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American Journal of Cultural Sociology最新文献

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Music and democracy in America: historical perspectives on ‘democratization’ in the digital age 音乐与美国民主:数字时代“民主化”的历史视角
IF 2.9 2区 社会学 Q3 SOCIOLOGY Pub Date : 2021-08-07 DOI: 10.1057/s41290-021-00138-x
N. Hanrahan
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引用次数: 0
The music of the dying class: jazz as the impure sacred in Stalinist Czechoslovakia 垂死阶级的音乐:在斯大林时期的捷克斯洛伐克,爵士乐是不纯洁的神圣
IF 2.9 2区 社会学 Q3 SOCIOLOGY Pub Date : 2021-08-04 DOI: 10.1057/s41290-021-00137-y
Dominik Želinský
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引用次数: 1
The three generations of the French sociology of art 法国艺术社会学的三代人
IF 2.9 2区 社会学 Q3 SOCIOLOGY Pub Date : 2021-07-19 DOI: 10.1057/s41290-021-00139-w
Nathalie Heinich

This paper introduces the French sociology of art to English-speaking scholars. Its story begins with a shift from the humanities to social sciences through the use of empirical methods, and a change in focus from artworks to the social conditions of their production, mediation, and reception. This meant, initially, a positivist turn, relying on a strong explanatory and determinist paradigm using social origins, positions in a “field,” hidden interests or types of “capitals” as basic and unquestioned tools. Then an interactionist turn appeared, based on the observation of actual interactions between various actors within “art worlds” or “artistic fields.” Then an interpretivist turn happened, addressing the collective representations of art and artists, the values according to which people valuate artworks, and the hierarchy and classifications of artistic genres. Finally, a pragmatic turn introduced a general sociological trend investigating the actual processes owing to which artworks circulate, how things become endowed with the status of an artwork, as well as the conditions and meaning of artistic recognition. Because such issues cannot be fully addressed through the lens of a standard explanatory sociology, this article calls for a descriptive, pragmatic, qualitative, interpretivist, and value-neutral turn, inducing a new French sociology of art.

本文向英语国家的学者介绍了法国的艺术社会学。它的故事开始于通过使用经验方法从人文科学转向社会科学,并将焦点从艺术品转移到其生产,调解和接受的社会条件。这意味着,最初,一个实证主义的转向,依赖于一个强大的解释性和决定论的范式,使用社会起源,在一个“领域”的位置,隐藏的利益或“资本”类型作为基本的和不容置疑的工具。然后,基于对“艺术世界”或“艺术领域”内各种行动者之间实际互动的观察,出现了互动主义的转向。随后出现了诠释主义的转向,涉及艺术和艺术家的集体表现,人们评价艺术品的价值观,以及艺术流派的等级和分类。最后,一个实用主义的转向引入了一个一般的社会学趋势,调查艺术品流通的实际过程,事物如何被赋予艺术品的地位,以及艺术识别的条件和意义。由于这些问题不能通过标准的解释社会学的镜头完全解决,本文呼吁一个描述性的,实用主义的,定性的,解释主义的,价值中立的转向,诱导一个新的法国艺术社会学。
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引用次数: 1
Incivility and danger: theorizing a Muslim undercaste in Europe 煽动与危险:欧洲穆斯林下层阶级的理论化
IF 2.9 2区 社会学 Q3 SOCIOLOGY Pub Date : 2021-06-16 DOI: 10.1057/s41290-021-00136-z
Elisabeth Becker
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引用次数: 0
Theory of an art market scandal: artistic integrity and financial speculation in the Inigo Philbrick case 艺术市场丑闻理论:伊尼戈·菲尔布里克案中的艺术诚信与金融投机
IF 2.9 2区 社会学 Q3 SOCIOLOGY Pub Date : 2021-06-16 DOI: 10.1057/s41290-021-00134-1
A. Whitaker, F. Greenland
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引用次数: 0
Correction to: Exploring the sacrality of reading as a social practice 更正:探索阅读作为一种社会实践的神圣性
IF 2.9 2区 社会学 Q3 SOCIOLOGY Pub Date : 2021-05-24 DOI: 10.1057/s41290-021-00133-2
María Angélica Thumala Olave

A correction to this paper has been published: https://doi.org/10.1057/s41290-021-00133-2

本文的更正已发表在:https://doi.org/10.1057/s41290-021-00133-2
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引用次数: 0
Customer reviews of ‘highbrow’ literature: a comparative reception study of The Inheritance of Loss and The White Tiger “高雅”文学的顾客评论:《失之传承》与《白虎》的接受比较研究
IF 2.9 2区 社会学 Q3 SOCIOLOGY Pub Date : 2021-04-16 DOI: 10.1057/s41290-021-00131-4
Daniel Allington

Bourdieu argues that legitimate or ‘highbrow’ cultural products depend for their appreciation on a style of consumption grounded in cultural knowledge acquired through formal education. To explore this idea, all available customer reviews of two Man Booker prize-winning novels—Kiran Desai’s The Inheritance of Loss (2006) and Aravind Adiga’s The White Tiger (2008)—were collected from the Amazon.co.uk website. Analysis of these reviews focussed on styles of cultural consumption, as implied by the relationship between the words in the reviews and the numeric ‘star ratings’ that accompany those reviews. Positive reviews resemble discourse on the same novels by what Bourdieu calls ‘professional interpreters’ or ‘professional commentator[s] on texts’ in their tendency to interpret formal features in relation to political and philosophical themes, while negative reviews instead express disappointment that these novels do not measure up to ‘middlebrow’ standards, highlighting the novels’ lack of characteristics apparently considered conducive to readerly enjoyment. Mentions of the Man Booker Prize itself were associated with negative evaluations of both novels, often featuring in expressions of confusion or anger.

布迪厄认为,合法的或“高雅的”文化产品依赖于通过正规教育获得的文化知识为基础的消费方式。为了探索这个想法,我们从亚马逊网站上收集了两本布克奖获奖小说——基兰·德赛的《失去的遗产》(2006)和阿拉温德·阿迪加的《白虎》(2008)——的所有顾客评论。对这些评论的分析主要集中在文化消费的风格上,正如评论中的单词和伴随这些评论的数字“星级”之间的关系所暗示的那样。正面评论类似于布迪厄所说的“专业诠释者”或“文本专业评论家”对同一部小说的论述,他们倾向于解释与政治和哲学主题相关的形式特征,而负面评论则表达了对这些小说不符合“中层”标准的失望,强调了小说缺乏明显被认为有利于读者享受的特征。提到布克奖本身,人们就会对这两部小说做出负面评价,通常表现为困惑或愤怒。
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引用次数: 1
Knowing through feeling: the aesthetic structure of a novel and the iconic experience of reading 感悟:小说的审美结构与阅读的标志性体验
IF 2.9 2区 社会学 Q3 SOCIOLOGY Pub Date : 2021-04-08 DOI: 10.1057/s41290-021-00130-5
John M. Vana
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引用次数: 1
Exploring the sacrality of reading as a social practice 探索阅读作为一种社会实践的神圣性
IF 2.9 2区 社会学 Q3 SOCIOLOGY Pub Date : 2021-04-03 DOI: 10.1057/s41290-021-00132-3
M. A. Thumala Olave
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引用次数: 1
Reviewing strategies and the normalization of uncertain texts 回顾策略与不确定文本的规范化
IF 2.9 2区 社会学 Q3 SOCIOLOGY Pub Date : 2021-03-08 DOI: 10.1057/s41290-021-00128-z
Álvaro Santana-Acuña
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引用次数: 2
期刊
American Journal of Cultural Sociology
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