Pub Date : 2023-10-12DOI: 10.1080/00111619.2023.2268519
Emily Arvay
ABSTRACTThis article contends that popular acceptance of Anthropogenic climate change in early 2000s Britain coincided with cultural efforts to redefine the historical present via transhistorical phenomena through the concretization of deep time. This article therefore situates itself in the historical juncture between the IPCC’s first report (1990) and its fourth (2007) to argue that the climatological, financial and geopolitical crises that coalesced in the 1990s prompted a shift that changed the tenor of British climate fictions published in the 2000s. To address the supranational reach of the climate crisis, British authors used metamodernist means to map the historical ruination of remote islands onto speculative futures extrapolated from the climate reports of the IPCC – thereby conjuring the climatological transformation of Earth into an Earth-like planet and the propulsion of humans toward future obsolescence. Ultimately, this article attends to the ecocritical significance of Mitchell’s Cloud Atlas (2004), Self’s The Book of Dave (2006) and Winterson’s The Stone Gods (2007) to suggest that these metamodernist climate fictions transpose the failures of submerged pasts onto near-futures drawn from present precarity to undermine the present as unique, the future as determined and the past as inaccessible and of little use to the present or future. AcknowledgmentsI would like to thank Dr. Christopher Douglas, Dr. Nicholas Bradley, and Dr Helga Thorson for their mentorship. I would like to express my gratitude to visual artist Terry Marner for introducing me to metamodernism and to acknowledge metamodernist scholar Dr. Alison Gibbons for her kind words of encouragement. I would also like to recognize the editorial team at Critique for their guidance. Finally, I would like to express my deep gratitude to Dr. Michael Lukas, Dr. Marla Buchanan, June Violet and Caspar Finnegan.Disclosure StatementNo financial interest, benefit, nor potential conflict is reported by the author.Notes1. Santayana, “Reason in Common Sense” 82.2. Self, Junk Mail 109.3. A term coined by reporter Dan Bloom in 2007 that gained more widespread currency in the decade that followed.4. This article refers to the Indigenous names given to each island (Hiort, Rēkohu and Rapa Nui) rather than to their colonial designations (St. Kilda, Chatham and Easter Island) in recognition of the Indigenous communities that populated these sites prior to colonial occupation.5. In Plato’s Symposium (ca. 385–70 B.C.), the term metaxy (μεταξύ) denotes an oscillating movement among, between, and beyond two poles (202d13-e1).6. DeLillo 33–40.7. See for example, Jared Diamond’s Guns, Germs, and Steel (1997), Hardt and Negri’s Empire (2001) and Ronald Wright’s A Short History of Progress (2004).8. Donne, “XVII Meditation” (1624).Additional informationFundingThis work was supported by the Social Sciences and Humanities Research Council of Canada, Ian H. Stewart Graduate Fellowship, and Hugh Campbell
{"title":"Climate Crises, Ruined Islands, and British Metamodernism","authors":"Emily Arvay","doi":"10.1080/00111619.2023.2268519","DOIUrl":"https://doi.org/10.1080/00111619.2023.2268519","url":null,"abstract":"ABSTRACTThis article contends that popular acceptance of Anthropogenic climate change in early 2000s Britain coincided with cultural efforts to redefine the historical present via transhistorical phenomena through the concretization of deep time. This article therefore situates itself in the historical juncture between the IPCC’s first report (1990) and its fourth (2007) to argue that the climatological, financial and geopolitical crises that coalesced in the 1990s prompted a shift that changed the tenor of British climate fictions published in the 2000s. To address the supranational reach of the climate crisis, British authors used metamodernist