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Deep Sidhu, Kisan Morcha and the erasure of Sikh suffering in the liberal imagination 深刻的Sidhu, Kisan Morcha以及在自由想象中对锡克教徒苦难的抹去
IF 0.4 0 ASIAN STUDIES Pub Date : 2022-04-03 DOI: 10.1080/17448727.2022.2087415
Prabhsharanbir Singh
ABSTRACT This article explores the ideological roots of the tension between the Sikhs and the left organizations of Punjab in the context of Kisan Morcha. During the year-long protest movement, Deep Sidhu became the focal point of this tension. This article argues that the roots of this tension are far deeper than is commonly realized. The process of modernization and psychic McDonaldization that resulted from it, are the driving forces behind this tension. Deep Sidhu represented the singularity of Sikhi and Punjab that resisted this global drive towards uniformity. However, his death also sparked a new political consciousness.
本文探讨了锡克教徒与旁遮普左翼组织在Kisan Morcha背景下的紧张关系的意识形态根源。在长达一年的抗议运动中,Deep Sidhu成为了紧张局势的焦点。本文认为,这种紧张关系的根源远比人们通常认识到的要深刻得多。现代化进程和由此产生的精神麦当劳化,是这种张力背后的驱动力。深Sidhu代表了锡克教和旁遮普的独特性,抵制了全球追求统一的趋势。然而,他的死也引发了一种新的政治意识。
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引用次数: 0
India's Three farm Laws and the issues they exposed 印度三农法及其暴露的问题
IF 0.4 0 ASIAN STUDIES Pub Date : 2022-04-03 DOI: 10.1080/17448727.2022.2082142
J. Rai
ABSTRACT The complex interconnected issues, interests and factors that led the BJP Government in India to introduce the Three Farm Laws in what it claimed were progressive and subsequently repealed following the successful protests by farmers who saw them as threats to their livelihoods and culture and further resistance by states fighting off encroachment on their powers are multifaced. These include persistent political tensions in India's asymmetrical federalism, fears around livelihoods, concerns of cultural annihilation, effects of market orientated World Trade Organization rules and efforts by the CAIRN group of countries to penetrate the Indian market.
复杂的相互关联的问题、利益和因素导致印度人民党政府推出了“三大农业法”,并声称这是进步的,随后在农民的成功抗议后被废除,农民认为这些法律对他们的生计和文化构成了威胁,而各州则进一步抵制对其权力的侵犯,这是多方面的。其中包括印度不对称的联邦制中持续存在的政治紧张局势,对生计的担忧,对文化灭绝的担忧,以市场为导向的世界贸易组织规则的影响,以及CAIRN集团国家渗透印度市场的努力。
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引用次数: 0
Kisan Andolan in India (2020–21): Primacy of the political 印度的Kisan Andolan(2020-21):政治至上
IF 0.4 0 ASIAN STUDIES Pub Date : 2022-04-03 DOI: 10.1080/17448727.2022.2082141
B. Singh
ABSTRACT The farmers unions in Punjab protesting against the Three Agricultural Laws gradually consolidated into an All-India Kisan Andolan when they marched to Delhi and camped at its borders. The farmers stayed put for an year till the Three Laws were repealed. This paper looks into the broad contours of andolan focusing on its seminal feature, the primacy of politics. The Morcha realized the significance of politics in the declaration of these laws and decided to counter the government’s strategy supporting the corporate houses politically. A nonviolent protest involving numerous sections of society, especially women, culminated in the farmers’ success.
旁遮普的农民工会抗议《三农法》,当他们向德里进军并在德里边境安营扎寨时,他们逐渐整合成一个全印度的“基桑·安多兰”。农民们呆了一年,直到三法被废除。本文探讨了安道兰的大致轮廓,重点关注其开创性特征,即政治的首要性。Morcha意识到这些法律的政治意义,并决定从政治上反对政府支持企业的战略。一场涉及社会各阶层,尤其是妇女的非暴力抗议,以农民的成功而告终。
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引用次数: 0
Art of the protest: Portrayal of participation of women in the Kisan Mazdoor Andolan 抗议的艺术:妇女参与基桑马兹门安多兰的写照
IF 0.4 0 ASIAN STUDIES Pub Date : 2022-04-03 DOI: 10.1080/17448727.2022.2090766
Sonia Dhami
ABSTRACT Artists are memorializing the Kisan Mazdoor Andolan in India through visual, spoken and performing arts. This article examines two selected artworks – one a painting and the other a digital piece. Both the works highlight the strong participation of women in this historic farm protest ongoing in India at this time.
