Pub Date : 2024-02-02DOI: 10.1080/14636204.2024.2308387
Zachary Rockwell Ludington
Published in Journal of Spanish Cultural Studies (Ahead of Print, 2024)
发表于《西班牙文化研究杂志》（2024 年提前出版）
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Pub Date : 2024-02-02DOI: 10.1080/14636204.2024.2308383
Samuel Llano
Published in Journal of Spanish Cultural Studies (Ahead of Print, 2024)
发表于《西班牙文化研究杂志》（2024 年提前出版）
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Pub Date : 2023-11-07DOI: 10.1080/14636204.2023.2272044
Enric Castelló
The controversies surrounding the rural have generated a lively discussion in Spain. Notions of “empty Spain” have gained momentum since the second half of the 2010s while the mainstream media have continued to replicate negative stereotypes and narratives about the countryside: the lack of opportunities, abandoned villages, economic depression and impoverished cultural life. These clichés, though grounded in the difficult realities of these spaces, come from a background of stigmatized depictions of the rural. However, these mainstream narratives may conceal alternative perspectives that allow new representations. The author proposes the notion of the resituated rural to refer to these new narratives and identifies three markers: the determination to leave behind victimization; the rejection of rural stereotyping; and the commitment to values rooted in cultural identities, sustainability concerns, social justice and gender equity. To illustrate this notion, the author reviews cultural works ranging from novels and feature films to documentaries about agriculture and nature, as well as magazines producing quality journalism on a variety of media platforms and social networks. The article argues that the resituated rural provides alternatives to hegemonic storytelling, avoids polarized apocalyptic or idyllic scenarios and explains the Spanish countryside as a “livable space”, thus offering critical insights for the construction of acceptable futures.
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Pub Date : 2023-11-07DOI: 10.1080/14636204.2023.2272040
Roberto Gil Hernández
RESUMENPsicología del hombre canario (1980), de Manuel Alemán Álamo, es un libro indispensable para complementar la visión que en la actualidad se tiene del pensamiento y el activismo anticolonial. Con él, su autor inaugura la filosofía de la liberación en el Archipiélago Canario desde un enfoque que combina las tesis marxistas con el psicoanálisis freudiano. En este artículo se propone una genealogía crítica de su obra, la cual plantea sus límites a la vez que revindica su potencial para comprender la realidad de las Islas desde un punto de vista descolonial. A través del análisis de algunos de sus planteamientos fundamentales, como la negación de la africanidad de Canarias, el papel subalterno que este archipiélago ocupa en el sistema mundial capitalista o la incidencia que el racismo y el clasismo tienen en su sociedad, se evalúa críticamente el proceso de construcción de su conciencia e identidad colectivas. Se concluye afirmando que Alemán marca un antes y un después en el pensamiento canario, abriendo espacios inéditos para la reflexión y la praxis en un territorio cuyo futuro aún contempla la posibilidad de su descolonización.PALABRAS CLAVE: CanariasmarxismopsicoanálisiscolonialidadManuel Alemán AgradecimientosQuiero expresar mi gratitud a los investigadores Daniel Barreto y José Miguel Perera por su atenta lectura de este trabajo y las inestimables sugerencias que hicieron sobre sus contenidos. De manera especial, agradezco al Instituto Psicosocial Manuel Alemán y, particularmente, a su presidente, José Antonio Younis Hernández, Catedrático de Psicología Social de la Universidad de Las Palmas de Gran Canaria, y a su Coordinadora de Investigación, María Antonia Medina Alemán, por acompañarme durante el proceso de escritura y, sobre todo, por su invaluable labor de defensa de la obra, la memoria y los fines que Manuel Alemán promulgó a lo largo de su vida.Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1 Canarias se compone de ocho islas habitadas: La Graciosa, El Hierro, La Gomera, Lanzarote, La Palma, Gran Canaria, Fuerteventura y Tenerife. Están situadas al costado noroccidental de África y poseen importantes vínculos culturales con Latinoamérica, especialmente con el Caribe. Ello es debido a que la historia del archipiélago tiene numerosos elementos en común con dichos territorios, como que su conquista y colonización tuviera lugar durante el siglo XV o que las Islas sirvieron desde entonces como puesto avanzado para el flujo de bienes y población entre África, América y Europa. La presencia en ellas en distintos periodos de emisarios de los principales proyectos imperiales las ha convertido, como diría Juan Bosch, en una “frontera imperial” de Occidente en el Norte de África (ver Gil Citation2022, 34). En la actualidad, Canarias pertenece administrativamente al Reino de España y forma parte de la Unión Europea como una de sus regiones ultraperiféricas, pero también está integrada en la OTAN.2 Es
{"title":"Tomar conciencia, desneblinar Canarias: el anticolonialismo freudomarxista de Manuel Alemán","authors":"Roberto Gil Hernández","doi":"10.1080/14636204.2023.2272040","DOIUrl":"https://doi.org/10.1080/14636204.2023.2272040","url":null,"abstract":"RESUMENPsicología del hombre canario (1980), de Manuel Alemán Álamo, es un libro indispensable para complementar la visión que en la actualidad se tiene del pensamiento y el activismo anticolonial. Con él, su autor inaugura la filosofía de la liberación en el Archipiélago Canario desde un enfoque que combina las tesis marxistas con el psicoanálisis freudiano. En este artículo se propone una genealogía crítica de su obra, la cual plantea sus límites a la vez que revindica su potencial para comprender la realidad de las Islas desde un punto de vista descolonial. A través del análisis de algunos de sus planteamientos fundamentales, como la negación de la africanidad de Canarias, el papel subalterno que este archipiélago ocupa en el sistema mundial capitalista o la incidencia que el racismo y el clasismo tienen en su sociedad, se evalúa críticamente el proceso de construcción de su conciencia e identidad colectivas. Se concluye afirmando que Alemán marca un antes y un después en el pensamiento canario, abriendo espacios inéditos para la reflexión y la praxis en un territorio cuyo futuro aún contempla la posibilidad de su descolonización.PALABRAS CLAVE: CanariasmarxismopsicoanálisiscolonialidadManuel Alemán AgradecimientosQuiero expresar mi gratitud a los investigadores Daniel Barreto y José Miguel Perera por su atenta lectura de este trabajo y las inestimables sugerencias que hicieron sobre sus contenidos. De manera especial, agradezco al Instituto Psicosocial Manuel Alemán y, particularmente, a su presidente, José Antonio Younis Hernández, Catedrático de Psicología Social de la Universidad de Las Palmas de Gran Canaria, y a su Coordinadora de Investigación, María Antonia Medina Alemán, por acompañarme durante el proceso de escritura y, sobre todo, por su invaluable labor de defensa de la obra, la memoria y los fines que Manuel Alemán promulgó a lo largo de su vida.Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1 Canarias se compone de ocho islas habitadas: La Graciosa, El Hierro, La Gomera, Lanzarote, La Palma, Gran Canaria, Fuerteventura y Tenerife. Están situadas al costado noroccidental de África y poseen importantes vínculos culturales con Latinoamérica, especialmente con el Caribe. Ello es debido a que la historia del archipiélago tiene numerosos elementos en común con dichos territorios, como que su conquista y colonización tuviera lugar durante el siglo XV o que las Islas sirvieron desde entonces como puesto avanzado para el flujo de bienes y población entre África, América y Europa. La presencia en ellas en distintos periodos de emisarios de los principales proyectos imperiales las ha convertido, como diría Juan Bosch, en una “frontera imperial” de Occidente en el Norte de África (ver Gil Citation2022, 34). En la actualidad, Canarias pertenece administrativamente al Reino de España y forma parte de la Unión Europea como una de sus regiones ultraperiféricas, pero también está integrada en la OTAN.2 Es","PeriodicalId":44289,"journal":{"name":"Journal of Spanish Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-11-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135480135","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-06DOI: 10.1080/14636204.2023.2272038
Irati Calvo Martínez
