Pub Date : 1916-11-01DOI: 10.1086/bulldetmusart41935044
{"title":"A PAINTING BY FRANK W. BENSON","authors":"","doi":"10.1086/bulldetmusart41935044","DOIUrl":"https://doi.org/10.1086/bulldetmusart41935044","url":null,"abstract":"","PeriodicalId":446326,"journal":{"name":"Bulletin of the Detroit Museum of Art","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1916-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116076122","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1916-11-01DOI: 10.1086/bulldetmusart41935043
{"title":"A PAINTING BY J. ALDEN WEIR","authors":"","doi":"10.1086/bulldetmusart41935043","DOIUrl":"https://doi.org/10.1086/bulldetmusart41935043","url":null,"abstract":"","PeriodicalId":446326,"journal":{"name":"Bulletin of the Detroit Museum of Art","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1916-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129519272","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1916-11-01DOI: 10.1086/bulldetmusart41935053
Billie Lythberg
{"title":"EXHIBITIONS","authors":"Billie Lythberg","doi":"10.1086/bulldetmusart41935053","DOIUrl":"https://doi.org/10.1086/bulldetmusart41935053","url":null,"abstract":"","PeriodicalId":446326,"journal":{"name":"Bulletin of the Detroit Museum of Art","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1916-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131279193","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1916-11-01DOI: 10.1086/bulldetmusart41935049
In galleries 2 and 3 is a group of paintings by Julius Rolshoven from motives in Africa, California and New Mexico, which is one of the most refreshing one-man shows the Museum has had in recent years. Mr. Rolshoven's paintings are always characterized by that exuberance of color and spontaneity of vision which goes with first impressions and in the current exhibition this is more apparent than in any of his former shows.
{"title":"EXHIBITIONS FOR DECEMBER","authors":"","doi":"10.1086/bulldetmusart41935049","DOIUrl":"https://doi.org/10.1086/bulldetmusart41935049","url":null,"abstract":"In galleries 2 and 3 is a group of paintings by Julius Rolshoven from motives in Africa, California and New Mexico, which is one of the most refreshing one-man shows the Museum has had in recent years. Mr. Rolshoven's paintings are always characterized by that exuberance of color and spontaneity of vision which goes with first impressions and in the current exhibition this is more apparent than in any of his former shows.","PeriodicalId":446326,"journal":{"name":"Bulletin of the Detroit Museum of Art","volume":"288 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1916-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122431947","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1916-11-01DOI: 10.1086/BULLDETMUSART41935046
attack and for the reception of the onslaught. Anatomical perfection is not its lone purpose. The goats have been caught in action and the dynamic force is admirably portrayed. Frederick Roth's " Polar Bears" another animal study, which Mr. Booth has acquired for his Loan Collection, shows a pair of Arctic inhabitants poised upon ledges of ice in characteristic attitudes. Mr. Roth has composed his group admirably and has portrayed the animals as only one who is a close student of their forms and habits could portray them.
{"title":"BRONZE GIVEN BY DR. AND MRS. WALTER PARKER","authors":"","doi":"10.1086/BULLDETMUSART41935046","DOIUrl":"https://doi.org/10.1086/BULLDETMUSART41935046","url":null,"abstract":"attack and for the reception of the onslaught. Anatomical perfection is not its lone purpose. The goats have been caught in action and the dynamic force is admirably portrayed. Frederick Roth's \" Polar Bears\" another animal study, which Mr. Booth has acquired for his Loan Collection, shows a pair of Arctic inhabitants poised upon ledges of ice in characteristic attitudes. Mr. Roth has composed his group admirably and has portrayed the animals as only one who is a close student of their forms and habits could portray them.","PeriodicalId":446326,"journal":{"name":"Bulletin of the Detroit Museum of Art","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1916-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130588457","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1916-11-01DOI: 10.1086/BULLDETMUSART41935045
Few of our contemporary American painters have been more honored in recent years than Mr. Benson. After studying in Paris under Boulanger and Lefebvre, he returned to this country and has devoted himself to the subjects of his native land. If America has a national manifestation in painting, it has been furthered by such painters as Benson. He was made an associate of the National Academy in 1897 and a National Academician in 1905. He is a member of The Ten American Painters; National Institute of Arts and Letters and numbers among his awards the following: Third Hallengarten Prize, National Academy, 1889; Clarke Prize, National Academy, 1891; Columbian Exposition Medal, Chicago, 1893; Society of American Artists, N. Y., 1896; Silver Medal, Paris Exposition, 1900; Silver Medal Pan-American Exposition, Buffalo, 1901 ; Lippincott Prize, Pennsylvania Academy, 1903; two Gold Medals, St. Louis Exposition, 1904; Proctor Prize, National Academy, 1906; Gold Medal Pennsylvania Academy, 1908. Nearly all of the American Museums number one of Benson's pictures among their permanent collections.
