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Who Are the Music Teacher Educators? Part II 谁是音乐教师教育者?第二部分
IF 1.2 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2024-04-09 DOI: 10.1177/10570837241238570
Colleen Conway
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引用次数: 0
“The Children Are Not Okay”: Choir Teachers’ Perceptions of Students Post Shutdowns "孩子们不好":合唱团教师对停课后学生的看法
IF 1.2 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2024-04-09 DOI: 10.1177/10570837241238355
Thomas J. Rinn
During the COVID-19 pandemic, most students in the United States experienced full school closure followed by a hybrid of online and in-person learning before ultimately returning to fully in-person instruction in the Fall of 2021. I investigated the experiences of three high school choir teachers during the 2021–2022 academic year to examine their perceptions of students’ engagement before, during, and post-pandemic school shutdowns. Analysis revealed common themes of (a) concerns about student attrition, (b) learning loss, (c) psychological impacts, (d) teaching accommodations, and (e) learning inequities. Choir teachers perceived the most significant difference in students post-shutdown to be their psychological health. Positive accommodations include a focus on student psychological well-being, engagement in retention and recruitment strategies, and new uses of technology in the choral context. The results provide guidance to music teacher educators preparing preservice educators to enter the workforce post-pandemic.
在 COVID-19 大流行期间,美国的大多数学生都经历了学校全面停课,随后是在线学习和现场学习的混合学习,最终在 2021 年秋季恢复了完全的现场教学。我调查了三位高中合唱团教师在 2021-2022 学年的经历,研究了他们在学校停课前、停课期间和停课后对学生参与度的看法。分析揭示了以下共同主题:(a)担心学生流失;(b)学习损失;(c)心理影响;(d)教学调整;(e)学习不公平。合唱团教师认为,停课后学生的最大不同是他们的心理健康。积极的调适措施包括关注学生的心理健康、参与保留和招募策略,以及在合唱环境中使用新技术。研究结果为音乐教师教育者在大流行后准备职前教育人员提供了指导。
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引用次数: 0
A Profile of Community College Students as Preservice Music Educators 社区学院学生作为职前音乐教育工作者的概况
IF 1.2 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2024-03-11 DOI: 10.1177/10570837241232417
Diana R. Dansereau, Michael Sundblad
The purpose of this explanatory sequential mixed-methods study was to provide a profile of preservice music educators who chose to attend community college and a description of factors that led to this choice. The study was framed by Perna’s college choice model and focused on participants’ experiences and the socioeconomic and educational contexts that predated their enrollment. Quantitative data were collected via a questionnaire to community college students who sought a career in music education ( N = 59). Qualitative data were gleaned from interviews with four participants. Most participants (77.97%) identified as White, 47.47% identified as female, the mean age was 21.90 years, and 50.85% were first-generation college students. Participants reported varying levels of cultural capital, with 54.24% receiving private lessons prior to college. Affordability, location, the opportunity to live at home, flexible scheduling, and prior positive experiences with the college were motivators for attending a community college.
这项解释性顺序混合方法研究的目的是提供选择就读社区大学的职前音乐教育工作者的概况,并描述导致这一选择的因素。研究以佩尔纳的大学选择模型为框架,重点关注参与者的经历以及入学前的社会经济和教育背景。定量数据是通过对社区大学寻求音乐教育职业的学生(59 人)进行问卷调查收集的。定性数据则是通过对四位参与者的访谈收集的。大多数参与者(77.97%)为白人,47.47%为女性,平均年龄为 21.90 岁,50.85%为第一代大学生。参与者报告了不同程度的文化资本,其中 54.24% 的人在上大学前接受过私人授课。经济实惠、地理位置、住在家里的机会、灵活的时间安排以及以前在大学的积极经历都是就读社区大学的动机。
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引用次数: 0
The Hybrid Identities of Choral Music Teacher Educators in Tier 1 Research Universities: A Phenomenological Exploration 一级研究型大学合唱音乐教师教育者的混合身份:现象学探索
IF 1.2 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2024-02-26 DOI: 10.1177/10570837241233989
Kari Adams, Jessica Nápoles
The purpose of this phenomenological study was to explore the “lived experience” of choral music teacher educators (MTEs) in hybrid positions at tier 1 research universities. After interviews with eight choral MTEs from across the United States, three themes emerged from our data: inseparable identity components, reciprocity of selves, and externally derived tension. Inseparable identity components described the ways in which participants sought to align the components of their job with their holistic teacher–researcher–conductor identities. Reciprocity of selves referred to how participants’ teacher, researcher, and conductor selves informed and were informed by each other. Finally, participants maintained security in their own holistic sense of self but experienced externally derived tension as they navigated the structural divide of performance and education in higher education.
