{"title":"Culture from the Slums: Punk Rock in East and West Germany","authors":"A. Ventsel","doi":"10.1093/gerhis/ghad038","DOIUrl":"https://doi.org/10.1093/gerhis/ghad038","url":null,"abstract":"","PeriodicalId":44471,"journal":{"name":"German History","volume":" ","pages":""},"PeriodicalIF":0.6,"publicationDate":"2023-07-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46065939","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article traces the manufacture and consumption of faience ceramics made by Hutterite communities in central Europe from the sixteenth to nineteenth centuries. The production, use and survival of Anabaptist Haban ware offers insights into the nature of Anabaptist material regimes and communities and into overlapping but distinct communities of consumption and collecting. Hutterite craftsmen were instructed to produce objects ‘in the same way as was always done’, with regulations about uncomplicated designs and colours. Yet faience Haban ware was highly sought after, and decorative items were made for powerful patrons from materials drawn from all over Europe. Such objects have now become associated with specific national ‘folk’ cultures. These distinctive remnants of Hutterite communities in Germany and central Europe problematize the material dimensions of survival, conformity and separatism in Anabaptist communities and give access to the complicated affective properties of the white faience ware that Hutterites produced.
{"title":"Simple Ceramics? Design, Decorative Materiality and Anabaptist Pottery in Early Modern Central Europe","authors":"Kat Hill","doi":"10.1093/gerhis/ghad033","DOIUrl":"https://doi.org/10.1093/gerhis/ghad033","url":null,"abstract":"This article traces the manufacture and consumption of faience ceramics made by Hutterite communities in central Europe from the sixteenth to nineteenth centuries. The production, use and survival of Anabaptist Haban ware offers insights into the nature of Anabaptist material regimes and communities and into overlapping but distinct communities of consumption and collecting. Hutterite craftsmen were instructed to produce objects ‘in the same way as was always done’, with regulations about uncomplicated designs and colours. Yet faience Haban ware was highly sought after, and decorative items were made for powerful patrons from materials drawn from all over Europe. Such objects have now become associated with specific national ‘folk’ cultures. These distinctive remnants of Hutterite communities in Germany and central Europe problematize the material dimensions of survival, conformity and separatism in Anabaptist communities and give access to the complicated affective properties of the white faience ware that Hutterites produced.","PeriodicalId":44471,"journal":{"name":"German History","volume":" ","pages":""},"PeriodicalIF":0.6,"publicationDate":"2023-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42579822","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article enquires into how townspeople in early modern Germany invested objects of foreign origin with meaning in the context of urban material culture. The basis of the argument are two interconnected case studies from Ulm in south-west Germany. The first part analyses how the seventeenth-century merchant Christoph Weickmann made sense of African artefacts which he displayed to visitors in his cabinet of curiosities, showing that his appreciation of them was closely linked to contemporary urban notions, regimes and practices of sartorial distinction. The second part zooms in on another object from Weickmann’s collection, a prayer chain with ‘Turkish’ buttons, the actual origin of which he kept secret. The biography of this object can, however, be reconstructed from the surviving narrative of its maker, Hans Ulrich Krafft, a patrician from Ulm who learned the craft of button-making and besides excelled at repairing mechanical clocks during his captivity in Tripoli in the 1570s. In his narrative, Krafft boasted about his skills as an artisan, but the manuscript was kept in the family. Nor did Weickmann, who later acquired some of the buttons made by Krafft, disclose their story, which would not have befitted a member of the patriciate. The two case studies thus demonstrate how the ‘foreignness’ of such artefacts was just one of several layers of meaning and value that were produced by the local urban community in interaction with the material qualities of the objects.