{"title":"NEW BRONZES IN THE GEORGE G. BOOTH LOAN COLLECTION","authors":"","doi":"10.1086/BULLDETMUSART41935045","DOIUrl":"https://doi.org/10.1086/BULLDETMUSART41935045","url":null,"abstract":"Few of our contemporary American painters have been more honored in recent years than Mr. Benson. After studying in Paris under Boulanger and Lefebvre, he returned to this country and has devoted himself to the subjects of his native land. If America has a national manifestation in painting, it has been furthered by such painters as Benson. He was made an associate of the National Academy in 1897 and a National Academician in 1905. He is a member of The Ten American Painters; National Institute of Arts and Letters and numbers among his awards the following: Third Hallengarten Prize, National Academy, 1889; Clarke Prize, National Academy, 1891; Columbian Exposition Medal, Chicago, 1893; Society of American Artists, N. Y., 1896; Silver Medal, Paris Exposition, 1900; Silver Medal Pan-American Exposition, Buffalo, 1901 ; Lippincott Prize, Pennsylvania Academy, 1903; two Gold Medals, St. Louis Exposition, 1904; Proctor Prize, National Academy, 1906; Gold Medal Pennsylvania Academy, 1908. Nearly all of the American Museums number one of Benson's pictures among their permanent collections.","PeriodicalId":446326,"journal":{"name":"Bulletin of the Detroit Museum of Art","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1916-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129268583","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1916-11-01DOI: 10.1086/bulldetmusart41935047
B. Jonson, T. Dekker, D. Heath
Those who witnessed the three performances of the satirical comedy "Poetaster" by Ben Jonson on Friday evening, December 1st and Saturday afternoon and evening, December 2nd, were well repaid. The play under the personal direction of Mr. William Poel, founder and director of the Elizabethan Stage Society of London England, and acted by the students of the Carnegie Institute of Technology, Pittsburgh, afforded an opportunity to see an Elizabethan play accurately produced after the manner of those days. One finds new charm in the plays of Ben Jonson's greatest contemporary, Shakespeare, after witnessing this performance presented in all the simplicity of the time, when emphasis was placed on the lines of the poet rather than on the setting. The appeal was solely in the beauty and accuracy of the costumes and in the spoken word, and the audience went away satisfied, feeling that they had gotten close to the creative spirit of the poetry of Queen Elizabeth's golden age.
