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Trans Young Adults’ Building Communities: Narratives and Counternarratives of Identity and World Making 跨性别青年建构社群:身分与世界建构的叙事与反叙事
IF 0.2 Q4 Social Sciences Pub Date : 2022-06-23 DOI: 10.36510/learnland.v15i1.1072
Michelle Lavoie
This paper draws on a three-year inquiry, in which I lived alongside three trans young adults amid their unfolding lives. I used narrative inquiry, a relational methodology that holds relationship central, to explore asset-building processes within relational learning. This article showcases participants’ use of artworks, stories, and counterstories to understand experiences and engage communities. Additionally, this study highlights how trans young adults transform their identities at the intersections of race, citizenship, ableism, and health. This research demonstrates the complexity of trans: identity formation; intersectional tensions, and creative possibilities; and, performativity of intersectionality and identities across multiple communities’ spaces and places.
这篇论文取材于一项为期三年的调查,在调查中,我与三个跨性别年轻人一起生活,了解他们正在展开的生活。我使用叙述性调查,一种以关系为中心的关系方法论,来探索关系学习中的资产建设过程。这篇文章展示了参与者使用艺术作品、故事和反故事来理解体验和参与社区。此外,这项研究强调了跨性别年轻人如何在种族、公民身份、残疾和健康的交叉点上改变他们的身份。本研究显示了跨性别认同形成的复杂性;交叉的张力和创造性的可能性;并且,跨多个社区空间和场所的交叉性和身份的表现。
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引用次数: 0
An Odd Way of Looking at Things 看待事物的奇怪方式
IF 0.2 Q4 Social Sciences Pub Date : 2022-06-23 DOI: 10.36510/learnland.v15i1.1074
Mary Walsh
IIn this interview, actor, writer, and comedian Mary Walsh discusses how comedy is part and parcel of Newfoundland‘s social fabric. She recounts her early days in theatre, which soon led to her forming comedy troupes with performers who would become lifelong collaborators. She outlines the basic skills for becoming a comedian as well as the challenges of being an older woman in comedy. In conclusion, she poignantly connects comedy to the importance of knowing one‘s history: “A bit of comedy helps the truth go down . . . they always say the truth will set you free. It‘ll make you mad first, but it‘ll make you free . . . We found right across the country that people were very open to the message because they got it with a laugh . . .“
在这次采访中,演员、作家和喜剧演员玛丽·沃尔什讨论了喜剧是如何成为纽芬兰社会结构的重要组成部分。她讲述了她早年在剧院的经历,很快她就和演员们组成了喜剧团体,他们将成为终身合作伙伴。她概述了成为喜剧演员的基本技能,以及作为喜剧中的老年女性所面临的挑战。最后,她尖锐地将喜剧与了解一个人的历史的重要性联系起来:“一点点喜剧有助于真相流传下去……他们总说真相会让你自由。它会先让你发疯,但它会让你自由…我们发现,全国各地的人们都非常乐于接受这个消息,因为他们笑着接受了这个消息……”
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引用次数: 0
Cocreating Spaces of Belonging: A Campus Workshop Using Research-Based Theatre for Affective Learning 共同创造归属空间:利用基于研究的剧场进行情感学习的校园工作坊
IF 0.2 Q4 Social Sciences Pub Date : 2022-06-23 DOI: 10.36510/learnland.v15i1.1063
L. Bulk
Creating climates that embrace justice, equity, diversity, and inclusion, must involve learning by everyone in the community. Although active learning techniques for promoting cognitive learning have received much attention in recent decades, techniques for affective learning are less developed. Affective learning is, however, essential to this particular area of change. Using the example of an innovative workshop about creating more welcoming environments for Disabled people, this article demonstrates how Research-Based Theatre, in combination with other active learning techniques, can promote affective learning and encourages readers to reflect on how they might incorporate creative, arts-based, research-informed approaches.
