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THE EPIC SCOWL: A NOTE ON THE METONYMIC BASIS AND CONTEXTUAL MEANING OF THE FORMULA ὑπόδρα ἰδών 史诗般的怒容&兼论公式的转喻基础和语境意义ὑπξδραἰδ
IF 0.1 4区 历史学 Q2 Arts and Humanities Pub Date : 2022-09-06 DOI: 10.1017/S0017383522000031
Fabian Horn
Drawing on the perspectives of cognitive linguistics and evolutionary biology, this contribution revisits the meaning of the Homeric formula ὑπόδρα ἰδών, literally ‘looking from below’, which is generally acknowledged as an indication of anger in epic poetry. A detailed examination of the phrase suggests that the facial expression it refers to was originally an inclination of the head while maintaining a fixed gaze ahead, resulting in a view from beneath lowered brows. It is argued that this position of the head serves as a functional preparation for a physical conflict, and consequently that the epic phrase ὑπόδρα ἰδών is not merely a metonym for anger but also a signal of the willingness to resort to violence if the conflict is not resolved by other means. This is also borne out by the contexts in which the formula occurs, since in most cases the speeches introduced with a ‘look from below’ are either followed by violent actions or cause their addressee to retract the offence.
这篇文章从认知语言学和进化生物学的角度重新审视了荷马公式的含义ὑπξδραἰδ,字面意思是“从下面看”,这在史诗中被普遍认为是愤怒的象征。对这个短语的详细研究表明,它所指的面部表情最初是头部倾斜,同时保持凝视前方,从而从低垂的眉毛下方看到。有人认为,这种头部位置是身体冲突的功能性准备,因此,这句史诗般的短语ὑπξδραἰδε不仅是愤怒的转喻,也是如果冲突不能通过其他方式解决,愿意诉诸暴力的信号。这一点也得到了公式出现的背景的证明,因为在大多数情况下,以“从下面看”开头的演讲之后要么是暴力行为,要么是导致收件人收回罪行。
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引用次数: 0
DOMESTIC COMEDY AND THE CLASSICAL GREEK HOUSE 家庭喜剧和古典希腊戏剧
IF 0.1 4区 历史学 Q2 Arts and Humanities Pub Date : 2022-09-06 DOI: 10.1017/S0017383522000079
Matthew Wright
Greek comedy, especially New Comedy, contains many incidental descriptions of domestic interiors. This article argues that such descriptions constitute a valuable and overlooked source of evidence for historians of the classical Greek house; they are also of interest to literary critics in that they contribute to the thematic and conceptual meaning of the plays. The article presents and discusses all the surviving comic evidence for houses, including many previously neglected comic fragments, as well as a key scene from Menander's Samia which is more detailed than any other surviving literary depiction.
希腊喜剧,尤其是新喜剧,包含了许多关于家庭内部的偶然描述。这篇文章认为,这样的描述构成了一个有价值和被忽视的证据来源,为历史学家的古典希腊房子;它们也引起了文学评论家的兴趣,因为它们有助于戏剧的主题和概念意义。这篇文章介绍并讨论了所有幸存的房屋漫画证据,包括许多以前被忽视的漫画片段,以及梅南德的《萨米亚》中的一个关键场景,该场景比任何其他幸存的文学描述都更详细。
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引用次数: 0
GAR series 2 volume 69 issue 2 Cover and Back matter GAR系列2卷69期2封面和封底
IF 0.1 4区 历史学 Q2 Arts and Humanities Pub Date : 2022-09-06 DOI: 10.1017/s0017383522000171
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引用次数: 0
Latin Literature 拉丁文学
IF 0.1 4区 历史学 Q2 Arts and Humanities Pub Date : 2022-09-06 DOI: 10.1017/S0017383522000092
A. Walter
There have been very many exciting books on Latin literature in the past six months; here is at least a small selection. J. N. Adams presents an impressive volume on asyndeton in Latin literature. Based on a thorough examination of different types of asyndeta, with a special focus on asyndeta bimembria (‘asyndeta with two members’), Adams discusses ‘grammatical’ and semantic types of asyndeta, as well as their characteristic structural patterns, followed by a discussion of genres and texts, from laws and prayers over asyndeta from texts of the early Republic to the Augustan period. For historiography, Tacitus’ Histories and Annals are included as well. In the course of his discussion, Adams debunks some long-held beliefs about Latin asyndeta, which, he shows, are not predominantly a feature of sacral or legal language, as has often been claimed. He also argues that asyndeton, rather than evoking speed or rapidity, may instead invite a reading that is slow and deliberate, with meaningful pauses between the individual words (that most famous Latin asyndeton, which is printed on the dust jacket and discussed on 77–8, veni, vidi, vici [‘I came, I saw, I conquered’], works very well as an example).
