{"title":"Eukuan Nin Matshi-Manitu Innushkueu / I Am A Damn Savage And Tanite Nene Etutamin Nitassi? / What Have You Done To My Country? by Antane Kapesh (review)","authors":"V. Henitiuk","doi":"10.1353/tsw.2021.0036","DOIUrl":"https://doi.org/10.1353/tsw.2021.0036","url":null,"abstract":"","PeriodicalId":43417,"journal":{"name":"TULSA STUDIES IN WOMENS LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48329481","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Behind The Times: Virginia Woolf in Late-Victorian Contexts by Mary Jean Corbett (review)","authors":"J. de Gay","doi":"10.1353/tsw.2021.0033","DOIUrl":"https://doi.org/10.1353/tsw.2021.0033","url":null,"abstract":"","PeriodicalId":43417,"journal":{"name":"TULSA STUDIES IN WOMENS LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42363168","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ABSTRACT:Calling for scholars of the archive's raced-gendered politics to attend to Anna Julia Cooper's work, this article examines how Cooper, as a Black feminist scholar, reads archival contents (and gaps) against the grain, pivots toward evidence excluded from prevailing frameworks, and lays the ground for counternarratives in her two major texts: A Voice from the South by a Black Woman of the South (1892) and her 1925 Sorbonne dissertation on the French and Haitian revolutions. The legacies of exclusion Cooper underscored and the interpretive tactics she devised to combat erasure and violation, especially the "unwritten history" of Black women's lives, are significant and should be engaged with by contemporary scholars of the archive. The article concludes by exploring the limits of recovery work and confronts a painful paradox we must wrestle with: many of the mindsets Cooper fought against live on and continue to stifle her voice. The act of Cooper's work being backgrounded in her own time and the ways in which her work is (and is not) taken up today call to mind the "muffling" of Black women's ideas that Cooper challenged in 1892.
{"title":"Anna Julia Cooper, Archival Absences, and Black Women's \"muffled\" Knowledge","authors":"Vivian M. May","doi":"10.1353/tsw.2021.0022","DOIUrl":"https://doi.org/10.1353/tsw.2021.0022","url":null,"abstract":"ABSTRACT:Calling for scholars of the archive's raced-gendered politics to attend to Anna Julia Cooper's work, this article examines how Cooper, as a Black feminist scholar, reads archival contents (and gaps) against the grain, pivots toward evidence excluded from prevailing frameworks, and lays the ground for counternarratives in her two major texts: A Voice from the South by a Black Woman of the South (1892) and her 1925 Sorbonne dissertation on the French and Haitian revolutions. The legacies of exclusion Cooper underscored and the interpretive tactics she devised to combat erasure and violation, especially the \"unwritten history\" of Black women's lives, are significant and should be engaged with by contemporary scholars of the archive. The article concludes by exploring the limits of recovery work and confronts a painful paradox we must wrestle with: many of the mindsets Cooper fought against live on and continue to stifle her voice. The act of Cooper's work being backgrounded in her own time and the ways in which her work is (and is not) taken up today call to mind the \"muffling\" of Black women's ideas that Cooper challenged in 1892.","PeriodicalId":43417,"journal":{"name":"TULSA STUDIES IN WOMENS LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49249677","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ABSTRACT:This essay examines two elegies in which Howe (re)collects both herself and her lost beloveds in and through the lacunae of the archive: The Midnight (2003), Howe's elegy for her mother, the Irish actress and author Mary Manning, and That This (2010), Howe's elegy for her late husband, the philosopher Peter Hare. In both works, Howe's acts of (re)collection and collage constitute a liminal theater in which the boundaries between text and image, poet and reader, archival object and the page, and the living and the dead, dissolve. Howe's is ultimately a poetics of tactual attention, a "telepathy of archives" that recalls and materializes what has been forgotten or marginalized and makes present what has been absent, lost.
