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The corporation and three Cokes 公司和三杯可乐
IF 0.5 Q3 Social Sciences Pub Date : 2020-03-01 DOI: 10.1093/lril/lraa006
Susan Marks
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引用次数: 0
Calling out Monsieur le Capital: remoralisation, subjectivity, agency, and change in The Corporation, Law and Capitalism 呼唤资本先生:《公司、法律与资本主义》中的重塑、主体性、代理与变革
IF 0.5 Q3 Social Sciences Pub Date : 2020-03-01 DOI: 10.1093/lril/lraa011
Honor Brabazon
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引用次数: 0
On the methodological limits of the commodity form theory of law in The Corporation, Law and Capitalism 论《公司、法律与资本主义》中商品形式法理论的方法论局限
IF 0.5 Q3 Social Sciences Pub Date : 2020-03-01 DOI: 10.1093/lril/lraa012
Maïa Pal
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引用次数: 0
Visuality of a treaty: reflection on Versailles 条约的视觉性:对凡尔赛的反思
IF 0.5 Q3 Social Sciences Pub Date : 2020-03-01 DOI: 10.1093/lril/lraa009
Kate Miles
This article revisits one moment in international law through the prism of visual culture, analysing paintings, photographs and political cartoons of the signing of the Treaty of Versailles. It considers the historical representation of treaty-making, narratives of international law as beneficent universal regulator and spectacle, and the projection of ‘successful’ international law through image. It reflects on photographs that capture working, ‘behind-the-scenes’ moments and portrayals of a more agitated, restless visual international law. And it explores the idea that visuality contributes to the construction of international legal reality and is a specific site of meaning for our understanding of treaty-making at Versailles.
本文通过视觉文化的棱镜重新审视了国际法中的一个时刻,分析了《凡尔赛条约》签署时的绘画、照片和政治漫画。它认为条约制定的历史表现,国际法作为有益的普遍调节器和奇观的叙述,以及通过图像投射“成功”的国际法。它反映了捕捉工作、“幕后”时刻的照片,以及对更激动、不安的视觉国际法的描绘。它探讨了可视化有助于国际法律现实的构建,是我们理解凡尔赛条约制定的一个特定意义所在。
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引用次数: 1
The League of Nations, autonomy and collective security 国际联盟,自治和集体安全
IF 0.5 Q3 Social Sciences Pub Date : 2020-03-01 DOI: 10.1093/lril/lraa010
N. White
This article tests the assumption that in institutional and legal design the League of Nations was incapable of providing collective security. The lens through which this issue is scrutinised is the concept of institutional legal autonomy, in other words the legal separation of the organisation from its member states. The thinking is not necessarily that the greater the autonomy the greater the potential of the organisation to fulfil its functions, but that the organisation already had sufficient autonomy in international relations to provide an effective form of ‘collective security’, a term that was not found in the Covenant but, by 1935, was being used to describe the response of the League to the Italian invasion of Abyssinia in 1935. This article tests the assumption that the League did not have sufficient autonomy in terms of collective judgment and power to deliver collective security.
本文检验了一种假设,即在体制和法律设计方面,国际联盟无法提供集体安全。审视这一问题的视角是机构法律自治的概念,换句话说,就是该组织与其成员国在法律上的分离。这种想法并不一定是自治越大,该组织履行其职能的潜力就越大,而是该组织在国际关系中已经拥有足够的自主权,以提供一种有效的“集体安全”形式,这个术语在《公约》中没有找到,但到1935年,被用来描述国际联盟对1935年意大利入侵阿比西尼亚的反应。本文检验了国联在集体判断和提供集体安全的权力方面没有足够自主权的假设。
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引用次数: 0
Writing in the time of coronavirus 在冠状病毒时代写作
IF 0.5 Q3 Social Sciences Pub Date : 2020-03-01 DOI: 10.1093/lril/lraa014
G. Baars