means to map the historical ruination of remote islands onto speculative futures extrapolated from the climate reports of the IPCC – thereby conjuring the climatological transformation of Earth into an Earth-like planet and the propulsion of humans toward future obsolescence. Ultimately, this article attends to the ecocritical significance of Mitchell’s Cloud Atlas (2004), Self’s The Book of Dave (2006) and Winterson’s The Stone Gods (2007) to suggest that these metamodernist climate fictions transpose the failures of submerged pasts onto near-futures drawn from present precarity to undermine the present as unique, the future as determined and the past as inaccessible and of little use to the present or future. AcknowledgmentsI would like to thank Dr. Christopher Douglas, Dr. Nicholas Bradley, and Dr Helga Thorson for their mentorship. I would like to express my gratitude to visual artist Terry Marner for introducing me to metamodernism and to acknowledge metamodernist scholar Dr. Alison Gibbons for her kind words of encouragement. I would also like to recognize the editorial team at Critique for their guidance. Finally, I would like to express my deep gratitude to Dr. Michael Lukas, Dr. Marla Buchanan, June Violet and Caspar Finnegan.Disclosure StatementNo financial interest, benefit, nor potential conflict is reported by the author.Notes1. Santayana, “Reason in Common Sense” 82.2. Self, Junk Mail 109.3. A term coined by reporter Dan Bloom in 2007 that gained more widespread currency in the decade that followed.4. This article refers to the Indigenous names given to each island (Hiort, Rēkohu and Rapa Nui) rather than to their colonial designations (St. Kilda, Chatham and Easter Island) in recognition of the Indigenous communities that populated these sites prior to colonial occupation.5. In Plato’s Symposium (ca. 385–70 B.C.), the term metaxy (μεταξύ) denotes an oscillating movement among, between, and beyond two poles (202d13-e1).6. DeLillo 33–40.7. See for example, Jared Diamond’s Guns, Germs, and Steel (1997), Hardt and Negri’s Empire (2001) and Ronald Wright’s A Short History of Progress (2004).8. Donne, “XVII Meditation” (1624).Additional informationFundingThis work was supported by the Social Sciences and Humanities Research Council of Canada, Ian H. Stewart Graduate Fellowship, and Hugh Campbell","PeriodicalId":44131,"journal":{"name":"CRITIQUE-STUDIES IN CONTEMPORARY FICTION","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136013454","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-29DOI: 10.1080/00111619.2023.2264173
Marcus Richey
This essay engages Paul Auster’s novel from 1985, City of Glass, with Lacan and feminism, in order to venture beyond the more business-as-usual formal aspects of postmodernism and propose that the ambiguous resistance of the text can be situated in a decidedly social and ideological context. The protagonist Daniel Quinn is presented as embarking upon a bewildering anti-detective odyssey that gives voice/language to a wish to confront, expose and pull down the traditional law-of-the-Father in order to clear the stage for what can or would come next. The Lucanian psychosexual rebirth of Quinn is followed through its stages (imaginary and symbolic), culminating in the blank white room of erasure at the end. Close attention is given to the enigmatic nature of the job Quinn accepts in the name of protecting the son from the father, seeing it as a repudiation of the fallacy of Peter Stillman Sr.’s wish to access the impossible realm of the real. The text’s unconscious, antisocial longing for the antidote to America’s deeply embedded patriarchal pathology is found in the mystical release of the lost Quinn into the very brickwork of the city, a baffling postmodern revolution in dream-mode, a shadow-feminism resistance through self-annihilation.
