{"title":"The Penny Politics of Victorian Popular Fiction by Rob Breton (review)","authors":"Rebecca Nesvet","doi":"10.1353/vpr.2022.0007","DOIUrl":"https://doi.org/10.1353/vpr.2022.0007","url":null,"abstract":"","PeriodicalId":44337,"journal":{"name":"Victorian Periodicals Review","volume":"55 1","pages":"139 - 141"},"PeriodicalIF":0.2,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46004815","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Scottish Women's Writing in the Long Nineteenth Century: The Romance of Everyday Life by Juliet Shields (review)","authors":"Jack M. Downs","doi":"10.1353/vpr.2022.0009","DOIUrl":"https://doi.org/10.1353/vpr.2022.0009","url":null,"abstract":"","PeriodicalId":44337,"journal":{"name":"Victorian Periodicals Review","volume":"55 1","pages":"145 - 147"},"PeriodicalIF":0.2,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45644540","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Victorian Poetry and the Culture of Evaluation by Clara Dawson, and: Book Traces: Nineteenth-Century Readers and the Future of the Library by Andrew M. Stauffer (review)","authors":"A. Chapman","doi":"10.1353/vpr.2022.0006","DOIUrl":"https://doi.org/10.1353/vpr.2022.0006","url":null,"abstract":"","PeriodicalId":44337,"journal":{"name":"Victorian Periodicals Review","volume":"55 1","pages":"135 - 139"},"PeriodicalIF":0.2,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45567222","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Robert Seymour and Nineteenth-Century Print Culture: Sketches by Seymour and Comic Illustration by Brian Maidment (review)","authors":"J. Devereux","doi":"10.1353/vpr.2022.0008","DOIUrl":"https://doi.org/10.1353/vpr.2022.0008","url":null,"abstract":"","PeriodicalId":44337,"journal":{"name":"Victorian Periodicals Review","volume":"55 1","pages":"142 - 144"},"PeriodicalIF":0.2,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43547504","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Narrative Bonds: Multiple Narrators in Victorian Fiction by Alexandra Valint (review)","authors":"Jack M. Downs","doi":"10.1353/vpr.2021.0053","DOIUrl":"https://doi.org/10.1353/vpr.2021.0053","url":null,"abstract":"","PeriodicalId":44337,"journal":{"name":"Victorian Periodicals Review","volume":"54 1","pages":"660 - 662"},"PeriodicalIF":0.2,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41786535","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Modern Short Story and Magazine Culture, 1880–1950 ed. by Elke D’hoker and Chris Mourant (review)","authors":"Leslee Thorne-Murphy","doi":"10.1353/vpr.2021.0051","DOIUrl":"https://doi.org/10.1353/vpr.2021.0051","url":null,"abstract":"","PeriodicalId":44337,"journal":{"name":"Victorian Periodicals Review","volume":"54 1","pages":"655 - 657"},"PeriodicalIF":0.2,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48443340","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Writing Maternity: Medicine, Anxiety, Rhetoric, and Genre by Dara Rossman Regaignon, and: The Victorian Baby in Print: Infancy, Infant Care, and Nineteenth Century Popular Culture by Tamara S. Wagner (review)","authors":"Kristin E. Kondrlik","doi":"10.1353/vpr.2021.0048","DOIUrl":"https://doi.org/10.1353/vpr.2021.0048","url":null,"abstract":"","PeriodicalId":44337,"journal":{"name":"Victorian Periodicals Review","volume":"54 1","pages":"646 - 650"},"PeriodicalIF":0.2,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48491518","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Narrative Bonds is primarily concerned with the impact of multiple narrative voices on readings of the Victorian novel, the brief engagement with Mayhew’s London Labour and London Poor points toward the possibility of applying Valint’s critical approach to Victorian multinarrator structures more broadly. For example, the serialization of Hard Times (1854) and North and South (1855), taken together with the reporting on industrial labor conditions in England found throughout Household Words, might be seen as an example of a multinarrator structure outside the Victorian novel. Dickens, Elizabeth Gaskell, and other contributors to Household Words all narrate the horrors and dehumanization that accompanied the rapid industrialization of the north of England; their multiple narrative perspectives achieve a sort of consensus and center the plight of the industrial worker for the readers of Household Words. In Narrative Bonds, Valint encourages this sort of work, in which the presence of multiple narrative voices suggests collaboration and interdependence. The critical framework she develops in her monograph offers a productive approach to reading dis/ability, gender, privilege, and a host of other critical concerns in Victorian texts that have perhaps become overly familiar. Shifting our attention to the relationship among the multiple narrators of these texts not only provides new avenues for research, scholarship, and teaching but also prompts us to reflect on and reconsider our own narratives about Victorian culture and literature.
