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Countermapping the Past: Reenvisioning Ancient Maya Spaces at Say Kah, Belize 反映过去:在伯利兹Say Kah重建古代玛雅空间
IF 0.6 3区 历史学 Q1 Arts and Humanities Pub Date : 2019-07-03 DOI: 10.1080/00293652.2019.1696395
S. Jackson, Joshua C. Wright, L. A. Brown
This paper explores possibilities for recognizing and analytically using culturally-specific understandings of artefacts and spaces at an ancient Maya archaeological site. In the case study that we present, we use Classic Maya material categories – derived from hieroglyphic texts – to re-envision our representations of artefactual distributions and accompanying interpretations. We take inspiration from countermapping as an approach that recognizes the positionality of spatial representations and makes space for multiple/alternative spatial perspectives. We present spatial analyses based on our work at the Classic Maya archaeological site of Say Kah, Belize, juxtaposing modern modes of visualizing the results of multiple seasons of excavations with visualizations that instead draw upon reconstructed elements of ancient inhabitants’ perspectives on the site, its spaces, and usages (based on information drawn from Classic Maya textual ‘property qualifiers’). We argue that even incomplete information, such as that available for archaeological contexts, allows us to reimagine past spatial perspectives and experiences. Furthermore, doing so represents a move towards inclusion that changes our understanding of sites in terms of ancient experience and usage. The outcome is a shifted perspective on the spaces of the site that decentres the modern, archaeological vision, accompanied by a more reflexive awareness of the processes we use to construct our interpretations. We end with larger reflections useful for archaeologists curious about translating these ideas to other cultural settings.
本文探讨了利用对古玛雅考古遗址文物和空间的特定文化理解进行识别和分析的可能性。在我们提出的案例研究中,我们使用源自象形文字的经典玛雅材料类别来重新设想我们对人工制品分布的表示和伴随的解释。我们从反映射中获得灵感,这种方法可以识别空间表示的位置性,并为多个/替代的空间视角腾出空间。我们根据我们在伯利兹Say Kah的经典玛雅考古遗址的工作进行了空间分析,将多个季节的挖掘结果可视化的现代模式与可视化并置,相反,可视化利用了古代居民对遗址、空间、,和用法(基于从经典Maya文本“属性限定符”中提取的信息)。我们认为,即使是不完整的信息,比如考古背景下的信息,也能让我们重新想象过去的空间视角和经验。此外,这样做代表着一种包容性的转变,它改变了我们对古代经验和用法的理解。其结果是,对遗址空间的视角发生了转变,偏离了现代考古视野,同时对我们用来构建解释的过程产生了更具反射性的意识。我们以更大的思考结束,这些思考对好奇将这些想法转化为其他文化背景的考古学家来说是有用的。
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引用次数: 0
Kunglig makt och samiska bosättingsmønster. Studier kring Väinö Tanners vinterbyteori 王室权力和萨米人定居模式。VäinöTanner的冬季变化理论研究
IF 0.6 3区 历史学 Q1 Arts and Humanities Pub Date : 2019-07-03 DOI: 10.1080/00293652.2019.1675752
J. Henriksen
Kunglig makt och samiska bosättingsmønster. Studier kring Väinö Tanners vinterbyteori (Royal Power and Sámi Settlement Patterns. Studies concerning Väinö Tanner’s Winter Camp Theory) is a multi-disciplinary historical-archaeological book written by Swedish archaeologist Thomas Wallerström, with contributions from palynologists Ulf Sägerström and Eva-Marie Nordström (chapters 3 and 4). The book is organised in four sections: the Introductory Section (Chapter 1); the Winter Camp Problem (Chapters 2–5); Royal Power in Swedish Lapland (Chapters 6 and 7); and Concluding Reflections (Chapter 8) (as