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‘To see the world in a grain of sand’: law and capitalism revealed through the corporation “从一粒沙子看世界”:通过公司揭示的法律和资本主义
IF 0.5 Q2 LAW Pub Date : 2020-03-01 DOI: 10.1093/lril/lraa007
Dan Danielsen
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引用次数: 0
On the methodological limits of the commodity form theory of law in The Corporation, Law and Capitalism 论《公司、法律与资本主义》中商品形式法理论的方法论局限
IF 0.5 Q2 LAW Pub Date : 2020-03-01 DOI: 10.1093/lril/lraa012
Maïa Pal
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引用次数: 0
Fourteen ways of looking back at the Treaty of Versailles† 回顾《凡尔赛条约》的14种方式†
IF 0.5 Q2 LAW Pub Date : 2020-03-01 DOI: 10.1093/lril/lraa017
Dino Kritsiotis
This article examines the idea of the Treaty of Versailles as a readily quantifiable corpus of provisions as set down in a readily identifiable document that was signed at the Palace of Versailles on 28 June 1919. It does so by recalling the pre-history to that peace that stretches as far back as US President Woodrow Wilson’s Fourteen Points of January 1918, for the German Government accepted these Fourteen Points as well as subsequent pronouncements of President Wilson as the basis for the peace that ended the Great War. Through a close engagement with diplomatic correspondence from October and November 1918, the article considers how impressions came to form that a ‘contract’ had been made with the enemy (John Maynard Keynes) by the time of the Armistice of Compiègne of November 1918—an apparent ‘charter for our future activity’ (Harold Nicolson) or a localized lex pacificatoria for its time. The article explores the amenability of each of the Fourteen Points to international normativity and, in its final section, it provides a broader account of how this set of positions shaped Germany’s official response to the draft treaty (‘Observations of the German Delegation on the Conditions of Peace’) that was released in May 1919.
本文考察了《凡尔赛条约》作为1919年6月28日在凡尔赛宫签署的一份易于识别的文件中规定的易于量化的条款的概念。这是通过回顾1918年1月美国总统伍德罗·威尔逊(Woodrow Wilson)的十四点和平的历史来实现的,因为德国政府接受了这十四点以及随后威尔逊总统的声明,作为结束一战的和平的基础。通过与1918年10月和11月的外交信函的密切接触,本文考虑了在1918年11月的《compi停战协定》(Armistice of compi)时,与敌人(约翰·梅纳德·凯恩斯)达成“合同”的印象是如何形成的——这显然是“我们未来活动的宪章”(哈罗德·尼科尔森),或者是当时的局部和平法。文章探讨了“十四点原则”对国际规范的适应性,并在最后一节更广泛地阐述了这一系列立场如何影响了德国对1919年5月发布的条约草案(“德国代表团对和平条件的意见”)的官方回应。
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引用次数: 0
The corporation and three Cokes 公司和三杯可乐
IF 0.5 Q2 LAW Pub Date : 2020-03-01 DOI: 10.1093/lril/lraa006
Susan Marks
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引用次数: 0
Calling out Monsieur le Capital: remoralisation, subjectivity, agency, and change in The Corporation, Law and Capitalism 呼唤资本先生:《公司、法律与资本主义》中的重塑、主体性、代理与变革
IF 0.5 Q2 LAW Pub Date : 2020-03-01 DOI: 10.1093/lril/lraa011
Honor Brabazon
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引用次数: 0
Visuality of a treaty: reflection on Versailles 条约的视觉性:对凡尔赛的反思
IF 0.5 Q2 LAW Pub Date : 2020-03-01 DOI: 10.1093/lril/lraa009
Kate Miles
This article revisits one moment in international law through the prism of visual culture, analysing paintings, photographs and political cartoons of the signing of the Treaty of Versailles. It considers the historical representation of treaty-making, narratives of international law as beneficent universal regulator and spectacle, and the projection of ‘successful’ international law through image. It reflects on photographs that capture working, ‘behind-the-scenes’ moments and portrayals of a more agitated, restless visual international law. And it explores the idea that visuality contributes to the construction of international legal reality and is a specific site of meaning for our understanding of treaty-making at Versailles.