RESUMENEn las continuaciones e imitaciones de la Tragicomedia de Calisto y Melibea las prostitutas, alcahuetas y rufianes cobran un especial protagonismo. La Segunda Celestina de Feliciano de Silva (1534) sigue con la caracterización de las discípulas de la alcahueta, Elicia y Areúsa, e introduce un personaje nuevo, la prostituta de burdel Palana. A través de estas figuras podemos observar las dos caras de la prostitución en el siglo XVI: la prostitución pública, tolerada e incluso potenciada por las autoridades, y la prostitución clandestina, perseguida por la ley. La caracterización de estas mujeres y la concepción que tiene de ellas el resto de personajes son dicotómicas: las clandestinas son descritas como mujeres bellas que pertenecen a una clase superior a la de Palana, una vieja “borracha, bellaca y establera”. Este artículo quiere analizar estas dos realidades con el objetivo de llevar a cabo una primera aproximación a la caracterización de la prostituta literaria. Se observarán las similitudes y divergencias entre ellas para contribuir a la fijación de una tipología de los personajes femeninos marginales de la literatura, en este caso, del personaje de la prostituta, que permita entender de una forma más amplia al tipo de la ramera y al ciclo celestinesco.PALABRAS CLAVE: Segunda CelestinaFeliciano de Silvacelestinescaprostitutatipología Disclosure statementNo potential conflict of interest was reported by the author(s).FinanciaciónEste artículo está financiado por el programa predoctoral de formación de personal investigador no doctor del Departamento de Educación del Gobierno Vasco. Se inserta en el grupo de investigación Sociedades, Procesos, Culturas (siglos VIII a XVIII) (IT 1465–1422) y dentro del proyecto Disrupciones y continuidades en el proceso de la modernidad, siglos XVI-XIX: Un análisis multidisciplinar (Historia, Arte, Literatura) (PID2020-114496RB-I00).Notes1 Las ordenanzas más relevantes para el sistema de regulación de las mancebías fueron la Ordenanza del Padre de Mancebía (1538) del reino de Granada, las de Sevilla en 1553 y su ampliación por Felipe II en 1571. Las Ordenanzas de Sevilla se extendieron a toda la Península (López Beltrán Citation2003; Citation2004).2 Contamos con cuatro ediciones anteriores a 1559, antes de que se incluyera en el Índice de libros prohibidos de Valdés: la primera, impresa en Medina del Campo en 1534 por Pedro Tovans; la segunda, en Venecia en 1536 por Stephano da Sabio; la tercera, en Salamanca en 1536 por Pedro de Castro, y la última, en Amberes. Respecto a esta, no hay información sobre la fecha ni sobre el impresor, aunque se estima que pudo ser de 1540 o de 1550. La obra está dividida en cuarenta cenas, con sus respectivos argumentos. La Segunda Celestina es la primera continuación de La Celestina y fue tan exitosa que se convirtió en modelo de las siguientes continuaciones e imitaciones de la obra de Rojas (Baranda Leturio Citation1992).3 Los trece personajes de la Tragicomedia pasan
{"title":"Burdel o clandestinidad: las prostitutas Palana, Elicia y Areúsa en la <i>Segunda Celestina</i> de Feliciano de Silva","authors":"Irati Calvo Martínez","doi":"10.1080/14636204.2023.2272038","DOIUrl":"https://doi.org/10.1080/14636204.2023.2272038","url":null,"abstract":"RESUMENEn las continuaciones e imitaciones de la Tragicomedia de Calisto y Melibea las prostitutas, alcahuetas y rufianes cobran un especial protagonismo. La Segunda Celestina de Feliciano de Silva (1534) sigue con la caracterización de las discípulas de la alcahueta, Elicia y Areúsa, e introduce un personaje nuevo, la prostituta de burdel Palana. A través de estas figuras podemos observar las dos caras de la prostitución en el siglo XVI: la prostitución pública, tolerada e incluso potenciada por las autoridades, y la prostitución clandestina, perseguida por la ley. La caracterización de estas mujeres y la concepción que tiene de ellas el resto de personajes son dicotómicas: las clandestinas son descritas como mujeres bellas que pertenecen a una clase superior a la de Palana, una vieja “borracha, bellaca y establera”. Este artículo quiere analizar estas dos realidades con el objetivo de llevar a cabo una primera aproximación a la caracterización de la prostituta literaria. Se observarán las similitudes y divergencias entre ellas para contribuir a la fijación de una tipología de los personajes femeninos marginales de la literatura, en este caso, del personaje de la prostituta, que permita entender de una forma más amplia al tipo de la ramera y al ciclo celestinesco.PALABRAS CLAVE: Segunda