Pub Date : 2023-01-01DOI: 10.21608/jatmust.2023.284379
Ahmed Abdelghani
{"title":"تداول ملكية الدور العثمانية بين المسلمين والمسيحيين وأثر ذلك على التخطيط: دار ”علي كتخدا“ الربعماية نموذجًا CIRCULATION OF OTTOMAN HOUSES' PROPERTY BY MUSLIMS AND CHRISTIANS AND ITS IMPACT ON THEIR PLAN: ʿALI KATKHUDA AL-RUBUʿMAYA HOUSE CASE STUDY","authors":"Ahmed Abdelghani","doi":"10.21608/jatmust.2023.284379","DOIUrl":"https://doi.org/10.21608/jatmust.2023.284379","url":null,"abstract":"","PeriodicalId":446200,"journal":{"name":"Journal of Archaeology and Tourism-Must","volume":"4 6","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132899108","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.21608/jatmust.2023.284702
ahmed ameen
{"title":"أوليا چلبي ومؤلفه ”سياحتنامه“: قراءة في منهجه في توثيق تراث مدينة أثينا وعمائرها EVLIYÂ ÇELEBI AND HIS WORK “SEYAHATNAME”: A READING IN HIS METHODOLOGY OF DOCUMENTING THE HERITAGE OF ATHENS AND ITS BUILDINGS","authors":"ahmed ameen","doi":"10.21608/jatmust.2023.284702","DOIUrl":"https://doi.org/10.21608/jatmust.2023.284702","url":null,"abstract":"","PeriodicalId":446200,"journal":{"name":"Journal of Archaeology and Tourism-Must","volume":"174 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116335102","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.21608/jatmust.2023.284409
Muhammed Othman
{"title":"أقدم أمر إداري خليفي على حامل معدني ”دراسة آثارية تاريخية“ THE OLDEST CALIPH’S ADMINISTRATIVE ORDER ON A METAL HOLDER “HISTORICAL ARCHAEOLOGICAL STUDY”","authors":"Muhammed Othman","doi":"10.21608/jatmust.2023.284409","DOIUrl":"https://doi.org/10.21608/jatmust.2023.284409","url":null,"abstract":"","PeriodicalId":446200,"journal":{"name":"Journal of Archaeology and Tourism-Must","volume":"os-13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133447536","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.21608/jatmust.2023.284382
Hamada Hagras
{"title":"تخطيط المساجد الأثرية الباقية في مدينة بكين \"دراسة تحليلية مقارنة\" THE LAYOUT OF THE REMAINING HISTORIC MOSQUES IN BEIJING “AN ANALYTICAL AND COMPRATIVE STUDY”","authors":"Hamada Hagras","doi":"10.21608/jatmust.2023.284382","DOIUrl":"https://doi.org/10.21608/jatmust.2023.284382","url":null,"abstract":"","PeriodicalId":446200,"journal":{"name":"Journal of Archaeology and Tourism-Must","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131135188","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.21608/jatmust.2023.284386
M. Elwan
{"title":"رباط أَزْدَمُر بمنطقة باب الوزير بالقاهرة 900-909هـ/1494-1503م دراسة آثارية معمارية مقارنة THE RIBAT OF IZDMUR IN THE BAB AL-WAZIR QUARTER AT CAIRO (900-909 H/1494-1503 CE): A COMPARATIVE ARCHITECTURAL, AND ARCHAEOLOGICAL STUDY","authors":"M. Elwan","doi":"10.21608/jatmust.2023.284386","DOIUrl":"https://doi.org/10.21608/jatmust.2023.284386","url":null,"abstract":"","PeriodicalId":446200,"journal":{"name":"Journal of Archaeology and Tourism-Must","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125560420","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-01DOI: 10.21608/jatmust.2022.253393
Radwa Omar, A. Mahmoud, Esraa Elhaddad
Orientalists’ paintings consider one of the most important historical pieces of evidence that depicted the East through western eyes; due to these paintings, many documentary records preserved before the invention of modern photography methods. The curiosity to reveal the secrets and marvels of the Islamic civilization and the East, played a crucial role in orientalists' paintings which recorded different aspects of life in the eastern Islamic world, especially the religious rituals. Orientalists’ paintings highlighted the practice of the Muslims’ prayers in a wide diversity of approaches, they painted the muezzin, the call for the prayer, and they represented both individual and congregational prayers in different positions, invocations, and glorifications after the prayers. Between the 18 th and 19 th centuries, European orientalists adopted intense realism in prayers paintings, where they were able to combine and represent both religious and secular aspects in their paintings. paintings, while shedding the light on their role in portraying and documenting Muslim prayers’ rituals, in a descriptive and analytical study detailing the artistic features and the architectural elements represented in their paintings.