本文将保罗·奥斯特(Paul Auster) 1985年的小说《玻璃之城》(City of Glass)与拉康和女权主义结合在一起，目的是冒险超越后现代主义更为常规的正式方面，并提出文本的模糊抵抗可以被置于一个明确的社会和意识形态背景中。主角丹尼尔·奎因(Daniel Quinn)开始了一段令人困惑的反侦探之旅，他希望通过声音和语言来对抗、揭露和推翻传统的天父法则，以便为接下来可能发生的事情扫清道路。奎因的卢卡尼亚性心理重生经历了它的各个阶段(想象的和象征的)，在最后的空白房间里达到高潮。奎因以保护儿子不受父亲伤害的名义接受了这份工作，并将其视为对老彼得·斯蒂尔曼(Peter Stillman Sr.)希望进入不可能的现实领域的谬论的否定，这一工作的神秘性受到了密切关注。文本无意识地，反社会地渴望解药，以解决美国根深蒂固的父权病态，这体现在迷失的奎因神秘地被释放到城市的砖墙中，这是一场令人困惑的后现代革命，是一场通过自我毁灭进行的影子女权主义抵抗。
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Pub Date : 2023-09-19DOI: 10.1080/00111619.2023.2259792
Nikhitha Mary Mathew, Smita Jha
ABSTRACTIndian emergency is a period that is often counted among the dark days of post-Independent Indian history. Apart from the repeal of fundamental rights, this period also witnessed an autocratic rule by state-aided machinery that mostly affected the underprivileged sections. While censorship prevented narratives of these twenty-one months, literature took up the task of producing counter-narratives of common man’s experiences like slum demolition, mass arrests, curfew and vasectomy. Political trauma related to the period is two-fold; the first one being the trauma of abandonment and second one being the trauma of revelation. The current study proposes to analyze how Vishwajyoti Ghosh’s graphic novel sketches the political trauma of Emergency in Delhi. Referring to Delhi as the Powerpolis and Indira Gandhi as Mother Moon, Ghosh has employed a number of techniques to narrate the tale of silence. With flex boards, newspapers, and slogans lining up the pages, this tale in sepia presents the reader with a rather disturbing version of emergency through the eyes of a group of young activists. The study focuses on Ghosh’s character selection, narrative techniques, caricatures to understand the dynamics of representation and how Ghosh’s choice of graphic medium aptly conveys the trauma of state-aided oppression during times of emergency. Jenny Edkins’ idea of the trauma of betrayal will also be employed to analyze how the autocratic regime destabilized the Indian ideal of a democratic nation. Disclosure statementNo potential conflict of interest was reported by the author(s).Additional informationNotes on contributorsNikhitha Mary MathewNikhitha Mary Mathew is a research scholar enrolled with the Humanities and Social Sciences department of IIT Roorkee, India. Her broad research area is Indian emergency literature. She aims at exploring the role of literature in speaking against dominant narratives and producing counter-histories. Theories from memory studies and trauma are the key pillars build up the critical outline of her research.Smita JhaSmita Jha is currently working as Professor of English, Department of Humanities & Social Sciences, Indian Institute of Technology, Roorkee. She has published more than 65 papers in refereed Journals of literature and a number of books like Manohar Malgonkar’s Narrative Style (Bloomsbury, 2020) and E.M. Forster as Biographer (Notion Press, 2020). She has received various prestigious fellowships like the Indo-Canadian Shastri Fellowship. Her research interest includes Indian Writing in English, Commonwealth Literature, Diasporic literature, Medical Humanities, Linguistics & ELT, Postcolonial writings, Contemporary Literary theories and Gender and Cultural Studies.
摘要印度紧急时期是印度独立后历史上最黑暗的时期之一。除了废除基本权利外，这一时期还见证了国家援助机器的专制统治，主要影响到弱势群体。虽然审查制度阻止了对这21个月的叙述，但文学却承担起了对普通人经历的反叙述的任务，比如贫民窟拆迁、大规模逮捕、宵禁和输精管切除术。与这一时期相关的政治创伤是双重的;第一个是被遗弃的创伤第二个是被启示的创伤。目前的研究建议分析Vishwajyoti Ghosh的漫画小说是如何描绘德里紧急事件的政治创伤的。高希把德里称为“权力之城”，把英迪拉·甘地称为“月亮母亲”，他运用了许多技巧来叙述这个沉默的故事。用柔性板、报纸和标语排列的页面，这个棕褐色的故事通过一群年轻活动家的眼睛向读者呈现了一个相当令人不安的紧急版本。本研究聚焦于高希的人物选择、叙事技巧、漫画，以理解表现的动态，以及高希选择的图形媒介如何恰当地传达紧急时期国家援助压迫的创伤。珍妮·艾德金斯(Jenny Edkins)关于背叛创伤的观点也将被用来分析专制政权是如何破坏印度民主国家理想的。披露声明作者未报告潜在的利益冲突。作者简介nikhitha Mary Mathew nikhitha Mary Mathew是印度理工学院人文与社会科学系的一名研究学者。她广泛的研究领域是印度应急文学。她的目的是探索文学在反对主流叙事和产生反历史方面的作用。来自记忆研究和创伤的理论是她研究的关键支柱。Smita JhaSmita Jha目前是鲁尔基印度理工学院人文与社会科学系英语教授。她在文学期刊上发表了超过65篇论文，并出版了许多书籍，如Manohar Malgonkar的叙事风格(布卢姆斯伯里出版社，2020年)和E.M.福斯特传记(概念出版社，2020年)。她获得了各种著名的奖学金，如印度-加拿大Shastri奖学金。她的研究兴趣包括印度英语写作、英联邦文学、散居文学、医学人文、语言学和英语教学、后殖民写作、当代文学理论和性别与文化研究。