{"title":"African Gowns and Turkish Buttons: Global Horizons of Material Expertise in a German Town","authors":"Philip Hahn","doi":"10.1093/gerhis/ghad036","DOIUrl":"https://doi.org/10.1093/gerhis/ghad036","url":null,"abstract":"\u0000 This article enquires into how townspeople in early modern Germany invested objects of foreign origin with meaning in the context of urban material culture. The basis of the argument are two interconnected case studies from Ulm in south-west Germany. The first part analyses how the seventeenth-century merchant Christoph Weickmann made sense of African artefacts which he displayed to visitors in his cabinet of curiosities, showing that his appreciation of them was closely linked to contemporary urban notions, regimes and practices of sartorial distinction. The second part zooms in on another object from Weickmann’s collection, a prayer chain with ‘Turkish’ buttons, the actual origin of which he kept secret. The biography of this object can, however, be reconstructed from the surviving narrative of its maker, Hans Ulrich Krafft, a patrician from Ulm who learned the craft of button-making and besides excelled at repairing mechanical clocks during his captivity in Tripoli in the 1570s. In his narrative, Krafft boasted about his skills as an artisan, but the manuscript was kept in the family. Nor did Weickmann, who later acquired some of the buttons made by Krafft, disclose their story, which would not have befitted a member of the patriciate. The two case studies thus demonstrate how the ‘foreignness’ of such artefacts was just one of several layers of meaning and value that were produced by the local urban community in interaction with the material qualities of the objects.","PeriodicalId":44471,"journal":{"name":"German History","volume":" ","pages":""},"PeriodicalIF":0.6,"publicationDate":"2023-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44817687","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Focusing on almost 9,000 receipts issued by the ducal chancery of Friedrich I and Johann Friedrich of Württemberg between 1593 and 1628, this article charts the industriousness and material creativity of female makers and consumers in Protestant Württemberg. It provides a detailed discussion of craftswomen’s lives, materials, networks, artefacts and earnings and relates them to the duchesses’ strategies of consumption. The article examines women’s embodied creative material engagement in an increasingly diversified consumerist world, more specifically the material practices, communities and regimes of female industriousness at the court of Württemberg. By conceptualizing female industriousness in bodily, material and gendered terms and in regard to the overlapping worlds of production and consumption, this article charts women’s entrepreneurial role in shaping material lives at this Lutheran court around 1600.
{"title":"Gendering the Material Renaissance: Women, Industriousness and the Female Body at the Court of Württemberg","authors":"Stefan Hanß","doi":"10.1093/gerhis/ghad031","DOIUrl":"https://doi.org/10.1093/gerhis/ghad031","url":null,"abstract":"Abstract Focusing on almost 9,000 receipts issued by the ducal chancery of Friedrich I and Johann Friedrich of Württemberg between 1593 and 1628, this article charts the industriousness and material creativity of female makers and consumers in Protestant Württemberg. It provides a detailed discussion of craftswomen’s lives, materials, networks, artefacts and earnings and relates them to the duchesses’ strategies of consumption. The article examines women’s embodied creative material engagement in an increasingly diversified consumerist world, more specifically the material practices, communities and regimes of female industriousness at the court of Württemberg. By conceptualizing female industriousness in bodily, material and gendered terms and in regard to the overlapping worlds of production and consumption, this article charts women’s entrepreneurial role in shaping material lives at this Lutheran court around 1600.","PeriodicalId":44471,"journal":{"name":"German History","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135524944","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
No material is linked more closely to early modern Prussia than amber, and both the Hohenzollerns (rulers of Brandenburg-Prussia) and the Vasas (overlords of Royal Prussia) used it extensively for diplomatic gifts, linking this prized material to their territories. Amber was also one of the most enigmatic materials of the period, with its alchemical nature often examined by natural philosophers who sought to determine its origins and physical makeup. Prussian artisans participated in these explorations by foregrounding amber’s metamorphic qualities. Many amber artefacts carved in Königsberg and Danzig self-reflectively depict the transformation of the Heliades, the daughters of the Sun, into poplar trees, an Ovidian trope important for the understanding of amber as a material that was once something else. This article explores how the physical properties of cups, caskets and altarpieces carved in amber had consequences for how these objects were used and activated as a vehicle of elite sociability. By tapping into natural-philosophical treatises, descriptions of places, gift records and poetry, it proposes that amber’s material rhetoric was twofold: (1) to frame the geographically peripheral Prussia as a centre of cultural activity and material exploration, and (2) to encourage the perception of amber-made artefacts as multivalent media capable of evoking multiple geographic locations. It thus delves into the transcultural implications of amber, a Prussian material that simultaneously publicized and obfuscated its origins.
