{"title":"Toward a Reappraisal of Comparative Studies: The Case of South American Modernism","authors":"María Amalia García","doi":"10.1162/grey_a_00310","DOIUrl":"https://doi.org/10.1162/grey_a_00310","url":null,"abstract":"","PeriodicalId":44598,"journal":{"name":"Grey Room","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46810251","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“The Higher Forms Are Also the Weaker Ones”: Technics and Humanism in Max Bense's “Technical Existence”","authors":"W. Stewart","doi":"10.1162/grey_a_00308","DOIUrl":"https://doi.org/10.1162/grey_a_00308","url":null,"abstract":"","PeriodicalId":44598,"journal":{"name":"Grey Room","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48733298","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mood as the Content of Modern Art","authors":"A. Riegl","doi":"10.1162/grey_a_00301","DOIUrl":"https://doi.org/10.1162/grey_a_00301","url":null,"abstract":"","PeriodicalId":44598,"journal":{"name":"Grey Room","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45780155","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Giant's Door of St. Stephen's","authors":"A. Riegl","doi":"10.1162/grey_a_00302","DOIUrl":"https://doi.org/10.1162/grey_a_00302","url":null,"abstract":"","PeriodicalId":44598,"journal":{"name":"Grey Room","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1162/grey_a_00302","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42970263","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Restoration of the Wall Paintings in the Holy Cross Chapel of the Wawel Cathedral in Kraków","authors":"A. Riegl","doi":"10.1162/grey_a_00303","DOIUrl":"https://doi.org/10.1162/grey_a_00303","url":null,"abstract":"","PeriodicalId":44598,"journal":{"name":"Grey Room","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1162/grey_a_00303","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42207910","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mood for Modernists: An Introduction to Three Riegl Translations","authors":"Lucia Allais, Andrei Pop","doi":"10.1162/grey_e_00300","DOIUrl":"https://doi.org/10.1162/grey_e_00300","url":null,"abstract":"","PeriodicalId":44598,"journal":{"name":"Grey Room","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45420157","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Feedback Situation: Dennis Oppenheim's Cybernetics of the Family","authors":"A. Lovatt","doi":"10.1162/grey_a_00305","DOIUrl":"https://doi.org/10.1162/grey_a_00305","url":null,"abstract":"","PeriodicalId":44598,"journal":{"name":"Grey Room","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1162/grey_a_00305","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42923561","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Lucia Allais is Associate Professor of Architectural History and Theory at Columbia University. She is the author of Designs of Destruction: The Making of Monuments in the Twentieth Century (University of Chicago Press, 2018), and of numerous articles, including “On Rendering: Experience and Experiments,” in Design Technics (University of Minnesota Press, 2020). She is an editor of Grey Room and a member of Aggregate.
{"title":"Contributors","authors":"","doi":"10.1162/grey_x_00306","DOIUrl":"https://doi.org/10.1162/grey_x_00306","url":null,"abstract":"Lucia Allais is Associate Professor of Architectural History and Theory at Columbia University. She is the author of Designs of Destruction: The Making of Monuments in the Twentieth Century (University of Chicago Press, 2018), and of numerous articles, including “On Rendering: Experience and Experiments,” in Design Technics (University of Minnesota Press, 2020). She is an editor of Grey Room and a member of Aggregate.","PeriodicalId":44598,"journal":{"name":"Grey Room","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43116050","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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