本文通过视觉文化的棱镜重新审视了国际法中的一个时刻,分析了《凡尔赛条约》签署时的绘画、照片和政治漫画。它认为条约制定的历史表现,国际法作为有益的普遍调节器和奇观的叙述,以及通过图像投射“成功”的国际法。它反映了捕捉工作、“幕后”时刻的照片,以及对更激动、不安的视觉国际法的描绘。它探讨了可视化有助于国际法律现实的构建,是我们理解凡尔赛条约制定的一个特定意义所在。
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引用次数: 1
The League of Nations, autonomy and collective security 国际联盟,自治和集体安全
IF 0.5 Q2 LAW Pub Date : 2020-03-01 DOI: 10.1093/lril/lraa010
N. White
This article tests the assumption that in institutional and legal design the League of Nations was incapable of providing collective security. The lens through which this issue is scrutinised is the concept of institutional legal autonomy, in other words the legal separation of the organisation from its member states. The thinking is not necessarily that the greater the autonomy the greater the potential of the organisation to fulfil its functions, but that the organisation already had sufficient autonomy in international relations to provide an effective form of ‘collective security’, a term that was not found in the Covenant but, by 1935, was being used to describe the response of the League to the Italian invasion of Abyssinia in 1935. This article tests the assumption that the League did not have sufficient autonomy in terms of collective judgment and power to deliver collective security.
本文检验了一种假设,即在体制和法律设计方面,国际联盟无法提供集体安全。审视这一问题的视角是机构法律自治的概念,换句话说,就是该组织与其成员国在法律上的分离。这种想法并不一定是自治越大,该组织履行其职能的潜力就越大,而是该组织在国际关系中已经拥有足够的自主权,以提供一种有效的“集体安全”形式,这个术语在《公约》中没有找到,但到1935年,被用来描述国际联盟对1935年意大利入侵阿比西尼亚的反应。本文检验了国联在集体判断和提供集体安全的权力方面没有足够自主权的假设。
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引用次数: 0
Writing in the time of coronavirus 在冠状病毒时代写作
IF 0.5 Q2 LAW Pub Date : 2020-03-01 DOI: 10.1093/lril/lraa014
G. Baars
Even though my book launch was just over a year ago, right now it feels like an eternity has passed. Reading everyone’s contributions in this moment makes me at once nostalgic, for a pre-pandemic time that is tempting to romanticise as ‘carefree’, and grateful. It takes only a fraction of a second to remember we were always already in crisis even if it had a different intensity. Still, I am grateful to be part of such an incredible community of scholars, and humans, whose work and friendship (dare I say comradeship) has sustained me over the past years and, in some cases, the past decade or more. It is that connection, that comradeship, and that willingness and ability to engage, critically if must be, with each other’s work, lives and projects that will carry us through beyond the present crisis, and to a world which in some (many) areas, needs to be rebuilt from the ground up. I am intensely grateful for the time, energy and care given to my book by the five scholars in this symposium— Susan Marks, Dan Danielsen, Emily Jones, Maı̈a Pal, Honor Brabazon—and I know that even though we may disagree on certain issues (such as the utility of law) it is clear to me that we are ultimately working on a common project. Research and writing, and academic work more generally, is a collective effort and we complement each other’s work, generate synergies and push each other to go beyond. For example, I am happy to accept Pal’s challenge to my generalising, and at times flattening, description of the early modern state form. I look forward to her own book on this topic (Jurisdictional Accumulation: An Early Modern History of Law, Empires, and Capital), due to be published soon. I am likewise looking forward to Jones’ Posthuman International Law,
