explorative analyses showed that learner characteristics correlate with writing behaviour as well as with text quality. Students wrote longer texts, had higher writing speed, and wrote better texts when they reported a more positive attitude towards writing and considered themselves more creative. Finally, students who believed in their own creative ability and/or believed that writing requires personal com- mitment wrote significantly better creative texts. These findings are discussed in the light of the aim to re-introduce creative writing in the Dutch curriculum.
本研究的目的是了解中学生在面对虚构和表达性创意写作提示和议论文写作提示时的写作过程。20名参与者(10-11年级)在规定的时间内每人写8篇文章,其中4篇基于创造性提示,另外4篇基于辩论性提示。一个击键记录程序记录了参与者的书写过程。文本根据全球质量进行评分。写作动机和创造力也被测量。结果表明,创意文本的生产过程具有特定的特征。学生们的写作过程更快,更稳定,并且产生了更长的文本,更少的修改。此外,如果学生在较短的写作周期内写出较长的文章,创造性和论证性的文章质量都会得到提高。探索性分析表明,学习者特征与写作行为以及文本质量相关。当学生们对写作持更积极的态度,认为自己更有创造力时,他们写的文章更长,写得更快,写得更好。最后,那些相信自己的创造能力和/或相信写作需要个人投入的学生写出了更好的创造性文章。这些发现是在荷兰课程重新引入创造性写作的目的的光讨论。
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引用次数: 3
Linguistic discrimination in pedagogical evaluation. A study of teachers of Hungarian language and literature in Slovakia, Ukraine, Romania and Hungary 教学评价中的语言歧视。斯洛伐克、乌克兰、罗马尼亚和匈牙利匈牙利语言文学教师的研究
IF 0.5 Q1 Arts and Humanities Pub Date : 2021-06-01 DOI: 10.17239/L1ESLL-2021.21.01.09
I. Jánk
There is a paucity of research on dialect awareness among teachers, particularly in Hungary. The aim of our research was to demonstrate the existence of linguistic discrimination. The research involved more than 502 Hungarian Language and Literature teachers and teacher trainees from Hungary ( N =216), Slo-vakia ( N =128), Romania ( N =108) and Ukraine ( N =50). Data were collected primarily through a technique similar to matched-guise tests; however, the method of the present research had some additional complexity. The large-scale research ( N =502) clearly supported the assumption that linguistic discrimination was widespread in pedagogical evaluation. Oral performances were recorded which varied in content, language variety and code/mode of language use. Oral performances produced in the standard variety or in the elaborated code of language use (or both) were favored. By contrast, oral productions in dialectal and restricted language — despite the fact that their content was correct — received unfavourable evaluation. Linguistic variability in oral productions with the same content resulted in as much as a full grade of difference in the mean of grades. The differences were statistically significant for each sample, hence the prevalence of linguistic discrimination is proved.
关于教师方言意识的研究很少,特别是在匈牙利。我们研究的目的是证明语言歧视的存在。该研究涉及匈牙利(216)、斯洛伐克(128)、罗马尼亚(108)和乌克兰(50)的502多名匈牙利语言文学教师和培训教师。数据主要通过类似于匹配伪装测试的技术收集;然而,本研究的方法有一些额外的复杂性。大规模研究(N =502)明确支持语言歧视在教学评价中普遍存在的假设。口头表演的记录在内容、语言种类和语言使用的代码/模式上各不相同。以标准形式或以精心设计的语言使用代码(或两者兼而有之)产生的口头表演受到青睐。相比之下,方言和限制语言的口头作品——尽管它们的内容是正确的——却得到了不利的评价。在内容相同的口语作品中,语言差异会导致成绩的平均值相差整整一个等级。每个样本的差异具有统计学意义,因此证明了语言歧视的普遍存在。
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引用次数: 1
An analytic description of ProjectExpert: An instructional reading program for ninth grade vocational students 高专九年级教学阅读项目“项目专家”的分析描述
IF 0.5 Q1 Arts and Humanities Pub Date : 2021-06-01 DOI: 10.17239/l1esll-2021.21.01.10
Kim Van Ammel, Koen Aesaert, F. Smedt, Flore De Meester, H. Keer
A significant number of ninth-grade students still struggles with proficiently comprehending texts. Moreover, their increasingly lowering motivation to read is alarming. Various educational interventions de- signed to enhance reading comprehension and/or motivation are available in the scientific field. However, a detailed description of its underlying principles is frequently lacking. This detailed description could pro- vide genuine opportunities for replication, theory building, and dissemination into practice. Therefore, the main goal of the present study is to offer an analytic, rigorous, and detailed description of an instruc- tional program aimed at fostering ninth- grade vocational students’ reading comprehension, strategy use, and autonomous reading motivation, named ProjectExpert. The context, theoretical and/or empirical grounding, macro and micro-level design principles will be outlined, based on the framework of Bouwer and De Smedt (2018). ProjectExpert entails four design principles: (1) Text reading is goal-directed. (2) The instruction is embedded in a motivating learning environment rooted in the fulfilment of students’ basic psychological needs. (3) By means of explicit strategy instruction students are taught to use a repertoire of cognitive and metacognitive reading comprehension strategies. (4) Students practice reading and ap-plying reading strategies in heterogeneous pairs. Moreover, during the design, a stepwise procedure was adopted to guarantee the feasibility and usability of the design principles for this particular group of teachers and students. This stepwise procedure and the implications for the design of ProjectExpert are de- scribed in detail. Finally, the relational structure of the design principles and challenges related to implementing them into practice are discussed.