{"title":"POETASTER BY BEN JONSON","authors":"B. Jonson, T. Dekker, D. Heath","doi":"10.1086/bulldetmusart41935047","DOIUrl":"https://doi.org/10.1086/bulldetmusart41935047","url":null,"abstract":"Those who witnessed the three performances of the satirical comedy \"Poetaster\" by Ben Jonson on Friday evening, December 1st and Saturday afternoon and evening, December 2nd, were well repaid. The play under the personal direction of Mr. William Poel, founder and director of the Elizabethan Stage Society of London England, and acted by the students of the Carnegie Institute of Technology, Pittsburgh, afforded an opportunity to see an Elizabethan play accurately produced after the manner of those days. One finds new charm in the plays of Ben Jonson's greatest contemporary, Shakespeare, after witnessing this performance presented in all the simplicity of the time, when emphasis was placed on the lines of the poet rather than on the setting. The appeal was solely in the beauty and accuracy of the costumes and in the spoken word, and the audience went away satisfied, feeling that they had gotten close to the creative spirit of the poetry of Queen Elizabeth's golden age.","PeriodicalId":446326,"journal":{"name":"Bulletin of the Detroit Museum of Art","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1916-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127873896","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1916-11-01DOI: 10.1086/bulldetmusart41935050
The New Hope Group made up of R. Sloan Bredin, Morgan Colt, Daniel Garber, W. L. Lathrop, Charles Rosen and Robert Spencer will show a collection of about thirty of their paintings. All of the men with the exception of Mr. Colt have already been seen in Museum exhibitions in single examples of their work. "On the Canal , New Hope" has recently been acquired for the Museum's permanent collection through the gift of Miss Julia E. Peck. It is not difficult to draw the inference from these detached examples, that this exhibition will be one of more interest and virility than is usual in a group show. They are all men of strong personality, thoroughly grounded in their art and all of them have been highly honored in the National exhibitions of recent years. The common tie which binds them is the locality in which they have finally settled to work out their problems. While their landscape motives are found in the same community, there is no similarity in their work save the note of sincerity which is characteristic of them all.
由R. Sloan Bredin、Morgan Colt、Daniel Garber、W. L. Lathrop、Charles Rosen和Robert Spencer组成的新希望集团将展出他们约30幅画作。除了柯尔特以外，所有这些人都曾在博物馆的展览中以单件作品的形式出现过。《在运河上，新希望》最近被茱莉亚·e·佩克小姐赠与，成为博物馆的永久收藏。从这些独立的例子中不难得出结论，这次展览将比通常的群展更有趣，更有男子气概。他们都是个性鲜明、功底深厚的人，在近年来的国家级展览中都获得了很高的荣誉。把他们联系在一起的共同纽带是他们最终定居下来解决问题的地方。虽然他们的景观动机是在同一个社区，但他们的作品没有任何相似之处，除了真诚的音符，这是他们所有人的特点。
{"title":"EXHIBITIONS FOR JANUARY","authors":"","doi":"10.1086/bulldetmusart41935050","DOIUrl":"https://doi.org/10.1086/bulldetmusart41935050","url":null,"abstract":"The New Hope Group made up of R. Sloan Bredin, Morgan Colt, Daniel Garber, W. L. Lathrop, Charles Rosen and Robert Spencer will show a collection of about thirty of their paintings. All of the men with the exception of Mr. Colt have already been seen in Museum exhibitions in single examples of their work. \"On the Canal , New Hope\" has recently been acquired for the Museum's permanent collection through the gift of Miss Julia E. Peck. It is not difficult to draw the inference from these detached examples, that this exhibition will be one of more interest and virility than is usual in a group show. They are all men of strong personality, thoroughly grounded in their art and all of them have been highly honored in the National exhibitions of recent years. The common tie which binds them is the locality in which they have finally settled to work out their problems. While their landscape motives are found in the same community, there is no similarity in their work save the note of sincerity which is characteristic of them all.","PeriodicalId":446326,"journal":{"name":"Bulletin of the Detroit Museum of Art","volume":"74 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1916-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117254586","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1916-10-01DOI: 10.1086/bulldetmusart41934597
C. H. B.
Nieupori " and " Evening at Antwerp being particularly fine examples of this distinguished painter's work. The three canvases of Theodore Van Rysselberghe, one of the modern Belgian artists, are delightful for their effect of atmosphere and brilliant sunshine. It is!* impossible to enumerate the many other interesting and delightful works in this varied collection of paintings, but it will be remembered as one of the most instructive and comprehensive exhibitions it has been the privilege of Detroit to view. Many fine works of Sculpture are also included in the exhibit. Five works of Rodin, a torso of a young girl by Alhponse Legros, and "a study for the monument to the dead," by Bartholome are lent by the Luxembourg. Other sculptors represented are Louis Dejean, Antonin Mercie, Joseph Bernard, Henri Bouchard and Henri Pernot. " Fra Angelico ," by Jean-Boucher, an interesting bronze, was purchased from the collection by George G. Booth, Esq., and will form a part of his collection in the Museum. E. Q. M.