translated to English in the Summary p. 313–322). According to Wallerström, the book focuses on the geographical area of ‘northern Scandinavia’ although ‘northern Fennoscandia with a focus on present-day northern Sweden’ would be more correct. The main objective of the book is a ‘critical investigation into the validity of the “Winter Camp Theory” formulated by the Finnish scholar Väinö Tanner’ (p. 5). The book is a result of a research project led by the author, where the Winter Camp Theory was central to the project’s main hypothesis and research questions. The project’s results seemed to contradict the basic premises of the theory and Wallerström thus positions himself as an apostate to the Winter Camp Theory in the introduction. Wallerström considers the effects of the implementations of royal supremacy (‘the state’) in the north during the early modern period as an alternative and more promising path of inquiry (Chapter 1). The Winter Camp Theory is ascribed to Väinö Tanner and his synthesis of eastern Sámi societies (‘Skolt Laps’) in his cultural-geographical studies of the Petsamo district (Tanner 1929). Tanner’s theory is presented in the Introduction, and scrutinised in detail in Chapter 2. According to Tanner, the winter camp was essential to the eastern Sámi. While otherwise extensively dispersed in base camps in the siidas’ geographical area during the spring, summer and autumn seasons, all households belonging to the siida gathered in nucleated settlements during the four winter months, from late December to late March/early April. The eastern Sámi winter camp was the arena where the norraz, an assembly of family elders with a formal leader, decided legal matters and siida policies. The settlement pattern and societal organisation of the eastern Sámi in the 1920s were considered to be the last, decaying relict of an ancient pan-Sámi way of life. Tanner claimed that his synthesis gave insight into Sámi societies untarnished by influence of the modern national states. He also claimed that similar societies had existed in all parts of Sápmi. Wallerström’s investigation was carried out as a review of the Winter Camp Theory’s genealogy, its subsequent history of impact on the scientific study of Sámi (pre-) history, as well as being an assessment of the theory’s overall validity (Section 1 and 2). Sections 3 and 4 are devoted to Wallerström’s own cas
Kunglig makt och samiska bosättingsmønster。Studier kring VäinöTanners vinterbytori(王室权力和萨米人定居模式。关于VänöTanner冬令营理论的研究)是瑞典考古学家Thomas Wallerström撰写的一本多学科历史考古书籍,由孢粉学家Ulf Sägerström和Eva Marie Nordström贡献(第3章和第4章)。本书分为四个部分:引言部分(第一章);冬令营问题(第2-5章);瑞典拉普兰的王权(第6章和第7章);和《结论性思考》(第8章)(见第313-322页摘要中的英译本)。根据Wallerström的说法,这本书关注的是“斯堪的纳维亚北部”的地理区域,尽管“芬诺斯坎迪亚北部,关注现在的瑞典北部”会更正确。本书的主要目的是“对芬兰学者VäinöTanner提出的“冬令营理论”的有效性进行批判性调查”(第5页)。这本书是作者领导的一个研究项目的成果,其中冬令营理论是该项目的主要假设和研究问题的核心。该项目的结果似乎与该理论的基本前提相矛盾,因此沃勒斯特罗姆在引言中将自己定位为冬令营理论的叛教者。Wallerström认为,现代早期在北方实施王室至上主义(“国家”)的影响是一种替代性的、更有前景的调查途径(第1章)。夏令营理论被认为是VäinöTanner和他在Petsamo地区的文化地理研究中对东部萨米社会的综合(“Kolt Laps”)(Tanner 1929)。Tanner的理论在引言中介绍,并在第二章中详细阐述。根据Tanner的说法,冬令营对萨米东部地区至关重要。尽管在春季、夏季和秋季期间广泛分散在锡伊达地理区域的大本营,但在12月底至3月底/4月初的四个冬季月份,锡伊达的所有家庭都聚集在有核的定居点。萨米东部冬令营是norraz的舞台,norraz是一个由正式领导人组成的家庭长老大会,在这里决定法律事务和siida政策。20世纪20年代,东部萨米人的定居模式和社会组织被认为是古代泛萨米人生活方式的最后一个腐朽遗迹。坦纳声称,他的综合作品深入了解了未受现代民族国家影响的萨米社会。他还声称,类似的社会在萨米的各个地区都存在。Wallerström的调查是对冬令营理论谱系的回顾,它对萨米(前)历史科学研究的后续影响历史,以及对该理论总体有效性的评估(第1和第2节)。第3节和第4节专门介绍了Wallerström自己的案例研究,其中冬令营理论或多或少被宣布无效。Tanner的“冬令营理论”在一定程度上是在与瑞典波兰学家K.B.Wiklund于1922年提出的观点的对话中提出的(第53页)。芬兰历史学家和民族学家Helmer Tegengren于1952年在今天的芬兰发表了他关于“已灭绝”的Kemi Lappmark siidas的开创性著作。他的历史重建隐含地依赖于坦纳的冬令营模型,尽管他几乎没有必要提及坦纳(第65页)。Wallerström对该理论谱系的描述集中在这三个关键阶段,Wiklunds粗略
