Pub Date : 2022-09-01DOI: 10.1215/00267929-9791029
Michael Dango
{"title":"Queer Angels in Post-1945 American Literature and Culture: Bad Beatitudes","authors":"Michael Dango","doi":"10.1215/00267929-9791029","DOIUrl":"https://doi.org/10.1215/00267929-9791029","url":null,"abstract":"","PeriodicalId":44947,"journal":{"name":"MODERN LANGUAGE QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85952591","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.1215/00267929-9644656
Fredrik Tydal
In 1937, two years following the American original, Pylon became the first novel by William Faulkner to be translated into Italian. The choice, however, is unexpected, given the critique of technology in Faulkner’s cautionary tale, which would seem to oppose the fascist ideology of Mussolini’s regime, then at its height. Like the futurists, whose ideas they appropriated, the fascists idealized technological progress, committing themselves to what Faulkner’s novel calls into question. The translation of foreign literature under fascism was a complex and dynamic field, as theorized by Cesare Pavese, who argued that American novels in Italian translation played a role in the domestic intellectual resistance. Against this background, the Italian translation of Faulkner’s novel may thus appear as an antifascist act. Indeed, the translator’s introduction to the work foregrounds the theme of technological critique and implicitly asserts its relevance for contemporary Italy. A closer examination of publisher and translator complicates the picture, revealing contradictory intentions and casting subversive aims into doubt. Nevertheless, an ambitious publishing project in the immediate postwar period, which sought to mobilize the novel for the purposes of national reconstruction, confirms the inherent antifascist potential of the translation.
{"title":"Today We Fly, Tomorrow We Fall: William Faulkner’s Pylon in Fascist Italy","authors":"Fredrik Tydal","doi":"10.1215/00267929-9644656","DOIUrl":"https://doi.org/10.1215/00267929-9644656","url":null,"abstract":"\u0000 In 1937, two years following the American original, Pylon became the first novel by William Faulkner to be translated into Italian. The choice, however, is unexpected, given the critique of technology in Faulkner’s cautionary tale, which would seem to oppose the fascist ideology of Mussolini’s regime, then at its height. Like the futurists, whose ideas they appropriated, the fascists idealized technological progress, committing themselves to what Faulkner’s novel calls into question. The translation of foreign literature under fascism was a complex and dynamic field, as theorized by Cesare Pavese, who argued that American novels in Italian translation played a role in the domestic intellectual resistance. Against this background, the Italian translation of Faulkner’s novel may thus appear as an antifascist act. Indeed, the translator’s introduction to the work foregrounds the theme of technological critique and implicitly asserts its relevance for contemporary Italy. A closer examination of publisher and translator complicates the picture, revealing contradictory intentions and casting subversive aims into doubt. Nevertheless, an ambitious publishing project in the immediate postwar period, which sought to mobilize the novel for the purposes of national reconstruction, confirms the inherent antifascist potential of the translation.","PeriodicalId":44947,"journal":{"name":"MODERN LANGUAGE QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74443663","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.1215/00267929-9644747
Gary J. Handwerk
{"title":"The Shortest Way with Defoe: “Robinson Crusoe,” Deism, and the Novel","authors":"Gary J. Handwerk","doi":"10.1215/00267929-9644747","DOIUrl":"https://doi.org/10.1215/00267929-9644747","url":null,"abstract":"","PeriodicalId":44947,"journal":{"name":"MODERN LANGUAGE QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82199095","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.1215/00267929-9644786
{"title":"Present Tense: Literary History in Our Time","authors":"","doi":"10.1215/00267929-9644786","DOIUrl":"https://doi.org/10.1215/00267929-9644786","url":null,"abstract":"","PeriodicalId":44947,"journal":{"name":"MODERN LANGUAGE QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85831344","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.1215/00267929-9644695
R. Strier
{"title":"“Thy Words Do Finde Me Out”: Aaron Kunin’s Love Three","authors":"R. Strier","doi":"10.1215/00267929-9644695","DOIUrl":"https://doi.org/10.1215/00267929-9644695","url":null,"abstract":"","PeriodicalId":44947,"journal":{"name":"MODERN LANGUAGE QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87684338","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.1215/00267929-9644682
R. Srinivasan
This brief essay outlines the case for a postcolonial presentism arising at the intersection of two urgent areas of inquiry: the literary and linguistic study of global Anglophonism, on the one hand, and the humanistic and social-scientific study of the Anthropocene, on the other. It explores a series of entangled definitions of the Anglophone and the Anthropocene, including how each serves as an assessment of the uneven present, as a universalizing discourse, and as a force of temporalization. The essay contests the proposition that the key conceptual problem posed by the present is its “unthinkability” and argues instead for a reconsideration, through a strategically presentist postcolonial literary studies, of the present’s relationship to past and future.