{"title":"Victorians on Broadway: Literature, Adaptation, and the Modern American Musical by Sharon Aronofsky Weltman (review)","authors":"Sooyoung Chung","doi":"10.1353/vpr.2021.0054","DOIUrl":"https://doi.org/10.1353/vpr.2021.0054","url":null,"abstract":"Narrative Bonds is primarily concerned with the impact of multiple narrative voices on readings of the Victorian novel, the brief engagement with Mayhew’s London Labour and London Poor points toward the possibility of applying Valint’s critical approach to Victorian multinarrator structures more broadly. For example, the serialization of Hard Times (1854) and North and South (1855), taken together with the reporting on industrial labor conditions in England found throughout Household Words, might be seen as an example of a multinarrator structure outside the Victorian novel. Dickens, Elizabeth Gaskell, and other contributors to Household Words all narrate the horrors and dehumanization that accompanied the rapid industrialization of the north of England; their multiple narrative perspectives achieve a sort of consensus and center the plight of the industrial worker for the readers of Household Words. In Narrative Bonds, Valint encourages this sort of work, in which the presence of multiple narrative voices suggests collaboration and interdependence. The critical framework she develops in her monograph offers a productive approach to reading dis/ability, gender, privilege, and a host of other critical concerns in Victorian texts that have perhaps become overly familiar. Shifting our attention to the relationship among the multiple narrators of these texts not only provides new avenues for research, scholarship, and teaching but also prompts us to reflect on and reconsider our own narratives about Victorian culture and literature.","PeriodicalId":44337,"journal":{"name":"Victorian Periodicals Review","volume":"54 1","pages":"662 - 664"},"PeriodicalIF":0.2,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46147454","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This essay explores the presentation of railway accidents in John Herapath’s Railway Magazine. While other papers published sensationalised accident reports and anti-railway pieces that relied on a dangerous image of the railway, the Railway Magazine crafted a sensibility founded on scientific rationality. Herapath reprinted the sensational reports in order to question their validity, thereby endorsing his own authority on railway matters and encouraging a similar sense of superiority amongst his readers. Ultimately, the Railway Magazine sought to tame accident reports in order to build confidence in the new transportation and promote investment in railways throughout Britain.
{"title":"Readership and Railway Accidents: John Herapath’s Railway Magazine","authors":"A. Barnes","doi":"10.1353/vpr.2021.0044","DOIUrl":"https://doi.org/10.1353/vpr.2021.0044","url":null,"abstract":"Abstract:This essay explores the presentation of railway accidents in John Herapath’s Railway Magazine. While other papers published sensationalised accident reports and anti-railway pieces that relied on a dangerous image of the railway, the Railway Magazine crafted a sensibility founded on scientific rationality. Herapath reprinted the sensational reports in order to question their validity, thereby endorsing his own authority on railway matters and encouraging a similar sense of superiority amongst his readers. Ultimately, the Railway Magazine sought to tame accident reports in order to build confidence in the new transportation and promote investment in railways throughout Britain.","PeriodicalId":44337,"journal":{"name":"Victorian Periodicals Review","volume":"54 1","pages":"564 - 582"},"PeriodicalIF":0.2,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43768045","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This essay explores the productive tension between novels and periodical criticism that arose from the competitive conditions of late nineteenth-century print culture. Specifically, it contextualizes Oscar Wilde’s The Picture of Dorian Gray within a volatile literary and cultural marketplace to demonstrate how the novel took shape in dialogue with its reviews. Examining the additions and revisions Wilde made to the 1891 edition, this essay shows how Dorian Gray developed in the social, interactive, participatory venue of British publishing at the fin de siècle.
{"title":"Reading Reception in Oscar Wilde’s The Picture of Dorian Gray","authors":"Maddison McGann","doi":"10.1353/vpr.2021.0046","DOIUrl":"https://doi.org/10.1353/vpr.2021.0046","url":null,"abstract":"Abstract:This essay explores the productive tension between novels and periodical criticism that arose from the competitive conditions of late nineteenth-century print culture. Specifically, it contextualizes Oscar Wilde’s The Picture of Dorian Gray within a volatile literary and cultural marketplace to demonstrate how the novel took shape in dialogue with its reviews. Examining the additions and revisions Wilde made to the 1891 edition, this essay shows how Dorian Gray developed in the social, interactive, participatory venue of British publishing at the fin de siècle.","PeriodicalId":44337,"journal":{"name":"Victorian Periodicals Review","volume":"54 1","pages":"604 - 624"},"PeriodicalIF":0.2,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44453116","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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