创造包容正义、公平、多样性和包容性的环境,必须让社区中的每个人都学习。尽管近几十年来,促进认知学习的主动学习技术受到了广泛关注,但情感学习技术却很少得到发展。然而,情感学习对这一特定的变革领域至关重要。本文以一个关于为残疾人创造更受欢迎的环境的创新研讨会为例,展示了基于研究的戏剧与其他积极的学习技术相结合如何促进情感学习,并鼓励读者思考如何将创造性的、基于艺术的、基于研究的方法结合起来。
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引用次数: 2
Contact Improvisation as a Force for Expressive Reciprocity With Young Children Who Don’t Speak 接触即兴表演作为一种与不会说话的幼儿表达互惠的力量
IF 0.2 Q4 Social Sciences Pub Date : 2022-06-23 DOI: 10.36510/learnland.v15i1.1065
Ruth Churchill Dower
Movement can be a powerful force for sensory connection and expression in young children who sometimes don’t speak. Their kinaesthetic curiosity naturally experiments with—and forms spontaneous relationships through—touching, sensing, and moving-with the world around them. This article wonders what might happen if children’s connective movements are invited through the speculative method of contact improvisation, not as an alternative to speech or way of interpreting meaning, but simply as a space for the transmission of forces, sensations, intimacy, and reciprocity. I consider what these shared forces or sensations of expression are that generate intimacy, joy, and reciprocity beyond words.
对于有时不会说话的幼儿来说,运动可能是一种强大的感官连接和表达力量。他们的动觉好奇心自然地与周围的世界接触、感知和移动,并通过触摸、感知和运动形成自发的关系。这篇文章想知道,如果儿童的连接动作是通过接触即兴的推测方法来邀请的,而不是作为言语或解释意义的方式的替代,而是仅仅作为传递力量、感觉、亲密感和互惠的空间,会发生什么。我思考这些共同的力量或表达的感觉是什么,它们产生了超越语言的亲密、快乐和互惠。
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引用次数: 0
“And So We Write”: Reflective Practice in Ethnotheatre and Devised Theatre Projects “所以我们写作”:民族戏剧和设计戏剧项目的反思实践
IF 0.2 Q4 Social Sciences Pub Date : 2022-06-23 DOI: 10.36510/learnland.v15i1.1061
Jonathan P. Jones
This paper follows the author’s trajectory as he collaboratively experimented with ethnodrama (theatre scripts generated from interviews, media artifacts, and written media) and devised theatre performance (theatre collaboratively created with a group), culminating in the analysis of a performance with high school students combining elements of these forms. The author defines the forms, illuminates how he engaged with them over time, and how he adapted elements of them for work with his high school students. The author proposes a framework deduced from these experiences as a provocation for future performance projects and as a demonstration of an educator’s reflective practice.
本文遵循了作者的轨迹,他合作实验了民族戏剧(由采访、媒体作品和书面媒体生成的戏剧剧本),并设计了戏剧表演(与团队合作创作的戏剧),最终分析了高中生结合这些形式元素的表演。作者定义了这些形式,阐明了他是如何随着时间的推移与之互动的,以及他是如何将其中的元素适应高中生的工作的。作者提出了一个从这些经历中推导出的框架,作为对未来表演项目的激励,并作为一个教育家反思实践的展示。
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引用次数: 0
Review Board (Vol. 15) 审查委员会(第15卷)
IF 0.2 Q4 Social Sciences Pub Date : 2022-06-23 DOI: 10.36510/learnland.v15i1.1086
Review Board
Review Board (Vol. 15)
审查委员会(第15卷)
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引用次数: 0
Evoking Losing and Finding Community in Drama: A Methodology-in-Motion for Pandemic Times 在戏剧中唤起失落与寻找的共同体:一种适用于大流行病时代的方法论
IF 0.2 Q4 Social Sciences Pub Date : 2022-06-23 DOI: 10.36510/learnland.v15i1.1069
K. Gallagher, N. Cardwell, Munia Debleena Tripathi
Our article explores the impact of the global health pandemic on our five-year, multi-sited, collaborative ethnographic study titled Global Youth (Digital) Citizen-Artists and their Publics: Performing for Socio-Ecological Justice (2019-2024). We illustrate how our arts-led, youth-driven ethnographic ”methodology-in-motion” responded to a destabilized world by planning, listening, and seeing differently across local and global research contexts through virtual fieldwork. By focusing on reciprocity and the relational, we examine how researchers, youth participants, and global collaborators, managed to ”lose” and ”find” each other through creative, artistic encounters.
