Pub Date : 2023-07-03DOI: 10.1080/14636204.2023.2244654
Rafael Andúgar
RESUMEN En este artículo se argumentará cómo, alrededor de la década de 1970, ante el contexto político de los últimos años de represión del franquismo, el gran éxodo rural que se produjo hacia ciudades como Barcelona y el surgimiento de un movimiento ecologista desorganizado en España, el campo literario catalán respondió con una proliferación de distopías y ficciones contra la dictadura y el control social. En particular, se analizará la novela L’enquesta del canal 4 (1972) de Avel·lí Artís-Gener (Tísner), que presenta la lucha revolucionaria de unos trabajadores dentro de una torre de comunicaciones televisiva que jerarquiza a sus empleados por niveles y los obliga a vivir en condiciones precarias y aislados del mundo exterior. Se mostrará cómo se crea una distopía ficticia para denunciar el trabajo industrial, dramatizar problemas de conciencia de clase y criticar la alienación de los trabajadores en las ciudades y las industrias, una alienación del trabajador y la naturaleza que Karl Marx denominó brecha metabólica (o ecológica). El propósito de este artículo es realizar una lectura ecocrítica de las alegorías socioespaciales de la narración y situar esta ficción dentro del contexto de lucha de clases y ecologista del tardofranquismo (1959–1975).
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Pub Date : 2023-07-03DOI: 10.1080/14636204.2023.2242194
Carmen Pereira-Muro
{"title":"Propuestas para (re)construir una nación: el teatro de Emilia Pardo Bazán","authors":"Carmen Pereira-Muro","doi":"10.1080/14636204.2023.2242194","DOIUrl":"https://doi.org/10.1080/14636204.2023.2242194","url":null,"abstract":"","PeriodicalId":44289,"journal":{"name":"Journal of Spanish Cultural Studies","volume":"24 1","pages":"449 - 451"},"PeriodicalIF":0.3,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44609576","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-03DOI: 10.1080/14636204.2023.2242186
Carsten Humlebæk
{"title":"Exhuming Franco: Spain’s second transition","authors":"Carsten Humlebæk","doi":"10.1080/14636204.2023.2242186","DOIUrl":"https://doi.org/10.1080/14636204.2023.2242186","url":null,"abstract":"","PeriodicalId":44289,"journal":{"name":"Journal of Spanish Cultural Studies","volume":"24 1","pages":"459 - 461"},"PeriodicalIF":0.3,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48861098","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-03DOI: 10.1080/14636204.2023.2240156
Luis I. Prádanos (Iñaki)
{"title":"Basura: cultures of waste in contemporary Spain","authors":"Luis I. Prádanos (Iñaki)","doi":"10.1080/14636204.2023.2240156","DOIUrl":"https://doi.org/10.1080/14636204.2023.2240156","url":null,"abstract":"","PeriodicalId":44289,"journal":{"name":"Journal of Spanish Cultural Studies","volume":"24 1","pages":"463 - 464"},"PeriodicalIF":0.3,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48230460","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-17DOI: 10.1080/14636204.2023.2172876
Hilaire Kallendorf
{"title":"Social justice in Spanish Golden Age theatre","authors":"Hilaire Kallendorf","doi":"10.1080/14636204.2023.2172876","DOIUrl":"https://doi.org/10.1080/14636204.2023.2172876","url":null,"abstract":"","PeriodicalId":44289,"journal":{"name":"Journal of Spanish Cultural Studies","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136081061","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-03DOI: 10.1080/14636204.2023.2207994
M. Versteeg
In Geographies of Urban Female Labor and Nationhood in Spanish
《西班牙语城市女性劳动地理学与国家地位》
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Pub Date : 2023-04-03DOI: 10.1080/14636204.2023.2213684
Igor Contreras Zubillaga
ABSTRACT The period following Franco’s death witnessed significant cultural experiments in the fields of literature, the plastic arts, cinema, and popular music. However, scholars have paid little attention to “new music” (i.e., contemporary classical music), despite its historical and theoretical relevance. This is a remarkable omission considering the long-standing perception that the artistic avant-garde represents social progress and the widespread present-day interest in the relationship between musical practice and social justice. This paper addresses this research gap by examining how new music was used in 1970s and 1980s Spain to imagine an alternative to the controlled parliamentary democracy that was being built by Franco’s institutional successors. First, I analyze the critical examination of the previous musical stage, brought about by the new context of the transition to democracy, and the creation of new associations that were aimed at dynamizing Spain’s cultural life – such as the Asociación de Compositores Sinfónicos Españoles (ACSE), a sort of “trade union” for orchestral composers. I continue with the study of one of the most illustrative musical exercises aimed at experimenting with the idea of democracy: the ensemble Actum, created in 1973 on the initiative of the composer Llorenç Barber, which enacted a range of experimental creative ventures, based on improvisation and musical theatre, as meeting points for professional and amateur artists. Building upon previous studies on the participation of artistic cultures in the wider social struggle to define freedom and equality in the post-Francoist period, this article contributes to the ongoing reassessments of Spain’s democratic transition.