在过去的六个月里,有很多关于拉丁文学的激动人心的书;这里至少有一个小的选择。J·N·亚当斯出版了一本关于拉丁文学中的安辛德顿的著作,令人印象深刻。亚当斯在对不同类型的同义词进行全面研究的基础上,特别关注同义词bimembria(“有两个成员的同义词”),讨论了同义词的“语法”和语义类型及其特征结构模式,然后讨论了体裁和文本,从共和国早期到奥古斯都时期的法律和祈祷。在史学方面,塔西陀的《史记》和《编年史》也包括在内。在讨论过程中,亚当斯揭穿了一些长期以来对拉丁语asyndata的看法,他表明,拉丁语asindeta并不像人们经常声称的那样,主要是骶骨或法律语言的一个特征。他还认为,asyneton,而不是唤起速度或快速,可能会引起一种缓慢而深思熟虑的阅读,在单个单词之间有意义的停顿(最著名的拉丁语asynetoon,印在防尘套上,在77–8,veni,vidi,vici[“我来了,我看到了,我征服了”]上进行了讨论,作为一个例子,效果非常好)。
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引用次数: 0
Art and Archaeology 艺术与考古学
IF 0.1 4区 历史学 Q2 Arts and Humanities Pub Date : 2022-09-06 DOI: 10.1017/S0017383522000122
Shelley Hales
In preparation for my first review, I have had the pleasure to read books that showcase the current breadth of contemporary study of ancient visual and material cultures, from subjects as diverse as canine skeletons in Athens, Egyptian papyri, and medieval mosques, and approaches ranging from the close analysis of pigment on Roman marble sculpture to the exploration of ‘viewsheds’ on the acropolis.
为了准备我的第一篇评论,我很高兴地阅读了一些展示当代古代视觉和物质文化研究的书籍,从雅典的犬类骨骼、埃及的纸莎草纸和中世纪的清真寺等各种主题,从对罗马大理石雕塑颜料的仔细分析到对卫城“视野”的探索。
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引用次数: 0
TRIUMPH IN OVID: BETWEEN LITERARY TRADITION AND AUGUSTAN PROPAGANDA 《奥维德的胜利》:文学传统与奥古斯都宣传之间
IF 0.1 4区 历史学 Q2 Arts and Humanities Pub Date : 2022-09-06 DOI: 10.1017/S001738352200002X
Paola Gagliardi
The Roman triumph is treated by the Augustan poets from a literary and political perspective. Ovid in particular gives it original and ambiguous features. The topic is often presented as the prediction of a triumph, a point of view perhaps inherited from Gallus. Propertius innovates from the Gallan original, and Ovid uses Propertius’ treatment for further innovations. In his exile poetry, Ovid makes further substantial changes to the use of the triumph, which raises pointed questions as to the poet's sincerity in his apparent praise of Augustus and Tiberius.
奥古斯都诗人从文学和政治的角度来看待罗马人的胜利。尤其是奥维德赋予了它原始而模糊的特征。这个主题通常被描述为胜利的预言,这一观点可能继承自加卢斯。Propertius从Gallan的原作中进行创新,奥维德使用Propertius的治疗方法进行进一步的创新。在他的流放诗中,奥维德对胜利的用法做了进一步的实质性改变,这让人们对诗人对奥古斯都和提比略的明显赞美的诚意提出了尖锐的质疑。
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引用次数: 0
Philosophy 哲学
IF 0.1 4区 历史学 Q2 Arts and Humanities Pub Date : 2022-09-06 DOI: 10.1017/S0017383522000134
J. Bryan
The eleventh volume of the Studia Praesocratica series presents a welcome challenge to scholars of early Greek philosophy to get to grips with the exciting and valuable material found in the Herculanean testimonia. These texts provide a resource that has often been overlooked even by those seeking relatively recently to present comprehensive collections of texts and evidence on the Presocratics, and Christian Vassallo has done a great service in producing this extensive collection of textual evidence, along with English translations and commentary. As Vassallo makes clear in his introduction and individual commentary sections, a close study of the reception of early Greek philosophy in the Epicurean tradition throws up exciting new perspectives that may well provide a basis to challenge standard narratives, particularly with respect to early epistemology and theology. The work is explicitly designed to be of value not just to papyrologists but to scholars of early Greek philosophy too. With this in mind, Vassallo presents the evidence separately for each individual Presocratic, with separate commentary sections aiming to put the evidence into its Epicurean context. He extends the coverage of his already monumental work by including a useful appendix on ‘Diogenes of Oinoanda's Criticism of Presocratic Philosophy’ (595–645). Any scholar of early Greek philosophy seeking to undertake a comprehensive survey of the textual evidence will be grateful to Vassallo for the work he has done and for how accessible he has rendered these texts.