Even though my book launch was just over a year ago, right now it feels like an eternity has passed. Reading everyone’s contributions in this moment makes me at once nostalgic, for a pre-pandemic time that is tempting to romanticise as ‘carefree’, and grateful. It takes only a fraction of a second to remember we were always already in crisis even if it had a different intensity. Still, I am grateful to be part of such an incredible community of scholars, and humans, whose work and friendship (dare I say comradeship) has sustained me over the past years and, in some cases, the past decade or more. It is that connection, that comradeship, and that willingness and ability to engage, critically if must be, with each other’s work, lives and projects that will carry us through beyond the present crisis, and to a world which in some (many) areas, needs to be rebuilt from the ground up. I am intensely grateful for the time, energy and care given to my book by the five scholars in this symposium— Susan Marks, Dan Danielsen, Emily Jones, Maı̈a Pal, Honor Brabazon—and I know that even though we may disagree on certain issues (such as the utility of law) it is clear to me that we are ultimately working on a common project. Research and writing, and academic work more generally, is a collective effort and we complement each other’s work, generate synergies and push each other to go beyond. For example, I am happy to accept Pal’s challenge to my generalising, and at times flattening, description of the early modern state form. I look forward to her own book on this topic (Jurisdictional Accumulation: An Early Modern History of Law, Empires, and Capital), due to be published soon. I am likewise looking forward to Jones’ Posthuman International Law,
尽管我的新书发布才一年多,但现在感觉就像是永恒已经过去了。在这一刻阅读每个人的贡献让我立刻怀念疫情前的时光,那是一段很容易被浪漫化为“无忧无虑”和感激的时光。只需几分之一秒就可以记住,即使危机的强度不同,我们也总是处于危机之中。尽管如此,我还是很感激能成为这样一个令人难以置信的学者和人类社区的一员,他们的工作和友谊(我敢说是同志情谊)在过去几年里,在某些情况下,在过去的十年或更长时间里一直支撑着我。正是这种联系,这种同志情谊,以及参与彼此工作、生活和项目的意愿和能力,如果必须的话,这将使我们度过当前的危机,并进入一个在某些(许多)领域需要从头开始重建的世界。我非常感谢参加本次研讨会的五位学者——苏珊·马克斯、丹·丹尼尔森、艾米丽·琼斯、马伊·帕尔、奥诺·布拉巴宗——为我的书付出的时间、精力和关怀。我知道,尽管我们可能在某些问题上(如法律的效用)存在分歧,但我很清楚,我们最终正在进行一个共同的项目。研究和写作,以及更广泛的学术工作,是一项集体努力,我们相互补充,产生协同效应,推动彼此超越。例如,我很高兴接受帕尔对我对早期现代国家形式的概括,有时甚至是扁平化描述的挑战。我期待着她自己关于这个主题的书(《管辖权积累:法律、帝国和资本的早期现代史》)即将出版。我同样期待着琼斯的《后人类国际法》,
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引用次数: 1
Symposium on the centennial anniversary of the Peace of Versailles: verdicts and revisitations 《凡尔赛和约》一百周年专题讨论会:判决与回顾
IF 0.5 Q3 Social Sciences Pub Date : 2020-03-01 DOI: 10.1093/lril/lraa015
Dino Kritsiotis, Therese O'Donnell
One momentous day in June 1919 is often remembered, contrastingly, in the technicolour of its ambition and attempted modernity, or the foreboding monochrome of its destructive, self-delusion. However, the chromatic spectrum of the treaty's reality, both in its own time but also in its enduring legacy, highlights the peace project's formidable complexity. Just as the haze of the summer of 1914 is so compellingly captured in the tragic remembrances of pre-war tennis matches in Vera Brittain's Testament of Youth, so the vision of 1919 bathes in seasonal shimmers and phosphorescent flashbacks that cannot help but be the product of emotion rather than cool dissection. However, the peace process born of the Great War remains an exercise in revelation, as public international lawyers continue to interact with it well into the 21st century. Yet, there is (as perhaps there has always been) a distinct unsettling at how the peace settlement’s suffocating old-world tropes jostle with the first pangs of a new, scarcely recognisable, international society in the livery of the League of Nations. Like Mrs Dalloway, our various disorientating encounters with these events—these past, these living events—force us to reckon with the roles of time, faith and doubt in our discipline.