相当多的九年级学生仍然难以熟练地理解课文。此外,他们越来越低的阅读动力令人担忧。在科学领域,各种旨在提高阅读理解和/或动机的教育干预措施是可用的。然而,对其基本原则的详细描述往往是缺乏的。这种详细的描述可以为复制、理论建立和传播实践提供真正的机会。因此,本研究的主要目的是提供一个分析、严谨和详细的描述,旨在培养九年级职校学生的阅读理解、策略使用和自主阅读动机的教学计划,名为ProjectExpert。背景、理论和/或经验基础、宏观和微观层面的设计原则将根据Bouwer和De Smedt(2018)的框架进行概述。ProjectExpert需要四个设计原则:(1)文本阅读是目标导向的。(2)教学嵌入在以满足学生基本心理需求为基础的激励学习环境中。(3)通过外显策略指导,教导学生使用一系列认知和元认知阅读理解策略。(4)学生在异质配对中练习阅读和运用阅读策略。此外,在设计过程中,采用了逐步的流程来保证设计原则对于这一特定的师生群体的可行性和可用性。详细描述了这一逐步过程及其对ProjectExpert设计的影响。最后,讨论了设计原则的关系结构以及在实践中实现这些原则所面临的挑战。
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引用次数: 2
Negotiating figurative language from literary texts: second-language instruction as a dual literacy practice 从文学文本中讨论比喻语言:作为双重读写实践的第二语言教学
IF 0.5 Q1 Arts and Humanities Pub Date : 2021-05-01 DOI: 10.17239/L1ESLL-2021.21.01.08
R. Walldén, Pia Nygård, Larsson
The aim of this article is to contribute knowledge about how figurative language from literary texts is negotiated through oral interaction in second-language instruction. The material consists of transcriptions of recordings from a classroom study of basic adult second-language instruction involving two teachers and their two student groups. Theories of semantic waves and discursive mobility are used to explore and visualize discursive shifts between concrete and condensed abstract meanings. The results show a varied use of linguistic resources, where students’ contributions often serve as a bridge between the teachers’ concrete examples and abstract paraphrases in which lexical metaphors interplayed with grammatical metaphors. In some exchanges, characters and events in the literary texts were significantly expanded upon in the interaction as they were used as contextual resources. The study sheds light on second-lan-guage instruction as a dual disciplinary literacy practice, involving both language learning and the study of literary texts.
本文旨在探讨在第二语言教学中,文学文本中的比喻性语言是如何通过口语交流而形成的。该材料包括对成人基本第二语言教学课堂研究的录音转录,涉及两位教师和他们的两个学生小组。语义波理论和话语迁移理论被用来探索和可视化具体和浓缩的抽象意义之间的话语转移。结果表明,语言资源的使用是多种多样的,学生的贡献通常是教师具体例子和抽象释义之间的桥梁,其中词汇隐喻与语法隐喻相互作用。在一些交流中,文学文本中的人物和事件在互动中被显著扩展,因为它们被用作语境资源。该研究揭示了第二语言教学作为一种双学科素养实践,包括语言学习和文学文本的研究。
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引用次数: 4
The revision of syntactic errors related to complex sentences in French L1: strategies of secondary school advanced writers 法语第一语言复句句法错误的修正:中学高级作家的策略
IF 0.5 Q1 Arts and Humanities Pub Date : 2021-05-01 DOI: 10.17239/L1ESLL-2021.21.01.07
K. Roussel, M. Boivin
This article presents a description of the revision strategies targeting complex sentences of 16 secondary school advanced writers (15-17 years old) in the context of French L1 instruction. As the literature indi- cates, most errors in students’ texts are syntactic errors (Boivin & Pinsonneault, 2018), and re vising them entails a heavy cognitive load (Roussey & Piolat, 2008). We conducted a multiple case study among these advanced writers to identify their detection, diagnosis and correction strategies targeting syntactic problems. Thinking-aloud (Ericsson & Simon, 1993; Hayes & Flower, 1980), they revised one individual text and one experimental text containing 22 different syntactic errors related to complex sentences. We focused on the revision strategies leading to accurate changes. Our results show that advanced writers make a very limited use of detection strategies. Their diagnosis strategies are mainly reflections, grammaticality judgments and rereadings. Students with high rates of accurate changes in the experimental text use fewer diagnosis strategies than those with average rates. Self-questioning appears to be a strategy most used by students with high rates of accurate changes. The corrections are generally precise and made immediately after a problem is detected. Looking at individual cases, we also present salient profiles based on the students’ posture toward revision and syntax.