艺术家们正在通过视觉、语言和表演艺术来纪念印度的Kisan Mazdoor Andolan。本文考察了两件选定的艺术品——一件是绘画,另一件是数码作品。这两件作品都突出了女性在这一时期印度正在进行的历史性农业抗议活动中的强烈参与。
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引用次数: 0
Musicians in protest: A brief summary of musician involvement in the Indian farmers’ protests 抗议中的音乐家:音乐家参与印度农民抗议的简要概述
IF 0.4 0 ASIAN STUDIES Pub Date : 2022-04-03 DOI: 10.1080/17448727.2022.2085624
Gurbeer Singh
ABSTRACT Punjabi singers produced music in support of the farmers and took on-the-ground initiatives to join the protests alongside protesters at the Delhi border and in local protests. This paper analyzes Punjabi Sikh uses of music throughout history and compares them to the music that emerged in the Farmers' Protests. This paper uses Serge Denisoff's criteria for protest music to cross-examine Punjabi protest music produced in various time periods. The Farmers' protest music and musician involvement in the protests is then scrutinized to understand its significance to the protests and to understand the relationship between Punjabi singers and their audiences.
旁遮普歌手制作音乐支持农民,并采取实地行动加入德里边境和当地抗议活动的抗议者的抗议活动。本文分析了旁遮普锡克教在历史上对音乐的使用,并将其与农民抗议中出现的音乐进行了比较。本文采用Serge Denisoff的抗议音乐标准对不同时期的旁遮普抗议音乐进行了交叉检验。然后仔细审查农民的抗议音乐和音乐家参与抗议活动,以了解其对抗议活动的重要性,并了解旁遮普歌手与其听众之间的关系。
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引用次数: 1
Making sense of agrarian distress and peasant struggles in Punjab 理解旁遮普的土地困境和农民斗争
IF 0.4 0 ASIAN STUDIES Pub Date : 2022-04-03 DOI: 10.1080/17448727.2022.2082198
Paramjit Singh, R. Ram
ABSTRACT This paper situates peasant struggles in a larger context to unravel the consequences of the accumulated agrarian distress in Punjab. The Punjab peasantry has a rich legacy of resistance against the injustice of the statecraft. The all-inclusive character of the present peasant movement, to engage people across castes, classes, creeds, gender, regions, religions and ethnicity is an outcome of this legacy. Beyond these features, the significance of the movement also lies in the understanding of the protesting people about the importance of land, food sovereignty and the responsibility of the democratic state to ensure food security for the marginalized.
本文将农民斗争置于一个更大的背景下,以揭示旁遮普省积累的农业困境的后果。旁遮普的农民在反抗不公正的统治方面有着丰富的遗产。当前农民运动的包罗万象的特点,吸引了不同种姓、阶级、信仰、性别、地区、宗教和种族的人,这是这一遗产的结果。除了这些特点之外,这场运动的意义还在于让抗议民众认识到土地、粮食主权的重要性,以及民主国家为边缘人群保障粮食安全的责任。
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引用次数: 0
Echoes of protest: The role of art and literature in the Farmers and Laborers Protest 抗议的回响:艺术和文学在农民和工人抗议中的作用
IF 0.4 0 ASIAN STUDIES Pub Date : 2022-04-03 DOI: 10.1080/17448727.2022.2082197
Amrit Deol
ABSTRACT In August 2020, farmers and laborers arrived in New Delhi, India to protest the repressive farm laws supported by the Modi Administration. Because traditional media refused to cover the protest or provided misinformation, many utilized social media to provide insight into the day-to-day life in protest. However, social media maintained ways disrupt exchanges of political content through censorship. As the protests unfolded, protest art and literature became vital to the adaptability of the movement. Protesters generated unique art and literature that followed long historical traditions of protest in Punjab and created new mediums to distribute knowledge, art, and literature.