尽管我的新书发布才一年多,但现在感觉就像是永恒已经过去了。在这一刻阅读每个人的贡献让我立刻怀念疫情前的时光,那是一段很容易被浪漫化为“无忧无虑”和感激的时光。只需几分之一秒就可以记住,即使危机的强度不同,我们也总是处于危机之中。尽管如此,我还是很感激能成为这样一个令人难以置信的学者和人类社区的一员,他们的工作和友谊(我敢说是同志情谊)在过去几年里,在某些情况下,在过去的十年或更长时间里一直支撑着我。正是这种联系,这种同志情谊,以及参与彼此工作、生活和项目的意愿和能力,如果必须的话,这将使我们度过当前的危机,并进入一个在某些(许多)领域需要从头开始重建的世界。我非常感谢参加本次研讨会的五位学者——苏珊·马克斯、丹·丹尼尔森、艾米丽·琼斯、马伊·帕尔、奥诺·布拉巴宗——为我的书付出的时间、精力和关怀。我知道,尽管我们可能在某些问题上(如法律的效用)存在分歧,但我很清楚,我们最终正在进行一个共同的项目。研究和写作,以及更广泛的学术工作,是一项集体努力,我们相互补充,产生协同效应,推动彼此超越。例如,我很高兴接受帕尔对我对早期现代国家形式的概括,有时甚至是扁平化描述的挑战。我期待着她自己关于这个主题的书(《管辖权积累:法律、帝国和资本的早期现代史》)即将出版。我同样期待着琼斯的《后人类国际法》,
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引用次数: 1
Book Symposium 本研讨会
IF 0.5 Q2 LAW Pub Date : 2020-03-01 DOI: 10.1093/lril/lraa016
Grietje Baars, The Corporation, Law, and Capitalism: A Radical Perspective on the Role of Law in Global Political Economy (Brill, 2019)
Grietje Baars,《公司、法律与资本主义:法律在全球政治经济中作用的激进视角》(Brill,2019)
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引用次数: 0
Designing Versailles: landscapes and the perspectival peace 设计凡尔赛:风景与透视的和平
IF 0.5 Q2 LAW Pub Date : 2020-03-01 DOI: 10.1093/lril/lraa013
Therese O'Donnell
This article analyses the importance of the 1919 peace treaty's signing at Versailles and the consequent signalling (both explicit and implicit) about its terms, particularly regarding then emerging notions of self-determination, one of US President Woodrow Wilson's Fourteen Points. Given the treaty's enduring significance as a site for testing the possibilities of international law, particular attention is given to the troubling negotiating arrangements concerning the Middle East. In acknowledgement of the backdrop's grandeur and the Council of Four's cartographic approach, the design discipline of landscape architecture is employed for estimating how far self-determination was (or was not) realised. For Louis XIV, Versailles's landscaping represented Culture's triumph over Nature. Equally, for the 1919 peacemakers the treaty symbolised law's triumphant return after the unequalled annihilation evident on the Western Front and Dardanelles beaches. Both grand projects suggested Cartesian notions. More compellingly, both Louis XIV and the Four (and in particular Clemenceau and Lloyd George) fetishized an avaricious hegemonic order. As well as embracing aesthetic, pictorial meanings in the visual arts, tellingly, 'landscape' also concerns 'limited section[s], administrative area[s], territory'. Although the treaty-artefact was a matter of fact, it was also a historically situated aesthetics : framed and presented in particular ways, in a particular interior, to situate the gaze of specific viewers and imply certain political associations. Like many design ideals devised to dazzle passive onlookers, attractions were firmly located in the creators' eyes. The construction of Versailles’s artistically stunning landscape had emphasised an all-authoritative French territorial state. In 1919 Versailles was also a cultural practice and its landscape had value '…as a process by which social and subjective identities' were formed. In June 1919, just as in the curve of the seventeenth into the eighteenth century, power's material realisation was confirmed at Versailles.
本文分析了1919年在凡尔赛签署的和平条约的重要性,以及随后对其条款发出的信号(无论是明示的还是隐含的),特别是关于当时新兴的自决概念,这是美国总统伍德罗·威尔逊的十四点之一。鉴于该条约作为检验国际法可能性的场所的持久意义,人们特别注意有关中东的令人不安的谈判安排。为了承认背景的宏伟和四人委员会的制图方法,景观建筑的设计学科被用来估计自决(或没有)实现的程度。对于路易十四来说,凡尔赛宫的景观代表了文化对自然的胜利。同样,对于1919年的和平缔造者来说,该条约象征着在西线和达达尼尔海滩上无可匹敌的歼灭之后,法律的胜利回归。这两个伟大的项目都提出了笛卡尔的概念。更令人信服的是,路易十四和四世(尤其是克列孟梭和劳合·乔治)都崇拜贪婪的霸权秩序。除了在视觉艺术中包含美学、图像意义外,引人注目的是,“景观”还涉及“有限的区域、行政区域、领土”。尽管条约人工制品是一个事实,但它也是一种历史上的美学:以特定的方式,在特定的内部,以特定的方式构建和呈现,以定位特定观众的目光,并暗示某些政治关联。就像许多设计理念旨在让被动的旁观者眼花缭乱一样,景点牢牢地位于创作者的眼中。凡尔赛令人惊叹的艺术景观的建设强调了一个完全权威的法国领土国家。1919年,凡尔赛也是一种文化实践,它的景观具有价值,“作为形成社会和主观身份的过程”。1919年6月,就像17世纪进入18世纪的曲线一样,权力的物质实现在凡尔赛得到了证实。
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London Review of International Law
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