{"title":"Archival Theater: Susan Howe's Tactile Elegies","authors":"J. Brown","doi":"10.1353/tsw.2021.0024","DOIUrl":"https://doi.org/10.1353/tsw.2021.0024","url":null,"abstract":"ABSTRACT:This essay examines two elegies in which Howe (re)collects both herself and her lost beloveds in and through the lacunae of the archive: The Midnight (2003), Howe's elegy for her mother, the Irish actress and author Mary Manning, and That This (2010), Howe's elegy for her late husband, the philosopher Peter Hare. In both works, Howe's acts of (re)collection and collage constitute a liminal theater in which the boundaries between text and image, poet and reader, archival object and the page, and the living and the dead, dissolve. Howe's is ultimately a poetics of tactual attention, a \"telepathy of archives\" that recalls and materializes what has been forgotten or marginalized and makes present what has been absent, lost.","PeriodicalId":43417,"journal":{"name":"TULSA STUDIES IN WOMENS LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48591324","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Novel Stage: Narrative Form from the Restoration to Jane Austen by Marcie Frank (review)","authors":"A. G. Bennett","doi":"10.1353/tsw.2021.0030","DOIUrl":"https://doi.org/10.1353/tsw.2021.0030","url":null,"abstract":"","PeriodicalId":43417,"journal":{"name":"TULSA STUDIES IN WOMENS LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43967890","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ABSTRACT:This essay uses vignettes from two early fictions by women, Eliza Haywood's novel Fantomina, or Love in a Maze (1725) and Frances Burney's novel Cecilia, or Memoirs of an Heiress (1782) to explore how glancing encounters produce an archive for future possibility. It suggests that putting new materialist readings of the city in conversation with affective queer theories of the archive makes visible ephemeral notes to the future in the fictions of the past, allowing us to read eighteenth-century women writers' texts not only as evidence of the real limitations of the past (and the present) but as portals to re-imagine alternative, more capacious futures.
{"title":"Glancing Encounters: The Ephemeral City Archive in Eliza Haywood's Fantomina, or Love in a Maze and Frances Burney's Cecilia, or Memoirs of an Heiress","authors":"Kirsten T. Saxton","doi":"10.1353/tsw.2021.0025","DOIUrl":"https://doi.org/10.1353/tsw.2021.0025","url":null,"abstract":"ABSTRACT:This essay uses vignettes from two early fictions by women, Eliza Haywood's novel Fantomina, or Love in a Maze (1725) and Frances Burney's novel Cecilia, or Memoirs of an Heiress (1782) to explore how glancing encounters produce an archive for future possibility. It suggests that putting new materialist readings of the city in conversation with affective queer theories of the archive makes visible ephemeral notes to the future in the fictions of the past, allowing us to read eighteenth-century women writers' texts not only as evidence of the real limitations of the past (and the present) but as portals to re-imagine alternative, more capacious futures.","PeriodicalId":43417,"journal":{"name":"TULSA STUDIES IN WOMENS LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43437481","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Words of Her Own: Women Authors in Nineteenth-Century Bengal by Maroona Murmu (review)","authors":"Tara K Puri","doi":"10.1353/tsw.2021.0031","DOIUrl":"https://doi.org/10.1353/tsw.2021.0031","url":null,"abstract":"","PeriodicalId":43417,"journal":{"name":"TULSA STUDIES IN WOMENS LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46202850","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Nancy Cunard: Perfect Stranger by Jane Marcus (review)","authors":"J. Dowson","doi":"10.1353/tsw.2021.0035","DOIUrl":"https://doi.org/10.1353/tsw.2021.0035","url":null,"abstract":"","PeriodicalId":43417,"journal":{"name":"TULSA STUDIES IN WOMENS LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45170693","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Discoveries in the Archives: New Sarah Harriet Burney Letters at the Borthwick Institute for Archives","authors":"Lorna Clark","doi":"10.1353/TSW.2021.0013","DOIUrl":"https://doi.org/10.1353/TSW.2021.0013","url":null,"abstract":"","PeriodicalId":43417,"journal":{"name":"TULSA STUDIES IN WOMENS LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/TSW.2021.0013","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42314411","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Archival Interventions and Agency: Irma McClaurin in Conversation with Emily Ruth Rutter about the Irma McClaurin Black Feminist Archive","authors":"Irma Mcclaurin, E. Rutter","doi":"10.1353/TSW.2021.0011","DOIUrl":"https://doi.org/10.1353/TSW.2021.0011","url":null,"abstract":"","PeriodicalId":43417,"journal":{"name":"TULSA STUDIES IN WOMENS LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/TSW.2021.0011","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49531978","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：