2020年8月,印度农民和劳工抵达新德里,抗议莫迪政府支持的压迫性农业法。由于传统媒体拒绝报道抗议活动或提供错误信息,许多媒体利用社交媒体提供了对抗议活动日常生活的洞察。然而,社交媒体一直通过审查来破坏政治内容的交流。随着抗议活动的展开,抗议艺术和文学对运动的适应性变得至关重要。抗议者创造了独特的艺术和文学,遵循了旁遮普悠久的抗议历史传统,创造了传播知识、艺术和文学的新媒介。
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引用次数: 0
Undercurrents: Activism & the Arts 暗流:行动主义与艺术
IF 0.4 0 ASIAN STUDIES Pub Date : 2022-04-03 DOI: 10.1080/17448727.2022.2097518
Concurrently with the special issue on the Farmers’ Protests, we are also marking the creation of a new section in Sikh Formations with this issue we are calling, Undercurrents: Activism and the Arts. Undercurrents is a new section created in recognition of the importance of activism, the arts, and engaged scholarship in Sikh and Punjabi life-worlds. This new section aims to further the original scope of the journal to “open alternative horizons,” “provide a venue for the emergence of new perspectives,” and remain "open to multiple ways in which cultural production creates zones of profound expressive possibilities”. In this vein, the “Undercurrents” section provides a forum for thought and creativity that expresses new oppositional solidarities in light of current events as well as events that remain hidden under or counter the dissemination of current events. This section seeks to highlight alternate engagements with prevailing scholarly, social, and cultural trends by embracing sentiments and experiences of exclusion and marginalization that are too often submerged by the tide of majoritarian idealized approaches. We are particularly interested in publishing articles, artwork, photoessays and video-essays on topics that defy easy categorization, and forms of expression that resist professionalization and rigidification of the knowledge system. Artists, activists and members of the public are encouraged to submit essays that inquire critically yet creatively into processes of subjective, social, ethico-political significance as they emerge in contemporary local and global affairs.
在农民抗议特刊的同时,我们还在《锡克教组织》中开设了一个新版块,我们称之为“潜流:行动主义与艺术”。暗流是一个新的部分,是为了认识到锡克教徒和旁遮普人生活世界中激进主义、艺术和从事学术研究的重要性而创建的。这个新的部分旨在进一步扩大杂志的原始范围,以“开放替代视野”,“为新观点的出现提供场所”,并保持“对文化生产创造深刻表达可能性区域的多种方式开放”。本着这种思路,“暗流”部分提供了一个思想和创造力的论坛,表达了当前事件以及隐藏在当前事件传播之下或与当前事件传播相反的事件的新的对立团结。本节旨在通过接纳经常被多数主义理想化方法所淹没的排斥和边缘化的情绪和经历,强调与主流学术、社会和文化趋势的交替接触。我们特别感兴趣的是发表文章、艺术作品、摄影散文和视频散文,这些主题不容易分类,表达形式抵制专业化和僵化的知识体系。我们鼓励艺术家、活动家和公众提交论文,批判性地、创造性地探究在当代地方和全球事务中出现的主观、社会、伦理和政治意义的过程。
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引用次数: 0
Rethinking protest, religion, and democracy considering the Delhi farmers’s protest, or Kisan Morcha 考虑到德里农民的抗议,或Kisan Morcha,重新思考抗议、宗教和民主
IF 0.4 0 ASIAN STUDIES Pub Date : 2022-04-03 DOI: 10.1080/17448727.2022.2087416
H. Grewal, Tejpaul Singh Bainiwal
Farmers from Punjab and Haryana began a march to India’s capital, Delhi, in late November 2020. The central government had unilaterally passed three controversial Farm Bill on 20 September 2020, but concerns about the bills had been building prior to this, with a Farmers Union representative stating that the government had not done any consultation. The unions had organized to raise awareness about the bill and had staged a protest to the three ordinances on 16 September 2020. On 25th September, farmers’ leaders called a Bharat bandh, or All-India general strike, in protest of the newly passed farm laws. Shortly after announcing this strike, the farmers’ leaders realized their authority as protest organizers might be contested when Punjab’s political parties – the Shiromani Akali Dal Badal, the Congress Party, and the Aam Aadmi Party – began to use their sphere of influence to stir up popular sentiment. Punjab’s actors and singers, many of whom are from farmer and labourer families, tried to assist leaders of the unions like Joginder Singh Ugraha and Ruldu Singh by using their platforms to spread awareness of the issues with the laws. These attempts to rally support for the issue were met with resistance by union leaders who claimed the protest would