相比之下,1919年6月的一个重要日子,人们常常以其雄心壮志和尝试现代化的色彩来纪念,或者以其破坏性和自欺欺人的不祥的单色来纪念。然而,该条约现实的色彩光谱,无论是在其所处的时代,还是在其持久的遗产中,都突显了和平项目令人生畏的复杂性。正如薇拉·布里顿(Vera Brittain)的《青春遗嘱》(Testament of Youth)中对战前网球比赛的悲剧性回忆如此引人注目地捕捉到了1914年夏天的阴霾一样,1919年的景象也沐浴在季节性的微光和磷光闪回中,这不能不是情感的产物,而不是冷静的剖析。然而,诞生于第一次世界大战的和平进程仍然是一种启示,因为公共国际律师在进入21世纪后仍在继续与之互动。然而,和平解决方案令人窒息的旧世界形象如何与一个崭新的、几乎认不出来的、披着国际联盟(League of Nations)外衣的国际社会的最初阵痛相冲突,显然令人不安(或许一直如此)。像达洛维夫人一样,我们与这些事件——这些过去的,这些活生生的事件——的各种令人困惑的遭遇,迫使我们考虑时间、信仰和怀疑在我们的纪律中所扮演的角色。
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引用次数: 0
Book Symposium 本研讨会
IF 0.5 Q3 Social Sciences Pub Date : 2020-03-01 DOI: 10.1093/lril/lraa016
Grietje Baars, The Corporation, Law, and Capitalism: A Radical Perspective on the Role of Law in Global Political Economy (Brill, 2019)
Grietje Baars,《公司、法律与资本主义:法律在全球政治经济中作用的激进视角》(Brill,2019)
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引用次数: 0
Designing Versailles: landscapes and the perspectival peace 设计凡尔赛:风景与透视的和平
IF 0.5 Q3 Social Sciences Pub Date : 2020-03-01 DOI: 10.1093/lril/lraa013
Therese O'Donnell
This article analyses the importance of the 1919 peace treaty's signing at Versailles and the consequent signalling (both explicit and implicit) about its terms, particularly regarding then emerging notions of self-determination, one of US President Woodrow Wilson's Fourteen Points. Given the treaty's enduring significance as a site for testing the possibilities of international law, particular attention is given to the troubling negotiating arrangements concerning the Middle East. In acknowledgement of the backdrop's grandeur and the Council of Four's cartographic approach, the design discipline of landscape architecture is employed for estimating how far self-determination was (or was not) realised. For Louis XIV, Versailles's landscaping represented Culture's triumph over Nature. Equally, for the 1919 peacemakers the treaty symbolised law's triumphant return after the unequalled annihilation evident on the Western Front and Dardanelles beaches. Both grand projects suggested Cartesian notions. More compellingly, both Louis XIV and the Four (and in particular Clemenceau and Lloyd George) fetishized an avaricious hegemonic order. As well as embracing aesthetic, pictorial meanings in the visual arts, tellingly, 'landscape' also concerns 'limited section[s], administrative area[s], territory'. Although the treaty-artefact was a matter of fact, it was also a historically situated aesthetics : framed and presented in particular ways, in a particular interior, to situate the gaze of specific viewers and imply certain political associations. Like many design ideals devised to dazzle passive onlookers, attractions were firmly located in the creators' eyes. The construction of Versailles’s artistically stunning landscape had emphasised an all-authoritative French territorial state. In 1919 Versailles was also a cultural practice and its landscape had value '…as a process by which social and subjective identities' were formed. In June 1919, just as in the curve of the seventeenth into the eighteenth century, power's material realisation was confirmed at Versailles.
本文分析了1919年在凡尔赛签署的和平条约的重要性,以及随后对其条款发出的信号(无论是明示的还是隐含的),特别是关于当时新兴的自决概念,这是美国总统伍德罗·威尔逊的十四点之一。鉴于该条约作为检验国际法可能性的场所的持久意义,人们特别注意有关中东的令人不安的谈判安排。为了承认背景的宏伟和四人委员会的制图方法,景观建筑的设计学科被用来估计自决(或没有)实现的程度。对于路易十四来说,凡尔赛宫的景观代表了文化对自然的胜利。同样,对于1919年的和平缔造者来说,该条约象征着在西线和达达尼尔海滩上无可匹敌的歼灭之后,法律的胜利回归。这两个伟大的项目都提出了笛卡尔的概念。更令人信服的是,路易十四和四世(尤其是克列孟梭和劳合·乔治)都崇拜贪婪的霸权秩序。除了在视觉艺术中包含美学、图像意义外,引人注目的是,“景观”还涉及“有限的区域、行政区域、领土”。尽管条约人工制品是一个事实,但它也是一种历史上的美学:以特定的方式,在特定的内部,以特定的方式构建和呈现,以定位特定观众的目光,并暗示某些政治关联。就像许多设计理念旨在让被动的旁观者眼花缭乱一样,景点牢牢地位于创作者的眼中。凡尔赛令人惊叹的艺术景观的建设强调了一个完全权威的法国领土国家。1919年,凡尔赛也是一种文化实践,它的景观具有价值,“作为形成社会和主观身份的过程”。1919年6月,就像17世纪进入18世纪的曲线一样,权力的物质实现在凡尔赛得到了证实。
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引用次数: 0
Three liberty trees 三棵自由树
IF 0.5 Q3 Social Sciences Pub Date : 2019-11-01 DOI: 10.1093/lril/lrz011
Susan Marks
What was the tree of liberty? This article takes Boston’s ‘sacred elm’ as a point of departure for exploring debates about the rights of man in late 18th-century England. The liberty tree is shown to be a revealing metaphor for the rights of man, with important literal resonance as well.
自由之树是什么?本文以波士顿的“神圣榆树”为出发点,探讨18世纪末英国关于人的权利的争论。自由树被证明是人类权利的一个揭示性隐喻,也具有重要的文学共鸣。
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引用次数: 1
期刊
London Review of International Law
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