Pub Date : 2021-10-01DOI: 10.1017/s0068246221000222
{"title":"ROM volume 89 Cover and Back matter","authors":"","doi":"10.1017/s0068246221000222","DOIUrl":"https://doi.org/10.1017/s0068246221000222","url":null,"abstract":"","PeriodicalId":44228,"journal":{"name":"Papers of the British School at Rome","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46133071","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-01DOI: 10.1017/s0068246221000180
Konogan Beaufay
environment and within a socio-juridical framework that was aimed at systematically curtailing women’s freedom of action in the public sphere. The contracts, official correspondence, secret Fascist report and anonymous letters of denunciation, among a wealth of other documents, which I found at the Archivi Storici Capitolini, Archivio Centrale dello Stato and Archivio della Camera di Commercio, illuminate the extremely complex position of a woman in power and endowed with social prestige. Newspapers and periodical articles of the period, which are preserved in the holdings of the Emeroteca at the Biblioteca Nazionale, show how Carelli shaped the musical and cultural life of the capital, introducing a wide-ranging and international repertoire, securing important premières, and standing at the forefront of artistic modernism. Her indomitable spirit of a ‘bipedal lioness’, to use D’Annunzio’s definition, makes of Carelli an ideal case-study for the donna nova. The soprano-impresaria’s willingness to live her life according to her own expectations, and her defiance of social conventions (also with regard to her personal life and the controversial relationship with an unscrupulous husband), make a strong claim for Carelli’s inclusion in the list of early twentieth-century Italian women, such as Sibilla Aleramo, Maria Montessori and Eleonora Duse, all of whom turned their existence into a political manifesto for a new womanhood. Throughout the period of my Award the quiet calm of the BSR’s Library, with its supportive staff, provided me with the ideal space for delving into (and making sense of) the overwhelming amount of material I discovered at the various archives. I presented the initial findings of my research at the annual meetings of the two major Italian musicological societies (Società Italiana di Musicologia and Saggiatore Musicale). In general this project has been crucial in helping me to define the central themes of my monograph on sopranos-donne nove of early twentieth-century Italy.
在旨在系统地限制妇女在公共领域行动自由的社会司法框架内。我在Archivi Storici Capitolini、Archivio Centrale dello Stato和Archivio della Camera di Commercio发现的合同、官方信件、法西斯秘密报告和匿名谴责信，以及大量其他文件，阐明了一位掌权并具有社会威望的女性极其复杂的地位。这一时期的报纸和期刊文章保存在国家图书馆的Emoteca收藏中，展示了卡雷利如何塑造首都的音乐和文化生活，引入了广泛的国际曲目，确保了重要的首演，并站在了艺术现代主义的前沿。用D’Annunzio的定义来说，她不屈不挠的“两足母狮”精神使Carelli成为donna nova的理想案例研究。这位女高音经理人愿意按照自己的期望生活，她对社会习俗的蔑视（也包括她的个人生活和与一个肆无忌惮的丈夫的争议关系），有力地证明了卡雷利被列入20世纪初意大利女性名单，如西比拉·阿莱拉莫、玛丽亚·蒙特梭利和埃莱诺拉·杜塞，他们都把自己的存在变成了一个新女性的政治宣言。在我获奖的整个期间，BSR图书馆及其支持人员的平静为我提供了一个理想的空间，让我深入研究（并理解）我在各个档案馆发现的大量材料。我在意大利两大音乐学会（SocietàItaliana di Musicalologia和Saggiatore Musicale）的年会上介绍了我的初步研究结果。总的来说，这个项目对帮助我定义我关于二十世纪初意大利女高音donne nove的专著的中心主题至关重要。
{"title":"Hugh Last Rome Award: Heating systems in Imperial-period Roman baths in central Italy: Aquinum and beyond","authors":"Konogan Beaufay","doi":"10.1017/s0068246221000180","DOIUrl":"https://doi.org/10.1017/s0068246221000180","url":null,"abstract":"environment and within a socio-juridical framework that was aimed at systematically curtailing women’s freedom of action in the public sphere. The contracts, official correspondence, secret Fascist report and anonymous letters of denunciation, among a wealth of other documents, which I found at the Archivi Storici Capitolini, Archivio