Abstract During the Black Decade, Algerian French speaking writers were confronted with several issues in the way their novels were received. The meaning of these novels has often been misrepresented. Boualem Sansal, whose first novel was published in 1999, develops original generic and enunciative strategies to bypass the obstacles that he noticed during these troubled years. He lays the foundations for a new deal with his readers, based on ethics and responsibility. The author aims to show that the denunciation of violence and its root causes can only make a significant impact if the reader is involved as an active partner.
{"title":"Écrire la guerre civile algérienne : la mise en place d’un nouveau pacte de lecture dans Le Serment des barbares de Boualem Sansal","authors":"Lisa Romain","doi":"10.1515/difra-2015-0002","DOIUrl":"https://doi.org/10.1515/difra-2015-0002","url":null,"abstract":"Abstract During the Black Decade, Algerian French speaking writers were confronted with several issues in the way their novels were received. The meaning of these novels has often been misrepresented. Boualem Sansal, whose first novel was published in 1999, develops original generic and enunciative strategies to bypass the obstacles that he noticed during these troubled years. He lays the foundations for a new deal with his readers, based on ethics and responsibility. The author aims to show that the denunciation of violence and its root causes can only make a significant impact if the reader is involved as an active partner.","PeriodicalId":448439,"journal":{"name":"Dialogues francophones","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126872650","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ljiljana Matić, Le Lys dans la neige : Essais de littérature québécoise. Novi Sad : Filozofski Fakultet, 2010, 234 p. ISBN 978-86-6065-055-1.","authors":"N. Eiben","doi":"10.1515/difra-2015-0019","DOIUrl":"https://doi.org/10.1515/difra-2015-0019","url":null,"abstract":"","PeriodicalId":448439,"journal":{"name":"Dialogues francophones","volume":"1119 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122937545","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract We would like to focus on the relationship between sport and war in literature by interrogating military engagement as an accepted form of violence. To address this issue, we analyse a narrative fiction by Jean Hatzfeld, entitled Robert Mitchum ne revient pas [Robert Mitchum is not coming back], which is based on the Bosnian War. By mixing sport, war and journalism, the author discusses the challenges of war testimony, between fascination with violence and pacifism.
我们想通过质疑军事交战作为一种被接受的暴力形式来关注文学中体育与战争之间的关系。为了解决这个问题，我们分析了让·哈茨菲尔德的一部叙事小说，题为《罗伯特·米彻姆不会回来了》(Robert Mitchum ne revient pas)，小说以波斯尼亚战争为基础。通过将体育、战争和新闻结合在一起，作者讨论了战争见证的挑战，在对暴力的迷恋和和平主义之间。
{"title":"Tireur olympique/embusqué : récit sportif et fiction de la guerre dans Robert Mitchum ne revient pas de Jean Hatzfeld","authors":"Pierre Vaucher","doi":"10.1515/difra-2015-0004","DOIUrl":"https://doi.org/10.1515/difra-2015-0004","url":null,"abstract":"Abstract We would like to focus on the relationship between sport and war in literature by interrogating military engagement as an accepted form of violence. To address this issue, we analyse a narrative fiction by Jean Hatzfeld, entitled Robert Mitchum ne revient pas [Robert Mitchum is not coming back], which is based on the Bosnian War. By mixing sport, war and journalism, the author discusses the challenges of war testimony, between fascination with violence and pacifism.","PeriodicalId":448439,"journal":{"name":"Dialogues francophones","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115152940","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Georgiana Lungu-Badea, Idei şi metaidei traductive româneşti (secolele XVI-XXI) [Idées et métaidées traductives roumaines (XVIe- XXIe siècles)]. Colecţia „Metalepsis. Studii de traducere şi traductologie”, Timişoara : Editura Eurostampa, 2013, 230 p. ISBN 978-606-569-626-6.","authors":"Simona Constantinovici","doi":"10.1515/difra-2015-0018","DOIUrl":"https://doi.org/10.1515/difra-2015-0018","url":null,"abstract":"","PeriodicalId":448439,"journal":{"name":"Dialogues francophones","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121193827","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Adriana Babeţi, Amazoanele. O poveste [Les Amazones. Un conte]. Iaşi: Editura Polirom, 2013, 744 p. ISBN 978-973-46-3944-1.","authors":"Dana Percec","doi":"10.1515/difra-2015-0017","DOIUrl":"https://doi.org/10.1515/difra-2015-0017","url":null,"abstract":"","PeriodicalId":448439,"journal":{"name":"Dialogues francophones","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128832048","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Female characters occupy a special place in Felicia Mihali’s novels. Victims of both Man and History, they show a remarkable endurance in the face of life’s difficulties. Special attention will be paid to the novels Le Pays du fromage [The Land of Cheese] and Confession pour un ordinateur [Confession to a Computer] whose narrators (re)construct their identity from fragmented memories, readings, and reveries. With the help of Boris Cyrulnik’ observations, this article will show how these enduring women’s resilience is “knitted” concurrently with that of their people, a people tried by many social and historic disruptions.