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引用次数: 4
Creativity in the Bronze Age. Understanding Innovation in Pottery, Textile, and Metalwork Production 青铜时代的创造力。理解陶器、纺织品和金属制品生产中的创新
IF 0.6 3区 历史学 Q1 Arts and Humanities Pub Date : 2019-07-03 DOI: 10.1080/00293652.2019.1669699
M. Nosch
This collaboratively written volume (Lise Bender Jørgensen, Joanna Sofaer, and Marie Louise Stig Sørensen, with contributions by Grahame Appleby, SebastianBecker, SophieBergerbrant, SarahCoxon, Sølvi Helene Fossøy, Karina Grömer, Flemming Kaul, Darko Maricevic, Sanjin Mihelic, Antoinette Rast-Eicher, and Helga Rösel-Mautendorfer) explores the nature of creativity during the European Bronze Age by looking at developments in three significant categories of objects: pottery, textiles and metalwork. The volume introduces a series of innovative themes focusing on aspects of materiality, aesthetics, training and learning, cosmology, and technological change and innovation. The importance and interest of the topic are very broad. The discipline of archaeology is in these years fuelled by more archaeological data, by new stimulating theories, and by newmethods from the natural sciences to explore the archaeological items. However, these developments are often compartmentalised within each find category, and are rarely related to each other in scholarly discussions. It is to the volume’s great merit that it combines the categories pottery, metalwork and textiles in such a comprehensive way that the reader can truly see the developments and communalities across crafts. The overall design, structure and organization strongly strengthens the cross-disciplinarity of the entire research project, and makes the volume an extremely stimulating read. It is divided into three parts. Each part consists of an individual or coauthored papers on very specific case studies or topics of textiles, pottery or metalwork, and in each part, the three main authors first introduce the theme and conclude by reflections. In Part I: Raw materials: Creativity and the Properties ofMaterials, archaeological investigations are combined with new analytical methods from the natural sciences; Part II: Production Practices draws in research from experimental archaeology and from social anthropology;Part III: Effects: Shape,Motifs, Pattern, Colour, and Texture, highlights and discusses specific features such as certain recurring motifs and their potential cosmological meaning, or decorative effects and their technical explanations. The research in this anthology stems from a HERA project, awarded by the Creative Europe of the EUCommission in a highly competitive international call and peer-reviewed by experts. This is also a great quality of the book, because it does not simply