{"title":"The Anglophone and the Anthropocene: Postcolonial in the Present Tense","authors":"R. Srinivasan","doi":"10.1215/00267929-9644682","DOIUrl":"https://doi.org/10.1215/00267929-9644682","url":null,"abstract":"\u0000 This brief essay outlines the case for a postcolonial presentism arising at the intersection of two urgent areas of inquiry: the literary and linguistic study of global Anglophonism, on the one hand, and the humanistic and social-scientific study of the Anthropocene, on the other. It explores a series of entangled definitions of the Anglophone and the Anthropocene, including how each serves as an assessment of the uneven present, as a universalizing discourse, and as a force of temporalization. The essay contests the proposition that the key conceptual problem posed by the present is its “unthinkability” and argues instead for a reconsideration, through a strategically presentist postcolonial literary studies, of the present’s relationship to past and future.","PeriodicalId":44947,"journal":{"name":"MODERN LANGUAGE QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72417629","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.1215/00267929-9644669
M. Gamsa
Joseph Brodsky’s poem “Letters from the Ming Dynasty” (1977) stands out among his work for its prominent Chinese theme. This essay considers the poem against the background of some distant European precedents in order to situate it in the history of world literature. It explains what the poem does, how it does it, and how it connects with the main themes of Brodsky’s poetry. To further contextualize “Letters from the Ming Dynasty” in twentieth-century literary history, the essay compares it with uses of China by European modernists before concluding by briefly looking at examples of the mirror phenomenon, Chinese writers who “borrowed the voice” of Westerners. The relevance of Brodsky’s example to present-day debates on “cultural appropriation” becomes apparent.
{"title":"Joseph Brodsky’s Borrowed Chinese Voice","authors":"M. Gamsa","doi":"10.1215/00267929-9644669","DOIUrl":"https://doi.org/10.1215/00267929-9644669","url":null,"abstract":"\u0000 Joseph Brodsky’s poem “Letters from the Ming Dynasty” (1977) stands out among his work for its prominent Chinese theme. This essay considers the poem against the background of some distant European precedents in order to situate it in the history of world literature. It explains what the poem does, how it does it, and how it connects with the main themes of Brodsky’s poetry. To further contextualize “Letters from the Ming Dynasty” in twentieth-century literary history, the essay compares it with uses of China by European modernists before concluding by briefly looking at examples of the mirror phenomenon, Chinese writers who “borrowed the voice” of Westerners. The relevance of Brodsky’s example to present-day debates on “cultural appropriation” becomes apparent.","PeriodicalId":44947,"journal":{"name":"MODERN LANGUAGE QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74431779","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.1215/00267929-9644773
S. Sillars
{"title":"The Victorian Cult of Shakespeare: Bardology in the Nineteenth Century","authors":"S. Sillars","doi":"10.1215/00267929-9644773","DOIUrl":"https://doi.org/10.1215/00267929-9644773","url":null,"abstract":"","PeriodicalId":44947,"journal":{"name":"MODERN LANGUAGE QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74993806","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.1215/00267929-9644721
Laura Chrisman
{"title":"At Penpoint: African Literatures, Postcolonial Studies, and the Cold War","authors":"Laura Chrisman","doi":"10.1215/00267929-9644721","DOIUrl":"https://doi.org/10.1215/00267929-9644721","url":null,"abstract":"","PeriodicalId":44947,"journal":{"name":"MODERN LANGUAGE QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81255415","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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