佛朗哥去世后的一段时间，在文学、造型艺术、电影和流行音乐等领域见证了重大的文化实验。然而，学者们很少关注“新音乐”(即当代古典音乐)，尽管它具有历史和理论意义。这是一个显著的遗漏，考虑到长期以来的看法，艺术前卫代表社会进步和广泛的兴趣在音乐实践和社会正义之间的关系。本文通过研究20世纪70年代和80年代西班牙如何使用新音乐来想象佛朗哥体制继任者正在建立的受控制的议会民主的替代方案，从而解决了这一研究缺口。首先，我分析了先前音乐阶段的批判性审查，这是由向民主过渡的新背景所带来的，以及旨在活跃西班牙文化生活的新协会的创建——例如Asociación de Compositores Sinfónicos Españoles (ACSE)，一种管弦乐作曲家的“工会”。我继续研究旨在试验民主思想的最具说明意义的音乐练习之一:1973年在作曲家Llorenç Barber的倡议下创建的合奏团Actum，它基于即兴创作和音乐剧制定了一系列实验性的创造性冒险，作为专业和业余艺术家的交汇点。基于先前对艺术文化参与后弗朗哥时期定义自由和平等的更广泛的社会斗争的研究，本文有助于对西班牙民主转型的持续重新评估。
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Pub Date : 2023-04-03DOI: 10.1080/14636204.2023.2211794
G. Quaggio
ABSTRACT After the fall of the right-wing Estado Novo in Portugal in 1974 and the death of the military dictator Francisco Franco in Spain in 1975, many protest murals appeared in both countries on the walls of abandoned buildings and in marginalized urban spaces. These ephemeral grassroots artworks celebrated the collective liberation of the Iberian people from the cultural constraints of Western Europe’s two most enduring dictatorships. Murals constituted a striking visual response to the sociopolitical changes occurring in two countries that were experiencing the transition to democracy in very different ways. In this article, I argue that collectively painted murals, often overlooked in scholarship, are a valuable visual source to analyze contrasting ways of conceiving democracy from below and the appropriation of public spaces following the demise of two long-standing ultra-Catholic dictatorships. By acknowledging the multilayered power of images in murals and drawing on a rich body of research in visual studies, this contribution will address common people’s iconography in Iberian murals and the collective actions of those who sought to secure democratic rights. I will place particular emphasis not only on the visual representational framework of the relationship between the masses and individuals but also on the depiction of gender relations as an intrinsic part of the democratization process in both countries.
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Pub Date : 2023-04-03DOI: 10.1080/14636204.2023.2207991
Benita Sampedro Vizcaya
This book, From the Wild Nineteenth century to the Unstable Twentieth century Through Transatlantic Letters: a Retrospective Look At Hispanists, is meant to present a multidisciplinary approach to research of Nineteenth and Twentieth century Spanish literature on three thematic axes. One thread that connects all of the sixteen chapters of this book is that they share a critical and methodological orientation linked to Transatlantic Studies and Hispanicism. The first section is entitled “Round Trips,” which explores the fluid routes between the European and American shores of the Atlantic, which facilitated the movement of people and the exchange of knowledge, since the Nineteenth century and continues to this day. In the opening section we highlight women and men who undertook these transatlantic trips, such as the scientist Inés de Echevarría, the philologist Rafael Lapesa, and the writers Rosa Montero and Paloma Díaz-Mas. In this book we also consider those who took one-way trips across the Atlantic, like the writer Mercedes Pinto, and the poet Eugénio de Castro. In every case, the scholars look beyond their horizons for answers to
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