这项现象学研究的目的是探索一级研究型大学中担任混合职务的合唱音乐教师教育者(MTEs)的 "生活经验"。在对来自美国各地的八位合唱音乐教师教育者进行访谈之后,我们的数据中出现了三个主题:不可分割的身份组成部分、自我的互惠性以及外部衍生的紧张关系。不可分割的身份组成部分描述了参与者如何努力使他们的工作组成部分与其教师-研究者-指挥的整体身份保持一致。自我的互惠性指的是参与者的教师、研究者和指挥家自我是如何相互启发的。最后,参与者保持了自我整体感的安全感,但在高等教育中,当他们游走于表演与教育的结构性鸿沟时,又体验到了来自外部的紧张感。
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引用次数: 0
“We Are All Teachers Here”: Identity Construction in a 4-Year Lab Choir "我们都是这里的老师":四年级实验室合唱团的身份构建
IF 1.2 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2023-12-30 DOI: 10.1177/10570837231216716
K. Adams
The purpose of this intrinsic case study was to examine how preservice music teachers’ participation in a 4-year lab choir setting contributed to their teacher identity construction. This lab choir represents an uncommon case of peer teaching because preservice teachers enroll in the course each semester of their undergraduate career and participate as singers for multiple semesters before taking on the teacher role, at which point they are teaching an ensemble made up largely of younger students. The eight participants in this study were choral music education majors who had been members of the lab choir since their first semester at the university. Three themes emerged from the data: culture of identity construction, evolution through coursework, and peers as future selves. Participants felt the lab choir experience contributed positively to their identity construction and skill acquisition. Implications for music teacher education are discussed.
这项内在案例研究的目的,是考察职前音乐教师参与为期四年的实验合唱团是如何促进其教师身份建构的。这个实验合唱团是一个不常见的同伴教学案例,因为职前教师在其本科生涯的每个学期都会报名参加该课程,并在担任教师角色之前作为歌手参与多个学期的活动,而此时他们正在教授一个主要由低年级学生组成的合唱团。本研究的八名参与者都是合唱音乐教育专业的学生,他们从大学第一学期开始就是实验合唱团的成员。数据中出现了三个主题:身份建构文化、课程学习中的演变以及作为未来自我的同伴。参与者认为,实验合唱团的经历对他们的身份构建和技能学习起到了积极的促进作用。本文讨论了对音乐教师教育的启示。
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引用次数: 0
Symposium on Music Teacher Education: Looking Back at 2023, Looking Forward to 2025 音乐教师教育研讨会:回顾 2023 年,展望 2025 年
IF 1.2 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2023-12-30 DOI: 10.1177/10570837231220106
S. Powell
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引用次数: 0
A Phenomenological Exploration of the Co-Teaching Experiences of Associate Choir Teachers in Texas 对得克萨斯州合唱团副教师共同教学经历的现象学探索
IF 1.2 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2023-12-18 DOI: 10.1177/10570837231216723
Jessica Nápoles, Jamey Kelley, Julianna LoBiondo
The purpose of this descriptive phenomenological study was to examine the co-teaching experiences of secondary choir teachers in associate director positions in the state of Texas. We interviewed 12 participants, who had held an associate director position for at least 3 years, two times across a 4-month period. Three themes emerged from the data: personal compatibility with head director, context for mentoring and learning, and hierarchical structures. The most satisfied associate directors had a positive relationship with their head director colleague, felt that their input was valued, and collaborated as part of a team. They desired to learn and receive mentorship from their colleague, though that mentorship was facilitated or impeded by context. Hierarchical structures were pervasive and affected job roles, associate directors’ sense of agency, and the choirs they taught.
