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The Penny Politics of Victorian Popular Fiction by Rob Breton (review) 罗伯·布雷顿的《维多利亚通俗小说的便士政治》(书评)
IF 0.2 3区 社会学 Q2 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1353/vpr.2022.0007
Rebecca Nesvet
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引用次数: 0
Robert Seymour and Nineteenth-Century Print Culture: Sketches by Seymour and Comic Illustration by Brian Maidment (review) Robert Seymour与19世纪印刷文化:Seymour的素描和Brian Maidment的漫画插图(评论)
IF 0.2 3区 社会学 Q2 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1353/vpr.2022.0008
J. Devereux
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引用次数: 0
Victorian Poetry and the Culture of Evaluation by Clara Dawson, and: Book Traces: Nineteenth-Century Readers and the Future of the Library by Andrew M. Stauffer (review) Clara Dawson的《维多利亚诗歌与评价文化》,Andrew M.Stauffer的《书迹:十九世纪读者与图书馆的未来》(书评)
IF 0.2 3区 社会学 Q2 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1353/vpr.2022.0006
A. Chapman
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引用次数: 0
Scottish Women's Writing in the Long Nineteenth Century: The Romance of Everyday Life by Juliet Shields (review) 十九世纪漫长的苏格兰女性写作:朱丽叶·希尔兹的《日常生活的浪漫》(综述)
IF 0.2 3区 社会学 Q2 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1353/vpr.2022.0009
Jack M. Downs
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引用次数: 0
Narrative Bonds: Multiple Narrators in Victorian Fiction by Alexandra Valint (review) 叙事纽带:维多利亚小说中的多重叙述者亚历山德拉·瓦伦特(书评)
IF 0.2 3区 社会学 Q2 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.1353/vpr.2021.0053
Jack M. Downs
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引用次数: 0
The Modern Short Story and Magazine Culture, 1880–1950 ed. by Elke D’hoker and Chris Mourant (review) 《现代短篇小说与杂志文化,1880-1950》,埃尔克·德霍克、克里斯·莫拉特主编(书评)
IF 0.2 3区 社会学 Q2 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.1353/vpr.2021.0051
Leslee Thorne-Murphy
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引用次数: 0
Victorians on Broadway: Literature, Adaptation, and the Modern American Musical by Sharon Aronofsky Weltman (review) 百老汇的维多利亚时代:文学、改编和现代美国音乐剧莎朗·阿罗诺夫斯基·韦尔特曼(书评)
IF 0.2 3区 社会学 Q2 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.1353/vpr.2021.0054
Sooyoung Chung
Narrative Bonds is primarily concerned with the impact of multiple narrative voices on readings of the Victorian novel, the brief engagement with Mayhew’s London Labour and London Poor points toward the possibility of applying Valint’s critical approach to Victorian multinarrator structures more broadly. For example, the serialization of Hard Times (1854) and North and South (1855), taken together with the reporting on industrial labor conditions in England found throughout Household Words, might be seen as an example of a multinarrator structure outside the Victorian novel. Dickens, Elizabeth Gaskell, and other contributors to Household Words all narrate the horrors and dehumanization that accompanied the rapid industrialization of the north of England; their multiple narrative perspectives achieve a sort of consensus and center the plight of the industrial worker for the readers of Household Words. In Narrative Bonds, Valint encourages this sort of work, in which the presence of multiple narrative voices suggests collaboration and interdependence. The critical framework she develops in her monograph offers a productive approach to reading dis/ability, gender, privilege, and a host of other critical concerns in Victorian texts that have perhaps become overly familiar. Shifting our attention to the relationship among the multiple narrators of these texts not only provides new avenues for research, scholarship, and teaching but also prompts us to reflect on and reconsider our own narratives about Victorian culture and literature.
