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The changing History of English Poetry 1774–1871: language, literature and Anglo-Saxon whiteness 不断变化的英国诗歌史 1774-1871:语言、文学与盎格鲁-撒克逊白人气质
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2024-03-05 DOI: 10.1080/0950236x.2024.2317009
Helen Young, Shyama Rajendran, Sabina Rahman
Race formation, canon formation, and the writing of linguistic history can all be understood as processes of standardisation that differentiate through inclusion and exclusion of selected character...
种族的形成、典籍的形成以及语言史的书写都可以被理解为标准化的过程,这些过程通过纳入或排除选定的特征来区别对待。
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引用次数: 0
For Laura 劳拉
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2024-03-04 DOI: 10.1080/0950236x.2024.2323283
Hannah Sullivan
Published in Textual Practice (Ahead of Print, 2024)
发表于《文本实践》(2024 年提前出版)
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引用次数: 0
Beyond the silence of the voice: Leos Carax’s Annette and silent cinema 超越沉默的声音莱奥斯-卡拉克斯的《安妮特》与无声电影
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2024-03-01 DOI: 10.1080/0950236x.2024.2323272
Lara Feigel
Cinema’s relationship with the voice is passionate and enduring – perhaps nowhere more so than in silent cinema. This article takes the Lara Feigel’s experience of being supervised by Laura Marcus ...
电影与声音的关系是热情而持久的,也许无声电影就是如此。本文以劳拉-马库斯(Laura Marcus)指导劳拉-费格尔(Lara Feigel)的经历为切入点,阐述了电影与声音的关系。
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引用次数: 0
Caring about lyricality 关注抒情性
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2024-02-28 DOI: 10.1080/0950236x.2024.2323273
David James
This article offers a close reading of Laura Marcus’s styles of close reading, taking as its point of departure a lockdown recording (in spring 2020) of her lyrical rendition of the ‘Time Passes’ s...
本文以劳拉-马库斯(Laura Marcus)对《时光流逝》的抒情演绎的锁定录音(2020 年春)为出发点,对她的精读风格进行了细读。
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引用次数: 0
Laura Marcus and the train to Freud 劳拉-马库斯和通往弗洛伊德的火车
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2024-02-28 DOI: 10.1080/0950236x.2024.2323295
Maud Ellmann
This essay examines Laura Marcus’s chapter ‘Oedipus Express: Psychoanalysis and the Railways’ in her book Dreams of Modernity: Psychoanalysis, Literature, Cinema (2014), which argues that the train...
这篇文章探讨了劳拉-马库斯(Laura Marcus)在其著作《现代性的梦想:现代性的梦想》(Dreams of Modernity: The Modernity)中的 "俄狄浦斯特快:精神分析与铁路 "一章:精神分析、文学、电影》(2014 年)一书中的 "俄狄浦斯特快:精神分析与铁路 "一章。
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引用次数: 0
Manuscript canonicity 手稿的正统性
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2024-02-26 DOI: 10.1080/0950236x.2024.2317004
Daniel Sawyer
Some manuscripts containing Middle English possess canonicity in modern scholarship for their own sakes, that is, for their interest as objects rather than due to the canonicity of their contents. ...
在现代学术界,一些包含中古英语的手稿因其本身的原因而具有正统性,也就是说,因其作为物品而具有趣味性,而非因其内容的正统性。...
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引用次数: 0
How the earth feels: geological fantasy in the nineteenth-century United States 地球的感觉:十九世纪美国的地质幻想
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2024-02-26 DOI: 10.1080/0950236x.2024.2323261
Sophia Houghton
Published in Textual Practice (Ahead of Print, 2024)
发表于《文本实践》(2024 年提前出版)
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引用次数: 0
The uneasiness of emotion and its representations in Max Porter’s Grief Is the Thing with Feathers 马克斯-波特《悲伤是有羽毛的东西》中情感的不安及其表现形式
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2024-02-22 DOI: 10.1080/0950236x.2024.2319279
Adel Cheong
In Max Porter’s Grief Is the Thing with Feathers (2015) a sense of crisis in a family with two young sons, brought on by the sudden death of their mother, is undisguised. What makes the novel more ...
在马克斯-波特(Max Porter)的《悲伤是有羽毛的事》(Grief Is the Thing with Feathers,2015 年)中,一个有两个年幼儿子的家庭因母亲突然去世而产生的危机感毫不掩饰。这部小说更 ...
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引用次数: 0
Rhetorical fractures: poems, photos, power stations, gardens, glasshouses, ghosts and the essay 修辞断裂:诗歌、照片、发电站、花园、玻璃房、幽灵和散文
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2024-02-21 DOI: 10.1080/0950236x.2024.2307742
John Kinsella
Published in Textual Practice (Ahead of Print, 2024)
发表于《文本实践》(2024 年提前出版)
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引用次数: 0
Native daughters, evil empires, Blazing Worlds: Margaret Cavendish's imperialism 土生土长的女儿,邪恶的帝国,炽热的世界:玛格丽特-卡文迪什的帝国主义
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2024-02-21 DOI: 10.1080/0950236x.2024.2318044
Elizabeth Mazzola
The kidnapped maiden reborn as an Empress in Margaret Cavendish's Blazing World (1666) ultimately returns to her birthplace to wage war upon its enemies, using her newfound powers to unleash a deva...
在玛格丽特-卡文迪什(Margaret Cavendish)的《炽热的世界》(1666 年)中,被绑架的少女重生为皇后,最终回到了她的出生地,向敌人发动战争,并利用她新获得的力量释放了一个魔鬼。
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引用次数: 0
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