{"title":"De l’endurance à la résilience : les romans de Felicia Mihali","authors":"M. Ionescu","doi":"10.1515/difra-2015-0012","DOIUrl":"https://doi.org/10.1515/difra-2015-0012","url":null,"abstract":"Abstract Female characters occupy a special place in Felicia Mihali’s novels. Victims of both Man and History, they show a remarkable endurance in the face of life’s difficulties. Special attention will be paid to the novels Le Pays du fromage [The Land of Cheese] and Confession pour un ordinateur [Confession to a Computer] whose narrators (re)construct their identity from fragmented memories, readings, and reveries. With the help of Boris Cyrulnik’ observations, this article will show how these enduring women’s resilience is “knitted” concurrently with that of their people, a people tried by many social and historic disruptions.","PeriodicalId":448439,"journal":{"name":"Dialogues francophones","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125829109","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cuadernos de Filología Francesa 24, Hommage à Maurice Toussaint, Universidad de Extremadura, Cáceres, 2013, ISSN : 1135 8637, 393 p.","authors":"Luminița Vleja","doi":"10.1515/difra-2015-0010","DOIUrl":"https://doi.org/10.1515/difra-2015-0010","url":null,"abstract":"","PeriodicalId":448439,"journal":{"name":"Dialogues francophones","volume":"66 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114213585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The shame of being what they are in comparison with the Other supposed to have it (phallic jouissance) creates a relationship, leading to activism and/or symptom, between several characters of French-speaking writers as remote in space as Henri Lopes (Congo), Louis-Philippe Dalembert (Haiti) and Diane Meur (Belgium). The discomfort of the half-blood, Puerto Rican, Jew, for instance, which, for his part and speaking from Belgium, Marc Quaghebeur considers as giving rise to an “enjoyment of the complex,” opening it up onto the world. In Diane Meur’s work, a moral debt or a family secret occasion blush as a consequence of a state of profound ontological instability.
{"title":"Hontologie comparée : de Lopes à Dalembert et Quaghebeur, au r(o)ugissement dans l’œuvre de Diane Meur","authors":"Bernadette Desorbay","doi":"10.1515/difra-2015-0023","DOIUrl":"https://doi.org/10.1515/difra-2015-0023","url":null,"abstract":"Abstract The shame of being what they are in comparison with the Other supposed to have it (phallic jouissance) creates a relationship, leading to activism and/or symptom, between several characters of French-speaking writers as remote in space as Henri Lopes (Congo), Louis-Philippe Dalembert (Haiti) and Diane Meur (Belgium). The discomfort of the half-blood, Puerto Rican, Jew, for instance, which, for his part and speaking from Belgium, Marc Quaghebeur considers as giving rise to an “enjoyment of the complex,” opening it up onto the world. In Diane Meur’s work, a moral debt or a family secret occasion blush as a consequence of a state of profound ontological instability.","PeriodicalId":448439,"journal":{"name":"Dialogues francophones","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128891596","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Atiq Rahimi’s Syngué Sabour is not a classical war novel, in spite of the fact that war is the organizing theme of the novel. The plot of the novel may be set in Afghanistan, a country where war has been a permanent and integral part of the people’s everyday life for generations. How is it possible to describe a never ending, dreadful war without making the writing sensationalist or pathetic? What kinds of language tools and stylistic devices are used by Rahimi to describe the violence of war? When words are not adequate for the depiction of the violence of war, what extralinguistic strategies can the writer employ? These are the research questions the article explores.
{"title":"Écrire la guerre sans fin : le roman Syngué Sabour. Pierre de patience d’Atiq Rahimi","authors":"Gabriella Körömi","doi":"10.1515/difra-2015-0001","DOIUrl":"https://doi.org/10.1515/difra-2015-0001","url":null,"abstract":"Abstract Atiq Rahimi’s Syngué Sabour is not a classical war novel, in spite of the fact that war is the organizing theme of the novel. The plot of the novel may be set in Afghanistan, a country where war has been a permanent and integral part of the people’s everyday life for generations. How is it possible to describe a never ending, dreadful war without making the writing sensationalist or pathetic? What kinds of language tools and stylistic devices are used by Rahimi to describe the violence of war? When words are not adequate for the depiction of the violence of war, what extralinguistic strategies can the writer employ? These are the research questions the article explores.","PeriodicalId":448439,"journal":{"name":"Dialogues francophones","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128892078","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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