我们的文章探讨了全球卫生大流行对我们为期五年、多地点、合作的民族志研究的影响,该研究题为《全球青年(数字)公民艺术家及其公众:为社会生态正义表演(2019-2024)》。我们展示了我们以艺术为主导、以青年为驱动的民族志“运动方法论”如何通过虚拟实地调查,在当地和全球研究背景下以不同的方式规划、倾听和看待不稳定的世界。通过关注互惠和关系,我们研究了研究人员、青年参与者和全球合作者如何通过创造性的艺术接触来“失去”和“找到”彼此。
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引用次数: 0
How the Reflexive Process Was Supported by Arts-Based Activities: A Doctoral Student's Research Journey 反思过程如何得到艺术活动的支持:博士生的研究之旅
IF 0.2 Q4 Social Sciences Pub Date : 2022-06-23 DOI: 10.36510/learnland.v15i1.1071
J. Kuhnke, Sandra Jack-Malik
This paper showcases how a reflexive practice, that includes arts-based activities, deepened understandings experienced by a doctoral student of psychology while completing the data analysis section of a metasynthesis. The metasynthesis focused on qualitative studies, examining the mental and spiritual care of persons living with diabetic foot ulcers. Reflecting on the experience, this work argues for spaces where researchers stop and engage in reflexivity, making the work more robust.
本文展示了一名心理学博士生在完成元综合的数据分析部分时,包括艺术活动在内的反射性实践是如何加深理解的。荟萃综合侧重于定性研究,检查糖尿病足溃疡患者的心理和精神护理。反思这一经历,这项工作为研究人员提供了停下来进行反思的空间,使这项工作更加有力。
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引用次数: 0
Arts-Based Research in Precarious Pedagogy-Making Experiences 不稳定教学法制作经验的艺术基础研究
IF 0.2 Q4 Social Sciences Pub Date : 2022-06-23 DOI: 10.36510/learnland.v15i1.1073
C. Liao, J. DeVita
Framing through the concept of precarity, we share our arts-based research on the experiences of creating a collaborative performance-making project focused on connecting students from different education levels, to create a film-dance integrated performance to advocate for social justice issues in education. We, as instructors and researchers, embarked on an arts-based research journey creating sketches, poems, videos, and a dance performance to analyze and represent our research findings. Our performance from the performative inquiry shows our understanding of the collaboration project through the same art form we required our students to utilize: film and dance-integrated arts performance.
透过“不稳定”的概念,我们分享我们以艺术为基础的研究,探讨合作表演项目的经验,重点是将不同教育水平的学生联系起来,以电影舞蹈为一体的表演,倡导教育中的社会正义问题。作为教师和研究人员,我们开始了以艺术为基础的研究之旅,创作素描、诗歌、视频和舞蹈表演来分析和展示我们的研究成果。我们在表演探究中的表现,通过我们要求学生使用的同样的艺术形式,即电影和舞蹈结合的艺术表演,展示了我们对合作项目的理解。
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引用次数: 1
“Before COVID This Was Not Normal:” A Photovoice Exploration of College Student Experiences “在新冠肺炎之前,这是不正常的:”大学生经历的摄影声音探索
IF 0.2 Q4 Social Sciences Pub Date : 2022-06-23 DOI: 10.36510/learnland.v15i1.1080
Elizabeth Macdonald, Kristine Murphy
College students have experienced unique life disruptions and losses due to the COVID-19 pandemic. We conducted this study to gain an understanding of how the pandemic has affected the lifestyle of college students. Findings included: major changes in perceived well-being related to living at home with families, balancing online classes and work, stress and boredom related to isolation from peers, and coping strategies, including substance abuse and physical activity. Research and practice implications are related to increasing opportunities and activities to promote a sense of belonging for students, and also for increased accessible student support services on college campuses.
由于新冠肺炎大流行,大学生经历了独特的生活中断和损失。我们进行这项研究是为了了解疫情如何影响大学生的生活方式。研究结果包括:与家人住在家里有关的感知幸福感的重大变化,平衡网课和工作,与同龄人隔离有关的压力和无聊,以及应对策略,包括药物滥用和体育活动。研究和实践的影响涉及增加机会和活动,以促进学生的归属感,以及增加大学校园内可获得的学生支持服务。
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LEARNing Landscapes
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