Centrale dello Stato and Archivio della Camera di Commercio, illuminate the extremely complex position of a woman in power and endowed with social prestige. Newspapers and periodical articles of the period, which are preserved in the holdings of the Emeroteca at the Biblioteca Nazionale, show how Carelli shaped the musical and cultural life of the capital, introducing a wide-ranging and international repertoire, securing important premières, and standing at the forefront of artistic modernism. Her indomitable spirit of a ‘bipedal lioness’, to use D’Annunzio’s definition, makes of Carelli an ideal case-study for the donna nova. The soprano-impresaria’s willingness to live her life according to her own expectations, and her defiance of social conventions (also with regard to her personal life and the controversial relationship with an unscrupulous husband), make a strong claim for Carelli’s inclusion in the list of early twentieth-century Italian women, such as Sibilla Aleramo, Maria Montessori and Eleonora Duse, all of whom turned their existence into a political manifesto for a new womanhood. Throughout the period of my Award the quiet calm of the BSR’s Library, with its supportive staff, provided me with the ideal space for delving into (and making sense of) the overwhelming amount of material I discovered at the various archives. I presented the initial findings of my research at the annual meetings of the two major Italian musicological societies (Società Italiana di Musicologia and Saggiatore Musicale). In general this project has been crucial in helping me to define the central themes of my monograph on sopranos-donne nove of early twentieth-century Italy.","PeriodicalId":44228,"journal":{"name":"Papers of the British School at Rome","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44806312","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-01DOI: 10.1017/s0068246221000076
S. Kay
{"title":"ARCHAEOLOGICAL FIELDWORK REPORTS","authors":"S. Kay","doi":"10.1017/s0068246221000076","DOIUrl":"https://doi.org/10.1017/s0068246221000076","url":null,"abstract":"","PeriodicalId":44228,"journal":{"name":"Papers of the British School at Rome","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47662348","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-01DOI: 10.1017/s0068246221000192
William Aslet
{"title":"Ralegh Radford Rome Award: James Gibbs's training in Rome","authors":"William Aslet","doi":"10.1017/s0068246221000192","DOIUrl":"https://doi.org/10.1017/s0068246221000192","url":null,"abstract":"","PeriodicalId":44228,"journal":{"name":"Papers of the British School at Rome","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44663351","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-01DOI: 10.1017/s0068246221000179
B. Gentili
building a confessional identity that transcended geographic borders. However, they were simultaneously places where national tensions and the problem of what it meant to be ‘British’ were confronted and negotiated on an international scale. I am incredibly grateful to the BSR for giving me the opportunity to start this new project immediately after the completion of my PhD. From September 2021, I shall take up a Leverhulme Early Career Fellowship at the University of St Andrews, where I shall expand my initial BSR research into a broader cross-confessional project about the studies and experiences of Reformed and Catholic student migrants from the British Isles. I cannot thank enough everyone at the BSR (staff, artists and scholars) for the wonderful company they provided during the duration of my Fellowship. It was truly a blessing to weather the darker days of the pandemic as part of such a welcoming, positive and enthusiastic community.