rely on an occasional collaboration or a conference; the authors have worked together in a shared project for several years and this has matured the book and its conclusions considerably, and has resulted in a concise and coherent work. The achievement of the volume is that it has truly embedded interdisciplinarity in the structure of the book, in each chapter, even into the introduction of each section. It appears as a text written conjointly, by the three editors and the many expert authors in a continual dialogue
这本合作撰写的书(Lise Bender Jørgensen、Joanna Sofaer和Marie Louise Stig Sørensen,Grahame Appleby、SebastianBecker、Sophie Bergerbrant、SarahCoxon、Sølvi Helene Fossøy、Karina Grömer、Flemming Kaul、Darko Maricevic、Sanjin Miheli、Antoinette Rast Eicher和Helga Rösel Mautendorfer的贡献)探讨了欧洲青铜时期创造力的本质通过观察陶器、纺织品和金属制品这三类重要物品的发展来了解时代。该卷介绍了一系列创新主题,重点是物质性、美学、训练和学习、宇宙学以及技术变革和创新。这个话题的重要性和兴趣非常广泛。近年来,考古学科受到更多考古数据、新的刺激性理论和自然科学探索考古项目的新方法的推动。然而,这些发展往往被划分在每个发现类别中,在学术讨论中很少相互关联。这本书的巨大优点在于,它以一种全面的方式将陶器、金属制品和纺织品这三个类别结合在一起,让读者能够真正看到各种工艺的发展和共同点。整体设计、结构和组织有力地加强了整个研究项目的跨学科性,使该卷成为一本极具刺激性的读物。它分为三个部分。每一部分都由一篇关于纺织品、陶器或金属制品的特定案例研究或主题的个人或合著论文组成,在每一部分中,三位主要作者首先介绍主题,并通过思考得出结论。在第一部分:原材料:创造力和材料的性质中,考古调查与自然科学的新分析方法相结合;第二部分:生产实践借鉴了实验考古学和社会人类学的研究成果;第三部分:效果:形状、主题、图案、颜色和纹理,强调并讨论了特定的特征,如某些重复出现的主题及其潜在的宇宙学意义,或装饰效果及其技术解释。这本选集中的研究源于一个HERA项目,该项目由欧盟委员会的创意欧洲在竞争激烈的国际电话会议上授予,并由专家进行同行评审。这也是这本书的一个伟大品质,因为它不仅仅依赖于偶尔的合作或会议;几年来,作者们在一个共同的项目中合作,这使本书及其结论相当成熟,并形成了一部简洁连贯的作品。这本书的成就在于,它真正将跨学科性嵌入了书的结构、每一章,甚至每一节的引言中。它是由三位编辑和许多专家作者在持续的对话和讨论中共同撰写的文本。在太多的合作项目中,目的是跨学科分享知识和工作,但在最终出版物中,每个学者都写下了自己的章节。这里的情况并非如此。即使是在单独撰写的章节中,也有很大的努力将结果和想法纳入理解所有三个领域创造力的整体范围,而不仅仅是在相似性和差异性方面。例如,在陶器和纺织品专家(Joanna Sofaer、Sarah Coxon、Karina Grömer、Sanjin Miheli)合著的关于Litzenkeramik的一章(第275–284页)中,这种一致的整合确实令人印象深刻。他们调查了
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引用次数: 0
The Søsdala Horsemen and the Equestrian Elite of Fifth Century Europe 瑟斯达拉骑手与五世纪欧洲的马术精英
IF 0.6 3区 历史学 Q1 Arts and Humanities Pub Date : 2019-07-03 DOI: 10.1080/00293652.2019.1669700
Elna Siv Kristoffersen
Sösdala is no longer just a style – not after the publication of the three early fifth century, spectacular depositions Sösdala I–II and Fulltofta from the central part of Scania. The 17 chapters, followed by summary and captions in Russian, are written by 15 authors from five different countries. Extensive catalogues and illustrations support the text, and the high-quality photos invite us into the book. Informative reconstructions of bridles and saddles make the discussions of the many mounts easier to follow. The concluding chapter 17, written by the editors, works well as an introduction to the book. In chapter 1 Charlotte Fabech presents a comprehensive study on the ‘rescue, musealisation and oblivion’ of the Sösdala and Fulltofta finds. Ulf Näsman deals with the research history of the Sösdala style in chapter 5, discussing chronology as well as its relation to Late Roman provincial art and the Nydam style. Anna Bitner-Wroblewska (chapter 12) prefers the concept ‘Sösdala horizon’ and incorporates ceremonial horse bridles, shieldshaped, bi-conical and pelta-shaped pendants and silver sheet brooches covered by an elaborate and varied stamped ornamentation, shallow chip-carving and niello inlay.