CelestinaFeliciano de Silvacelestinescaprostitutatipología Disclosure statementNo potential conflict of interest was reported by the author(s).FinanciaciónEste artículo está financiado por el programa predoctoral de formación de personal investigador no doctor del Departamento de Educación del Gobierno Vasco. Se inserta en el grupo de investigación Sociedades, Procesos, Culturas (siglos VIII a XVIII) (IT 1465–1422) y dentro del proyecto Disrupciones y continuidades en el proceso de la modernidad, siglos XVI-XIX: Un análisis multidisciplinar (Historia, Arte, Literatura) (PID2020-114496RB-I00).Notes1 Las ordenanzas más relevantes para el sistema de regulación de las mancebías fueron la Ordenanza del Padre de Mancebía (1538) del reino de Granada, las de Sevilla en 1553 y su ampliación por Felipe II en 1571. Las Ordenanzas de Sevilla se extendieron a toda la Península (López Beltrán Citation2003; Citation2004).2 Contamos con cuatro ediciones anteriores a 1559, antes de que se incluyera en el Índice de libros prohibidos de Valdés: la primera, impresa en Medina del Campo en 1534 por Pedro Tovans; la segunda, en Venecia en 1536 por Stephano da Sabio; la tercera, en Salamanca en 1536 por Pedro de Castro, y la última, en Amberes. Respecto a esta, no hay información sobre la fecha ni sobre el impresor, aunque se estima que pudo ser de 1540 o de 1550. La obra está dividida en cuarenta cenas, con sus respectivos argumentos. La Segunda Celestina es la primera continuación de La Celestina y fue tan exitosa que se convirtió en modelo de las siguientes continuaciones e imitaciones de la obra de Rojas (Baranda Leturio Citation1992).3 Los trece personajes de la Tragicomedia pasan ","PeriodicalId":44289,"journal":{"name":"Journal of Spanish Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135679858","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-06DOI: 10.1080/14636204.2023.2272039
Monica Lindsay-Pérez
ABSTRACTThe market for skin-whitening creams in Spain exploded in the early twentieth century. Marketing whiteness presented a particular challenge because of the contradictory nature of the pursuit: if even white people had to strive for whiteness, it was surely exposed as a construction, rather than a natural state of being. Skin-whitening products thus went against the “ordinary, neutral, even universal” manner in which whiteness was traditionally represented, as outlined in Dyer’s White (2017, xvi). How could skin-whitening creams sell whiteness without stripping it of the invisibility that made it so powerful? To add to the challenge, marketing whiteness presented a particular problem in Spain, a country so sensitive about its whiteness. Studying the changes in the advertising approaches of two case studies in Spain, Crema Tokalon and Cera Aseptina, reveals that the term blanquear was introduced very gradually, only appearing explicitly as a unique selling point in 1930. By 1933, it was removed almost as quickly as it was added. Despite this retraction, I argue that the colour white remained central to the appeal of skin-whitening products in Spain. Whiteness had not become unsellable; rather, it had become invisible, woven into other desirable traits, such as religiosity, cleanliness and suitability for marriage.KEYWORDS: Skin-whiteningSpaincosmeticsadvertisingwhiteness AcknowledgementsI am deeply indebted to my PhD supervisors: Professor Jo Labanyi, Dr. Kirsten Lloyd and Dr. Julius Ruiz. Their contribution to this article has been invaluable. I would also like to thank Professor Baltasar Fra-Molinero and Dr. Elisabeth Bolorinos Allard, who kindly discussed some key skin-whitening images with me in two separate meetings during the early stages of the project. I am grateful to the Edinburgh College of Art Prize for funding my research and to the Association for Art History (AAH) for funding relevant research trips.Disclosure statementNo potential conflict of interest was reported by the author(s).Additional informationFundingThis work was supported by the Association for Art History (AAH).Notes on contributorsMonica Lindsay-PérezMonica Lindsay-Pérez is a PhD student in the Art History Department of the Edinburgh College of Art, University of Edinburgh. She studied art history at the University of Cambridge before completing a Special Studentship at Harvard University and a Master’s in Gender Studies at the University of Oxford.