{"title":"Rome Award: The ‘modern’ soprano: performing the donna nova in early twentieth-century Italy","authors":"B. Gentili","doi":"10.1017/s0068246221000179","DOIUrl":"https://doi.org/10.1017/s0068246221000179","url":null,"abstract":"building a confessional identity that transcended geographic borders. However, they were simultaneously places where national tensions and the problem of what it meant to be ‘British’ were confronted and negotiated on an international scale. I am incredibly grateful to the BSR for giving me the opportunity to start this new project immediately after the completion of my PhD. From September 2021, I shall take up a Leverhulme Early Career Fellowship at the University of St Andrews, where I shall expand my initial BSR research into a broader cross-confessional project about the studies and experiences of Reformed and Catholic student migrants from the British Isles. I cannot thank enough everyone at the BSR (staff, artists and scholars) for the wonderful company they provided during the duration of my Fellowship. It was truly a blessing to weather the darker days of the pandemic as part of such a welcoming, positive and enthusiastic community.","PeriodicalId":44228,"journal":{"name":"Papers of the British School at Rome","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45470421","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-27DOI: 10.1017/S0068246221000052
F. Sommaini
Sin dai primi studi sul cantiere e sul processo costruttivo delle architetture antiche, esempi storicamente ben documentati di età medievale e moderna sono stati presi come riferimento e termine di paragone, al fine di comprendere più approfonditamente l'industria delle costruzioni nell'antica Roma. Questo contributo riflette circa la possibilità di utilizzare due casi di studio parzialmente simili per dimensioni, ubicazione e tecniche costruttive: la Basilica di San Pietro, di età rinascimentale e barocca, in comparazione con l'antico complesso di Domiziano, estensione dei Palazzi Flavi sul Palatino. I primi risultati, che si iscrivono in un progetto di studio sul Complesso domizianeo, aggiungono nuovi elementi alla ricostruzione teorica del cantiere e del ciclo costruttivo. Si analizzano diversi aspetti di questi due progetti architettonici di grandi dimensioni (XXL structures) – la committenza, la forza lavoro, l'approvvigionamento dei materiali da costruzione, l'allestimento del cantiere – evidenziando analogie e differenze, nel tentativo di ovviare alle lacune nella documentazione antica.
{"title":"IL LAVORO E L'ORGANIZZAZIONE DEL CANTIERE NELLA ROMA PAPALE E IMPERIALE. LA BASILICA DI SAN PIETRO E IL COMPLESSO DI DOMIZIANO: FONTI MODERNE PER RICOSTRUIRE PROGETTI ANTICHI","authors":"F. Sommaini","doi":"10.1017/S0068246221000052","DOIUrl":"https://doi.org/10.1017/S0068246221000052","url":null,"abstract":"Sin dai primi studi sul cantiere e sul processo costruttivo delle architetture antiche, esempi storicamente ben documentati di età medievale e moderna sono stati presi come riferimento e termine di paragone, al fine di comprendere più approfonditamente l'industria delle costruzioni nell'antica Roma. Questo contributo riflette circa la possibilità di utilizzare due casi di studio parzialmente simili per dimensioni, ubicazione e tecniche costruttive: la Basilica di San Pietro, di età rinascimentale e barocca, in comparazione con l'antico complesso di Domiziano, estensione dei Palazzi Flavi sul Palatino. I primi risultati, che si iscrivono in un progetto di studio sul Complesso domizianeo, aggiungono nuovi elementi alla ricostruzione teorica del cantiere e del ciclo costruttivo. Si analizzano diversi aspetti di questi due progetti architettonici di grandi dimensioni (XXL structures) – la committenza, la forza lavoro, l'approvvigionamento dei materiali da costruzione, l'allestimento del cantiere – evidenziando analogie e differenze, nel tentativo di ovviare alle lacune nella documentazione antica.","PeriodicalId":44228,"journal":{"name":"Papers of the British School at Rome","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2021-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/S0068246221000052","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49061837","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-17DOI: 10.1017/S0068246221000064
M. Millett
{"title":"SIMON KEAY (1954–2021)","authors":"M. Millett","doi":"10.1017/S0068246221000064","DOIUrl":"https://doi.org/10.1017/S0068246221000064","url":null,"abstract":"","PeriodicalId":44228,"journal":{"name":"Papers of the British School at Rome","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2021-05-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/S0068246221000064","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49422112","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-04-28DOI: 10.1017/S0068246221000027