第十一卷的Studia Praesocratica系列提出了一个受欢迎的挑战,早期希腊哲学的学者得到掌握令人兴奋的和有价值的材料,发现在赫库兰尼的证词。这些文本提供了一个经常被忽视的资源,即使是那些最近寻求全面收集前苏格拉底时期的文本和证据的人,克里斯蒂安·瓦萨洛(Christian Vassallo)在制作这些广泛的文本证据收集以及英语翻译和评论方面做出了巨大的贡献。正如瓦萨罗在他的引言和个别评论部分明确指出的那样,对伊壁鸠鲁传统中早期希腊哲学的接受的仔细研究,会提出令人兴奋的新观点,这些观点很可能为挑战标准叙事提供基础,特别是在早期认识论和神学方面。这本书不仅对纸草学家很有价值,对早期希腊哲学的学者也很有价值。考虑到这一点,瓦萨罗分别为前苏格拉底时代的每一个个体提供了证据,并有单独的评论部分,旨在将证据置于伊壁鸠鲁主义的背景中。他通过包括一个有用的附录“奥伊诺达的第欧根尼对前苏格拉底哲学的批评”(595-645)扩展了他已经具有里程碑意义的工作的覆盖范围。任何研究早期希腊哲学的学者,如果想对文本证据进行全面调查,都会感谢瓦萨罗所做的工作,以及他对这些文本的解读是多么的通俗易懂。
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引用次数: 0
GAR series 2 volume 69 issue 2 Cover and Front matter GAR系列2卷69期2封面和封面问题
IF 0.1 4区 历史学 Q2 Arts and Humanities Pub Date : 2022-09-06 DOI: 10.1017/s001738352200016x
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引用次数: 0
CONTINGENT CATASTROPHE OR AGONISTIC ADVANTAGE: THE RHETORIC OF VIOLENCE IN CLASSICAL ATHENIAN CURSES 偶然的灾难或对抗的优势:古典雅典诅咒中的暴力修辞
IF 0.1 4区 历史学 Q2 Arts and Humanities Pub Date : 2022-03-07 DOI: 10.1017/S0017383521000206
Radcliffe G. Edmonds
The surprising absence of violent language from classical Athenian curses is best understood as a rhetorical strategy appropriate for getting the divine powers to enact the curser's desire to harm his or her enemies and to gain an advantage in the particular agonistic context. A contrast with the extravagantly violent language of other contemporary curses, which call for unmitigated catastrophe to befall their targets, shows that the fundamental difference between these curses is the audience that they primarily address, which shapes the nature of the request that is made in the imprecation. Whereas contingent curses primarily address the human community with highly intense rhetoric to deter potential violation, these agonistic curses against rivals request assistance in the rivalry from some power beyond the human community, limiting the extravagance of the request to improve the chance of fulfilment.
令人惊讶的是,雅典古典诅咒中没有暴力语言,这被最好地理解为一种修辞策略,适用于让神圣的力量来实现诅咒者伤害敌人并在特定的痛苦环境中获得优势的愿望。与当代其他诅咒的夸张暴力语言形成对比的是,这些诅咒呼吁彻底的灾难降临到他们的目标身上,这表明这些诅咒之间的根本区别在于它们主要面向的受众,这决定了诅咒中提出的请求的性质。偶然诅咒主要针对人类社会,言辞激烈,以阻止潜在的侵犯行为,而这些针对对手的痛苦诅咒则要求人类社会以外的一些力量在竞争中提供帮助,从而限制了为提高实现机会而提出的奢侈要求。
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引用次数: 0
ORALITY, WRITTEN LITERACY, AND EARLY SICILIAN CURSE TABLETS 口头,书面读写能力,早期西西里诅咒碑
IF 0.1 4区 历史学 Q2 Arts and Humanities Pub Date : 2022-03-07 DOI: 10.1017/s0017383521000218
Jessica L. Lamont
This article examines the relationship between oral traditions of cursing and the oldest Greek curse tablets from Selinous and Himera in western Sicily. As much early Greek writing is thought to record or reflect the spoken word, it is perhaps unexpected that these early Sicilian texts carry few signs of orality or speech. There are no verbs of speaking, incanting, cursing, singing, binding; no deictic language; no metre. Rather, the oldest curse tablets in the Greek world show clear signs of written literacy. Sicilian curse tablets from 500–450 bce employ verbs of writing to curse their victims (ἐνγράφω, ‘I inscribe’; καταγράφω, ‘I write down’; ἀπογράφω, ‘I enrol’), and exhibit textual distortion, scribal symbols, abbreviations, and columnar lists of names – features that ground these texts in the realm of writing. It is suggested that Greek curse practice developed alongside and in response to the spread of legal writing in the late sixth-century law courts of western Sicily.
本文考察了口头诅咒传统与西西里岛西部塞尔诺和希米拉最古老的希腊诅咒石碑之间的关系。正如许多早期希腊文字被认为是记录或反映口语一样,这些早期西西里文本几乎没有口头或言语的迹象,这也许是出乎意料的。没有口语、咒语、诅咒、唱歌、捆绑等动词;没有指示语言;没有米。相反,希腊世界最古老的诅咒石碑显示出明显的书面识字迹象。公元前500年至450年的西西里诅咒石碑使用书写动词诅咒受害者(ἐγράφω,“I题字”;καταγράφω,‘我记下来’;ἀπ?γράφω,“我注册了”),并表现出文本扭曲、书写符号、缩写和名字的柱状列表——这些特征使这些文本在写作领域奠定了基础。有人认为,希腊的诅咒实践是随着6世纪末西西里岛西部法院法律文书的传播而发展起来的。
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GREECE & ROME
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