{"title":"شعائر الصلاة في ضوء رسوم المستشرقين دراسة فنية تحليلية (13هـ/19م) THE PRAYER RITUALS IN THE LIGHT OF ORIENTALISTS’ PAINTINGS: AN ARTISTIC ANALYTICAL STUDY (13 H/19 A.D C.)","authors":"Radwa Omar, A. Mahmoud, Esraa Elhaddad","doi":"10.21608/jatmust.2022.253393","DOIUrl":"https://doi.org/10.21608/jatmust.2022.253393","url":null,"abstract":"Orientalists’ paintings consider one of the most important historical pieces of evidence that depicted the East through western eyes; due to these paintings, many documentary records preserved before the invention of modern photography methods. The curiosity to reveal the secrets and marvels of the Islamic civilization and the East, played a crucial role in orientalists' paintings which recorded different aspects of life in the eastern Islamic world, especially the religious rituals. Orientalists’ paintings highlighted the practice of the Muslims’ prayers in a wide diversity of approaches, they painted the muezzin, the call for the prayer, and they represented both individual and congregational prayers in different positions, invocations, and glorifications after the prayers. Between the 18 th and 19 th centuries, European orientalists adopted intense realism in prayers paintings, where they were able to combine and represent both religious and secular aspects in their paintings. paintings, while shedding the light on their role in portraying and documenting Muslim prayers’ rituals, in a descriptive and analytical study detailing the artistic features and the architectural elements represented in their paintings.","PeriodicalId":446200,"journal":{"name":"Journal of Archaeology and Tourism-Must","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125629904","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-01DOI: 10.21608/jatmust.2022.253379
A. Abdelrahman
The Clepsydra (water clock) is a system created by the ancient Egyptians to measure time by placing water in a container that takes a specific shape. It was supplied with an opening at its base from which the water drains by a specific amount at a specific time. The oldest real example of the Clepsydra dates to the reign of King Amenhotep III. It was found broken in the Karnak temple in 1904. It was restored and currently preserved in the Egyptian Museum, Cairo. The Clepsydra as a tool of daily rituals in the temple spread on the walls of Egyptian temples in the Greco-Roman Period. The Clepsydra consists of three main elements that will be explained and dealt with its meaning and way of work, then how the Clepsydra moved from ancient Egypt to Europe in the Greco-Roman period after its development
{"title":"الـساعة المائية فى مصر القديمة THE CLEPSYDRA (WATER CLOCK) IN ANCIENT EGYPT","authors":"A. Abdelrahman","doi":"10.21608/jatmust.2022.253379","DOIUrl":"https://doi.org/10.21608/jatmust.2022.253379","url":null,"abstract":"The Clepsydra (water clock) is a system created by the ancient Egyptians to measure time by placing water in a container that takes a specific shape. It was supplied with an opening at its base from which the water drains by a specific amount at a specific time. The oldest real example of the Clepsydra dates to the reign of King Amenhotep III. It was found broken in the Karnak temple in 1904. It was restored and currently preserved in the Egyptian Museum, Cairo. The Clepsydra as a tool of daily rituals in the temple spread on the walls of Egyptian temples in the Greco-Roman Period. The Clepsydra consists of three main elements that will be explained and dealt with its meaning and way of work, then how the Clepsydra moved from ancient Egypt to Europe in the Greco-Roman period after its development","PeriodicalId":446200,"journal":{"name":"Journal of Archaeology and Tourism-Must","volume":"107 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116364997","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-01DOI: 10.21608/jatmust.2022.253383
Mohammed Abdel Hafiz
The architecture carried out by the Emir Abd al-Rahman Katkhuda al-Qazdaghli at the Al-Azhar Mosque during the Ottoman era is one of the most important renovation and enlargement works that took place in Al-Azhar throughout its history. This paper focuses these works considering new archival data. The study presents, through documents and sources, a new interpretation of twenty-six architectural works carried out by Emir Abd al-Rahman Katkhuda at the Al-Azhar Mosque. Among which there are eleven located on the NW “bahari” side, including Bab al-Muzainin, and the reconstruction of the Taybersya medrese and the al-Wena’iya Zawiya. In addition to, fifteen architectural works located on the SE “qibli” side, comprising the Ottoman riwaq, the sebil, the mausoleum, the gates of al-Sa’ida, al-Shurba and al-Harameen, two minarets, and the riwaqs of al-Sa’ida, al-Haramen, and al-Takarneh. The study discusses the motives beyond the architectural works and renovations of Emir Abdul Rahman Katkhuda, and the challenges he faced to do. The paper analyses the stages of these architectural works; along with their date of foundation. The reading concludes that a simple version of the Bab al-Muzainin was existed in place of the new one reconstructed by Abd al-Rahman Katkhuda with the same name. Thus, he demolished the older Bab and rebuilt it with a new developed form as exists. The paper highlights the Abd al-Rahman Katkhuda’s works, and these works have merged with Al-Azhar Mosque. Finally, the study shows the competence of these additions and renovations with the jurisprudence context, and concludes explaining the decorative phenomena of that patron’s tomb.