Yeonguk Kim
The extensive traces of Roman centuriation and its associated farms identified from aerial photographs near Lucera, ancient Luceria, in the plain of northern Apulia, have generally been attributed to the Gracchan agrarian reforms of the 130s/120s BC. However, the dating of these land divisions, on the basis of the excavation of the farms and centuriation roads by John Bradford and Barri Jones in 1949–50 and 1962–3, is of questionable reliability, and their work at Luceria was never properly published. This study reanalyses the scattered records and dating evidence from the excavation of seven farms of Bradford and Jones and three other sites surveyed by Bradford in the ager Lucerinus. This study argues that the farms and associated grids belong to Rome's establishment of a Latin colony at Luceria in 326 or 315/314 BC during the Second Samnite War, and that the farms were abandoned due to the Hannibalic War. This study therefore presents the earliest certain Roman centuriation for a colony, and it observes the devastating impact of Hannibal's invasion and prolonged occupation on landholding in southeastern Italy, which has been doubted in recent work on Italian agrarian history. In no other part of Italy does there exist a coherent group of nearby excavated small-scale farms, which provides new insight into Roman colonization in Apulia and the consequences of the Hannibalic War.
{"title":"CENTURIATED LUCERIA: A LATIN COLONY AND ITS TERRITORY","authors":"Yeonguk Kim","doi":"10.1017/S0068246221000027","DOIUrl":"https://doi.org/10.1017/S0068246221000027","url":null,"abstract":"The extensive traces of Roman centuriation and its associated farms identified from aerial photographs near Lucera, ancient Luceria, in the plain of northern Apulia, have generally been attributed to the Gracchan agrarian reforms of the 130s/120s BC. However, the dating of these land divisions, on the basis of the excavation of the farms and centuriation roads by John Bradford and Barri Jones in 1949–50 and 1962–3, is of questionable reliability, and their work at Luceria was never properly published. This study reanalyses the scattered records and dating evidence from the excavation of seven farms of Bradford and Jones and three other sites surveyed by Bradford in the ager Lucerinus. This study argues that the farms and associated grids belong to Rome's establishment of a Latin colony at Luceria in 326 or 315/314 BC during the Second Samnite War, and that the farms were abandoned due to the Hannibalic War. This study therefore presents the earliest certain Roman centuriation for a colony, and it observes the devastating impact of Hannibal's invasion and prolonged occupation on landholding in southeastern Italy, which has been doubted in recent work on Italian agrarian history. In no other part of Italy does there exist a coherent group of nearby excavated small-scale farms, which provides new insight into Roman colonization in Apulia and the consequences of the Hannibalic War.","PeriodicalId":44228,"journal":{"name":"Papers of the British School at Rome","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2021-04-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/S0068246221000027","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48032169","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-31DOI: 10.1017/S0068246221000039
T. P. Wiseman
The construction date of the ‘Servian’ wall and its layout in the riverside area between the Aventine and the Capitol are the two main questions addressed in this article. The interlocking topographical problems were addressed in 1988 by Filippo Coarelli, whose interpretation has become the generally accepted orthodoxy. But not all the difficulties have been solved, and with Coarelli's recent return to the subject a fresh examination of the evidence may be helpful. Careful attention is given here to stories of early Rome that involve the walls and gates, as reported in Livy, Dionysius and Plutarch; they are not, of course, taken as authentic evidence for the time of the alleged events, but as indicating what was taken for granted when the stories were first composed. New suggestions are made about a revision of the line of the city wall in 212 BC and the consequent restructuring of two important gates, the Porta Carmentalis and the Porta Trigemina; the mysterious ‘Porta Triumphalis’ is discussed separately in an appendix.