Sösdala不再只是一种风格-在五世纪早期的三次出版之后,壮观的沉积Sösdala I-II和Fulltofta来自斯堪尼亚中部。全书共17章,由来自5个不同国家的15位作者撰写,并附有摘要和俄文说明。大量的目录和插图支持文本,高质量的照片邀请我们进入书中。信息重建的缰绳和马鞍使许多坐骑的讨论更容易遵循。最后的第17章是由编辑们写的,作为本书的介绍很好。在第一章中,Charlotte Fabech对Sösdala和Fulltofta发现的“拯救、博物馆化和遗忘”进行了全面的研究。Ulf Näsman在第5章中讨论了Sösdala风格的研究历史,讨论了年代学以及它与罗马晚期地方艺术和尼达姆风格的关系。Anna Bitner-Wroblewska(第12章)更喜欢“Sösdala地平线”的概念,并结合了仪式马缰绳、盾形、双圆锥形和peltta形吊坠和银质胸针,胸针上覆盖着精美多样的印章装饰、浅晶片雕刻和niello镶嵌。
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引用次数: 1
Bodies in Motion: Narratives and Counter Narratives of Gendered Mobility in European Later Prehistory 运动中的身体:欧洲后期史前性别流动的叙述与反叙述
IF 0.6 3区 历史学 Q1 Arts and Humanities Pub Date : 2019-07-03 DOI: 10.1080/00293652.2019.1697355
C. Frieman, A. Teather, Chelsea W. Morgan
Normative notions of sex and gender were prevalent in discussion of European prehistoric societies until the last quarter of the 20th century. The progressive work that challenged a binary approach, published particularly in the 1990s, created an anticipation for further nuanced interpretation. This paper argues that, in contrast to this expectation, there was a surprising return to narrating a past of binary sex and gender. Societal roles have continued to be imagined as formalised through structures based on biological sex, with men seen as active mobile agents, while women were passive and static homemakers. We argue that not only is this unhelpful, the archaeological evidence renders it incorrect. We highlight the inherent conflicts in the data to show that investigating sex and gender in the past is difficult with imperfect and complex archaeological evidence. It requires careful and deliberate consideration to avoid normative explanations. In conclusion, we propose that investigating mobility is a particularly effective topic for examining past gendered societal roles.
直到20世纪末,性和性别的规范性观念在欧洲史前社会的讨论中一直很普遍。特别是在20世纪90年代出版的挑战二元方法的进步作品,创造了对进一步细致入微的解释的预期。这篇论文认为,与这种期望相反,讲述性别和性别二元的过去出现了令人惊讶的回归。社会角色继续被想象为通过基于生理性别的结构形式化,男性被视为主动的流动代理人,而女性则是被动和静态的家庭主妇。我们认为,这不仅没有帮助,考古证据也使其不正确。我们强调了数据中的固有冲突,以表明由于考古证据不完善和复杂,调查过去的性别和性别是困难的。它需要仔细和深思熟虑,以避免作出规范性解释。最后,我们提出,调查流动性是一个特别有效的话题,可以用来研究过去的性别社会角色。
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引用次数: 23
The Heritage of War and the Discourse of Sustainability 战争遗产与可持续性话语
IF 0.6 3区 历史学 Q1 Arts and Humanities Pub Date : 2019-07-03 DOI: 10.1080/00293652.2019.1691253
Ingar Figenschau
Since the concept of sustainability (or sustainable development) became famous through its adoption in the UN’s report, ‘Our Common Future’ in 1987, it has travelled widely to become a global and omnipresent key concept also in the field of heritage. The inclusion into this field was facilitated by the understanding of heritage as resource, which has become the norm within cultural heritage management discourses and strategies. This understanding is increasingly sustained by an associated vocabulary of concepts that promote cultural heritage sites as economically and socio-politically beneficial, emphasising their value as resources for us. This paper explores what happens when this conceptual repertoire of resource thinking is applied to WWII Wehrmacht sites in northern Norway, a heritage that previously has been othered and excluded. How does it impact on the understanding of this particular heritage and how may it be challenged and transformed through encounters with an unruly heritage that potentially defies and distances such conceptualisation?
自1987年联合国报告《我们共同的未来》通过可持续性(或可持续发展)概念而闻名以来,它已经广泛传播,成为遗产领域一个全球性的、无所不在的关键概念。将遗产视为资源的理解促进了这一领域的纳入,这已成为文化遗产管理话语和战略中的规范。这种理解越来越受到相关概念词汇的支持,这些概念词汇促进文化遗产地在经济和社会政治上都是有益的,强调它们作为资源对我们的价值,以前被排斥在外的遗产。它如何影响对这一特定遗产的理解,以及如何通过遇到一个可能挑战和疏远这种概念化的不守规矩的遗产来挑战和改变它?