{"title":"Becoming white(r): skin-whitening creams for white women? Contradictory cosmetics in early twentieth-century Spain","authors":"Monica Lindsay-Pérez","doi":"10.1080/14636204.2023.2272039","DOIUrl":"https://doi.org/10.1080/14636204.2023.2272039","url":null,"abstract":"ABSTRACTThe market for skin-whitening creams in Spain exploded in the early twentieth century. Marketing whiteness presented a particular challenge because of the contradictory nature of the pursuit: if even white people had to strive for whiteness, it was surely exposed as a construction, rather than a natural state of being. Skin-whitening products thus went against the “ordinary, neutral, even universal” manner in which whiteness was traditionally represented, as outlined in Dyer’s White (2017, xvi). How could skin-whitening creams sell whiteness without stripping it of the invisibility that made it so powerful? To add to the challenge, marketing whiteness presented a particular problem in Spain, a country so sensitive about its whiteness. Studying the changes in the advertising approaches of two case studies in Spain, Crema Tokalon and Cera Aseptina, reveals that the term blanquear was introduced very gradually, only appearing explicitly as a unique selling point in 1930. By 1933, it was removed almost as quickly as it was added. Despite this retraction, I argue that the colour white remained central to the appeal of skin-whitening products in Spain. Whiteness had not become unsellable; rather, it had become invisible, woven into other desirable traits, such as religiosity, cleanliness and suitability for marriage.KEYWORDS: Skin-whiteningSpaincosmeticsadvertisingwhiteness AcknowledgementsI am deeply indebted to my PhD supervisors: Professor Jo Labanyi, Dr. Kirsten Lloyd and Dr. Julius Ruiz. Their contribution to this article has been invaluable. I would also like to thank Professor Baltasar Fra-Molinero and Dr. Elisabeth Bolorinos Allard, who kindly discussed some key skin-whitening images with me in two separate meetings during the early stages of the project. I am grateful to the Edinburgh College of Art Prize for funding my research and to the Association for Art History (AAH) for funding relevant research trips.Disclosure statementNo potential conflict of interest was reported by the author(s).Additional informationFundingThis work was supported by the Association for Art History (AAH).Notes on contributorsMonica Lindsay-PérezMonica Lindsay-Pérez is a PhD student in the Art History Department of the Edinburgh College of Art, University of Edinburgh. She studied art history at the University of Cambridge before completing a Special Studentship at Harvard University and a Master’s in Gender Studies at the University of Oxford.","PeriodicalId":44289,"journal":{"name":"Journal of Spanish Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135590254","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-03DOI: 10.1080/14636204.2023.2271286
Katherine O. Stafford
{"title":"Haciendo memoria: confluencia entre la historia, la cultura y la memoria de la Guerra Civil en la España del siglo XXI <b>Haciendo memoria: confluencia entre la historia, la cultura y la memoria de la Guerra Civil en la España del siglo XXI</b> , por Carmen Moreno-Nuño, Madrid, Iberoamericana, Frankfurt am Main, Vervuert, 2019, 319 pp., €29.80 (tapa blanda), ISBN-13 978-8491920663","authors":"Katherine O. Stafford","doi":"10.1080/14636204.2023.2271286","DOIUrl":"https://doi.org/10.1080/14636204.2023.2271286","url":null,"abstract":"","PeriodicalId":44289,"journal":{"name":"Journal of Spanish Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135873903","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-03DOI: 10.1080/14636204.2023.2271287
Isabel Torres
{"title":"A poetry of things: the material lyric in Habsburg Spain <b>A poetry of things: the material lyric in Habsburg Spain</b> , by Mary E. Barnard, Toronto, University of Toronto Press, 2022, 208 pp., £30.46 (hardback), ISBN-13: 978-1487509187","authors":"Isabel Torres","doi":"10.1080/14636204.2023.2271287","DOIUrl":"https://doi.org/10.1080/14636204.2023.2271287","url":null,"abstract":"","PeriodicalId":44289,"journal":{"name":"Journal of Spanish Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135819945","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-30DOI: 10.1080/14636204.2023.2272045
Bob Davidson
ABSTRACT Miguel Ángel Blanca’s eccentric docufiction film, Magaluf Ghost Town, follows three residents of the Mallorcan resort area during the 2019 tourist season. By offering locals’ perspectives on lives tied to the excesses of low-cost tourism, the film traces their respective desires to withstand, break and transform the Faustian pact through which this part of Calvià municipality has made its living. Tourism infrastructure visually organizes the picture, with one space in particular – the hotel balcony – playing an important aesthetic and thematic role. Yet, while the overt references to balconing – the often-fatal tourist practice of jumping into a pool from one’s room – seem to parrot media-driven coverage, I argue that Blanca’s picture instead offers a counternarrative that challenges stereotypes by destabilizing the traditional tourist gaze through the mise-en-scène. By further cloaking his critique in the supernatural, the director plays with documentary tropes in a way that spurs the viewer to think about tourism beyond the news. In giving space to individual local voices and experiences, he lets us explore the deep affect that the tourist landscapes evoke in a constituency that is all too often left outside the frame.
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Pub Date : 2023-10-27DOI: 10.1080/14636204.2023.2271284
Gabrielle Miller
{"title":"Women, mysticism, and hysteria in <i>fin-de-siècle</i> SpainWomen, mysticism, and hysteria in <i>fin-de-siècle</i> Spain, by Jennifer Smith, Nashville, Vanderbilt University Press, 2021, 271 pp., $99.95(hardback), ISBN-13 978-0826501875 / $34.96(paperback), ISBN-13 978-0826501868.","authors":"Gabrielle Miller","doi":"10.1080/14636204.2023.2271284","DOIUrl":"https://doi.org/10.1080/14636204.2023.2271284","url":null,"abstract":"","PeriodicalId":44289,"journal":{"name":"Journal of Spanish Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136263432","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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