本文介绍了16名15-17岁的中学高级作家在法语母语教学背景下针对复合句的复习策略。正如文献所指出的那样,学生文本中的大多数错误是句法错误(Boivin & Pinsonneault, 2018),并且修改它们需要沉重的认知负荷(Roussey & Piolat, 2008)。我们对这些高级作家进行了多个案例研究,以确定他们针对句法问题的检测、诊断和纠正策略。大声思考(Ericsson & Simon, 1993;Hayes & Flower, 1980),他们修改了一个单独的文本和一个包含22种不同语法错误的实验文本。我们专注于导致准确变化的修订策略。我们的研究结果表明,高级写作者对检测策略的使用非常有限。他们的诊断策略主要有反思、语法判断和重读。实验文本准确变化率高的学生比平均变化率的学生使用更少的诊断策略。自我质疑似乎是准确率高的学生最常用的策略。纠正通常是精确的,并在发现问题后立即进行。在个别情况下,我们也根据学生对复习和语法的态度提出了突出的概况。
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引用次数: 0
Learning how to synthesize: The design and evaluation of a reading-writing learning unit for high-school students 学习如何综合:高中学生读写学习单元的设计与评价
IF 0.5 Q1 Arts and Humanities Pub Date : 2021-04-26 DOI: 10.17239/L1ESLL-2021.21.01.06
L. V. Ockenburg, D. V. Weijen, Gert Rijlaarsdam
This paper reports on the systematic design and evaluation process of a learning unit for 9th grade students, aimed at learning to write synthesis texts. The unit was based on design principles derived from a review of effective synthesis writing interventions and general principles of effective learning. To evaluate the quality of this unit, we considered three aspects: the validity, feasibility, and effectiveness of its design. The design as construct was based on state-of-the-art knowledge which ensured construct validity. Furthermore, user data indicated that the construct's operationalization was valid: the content and structure of the unit reflected the construct. In addition, teachers were generally positive about the unit's overall feasibility and teacher logs indicated that the lessons were mostly taught as intended. Furthermore, student data indicated that the unit was feasible for students, as well. Finally, the effectiveness of the unit was confirmed by the outcomes of an intervention in five classes, using a switching replication design. Some options for further improvement of the design are also proposed.
本文报道了一个九年级学生学习单元的系统设计和评价过程,旨在学习撰写综合文本。该单元基于对有效综合写作干预措施和有效学习的一般原则的审查而得出的设计原则。为了评估该单元的质量,我们考虑了三个方面:其设计的有效性,可行性和有效性。结构设计基于最先进的知识,保证了结构的有效性。此外,用户数据表明该构造的操作化是有效的:单元的内容和结构反映了该构造。此外,教师们普遍对该单元的整体可行性持积极态度,教师日志显示,课程大多按照预期进行。此外,学生数据表明该单元对学生也是可行的。最后,使用切换复制设计,对五个班级进行干预的结果证实了该单元的有效性。并提出了进一步改进设计的方案。
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引用次数: 4
The running text is dead: inviting the reader to learn from a bullet-pointed peritext-patchwork textbook 连篇累牍的文本已经死了:它是在邀请读者从一种由文字拼凑而成的强调要点的教科书中学习
IF 0.5 Q1 Arts and Humanities Pub Date : 2021-04-01 DOI: 10.17239/L1ESLL-2021.21.01.04
Jannike Hegdal Nilssen, Jannike Hegdal, Nilssen
This study investigates the relationship between the running text and the many peritexts commonly found in newer textbooks, along with the associated consequences for textbased learning. The paper is a theo- retically driven case study that looks at the textual composition patterns in a language arts textbook for lower secondary schools in Norway. In particular, I investigate how these textual composition patterns facilitate learning from text — a main tool in the text analysis is comparing the signaled intentions in the text with the implied reader’s fulfil lment. The main finding of the study is that by enriching a textbook with many peritexts that contain essential content, one risks inviting the implied reader to employ a memorization strategy, even though the intention is to invite the implied reader to use deep-comprehension cognitive strategies. This is connected with the lack of running text. Without enough running text to synthesize the content, the running text appears dead, and rather than learning from the text, students are more likely to receive a memorization invitation from the text.
本研究调查了运行文本与新教科书中常见的许多文本之间的关系,以及基于文本的学习的相关后果。本文是一个理论驱动的案例研究,着眼于文本组成模式在语言艺术教科书在挪威的初中。特别地,我研究了这些篇章构成模式是如何促进从篇章中学习的——篇章分析的一个主要工具是比较篇章中暗示的意图和隐含的读者的实现。这项研究的主要发现是,用许多包含基本内容的上下文来丰富教科书,可能会导致隐含读者采用记忆策略,尽管其目的是让隐含读者使用深度理解认知策略。这与缺少运行文本有关。如果没有足够的运行文本来综合内容,运行文本就会显得僵死,而不是从文本中学习,学生更有可能收到文本的记忆邀请。
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引用次数: 0
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L1 Educational Studies in Language and Literature
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