这项描述性现象学研究旨在考察德克萨斯州担任副指挥职务的中学合唱团教师的合作教学经验。我们在 4 个月的时间里对 12 名担任副指挥职位至少 3 年的参与者进行了两次访谈。数据中出现了三个主题:与团长的个人契合度、指导和学习的环境以及等级结构。最满意的副主任与他们的主任同事关系积极,认为他们的意见受到重视,并作为团队的一分子进行合作。他们希望从同事那里学习和接受指导,尽管这种指导会受到环境的影响。等级结构普遍存在,并影响到工作角色、副团长的代理意识以及他们所教的合唱团。
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引用次数: 0
Playing on Both Sides of the Djembe: Preservice Music Teacher Development Through Facilitating Drumming at a Special Education School 在手鼓的两面演奏:通过在特殊教育学校协助击鼓促进职前音乐教师的发展
IF 1.2 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2023-12-18 DOI: 10.1177/10570837231217100
Mignon van Vreden
Despite a renewed interest in music teacher education practices with real-world implications, the heterogeneity of learners is often daunting to early-career educators. There is a lack of specific and adequate coursework in undergraduate music education programs to prepare preservice music teachers (PSMTs) for teaching diverse learner populations, including learners with disabilities. Drawing on a project where PSMTs facilitated drumming sessions at a special education school, this case study explored PSMTs’ experiences of project-based service learning in a special educational setting. Five themes that emerged from the data describing PSMTs’ experiences suggest that such initiatives with learners at a special education school can foster student responsiveness and autonomy. The findings describe how integrating dialectic aspects could nurture the music-teaching skills of a PSMT. These aspects are joy and challenges, expectations and reactions, and learning to teach individually and in a group.
尽管人们对具有现实影响的音乐教师教育实践重新产生了兴趣,但学习者的异质性往往令初入职场的教育工作者望而生畏。在本科音乐教育课程中,缺乏具体而充分的课程来帮助职前音乐教师(PSMTs)为教授包括残疾学生在内的不同学习群体做好准备。本案例研究借鉴了职前音乐教师在特殊教育学校主持击鼓课程的项目,探讨了职前音乐教师在特殊教育环境中开展基于项目的服务学习的经验。从描述 PSMT 经验的数据中得出的五个主题表明,在特殊教育学校与学习者开展此类活动可以培养学生的反应能力和自主性。研究结果描述了如何结合辩证的方面来培养 PSMT 的音乐教学技能。这些方面包括快乐与挑战、期望与反应,以及学习个人和小组教学。
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引用次数: 0
Exploring Preservice Music Teachers’ Self-Reflections: A Comparison of Immediate and Video Reflections 职前音乐教师自我反思之探讨:即时反思与影像反思之比较
Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2023-11-14 DOI: 10.1177/10570837231208224
Kim Barclift, Rebecca B. MacLeod
The purpose of this study was to compare preservice music teachers’ self-reflections about their teaching from two perspectives: immediate reflection and video reflection. Preservice music teachers’ reflections were analyzed, and 22 codes emerged. Our analysis of the preservice music teachers’ reflections found that the 22 codes aligned with self, task, and student impact concerns as outlined by Fuller and Bown (1975). Preservice music teacher reflections focused primarily on task concerns (1,137), followed by self-concerns (441) and student impact concerns (343). A significant difference was found between immediate and video reflections for self-concerns ( W = −98 p = .02) but not for task or student impact concerns. Self-concerns about musical leadership, teacher talk, and teacher delivery were mostly noted following video reflections, while concerns of student engagement, student success, teaching strategies, student assessment, and feedback were referenced immediately following their lesson.
本研究的目的是比较职前音乐教师的教学自我反思,从两个角度:即时反思和视频反思。对职前音乐教师的反思进行分析,得出22条准则。我们对职前音乐教师反思的分析发现,富勒和鲍恩(1975)概述的22个准则与自我、任务和学生影响问题一致。职前音乐教师的反思主要集中在任务关注(1137),其次是自我关注(441)和学生影响关注(343)。即时反思和视频反思在自我关注方面存在显著差异(W = - 98 p = 0.02),但在任务或学生影响方面没有显著差异。自我关注的音乐领导力、老师的谈话和老师的演讲主要是在视频反思后注意到的,而学生参与、学生成功、教学策略、学生评估和反馈的关注是在他们的课程结束后立即提到的。
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引用次数: 0
Who Are the Music Teacher Educators? Part 1 谁是音乐教师教育者?第1部分
Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2023-10-30 DOI: 10.1177/10570837231207953
Colleen Conway
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引用次数: 0
期刊
Journal of Music Teacher Education
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