{"title":"All About My Mother: Archives, Art, and Memory","authors":"Laura Engel","doi":"10.1353/tsw.2021.0020","DOIUrl":"https://doi.org/10.1353/tsw.2021.0020","url":null,"abstract":"","PeriodicalId":43417,"journal":{"name":"TULSA STUDIES IN WOMENS LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44573186","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Female Baroque in Early Modern English Literary Culture: From Mary Sidney to Aphra Behn by Gary Waller (review)","authors":"E. Hobby","doi":"10.1353/tsw.2021.0029","DOIUrl":"https://doi.org/10.1353/tsw.2021.0029","url":null,"abstract":"","PeriodicalId":43417,"journal":{"name":"TULSA STUDIES IN WOMENS LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41815787","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Contemporary Women's Post-Apocalyptic Fiction by Susan Watkins (review)","authors":"Claire P. Curtis","doi":"10.1353/tsw.2021.0038","DOIUrl":"https://doi.org/10.1353/tsw.2021.0038","url":null,"abstract":"","PeriodicalId":43417,"journal":{"name":"TULSA STUDIES IN WOMENS LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41896761","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ABSTRACT:This article examines the recently established archive of Tina De Rosa, whose literary achievement in Paper Fish (1980) made possible the deposition of her papers in 2010 at the University of Illinois at Chicago. The De Rosa papers invite a reconsideration of this author's major work, especially in light of the extant versions of her second novel, Blakey's Dance , which the author had finished but could neither release nor revise to her satisfaction and remained unpublished. The essay argues that the De Rosa archive of materials, including prayer journals, notes, and sketchbooks, illuminate a trauma that emotionally affected the writer's entire life and was partly a result of the urban renewal project that destroyed her Italian American neighborhood but was also about the larger transgressions of the Catholic Church as revealed by the archive. By offering a multifaceted approach to reading De Rosa's archive, the article uncovers overlapping narratives about provenance, poverty, faith, and disability, arguing that this archive supplements her work on the relationship between the trauma of urban renewal and the disabled body. Archival transcripts reveal the author's struggle to repress harrowing experiences of displacement, precarity, and mental and spiritual struggle. What survives in the Tina De Rosa Papers is a compelling response to a destruction of a marginalized community, a disabled sister, and a deeply ambivalent critique of the Catholic Church.
摘要：本文考察了Tina De Rosa最近建立的档案，她在《纸鱼》（1980）中的文学成就使她2010年的论文得以在芝加哥伊利诺伊大学发表。De Rosa的论文要求重新考虑这位作者的主要作品，特别是考虑到她的第二部小说《Blakey’s Dance》的现存版本，作者已经完成了这部小说，但既不能发行，也不能修改到令她满意的程度，而且仍未出版。这篇文章认为，德罗萨的材料档案，包括祈祷日记、笔记和素描本，揭示了一种情感上影响作家一生的创伤，部分原因是城市更新项目摧毁了她的意大利裔美国人社区，但也与档案所揭示的天主教会的更大违法行为有关。通过提供一种多方面的方法来阅读德罗萨的档案，这篇文章揭示了关于出处、贫困、信仰和残疾的重叠叙事，认为这份档案补充了她关于城市更新创伤与残疾人身体之间关系的工作。档案记录揭示了作者努力压抑流离失所、不稳定以及精神和精神斗争的痛苦经历。Tina De Rosa论文中幸存下来的是对一个边缘化社区、一个残疾姐妹的毁灭以及对天主教会的矛盾批判的有力回应。
{"title":"Tina De Rosa's Ethnic Archive: Displacement, Disability, and the Writer's Life","authors":"Mary Jo Bona","doi":"10.1353/tsw.2021.0023","DOIUrl":"https://doi.org/10.1353/tsw.2021.0023","url":null,"abstract":"ABSTRACT:This article examines the recently established archive of Tina De Rosa, whose literary achievement in Paper Fish (1980) made possible the deposition of her papers in 2010 at the University of Illinois at Chicago. The De Rosa papers invite a reconsideration of this author's major work, especially in light of the extant versions of her second novel, Blakey's Dance , which the author had finished but could neither release nor revise to her satisfaction and remained unpublished. The essay argues that the De Rosa archive of materials, including prayer journals, notes, and sketchbooks, illuminate a trauma that emotionally affected the writer's entire life and was partly a result of the urban renewal project that destroyed her Italian American neighborhood but was also about the larger transgressions of the Catholic Church as revealed by the archive. By offering a multifaceted approach to reading De Rosa's archive, the article uncovers overlapping narratives about provenance, poverty, faith, and disability, arguing that this archive supplements her work on the relationship between the trauma of urban renewal and the disabled body. Archival transcripts reveal the author's struggle to repress harrowing experiences of displacement, precarity, and mental and spiritual struggle. What survives in the Tina De Rosa Papers is a compelling response to a destruction of a marginalized community, a disabled sister, and a deeply ambivalent critique of the Catholic Church.","PeriodicalId":43417,"journal":{"name":"TULSA STUDIES IN WOMENS LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41472155","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Osnabrück Station to Jerusalem: A Memoir by Hélène Cixous (review)","authors":"Phyllis Lassner","doi":"10.1353/tsw.2021.0039","DOIUrl":"https://doi.org/10.1353/tsw.2021.0039","url":null,"abstract":"","PeriodicalId":43417,"journal":{"name":"TULSA STUDIES IN WOMENS LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49000079","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"How Women Must Write: Inventing the Russian Woman Poet by Olga Peters Hasty (review)","authors":"H. Hoogenboom","doi":"10.1353/tsw.2021.0032","DOIUrl":"https://doi.org/10.1353/tsw.2021.0032","url":null,"abstract":"","PeriodicalId":43417,"journal":{"name":"TULSA STUDIES IN WOMENS LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42360096","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Archive of Lady Anne Barnard, 1750-1825","authors":"G. Clingham","doi":"10.1353/tsw.2021.0027","DOIUrl":"https://doi.org/10.1353/tsw.2021.0027","url":null,"abstract":"","PeriodicalId":43417,"journal":{"name":"TULSA STUDIES IN WOMENS LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46862962","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Misreading Anita Brookner: Aestheticism, Intertextuality, and the Queer Nineteenth Century by Peta Mayer (review)","authors":"N. Darwood","doi":"10.1353/tsw.2021.0037","DOIUrl":"https://doi.org/10.1353/tsw.2021.0037","url":null,"abstract":"","PeriodicalId":43417,"journal":{"name":"TULSA STUDIES IN WOMENS LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47299553","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Must Anonymous Be A Woman? Gender and Discoverability in the Archives","authors":"E. Friedman","doi":"10.1353/tsw.2021.0026","DOIUrl":"https://doi.org/10.1353/tsw.2021.0026","url":null,"abstract":"","PeriodicalId":43417,"journal":{"name":"TULSA STUDIES IN WOMENS LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44123037","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ABSTRACT:This essay analyzes the acquisition of the Charlotte Perkins Gilman Papers by the Arthur and Elizabeth Schlesinger Library on the History of Women in America. Drawing on institutional records and using the Gilman papers as a case study, the essay challenges the prevailing conception of women's literary recovery as originating in discoveries by scholars conducting archival research. Instead, honoring yet decentering that work, the essay recognizes the labor of archivists as recovery and not merely a precondition for it. Extending J. Samaine Lockwood's notion of "recollection" (the collective action of writers and activists to reframe historical narratives), the essay argues for a more capacious and inclusive definition of recovery. Beyond broadening our assessment of Gilman's influence and impact, the essay demands that we consider archivists' contributions to the field of American women's literary history, the recovery that has been the engine of the field's growth, and the cultural work that that recovery has performed. The essay thus envisions recovery as a recollective process in which archivists play a formative role as equals and partners of scholars in the reconstruction of historical memory.
{"title":"Recollecting Charlotte Perkins Gilman: Archival Labor and Women's Literary Recovery","authors":"Jennifer S. Tuttle","doi":"10.1353/tsw.2021.0021","DOIUrl":"https://doi.org/10.1353/tsw.2021.0021","url":null,"abstract":"ABSTRACT:This essay analyzes the acquisition of the Charlotte Perkins Gilman Papers by the Arthur and Elizabeth Schlesinger Library on the History of Women in America. Drawing on institutional records and using the Gilman papers as a case study, the essay challenges the prevailing conception of women's literary recovery as originating in discoveries by scholars conducting archival research. Instead, honoring yet decentering that work, the essay recognizes the labor of archivists as recovery and not merely a precondition for it. Extending J. Samaine Lockwood's notion of \"recollection\" (the collective action of writers and activists to reframe historical narratives), the essay argues for a more capacious and inclusive definition of recovery. Beyond broadening our assessment of Gilman's influence and impact, the essay demands that we consider archivists' contributions to the field of American women's literary history, the recovery that has been the engine of the field's growth, and the cultural work that that recovery has performed. The essay thus envisions recovery as a recollective process in which archivists play a formative role as equals and partners of scholars in the reconstruction of historical memory.","PeriodicalId":43417,"journal":{"name":"TULSA STUDIES IN WOMENS LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41477253","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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