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引用次数: 1
‘All those Rocks….were Talking to Each Other’: Three Scenes of Archaeologists at Work “所有的岩石....“我们在互相交谈”:考古学家在工作的三个场景
IF 0.6 3区 历史学 Q1 Arts and Humanities Pub Date : 2019-07-03 DOI: 10.1080/00293652.2019.1705890
S. Jackson, Joshua C. Wright, L. A. Brown
We are very appreciative of Patricia McAnany’s and Sarah Newman’s responses to our article. Their thoughtful comments challenge us to clarify and extend our thinking on this topic. Additionally, the meaningful intersections between our work and McAnany’s and Newman’s significant research contributions to the field of Maya studies point towards several important areas that need to be grappled with further. In our reply, we focus on three thematic areas, while also incorporating specific responses to some (though, for reasons of space, not all) of the comments and critiques raised by McAnany and Newman. We organize our response around three vignettes. These brief scenes provide openings for discussion of issues raised by the commenters, related to three questions: Are we ‘countermapping’ in the sense that it is widely understood? To what extent does our undertaking successfully frame dynamic, relational, or multiple knowledge in productive, non-binary ways? And, how do we position the impact of this work, and, in particular, our methodological choices? 1. WHAT ARE WE DOING?
我们非常感谢Patricia McAnany和Sarah Newman对我们文章的回应。他们深思熟虑的评论要求我们澄清和扩展我们对这一主题的思考。此外,我们的工作与McAnany和Newman对玛雅研究领域的重大研究贡献之间的有意义的交叉点指向了几个需要进一步解决的重要领域。在我们的答复中,我们侧重于三个主题领域,同时也纳入了对McAnany和Newman提出的一些评论和批评的具体回应(尽管出于篇幅原因,并非全部)。我们围绕三个小插曲来组织我们的回应。这些简短的场景为评论人士提出的问题提供了讨论的机会,涉及三个问题:我们是否在被广泛理解的意义上“反映射”?我们的事业在多大程度上成功地以生产性、非二元的方式构建了动态、关系或多重知识?我们如何定位这项工作的影响,特别是我们的方法选择?1.我们在做什么?
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引用次数: 0
Claims to Countermapping at Say Kah, Belize 伯利兹Say Kah反测绘索赔
IF 0.6 3区 历史学 Q1 Arts and Humanities Pub Date : 2019-07-03 DOI: 10.1080/00293652.2019.1692063
P. McAnany
Are we countermapping here? Can the overlay of hieroglyphic ‘property qualifiers’ onto distributions of materials and structural features derived from archaeological excavation at a Late Classic Maya site be considered a shake-up of normative methods of cartographic representation? While most countermapping efforts focus on landscape cognition of under-represented groups – and often are linked to Indigenous land claims or statements of landscape sovereignty (e.g. Wainwright and Bryan 2009, McAnany et al. 2015) – this claim to countermapping is entirely a projection onto the past. The pronounced reflexivity of countermapping efforts among geographers – whether it empowers or harms local peoples, whether it is a genderdiscriminatory process, or whether it creates boundaries where none previously existed – is absent from this study. Yet, this application of hieroglyphic ‘property qualifiers’ arguably does move towards common ground with what Johnson et al. (2006) refer to as critical cartographic literacy, which is a transmodern approach to cartography that is mindful of the call to critical consciousness issued by educator Paolo Freire blended with a desire to grapple with the colonialities of Western cartography, all the while forefronting Indigenous cartographies and ontologies. This brings us to the question of what an Indigenous cartography of Late Classic Maya communities may have felt and looked like and whether this study begins to approximate it? Globally, most archaeological research takes place in contexts that are ‘text free’ in the sense that there are no documentary sources – be they Indigenous writing systems, European chronicles, or other sources of information – against which archaeological materials can be examined. Ever since the decipherment of Classic hieroglyphic texts began to mature in the 1990s, hieroglyphs have provided extraordinarily rich insight on many facets of royal existence, including politics, dynastic histories, and social difference. Probing deeper, Stephen Houston et al. (2009) used texts and iconography to explore the aesthetics of colour and later Classic Maya relationality (Houston 2014), and finally the privileged position of young royal males who are both subject and agent of much that is glossed as Classic Maya society (Houston 2018). From this research and that of many others, we glimpse the decidedly ‘royal male gaze’ that is the positionality of the hieroglyphic record, which gives one pause about universalizing that gaze to all sectors of Late Classic society. Maya hieroglyphic texts contain nothing that approaches social history; the royal court was the be all and end all. For places that did not support a scribe who painted or carved in a durable medium there is scant mention in texts that are preserved in stone, pottery, or stucco at royal courts. Nor is there reference to the thousands of COMMENT
我们在这里进行反映射吗?将象形文字的“特性限定符”叠加在晚期经典玛雅遗址考古发掘的材料分布和结构特征上,是否可以被视为对制图表示规范方法的一次变革?虽然大多数反测绘工作都集中在代表性不足群体的景观认知上,并且通常与土著土地主张或景观主权声明有关(例如,Wainwright和Bryan 2009,McAnany等人2015),但这种反测绘主张完全是对过去的投射。地理学家之间反地图绘制工作的明显反射性——无论它是赋予当地人民权力还是伤害当地人民,无论它是一个性别歧视过程,还是它在以前不存在的地方创造了边界——都没有出现在这项研究中。然而,象形文字“属性限定符”的应用可以说确实与Johnson等人(2006)所说的批判性制图素养有了共同点。批判性制图素养是一种跨现代的制图方法,它注意到了教育家Paolo Freire对批判性意识的呼吁,一直领先于土著制图和本体论。这就引出了一个问题,即晚期经典玛雅社区的土著地图绘制可能是什么感觉和样子,以及这项研究是否开始接近它?在全球范围内,大多数考古研究都是在“无文本”的背景下进行的,因为没有文献来源——无论是土著文字系统、欧洲编年史还是其他信息来源——可以对考古材料进行检查。自从20世纪90年代经典象形文字的破译开始成熟以来,象形文字对王室存在的许多方面提供了极其丰富的见解,包括政治、王朝历史和社会差异。Stephen Houston等人(2009)利用文本和图像学深入探讨了色彩美学和后来的经典玛雅关系(休斯顿,2014年),并最终探讨了年轻王室男性的特权地位,他们既是被掩盖为经典玛雅社会的主体又是代理人(休斯顿,2018年)。从这项研究和其他许多研究中,我们看到了明显的“皇家男性凝视”,这是象形文字记录的位置性,这让我们暂停了将这种凝视普遍化到晚期古典社会的所有阶层。玛雅象形文字文本中没有任何接近社会历史的内容;皇家宫廷就是一切。对于那些不支持用耐用介质绘画或雕刻的抄写员的地方,在皇家宫廷用石头、陶器或灰泥保存的文本中很少提及。也没有提到成千上万的评论
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引用次数: 0
Dating Ancient Burial Mounds in Denmark – Revealing Problematic Ancient Charcoal 测定丹麦古代墓葬的年代——揭示有问题的古代木炭
IF 0.6 3区 历史学 Q1 Arts and Humanities Pub Date : 2019-07-03 DOI: 10.1080/00293652.2019.1670250
P. Henriksen, Sandie Holst, H. Breuning‐madsen
The National Museum of Denmark and the Department of Geography at the University of Copenhagen have collaborated on a project investigating burial mounds near early Medieval churches. The aim was to identify a possible continuity in cult sites across the shift to Christianity in the late Viking Age. Charcoal samples from 18 mounds were radiocarbon dated but the results showed they were far older than expected. Control dating undertaken on burial mounds of known age confirmed that charcoal in the mound fill can at least be up to 3000 years older than the mound itself. As charcoal can survive in the surface soil layer for millennia, in spite of ploughing, bioturbation and frost, it may also dominate the charcoal pool of the grass or heather turfs used in the mound construction. Therefore, the article concludes, charcoal cannot be used to securely date archaeological features built with turfs and it is important to be aware of the possible presence of very old charcoal when selecting material for dating archaeological features, even those which otherwise would be judged unaffected by material from earlier archaeological periods.