{"title":"قراءة وثائقية جديدة لعمارة الأمير عبد الرحمن كتخدا بالجامع الأزهر THE ARCHITECTURAL UPGRADE OF EMIR ABD AL-RAHMAN KATKHUDA ON AL-AZHAR MOSQUE RECONSIDERED","authors":"Mohammed Abdel Hafiz","doi":"10.21608/jatmust.2022.253383","DOIUrl":"https://doi.org/10.21608/jatmust.2022.253383","url":null,"abstract":"The architecture carried out by the Emir Abd al-Rahman Katkhuda al-Qazdaghli at the Al-Azhar Mosque during the Ottoman era is one of the most important renovation and enlargement works that took place in Al-Azhar throughout its history. This paper focuses these works considering new archival data. The study presents, through documents and sources, a new interpretation of twenty-six architectural works carried out by Emir Abd al-Rahman Katkhuda at the Al-Azhar Mosque. Among which there are eleven located on the NW “bahari” side, including Bab al-Muzainin, and the reconstruction of the Taybersya medrese and the al-Wena’iya Zawiya. In addition to, fifteen architectural works located on the SE “qibli” side, comprising the Ottoman riwaq, the sebil, the mausoleum, the gates of al-Sa’ida, al-Shurba and al-Harameen, two minarets, and the riwaqs of al-Sa’ida, al-Haramen, and al-Takarneh. The study discusses the motives beyond the architectural works and renovations of Emir Abdul Rahman Katkhuda, and the challenges he faced to do. The paper analyses the stages of these architectural works; along with their date of foundation. The reading concludes that a simple version of the Bab al-Muzainin was existed in place of the new one reconstructed by Abd al-Rahman Katkhuda with the same name. Thus, he demolished the older Bab and rebuilt it with a new developed form as exists. The paper highlights the Abd al-Rahman Katkhuda’s works, and these works have merged with Al-Azhar Mosque. Finally, the study shows the competence of these additions and renovations with the jurisprudence context, and concludes explaining the decorative phenomena of that patron’s tomb.","PeriodicalId":446200,"journal":{"name":"Journal of Archaeology and Tourism-Must","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116766624","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-01DOI: 10.21608/jatmust.2022.253386
Radwa Zaki
Islamic architecture in Egypt, specifically in the city of Cairo, through the successive eras of the Islamic civilization, included parts of the former architectural heritage, where it has comprised the appropriate elements as it is, or re-adapted it to take advantage of all available building resources, which included ancient architectural elements. Therefore, a set of columns transferred from Christian edifices to the mosques of Cairo, where their capitals engraved with Christian symbols such as the cross, the bird in the shape of a pigeon or an eagle. Accordingly, the research paper aims at explaining the one of the aspects of interaction between Coptic and Islamic monuments in the ages of Islamic civilization, as a model of the connection between the Coptic and Islamic Egypt represented in the architecture, by studying examples of these columns with Christian symbols reused in mosques in Cairo. In order to shed light on the usage of those Christian architecture elements from the perspective of Islamic law, and to find out the significance of its use in religious functional buildings. These architecture elements stand as a witness of the civil character of Islamic art, which absorbed the former architectural heritage. Although, the practical- economic motives were the primary incentive for Muslims to deal with those architectural elements as building materials; it considered on the other hand a prototype of the mutual influence between the Coptic architectural heritage and Islamic culture, including the concepts of tolerance, justice and respect for religions.