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Pub Date : 2023-09-11DOI: 10.1080/00111619.2023.2253145
Peter D. Mathews, Kyung Min No
{"title":"Paul’s Imaginary Revenge in Teddy Wayne’s <i>The Great Man Theory</i>","authors":"Peter D. Mathews, Kyung Min No","doi":"10.1080/00111619.2023.2253145","DOIUrl":"https://doi.org/10.1080/00111619.2023.2253145","url":null,"abstract":"","PeriodicalId":44131,"journal":{"name":"CRITIQUE-STUDIES IN CONTEMPORARY FICTION","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135983773","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-08DOI: 10.1080/00111619.2023.2255137
Monavareh Jafari, M. Beyad, Zohreh Ramin
{"title":"The Warped Bildung: Parody, Postmodern Gothic, and the Bildungsroman in Iain Banks’s The Wasp Factory","authors":"Monavareh Jafari, M. Beyad, Zohreh Ramin","doi":"10.1080/00111619.2023.2255137","DOIUrl":"https://doi.org/10.1080/00111619.2023.2255137","url":null,"abstract":"","PeriodicalId":44131,"journal":{"name":"CRITIQUE-STUDIES IN CONTEMPORARY FICTION","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-09-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48307464","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-07DOI: 10.1080/00111619.2023.2254687
Lance Conley
{"title":"“A Question, in the End, of Vision”: Pessimism and the Paradox of Marriage in Lauren Groff’s Fates and Furies","authors":"Lance Conley","doi":"10.1080/00111619.2023.2254687","DOIUrl":"https://doi.org/10.1080/00111619.2023.2254687","url":null,"abstract":"","PeriodicalId":44131,"journal":{"name":"CRITIQUE-STUDIES IN CONTEMPORARY FICTION","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44512197","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-06DOI: 10.1080/00111619.2023.2254221
Adam Carlson, Michael Truscello
{"title":"“Technocratic Fiction, Indigenous Sovereignty, and Counter-Insurgent Infrastructure”","authors":"Adam Carlson, Michael Truscello","doi":"10.1080/00111619.2023.2254221","DOIUrl":"https://doi.org/10.1080/00111619.2023.2254221","url":null,"abstract":"","PeriodicalId":44131,"journal":{"name":"CRITIQUE-STUDIES IN CONTEMPORARY FICTION","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45097594","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-06DOI: 10.1080/00111619.2023.2254219
A. Uçar
{"title":"The Failure of Imagination and its Redemption: John Banville‘s The Book of Evidence","authors":"A. Uçar","doi":"10.1080/00111619.2023.2254219","DOIUrl":"https://doi.org/10.1080/00111619.2023.2254219","url":null,"abstract":"","PeriodicalId":44131,"journal":{"name":"CRITIQUE-STUDIES IN CONTEMPORARY FICTION","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41888632","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-06DOI: 10.1080/00111619.2023.2255125
María Alonso Alonso
{"title":"“Posthuman Intersections in BrexLit: Representing Migration in Contemporary British Fiction”","authors":"María Alonso Alonso","doi":"10.1080/00111619.2023.2255125","DOIUrl":"https://doi.org/10.1080/00111619.2023.2255125","url":null,"abstract":"","PeriodicalId":44131,"journal":{"name":"CRITIQUE-STUDIES IN CONTEMPORARY FICTION","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48955697","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-31DOI: 10.1080/00111619.2023.2252734
Emily Beckwith
{"title":"Tessa Hadley and William Wordsworth: Literary Lineage and Patriarchal Legacy in The Past","authors":"Emily Beckwith","doi":"10.1080/00111619.2023.2252734","DOIUrl":"https://doi.org/10.1080/00111619.2023.2252734","url":null,"abstract":"","PeriodicalId":44131,"journal":{"name":"CRITIQUE-STUDIES IN CONTEMPORARY FICTION","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48820096","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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