丹麦国家博物馆和哥本哈根大学地理系合作开展了一个项目,调查中世纪早期教堂附近的墓地。其目的是确定在维京时代晚期向基督教转变的过程中,邪教场所可能存在的连续性。来自18个土墩的木炭样本进行了放射性碳测年,但结果显示它们比预期的要古老得多。对已知年龄的土丘进行的控制年代测定证实,土丘填充物中的木炭至少比土丘本身早3000年。由于木炭可以在表层土壤中存活数千年,尽管有耕作、生物扰动和霜冻,它也可能在土墩建设中使用的草或石楠草的木炭池中占主导地位。因此,文章得出结论,木炭不能用于可靠地测定用草皮建造的考古特征的年代,在选择测定考古特征的材料时,重要的是要意识到可能存在非常古老的木炭,即使那些材料不会受到早期考古时期材料的影响。
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引用次数: 0
‘Stoan Branches Unner a Stoan Sky’ “Stoan Branches Unner a Stoan Sky”
IF 0.6 3区 历史学 Q1 Arts and Humanities Pub Date : 2019-07-03 DOI: 10.1080/00293652.2019.1692366
Sarah E. Newman
Sarah Jackson, Joshua Wright, and Linda Brown’s efforts to ‘countermap the past’ by incorporating ancient Maya perspectives into modern modes of recording and visualizing archaeological excavations are challenging and thought-provoking. Their explorations raise a difficult but fundamental question for any practising archaeologist: How can we use available archaeological methods – from artefact typologies to spatial analyses – and current archaeological evidence – a shifting category in its own right (Wylie 2008) – to generate more expansive and inclusive archaeological interpretations than those currently available? That is, can archaeology be done reflexively, aware of its own biases and blindspots, and recursively, using its own practices to strengthen itself (against, for example, Haber 2012, Gnecco and Hernández 2008, for whom the discipline’s basic subject matter andmethod are inherently colonial)? The general use of Maya property qualifiers in the recording system of Say Kah’s excavation database and the spatial comparisons of their distribution using GIS prompt a reconsideration of themost basic elements of archaeological research. This is both stimulating and necessary. As the authors note, they hope that their work is ‘useful to archaeologists working in other times and places’ and that their ideas ‘are translatable to settings that may not have the same types of ancient textual and iconographic evidence’. Here I draw attention to epistemological and philosophical questions raised by this paper, namely the difficulties of translation (particularly via script rather than speaker) and the challenges of approaching systems of classification that are historically and culturally contingent.
莎拉·杰克逊(Sarah Jackson)、乔舒亚·赖特(Joshua Wright)和琳达·布朗(Linda Brown。他们的探索对任何一位执业考古学家来说都提出了一个困难但根本的问题:我们如何利用现有的考古方法——从文物类型学到空间分析——以及当前的考古证据——一个不断变化的类别(Wylie 2008)——来产生比目前更广泛、更包容的考古解释?也就是说,考古学是否可以反射性地进行,意识到自己的偏见和盲点,并递归地使用自己的实践来加强自己(例如,Haber 2012、Gnecco和Hernández 2008,对他们来说,该学科的基本主题和方法本质上是殖民地的)?在Say Kah挖掘数据库的记录系统中,Maya特性限定词的普遍使用以及使用GIS对其分布的空间比较,促使人们重新考虑考古研究的最基本元素。这既刺激又必要。正如作者所指出的,他们希望自己的工作“对在其他时间和地点工作的考古学家有用”,并且他们的想法“可以翻译到可能没有相同类型的古代文本和图像证据的环境中”。在这里,我提请大家注意本文提出的认识论和哲学问题,即翻译的困难(尤其是通过脚本而不是说话者),以及处理历史和文化偶然性的分类系统的挑战。
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引用次数: 1
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Norwegian Archaeological Review
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