{"title":"الأعمدة ذات الرموز المسيحية في مساجد مدينة القاهرة نموذج للتواصل بين الحضارة القبطية والإسلامية في مصر THE COLUMNS WITH CHRISTIAN SYMBOLS IN CAIRO MOSQUES: A MODEL OF INTERACTION BETWEEN THE COPTIC AND ISLAMIC CIVILIZATIONS IN EGYPT","authors":"Radwa Zaki","doi":"10.21608/jatmust.2022.253386","DOIUrl":"https://doi.org/10.21608/jatmust.2022.253386","url":null,"abstract":"Islamic architecture in Egypt, specifically in the city of Cairo, through the successive eras of the Islamic civilization, included parts of the former architectural heritage, where it has comprised the appropriate elements as it is, or re-adapted it to take advantage of all available building resources, which included ancient architectural elements. Therefore, a set of columns transferred from Christian edifices to the mosques of Cairo, where their capitals engraved with Christian symbols such as the cross, the bird in the shape of a pigeon or an eagle. Accordingly, the research paper aims at explaining the one of the aspects of interaction between Coptic and Islamic monuments in the ages of Islamic civilization, as a model of the connection between the Coptic and Islamic Egypt represented in the architecture, by studying examples of these columns with Christian symbols reused in mosques in Cairo. In order to shed light on the usage of those Christian architecture elements from the perspective of Islamic law, and to find out the significance of its use in religious functional buildings. These architecture elements stand as a witness of the civil character of Islamic art, which absorbed the former architectural heritage. Although, the practical- economic motives were the primary incentive for Muslims to deal with those architectural elements as building materials; it considered on the other hand a prototype of the mutual influence between the Coptic architectural heritage and Islamic culture, including the concepts of tolerance, justice and respect for religions.","PeriodicalId":446200,"journal":{"name":"Journal of Archaeology and Tourism-Must","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129312512","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-01DOI: 10.21608/jatmust.2022.253391
Ragab Aboelhassan
Due to the weakness of the mud brick, the heterogeneity of its components, and its strong influence by physicochemical factors of damage, because attention, is often paid to the stone buildings and neglects mud brick buildings, which are almost being documented and then buried again during excavations. Mud brick buildings are an integral part of the civilized development that man has achieved in the field of building through the different eras of history. Thus, mud brick conservation is one of the most important processes carried out in that field. Before the restoration of some mud brick buildings in the Tell Basta area, many tests and analyzes carried out to identify the building materials, such as analysis using X-ray diffraction, examination using a scanning electron microscope equipped with an EDX. In addition to conducting a number of field experiments for the manufacture of mud brick units suitable for the restoration of archaeological buildings in situ. Measurement of mechanical properties of mud brick samples is essential before restoring the muddy buildings in accordance with international charters regulating this matter. I participated with a team from the Department of Restoration of the Antiquities of Lower Egypt at –then– the Supreme Council of Antiquities in a project to restore the mud-bricks of Amenemhat III Palace. It was a part of a comprehensive program to develop the archaeological area at Tell Basta, and turn it into an open museum to increase tourism attraction and contribute to increasing the national income.
{"title":"ترميم المبانى الآثرية المشيدة بالطوب اللبن: قصر أمنمحات الثالث بتل بسطة نموذجًا RESTORATION OF ARCHAEOLOGICAL MUD-BRICK BUILDINGS: PALACE OF AMENEMHAT III AT TELL BASTA A CASE STUDY","authors":"Ragab Aboelhassan","doi":"10.21608/jatmust.2022.253391","DOIUrl":"https://doi.org/10.21608/jatmust.2022.253391","url":null,"abstract":"Due to the weakness of the mud brick, the heterogeneity of its components, and its strong influence by physicochemical factors of damage, because attention, is often paid to the stone buildings and neglects mud brick buildings, which are almost being documented and then buried again during excavations. Mud brick buildings are an integral part of the civilized development that man has achieved in the field of building through the different eras of history. Thus, mud brick conservation is one of the most important processes carried out in that field. Before the restoration of some mud brick buildings in the Tell Basta area, many tests and analyzes carried out to identify the building materials, such as analysis using X-ray diffraction, examination using a scanning electron microscope equipped with an EDX. In addition to conducting a number of field experiments for the manufacture of mud brick units suitable for the restoration of archaeological buildings in situ. Measurement of mechanical properties of mud brick samples is essential before restoring the muddy buildings in accordance with international charters regulating this matter. I participated with a team from the Department of Restoration of the Antiquities of Lower Egypt at –then– the Supreme Council of Antiquities in a project to restore the mud-bricks of Amenemhat III Palace. It was a part of a comprehensive program to develop the archaeological area at Tell Basta, and turn it into an open museum to increase tourism attraction and contribute to increasing the national income.","PeriodicalId":446200,"journal":{"name":"Journal of Archaeology and Tourism-Must","volume":"143 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124582487","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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