be diluted, or overrun, by entities with less genuine commitment to supporting a prolonged protest against the farm laws. From the initial stage of organizing there were shared concerns about the impact of the legislation from a variety of economic, political, and cultural factors which, at critical stages, would threaten the frail alliances that slowly developed after protesters arrived at the border of Delhi. Since partition, Punjab’s governments have diligently invested in agriculture by increasing the amount of arable land, investment in irrigation, seed, fertilizer, and pesticide technologies. This strategy, not without its pitfalls, was able to ensure the state’s GDP growth year after year until about the 1990s. The economic liberalization of the 1990s in India coincided with political destabilization within Punjab. Since then, there has been a marked shift in Punjab’s prosperity. During these years, the Punjab state government invested comparatively less in its economy than other Indian states. This lack of capital investment caused Punjab’s economy to suffer a deep decline. At the same time, a number of sociocultural and health issues had been plaguing farmers and labourers for decades. The central government claimed to have penned the farm laws to address some of the challenges facing the entire agricultural sector, not just Punjab’s economy. Nonetheless, the stipulations around creating a free market led many to question whether the government was liberalizing the agricultural industry and exposing farmers directly to global market pricing. This created a sense of existential threat and anxiety around indebtedness as well as land insecurity, especially in Punjab and Haryana where government
旁遮普邦和哈里亚纳邦的农民于2020年11月下旬开始向印度首都德里游行。中央政府于2020年9月20日单方面通过了三项有争议的农业法案,但在此之前,对这些法案的担忧就已经积累起来,一名农民联盟代表表示,政府没有进行任何咨询。工会组织起来提高人们对该法案的认识,并于2020年9月16日对三项条例进行了抗议。9月25日,农民领袖发起了全印度大罢工,以抗议新通过的农业法。在宣布罢工后不久,农民领导人意识到他们作为抗议组织者的权威可能会受到挑战,因为旁遮普的政党——Shiromani Akali Dal Badal,国大党和Aam Aadmi党——开始利用他们的影响范围煽动公众情绪。旁遮普的演员和歌手,其中许多来自农民和工人家庭,试图通过他们的平台来帮助工会领导人,如Joginder Singh Ugraha和Ruldu Singh,传播对法律问题的认识。这些为该问题争取支持的尝试遭到了工会领导人的抵制,他们声称抗议活动将被那些不太真正致力于支持长期反对农业法抗议的实体所稀释或泛滥。从组织的最初阶段开始,人们就对立法的影响有着共同的担忧,这些担忧来自各种经济、政治和文化因素,在关键阶段,这些因素会威胁到抗议者抵达德里边境后缓慢发展起来的脆弱联盟。自分治以来,旁遮普政府一直在努力投资农业,增加耕地面积,投资灌溉、种子、肥料和农药技术。这种策略并非没有缺陷,但却能够确保该州的GDP年复一年地增长,直到20世纪90年代左右。20世纪90年代,印度的经济自由化与旁遮普的政治动荡同时发生。从那以后,旁遮普的繁荣有了明显的转变。在这些年里,旁遮普邦政府在经济上的投资相对少于印度其他邦。资本投资的缺乏导致旁遮普的经济严重衰退。与此同时,一些社会文化和卫生问题几十年来一直困扰着农民和劳动者。中央政府声称已经起草了农业法,以解决整个农业部门面临的一些挑战,而不仅仅是旁遮普的经济。尽管如此,关于建立自由市场的规定让许多人质疑政府是否在放开农业,让农民直接面对全球市场价格。这造成了对债务和土地不安全的生存威胁和焦虑感,特别是在旁遮普邦和哈里亚纳邦,政府监管的市场被视为拥有不到1英亩土地的农民的生计保障。在某种程度上,农民和劳工利益集团、政治家和艺人之间的摩擦在旁遮普所谓的“绿色革命”之后发展起来的经济和社会文化背景下得到了巩固。
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引用次数: 1
Historicizing and preserving the present: The role of music during the Farmers’ Protest 历史化与保存当下:音乐在农民抗议中的作用
IF 0.4 0 ASIAN STUDIES Pub Date : 2022-04-03 DOI: 10.1080/17448727.2022.2084905
Tejpaul Singh Bainiwal
ABSTRACT With the passing of three farm bills by the Parliament of India in September 2020, farmers and laborers from several different states marched to Delhi. The state used violence to dissuade protestors from entering the capital as government-sponsored media downplayed the situation. However, Punjabi artists came out strongly in support of the Farmers’ Protest by releasing dozens of songs of revolution. This article focuses on five songs which preserve the movement and highlight broader topics surrounding the protest including: the question of violence, the role of government-sponsored media censoring details, Sikh sovereignty, and the ongoing battle between Punjab and Delhi.
随着2020年9月印度议会通过三项农业法案,来自几个不同邦的农民和劳工游行到德里。政府使用暴力阻止抗议者进入首都,而政府支持的媒体则淡化了局势。然而,旁遮普的艺术家们强烈支持农民的抗议活动,发行了数十首革命歌曲。本文聚焦于五首保留这场运动的歌曲,并强调围绕抗议的更广泛议题,包括暴力问题、政府赞助媒体审查细节的角色、锡克教主权,以及旁遮普与德里之间持续的战争。
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引用次数: 1
期刊
Sikh Formations-Religion Culture Theory
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