{"title":"WALLS, GATES AND STORIES: DETECTING ROME'S RIVERSIDE DEFENCES","authors":"T. P. Wiseman","doi":"10.1017/S0068246221000039","DOIUrl":"https://doi.org/10.1017/S0068246221000039","url":null,"abstract":"The construction date of the ‘Servian’ wall and its layout in the riverside area between the Aventine and the Capitol are the two main questions addressed in this article. The interlocking topographical problems were addressed in 1988 by Filippo Coarelli, whose interpretation has become the generally accepted orthodoxy. But not all the difficulties have been solved, and with Coarelli's recent return to the subject a fresh examination of the evidence may be helpful. Careful attention is given here to stories of early Rome that involve the walls and gates, as reported in Livy, Dionysius and Plutarch; they are not, of course, taken as authentic evidence for the time of the alleged events, but as indicating what was taken for granted when the stories were first composed. New suggestions are made about a revision of the line of the city wall in 212 BC and the consequent restructuring of two important gates, the Porta Carmentalis and the Porta Trigemina; the mysterious ‘Porta Triumphalis’ is discussed separately in an appendix.","PeriodicalId":44228,"journal":{"name":"Papers of the British School at Rome","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2021-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/S0068246221000039","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47765633","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-23DOI: 10.1017/S0068246221000040
J. Clegg
The habit of observing and recording carefully, in words and in drawing, the works of God in nature and of man in art made travel essential to the process of continual rediscovery which characterizes the work of John Ruskin, causing him to repeatedly redraw his map of Europe. In 1840–1, the young man's Evangelical upbringing and antipathy for the classical inhibited his response to Rome, which remained peripheral to the monumental volumes of the mid-century. Shifting religious views and studies of ancient myth prepared the way for two revelatory visits to Rome in the early 1870s. In Oxford lectures, Ruskin read in Botticelli's frescoes in the Sistine Chapel syntheses of oppositions between schools of art, between the natural and the spiritual, Greek and Christian cultures, Catholic faith and Reforming energies. He also came to feel the ‘power of the place’ in holy places of early Christianity and in continuities of peasant life. Rome is therefore relocated as ‘the central city of the world’, but modern realities menaced this vision. What had been an impoverished backwater was undergoing massive redevelopment and industrialization as the capital of a newly unified state with international ambitions. From these changes, commented on in his monthly pamphlet, Fors Clavigera, Ruskin extracted severe lessons for Victorian Britain. This article is about the ways in which the two types of change interact.
{"title":"FROM DEAD END TO CENTRAL CITY OF THE WORLD: (RE)LOCATING ROME ON RUSKIN'S MAP OF EUROPE","authors":"J. Clegg","doi":"10.1017/S0068246221000040","DOIUrl":"https://doi.org/10.1017/S0068246221000040","url":null,"abstract":"The habit of observing and recording carefully, in words and in drawing, the works of God in nature and of man in art made travel essential to the process of continual rediscovery which characterizes the work of John Ruskin, causing him to repeatedly redraw his map of Europe. In 1840–1, the young man's Evangelical upbringing and antipathy for the classical inhibited his response to Rome, which remained peripheral to the monumental volumes of the mid-century. Shifting religious views and studies of ancient myth prepared the way for two revelatory visits to Rome in the early 1870s. In Oxford lectures, Ruskin read in Botticelli's frescoes in the Sistine Chapel syntheses of oppositions between schools of art, between the natural and the spiritual, Greek and Christian cultures, Catholic faith and Reforming energies. He also came to feel the ‘power of the place’ in holy places of early Christianity and in continuities of peasant life. Rome is therefore relocated as ‘the central city of the world’, but modern realities menaced this vision. What had been an impoverished backwater was undergoing massive redevelopment and industrialization as the capital of a newly unified state with international ambitions. From these changes, commented on in his monthly pamphlet, Fors Clavigera, Ruskin extracted severe lessons for Victorian Britain. This article is about the ways in which the two types of change interact.","PeriodicalId":44228,"journal":{"name":"Papers of the British School at Rome","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2021-03-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/S0068246221000040","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46049385","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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