和《安特卫普之夜》是这位杰出画家作品的绝佳例证。比利时现代艺术家西奥多·范·瑞塞尔伯格的三幅油画，气氛和灿烂阳光的效果令人愉悦。它是!在这个种类繁多的绘画收藏中，我们无法列举出许多其他有趣和令人愉快的作品，但它将作为底特律有幸观看的最具启发性和最全面的展览之一而被人们记住。许多精美的雕塑作品也在展览中展出。罗丹的五幅作品、阿尔庞斯·勒格罗斯的一幅年轻女孩的躯干、巴塞洛梅的《为纪念死者而作的书房》被卢森堡博物馆借出。其他代表的雕塑家还有路易·德让、安东尼·梅尔西、约瑟夫·伯纳德、亨利·布沙尔和亨利·珀诺。”让-布歇(Jean-Boucher)的《安杰利科》(Fra Angelico)是一件有趣的青铜器，从乔治·g·布斯(George G. Booth)先生的收藏中购得。，并将成为他在博物馆收藏的一部分。E. q. m .;
{"title":"EXHIBITIONS FOR NOVEMBER","authors":"C. H. B.","doi":"10.1086/bulldetmusart41934597","DOIUrl":"https://doi.org/10.1086/bulldetmusart41934597","url":null,"abstract":"Nieupori \" and \" Evening at Antwerp being particularly fine examples of this distinguished painter's work. The three canvases of Theodore Van Rysselberghe, one of the modern Belgian artists, are delightful for their effect of atmosphere and brilliant sunshine. It is!* impossible to enumerate the many other interesting and delightful works in this varied collection of paintings, but it will be remembered as one of the most instructive and comprehensive exhibitions it has been the privilege of Detroit to view. Many fine works of Sculpture are also included in the exhibit. Five works of Rodin, a torso of a young girl by Alhponse Legros, and \"a study for the monument to the dead,\" by Bartholome are lent by the Luxembourg. Other sculptors represented are Louis Dejean, Antonin Mercie, Joseph Bernard, Henri Bouchard and Henri Pernot. \" Fra Angelico ,\" by Jean-Boucher, an interesting bronze, was purchased from the collection by George G. Booth, Esq., and will form a part of his collection in the Museum. E. Q. M.","PeriodicalId":446326,"journal":{"name":"Bulletin of the Detroit Museum of Art","volume":"68 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1916-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121425397","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1916-10-01DOI: 10.1086/bulldetmusart41934592
C. H. B.
partially nude lying out of doors on a midsummer day. A plum colored wrap has been spread upon the ground in the shade of suggested foliage, a white pillow under her head and a small parasol back of her. A gray skirt with blue stripes covers her waist and limbs, the upper part of her body being nude. The picture was first exhibited at the Munchener Kunstler Genossenschaft in Munich in 1907 where it was purchased by the late Hugo Reisinger at the sale of whose works it was acquired for the Detroit Museum of Art, Putz strikes an original note in his technical method of expression and in the broad masses of color. " Hochsommer " represents that period of his work when he was ex-
{"title":"A PAINTING BY ROBERT SPENCER","authors":"C. H. B.","doi":"10.1086/bulldetmusart41934592","DOIUrl":"https://doi.org/10.1086/bulldetmusart41934592","url":null,"abstract":"partially nude lying out of doors on a midsummer day. A plum colored wrap has been spread upon the ground in the shade of suggested foliage, a white pillow under her head and a small parasol back of her. A gray skirt with blue stripes covers her waist and limbs, the upper part of her body being nude. The picture was first exhibited at the Munchener Kunstler Genossenschaft in Munich in 1907 where it was purchased by the late Hugo Reisinger at the sale of whose works it was acquired for the Detroit Museum of Art, Putz strikes an original note in his technical method of expression and in the broad masses of color. \" Hochsommer \" represents that period of his work when he was ex-","PeriodicalId":446326,"journal":{"name":"Bulletin of the Detroit Museum of Art","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1916-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129458267","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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