{"title":"Locating the Material: Prussian Carved Ambers, Place Ambiguity and a New Geography of Central European Art","authors":"Tomasz Grusiecki","doi":"10.1093/gerhis/ghad032","DOIUrl":"https://doi.org/10.1093/gerhis/ghad032","url":null,"abstract":"\u0000 No material is linked more closely to early modern Prussia than amber, and both the Hohenzollerns (rulers of Brandenburg-Prussia) and the Vasas (overlords of Royal Prussia) used it extensively for diplomatic gifts, linking this prized material to their territories. Amber was also one of the most enigmatic materials of the period, with its alchemical nature often examined by natural philosophers who sought to determine its origins and physical makeup. Prussian artisans participated in these explorations by foregrounding amber’s metamorphic qualities. Many amber artefacts carved in Königsberg and Danzig self-reflectively depict the transformation of the Heliades, the daughters of the Sun, into poplar trees, an Ovidian trope important for the understanding of amber as a material that was once something else. This article explores how the physical properties of cups, caskets and altarpieces carved in amber had consequences for how these objects were used and activated as a vehicle of elite sociability. By tapping into natural-philosophical treatises, descriptions of places, gift records and poetry, it proposes that amber’s material rhetoric was twofold: (1) to frame the geographically peripheral Prussia as a centre of cultural activity and material exploration, and (2) to encourage the perception of amber-made artefacts as multivalent media capable of evoking multiple geographic locations. It thus delves into the transcultural implications of amber, a Prussian material that simultaneously publicized and obfuscated its origins.","PeriodicalId":44471,"journal":{"name":"German History","volume":" ","pages":""},"PeriodicalIF":0.6,"publicationDate":"2023-06-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43073512","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Selbstzeugnisse vom Rhein: Interdisziplinäre Zugänge zu einer Schreib- und Reisekultur in der Romantik","authors":"Stefan Hanß","doi":"10.1093/gerhis/ghad035","DOIUrl":"https://doi.org/10.1093/gerhis/ghad035","url":null,"abstract":"","PeriodicalId":44471,"journal":{"name":"German History","volume":" ","pages":""},"PeriodicalIF":0.6,"publicationDate":"2023-06-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47396777","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This introduction outlines the key themes of this Special Issue, which responds to a need to formulate nuanced accounts of material cultures in relation to social life, religion and politics in the Holy Roman Empire. It approaches ‘the material’ through different themes in relation to sites of production, consumption and practices that created specific material regimes and communities throughout time. It also explores fundamental changes in the connection of materials, bodies and people.
{"title":"Introduction: Material Cultures and Communities in the Holy Roman Empire","authors":"Kat Hill, U. Rublack","doi":"10.1093/gerhis/ghad030","DOIUrl":"https://doi.org/10.1093/gerhis/ghad030","url":null,"abstract":"\u0000 This introduction outlines the key themes of this Special Issue, which responds to a need to formulate nuanced accounts of material cultures in relation to social life, religion and politics in the Holy Roman Empire. It approaches ‘the material’ through different themes in relation to sites of production, consumption and practices that created specific material regimes and communities throughout time. It also explores fundamental changes in the connection of materials, bodies and people.","PeriodicalId":44471,"journal":{"name":"German History","volume":" ","pages":""},"PeriodicalIF":0.6,"publicationDate":"2023-06-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43567505","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Third Reich’s Elite Schools: A History of the Napolas","authors":"R. Smith","doi":"10.1093/gerhis/ghad028","DOIUrl":"https://doi.org/10.1093/gerhis/ghad028","url":null,"abstract":"","PeriodicalId":44471,"journal":{"name":"German History","volume":" ","pages":""},"PeriodicalIF":0.6,"publicationDate":"2023-05-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43742051","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Internment in Switzerland during the First World War","authors":"Thomas Bürgisser","doi":"10.1093/gerhis/ghad026","DOIUrl":"https://doi.org/10.1093/gerhis/ghad026","url":null,"abstract":"","PeriodicalId":44471,"journal":{"name":"German History","volume":" ","pages":""},"PeriodicalIF":0.6,"publicationDate":"2023-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44504117","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：