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Helen Keller’s ‘Sense of light’: life-writing, light-writing and the photosynthetic subject 海伦-凯勒的 "光感":生命写作、光写作与光合作用主题
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2024-07-29 DOI: 10.1080/0950236x.2024.2379176
Jayne Lewis
Contributors to Mere Light ask how ‘light’ falls in and through the non-visual medium of the literary text, illuminating that medium’s potential to initiate an experience of immediacy. While we mig...
Mere Light》一书的撰稿人提出了 "光 "如何落在文学文本这一非视觉媒介中,以及如何通过文学文本这一非视觉媒介,揭示出这一媒介启动即时性体验的潜力。当我们移居到一个陌生的地方时,...
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引用次数: 0
Son et lumière in Proust 普鲁斯特笔下的声与光
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2024-07-29 DOI: 10.1080/0950236x.2024.2379181
Igor Reyner, Jennifer Rushworth
Marcel Proust’s À la recherche du temps perdu is underpinned by an enduring tension between sight and the other senses. Conventional scholarship on Proust claims that the visual pole of this tensio...
马塞尔-普鲁斯特(Marcel Proust)的《追寻逝去的时光》(À la recherche du temps perdu)以视觉与其他感官之间持久的紧张关系为基础。研究普鲁斯特的传统学术观点认为,这种紧张关系的视觉极点是 "视觉",而非 "感官"。
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引用次数: 0
Photomimesis and the anti-aesthetic 光影时代与反美学
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2024-07-29 DOI: 10.1080/0950236x.2024.2379182
Nathan Wainstein
Although James Joyce is famous for his stylistic difficulty, perhaps no feature of his writing is more paradoxical than what may be its most conventional technique: his frequent descriptions of lig...
尽管詹姆斯-乔伊斯以文体上的困难而闻名,但他的写作中最自相矛盾的特点可能莫过于其最传统的技巧:他经常描写......
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引用次数: 0
Critique du récit pur: gleam of time in Maurice Blanchot’s narratives 纯粹的故事批判:莫里斯-布朗肖叙事中的时间之光
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2024-07-29 DOI: 10.1080/0950236x.2024.2379189
Jeff Fort
Maurice Blanchot’s itinerary as a critic and writer is marked by a transformation occurring around the beginning of WW2, when Blanchot abandoned right-wing political journalism to focus on literatu...
莫里斯-布朗肖作为评论家和作家,他的人生轨迹以第二次世界大战开始前后发生的转变为标志,当时布朗肖放弃了右翼政治新闻报道,专注于文学创作。
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引用次数: 0
‘Someone lives in me’: how essayists enter our lives 有人住在我心里":散文家如何走进我们的生活
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2024-07-19 DOI: 10.1080/0950236x.2024.2380255
Dan Dixon
When we read, we imagine an author who wrote what we are reading and we imagine what they are like. This essay describes how authorial personae are shaped, in particular those of essayists, by cons...
当我们阅读时,我们会想象一位作者写下了我们正在阅读的内容,我们也会想象他们是什么样的人。这篇文章描述了作者的形象,尤其是散文家的形象,是如何被各种因素塑造出来的。
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引用次数: 0
Aesthetics of obscenity: the avant-garde text and underground impact of My Own Mag and Poetmeat 淫秽美学:《我自己的杂志》和《诗肉》的前卫文本和地下影响
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2024-07-11 DOI: 10.1080/0950236x.2024.2362021
Bruce Wilkinson
This article uses archival research to analyse the text, aesthetics and impact of two little poetry magazines of the early 1960s: Poetmeat edited by Dave Cunliffe and Tina Morris, and Jeff Nuttall’...
本文利用档案研究分析了 20 世纪 60 年代初两本小诗歌杂志的文字、美学和影响:由戴夫-坎利夫(Dave Cunliffe)和蒂娜-莫里斯(Tina Morris)编辑的《诗肉》(Poetmeat)和杰夫-纳托尔(Jeff Nuttall)编辑的《诗歌》(Poetmeat)。
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引用次数: 0
Huge urgency and consummate skill: an interview with Jim Pennington 巨大的紧迫感和精湛的技艺:吉姆-潘宁顿访谈录
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2024-07-09 DOI: 10.1080/0950236x.2024.2360842
Douglas Field, James Riley
Jim Pennington is a printer and small press publisher who trained at London's North-Western Polytechnic and the London College of Printing. Over the course of his long career, he has worked as a pr...
吉姆-潘宁顿是一名印刷商和小型出版商,曾在伦敦西北理工学院和伦敦印刷学院接受培训。在他漫长的职业生涯中,他曾担任过出版商、印刷商、广告商、广告代理人等多个职位。
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引用次数: 0
THE SPIRIT LIVES! An interview with Douglas Blazek 精神永存采访道格拉斯-布拉泽克
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2024-06-27 DOI: 10.1080/0950236x.2024.2362041
Douglas Field, James Riley
Published in Textual Practice (Ahead of Print, 2024)
发表于《文本实践》(2024 年提前出版)
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引用次数: 0
Poetic transcribbling: Ted Berrigan & Harris Schiff’s Yo-Yo’s with Money and Beaned in Boston 诗意的转录:泰德-贝里根和哈里斯-希夫的《带着钱的悠悠球》和《波士顿的豆子》
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2024-06-25 DOI: 10.1080/0950236x.2024.2362053
Stephanie Anderson
In 1977 and 1978, the poets Ted Berrigan and Harris Schiff attended two baseball games, pretending to be game announcers and recording their repartee on a newly-released TCM-100 cassette tape recor...
1977年和1978年,诗人泰德-贝里根和哈里斯-希夫参加了两场棒球比赛,他们假装成比赛播音员,将他们的对答录制在新发行的TCM-100磁带录音机上。
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引用次数: 0
The chaff and the wheat: Emily Dickinson and Maurice Blanchot 糠与麦艾米莉-狄金森和莫里斯-布朗肖
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2024-05-13 DOI: 10.1080/0950236x.2024.2347252
Tania Ganitsky
In this article, I examine how Emily Dickinson consigned her work to loss and powerlessness instead of profit and power in the light of Maurice Blanchot’s understanding of ‘the unworking’, a concep...
在这篇文章中,我将根据莫里斯-布朗肖对 "不工作 "的理解,探讨艾米莉-狄金森是如何将自己的作品寄托于失落和无力,而非利益和权力。
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引用次数: 0
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