《叙事纽带》主要关注多种叙事声音对阅读维多利亚时代小说的影响,对梅休的《伦敦劳工》和《伦敦穷人》的简短介绍指出了将瓦利特的批判方法更广泛地应用于维多利亚时代多叙述者结构的可能性。例如,《艰难时期》(1854年)和《南北》(1855年)的连载,以及《家常话》中对英国工业劳动条件的报道,可能被视为维多利亚时代小说之外的多叙述者结构的一个例子。狄更斯、伊丽莎白·盖斯凯尔和其他《家常话》的作者都叙述了伴随英格兰北部快速工业化而来的恐怖和非人化;他们的多重叙事视角达成了一种共识,为《家常话》的读者聚焦了产业工人的困境。在《Narrative Bonds》中,Valint鼓励这种类型的工作,在这种工作中,多种叙事声音的存在表明了合作和相互依存。她在她的专著中发展的批判性框架提供了一种富有成效的方法来阅读残疾/能力,性别,特权,以及维多利亚时代文本中可能变得过于熟悉的许多其他关键问题。将我们的注意力转移到这些文本的多重叙述者之间的关系上,不仅为研究、学术和教学提供了新的途径,而且还促使我们反思和重新考虑我们自己对维多利亚文化和文学的叙述。
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引用次数: 0
Writing Maternity: Medicine, Anxiety, Rhetoric, and Genre by Dara Rossman Regaignon, and: The Victorian Baby in Print: Infancy, Infant Care, and Nineteenth Century Popular Culture by Tamara S. Wagner (review) 写作母性:医学、焦虑、修辞和体裁达拉·罗斯曼·雷加尼翁和塔玛拉·s·瓦格纳的《维多利亚时代的婴儿:婴儿期、婴儿护理和19世纪的流行文化》(评论)
IF 0.2 3区 社会学 Q2 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.1353/vpr.2021.0048
Kristin E. Kondrlik
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引用次数: 0
Readership and Railway Accidents: John Herapath’s Railway Magazine 读者与铁路事故:约翰·赫拉帕斯的《铁路杂志》
IF 0.2 3区 社会学 Q2 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.1353/vpr.2021.0044
A. Barnes
Abstract:This essay explores the presentation of railway accidents in John Herapath’s Railway Magazine. While other papers published sensationalised accident reports and anti-railway pieces that relied on a dangerous image of the railway, the Railway Magazine crafted a sensibility founded on scientific rationality. Herapath reprinted the sensational reports in order to question their validity, thereby endorsing his own authority on railway matters and encouraging a similar sense of superiority amongst his readers. Ultimately, the Railway Magazine sought to tame accident reports in order to build confidence in the new transportation and promote investment in railways throughout Britain.
摘要:本文探讨了约翰·赫拉帕斯的《铁路杂志》对铁路事故的描述。当其他报纸发表耸人听闻的事故报道和基于危险的铁路形象的反铁路文章时,《铁路杂志》却在科学理性的基础上打造了一种感性。赫拉帕斯转载了这些耸人听闻的报道,以质疑它们的有效性,从而为自己在铁路问题上的权威背书,并在他的读者中鼓励类似的优越感。最终,《铁路杂志》试图驯服事故报告,以建立对新交通工具的信心,促进全英国铁路的投资。
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引用次数: 1
Emigration with a Vengeance: Undercover Investigative Journalism and Robert Louis Stevenson’s The Amateur Emigrant 《复仇的移民:秘密调查新闻》和罗伯特·路易斯·史蒂文森的《业余移民》
IF 0.2 3区 社会学 Q2 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.1353/vpr.2021.0043
S. Donovan, M. Rubery
Abstract:This essay examines the vogue for undercover exposés of transatlantic emigration during the late nineteenth century. Styling themselves “amateur emigrants,” investigators disguised their identities and adopted the methods of full participant observation in order to provide newspaper readers with a vicarious experience of the degradations of shipboard steerage travel. Recovery of this journalistic subgenre illuminates the true nature of its most famous exemplar, Robert Louis Stevenson’s The Amateur Emigrant (1895), a literary classic that originated as an undercover investigation for the press.
摘要:本文考察了19世纪末跨大西洋移民的秘密揭露活动的流行。调查人员自称为“业余移民”,他们伪装了自己的身份,采用了完全参与观察的方法,以便向报纸读者提供一种坐船旅行堕落的间接体验。这一新闻亚类型的恢复揭示了其最著名的典范——罗伯特·路易斯·史蒂文森的《业余移民》(1895)的真实本质,这是一部文学经典,起源于新闻界的秘密调查。
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引用次数: 1
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Victorian Periodicals Review
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