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‘The outside after all must be right there beside me’: Claire-Louise Bennett’s Pond and post-critical perspective 外面的世界一定就在我身边":克莱尔-路易丝-班尼特的池塘与后批判视角
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2024-05-09 DOI: 10.1080/0950236x.2024.2347260
Stephen Benson
Claire-Louise Bennett’s Pond has been widely acknowledged as one of the most striking and significant debut novels of recent years. While much praised, however, the nature of the novel’s contempora...
克莱尔-路易丝-贝内特的《池塘》被公认为近年来最引人注目、最重要的处女作之一。尽管备受赞誉,但这部小说的当代性却令人担忧。
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引用次数: 0
Fencing with the symptom: a Lacanian reading of Laurence Sterne's sentence structure and punctuation in Tristram Shandy 与症状击剑:从拉康学角度解读劳伦斯-斯特恩在《特里斯坦-香迪》中的句子结构和标点符号
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2024-05-09 DOI: 10.1080/0950236x.2024.2347253
Tim MacGabhann
This essay considers Laurence Sterne's sentences from a Lacanian point of view. My argument parallels the disordered utterances that drive the narrative of Sterne's novel, The Life and Opinions of ...
这篇文章从拉康的角度探讨了劳伦斯-斯特恩的句子。我的论点与斯特恩的小说《......的生平与观点》中推动叙事的无序语句相似。
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引用次数: 0
‘The problem of other minds’: disappropriation and the limits of polyphony in Ben Lerner’s The Topeka School 其他思想的问题":本-勒纳的《托皮卡学校》中的非挪用和复调的局限性
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2024-04-30 DOI: 10.1080/0950236x.2024.2347246
Marta Zanucco
This essay argues that Ben Lerner’s The Topeka School (2019) complicates Mikhail Bakhtin’s dichotomy between monologism and polyphony through strategies resonating with Cristina Rivera Garza’s conc...
本文认为,本-勒纳的《托皮卡学派》(2019年)通过与克里斯蒂娜-里维拉-加尔萨的共鸣策略,将米哈伊尔-巴赫金的独白与复调二分法复杂化。
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引用次数: 0
‘Writing is expensive, and it takes a long time’: publishing as picaresque in Emma Healey’s Best Young Woman Job Book 写作是昂贵的,而且需要很长时间":艾玛-希利的《最佳年轻女性工作书》中的比兴出版法
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2024-04-30 DOI: 10.1080/0950236x.2024.2347249
Sarah Brouillette
This article discusses Emma Healey’s 2022 Best Young Woman Job Book as an instance of a contemporary publishing picaresque: stories that track creative work in today’s conditions of acute scarcity ...
本文讨论了艾玛-希利(Emma Healey)的《2022年最佳女青年工作书》(2022 Best Young Woman Job Book),将其视为当代出版界比克小说(picresque)的一个实例:在当今严重匮乏的条件下,追踪创意作品的故事......
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引用次数: 0
Tennessee Williams’ escapology and the heterotopia of ‘The Mysteries of the Joy Rio’ 田纳西-威廉斯的逃亡学与《欢乐里约之谜》的异托邦
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2024-04-29 DOI: 10.1080/0950236x.2024.2347247
James Phillips
Tennessee Williams’ short story ‘The Mysteries of the Joy Rio’ (1954) concerns the eponymous cinema whose darkened upper balconies have long been used for chance sexual encounters. It is a text in ...
田纳西-威廉斯(Tennessee Williams)的短篇小说《欢乐里约之谜》(The Mysteries of the Joy Rio,1954 年)讲述的是一家同名电影院的故事,这家电影院昏暗的上层阳台长期以来一直被用来进行偶然的性接触。这篇短 ...
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引用次数: 0
Editing Laura 编辑劳拉
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2024-04-17 DOI: 10.1080/0950236x.2024.2323282
Helen Small
Published in Textual Practice (Vol. 38, No. 3, 2024)
发表于《文本实践》(第 38 卷第 3 期,2024 年)
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引用次数: 0
Introduction to Laura Marcus, Rhythm: The Measure of the Modern 劳拉-马库斯,《节奏》导言:现代的尺度
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2024-04-17 DOI: 10.1080/0950236x.2024.2335093
Isobel Armstrong, Josephine McDonagh
This Introduction to Laura Marcus's final monumental but unfinished work describes her wholly new understanding of the central importance of rhythm across the arts and sciences in the nineteenth an...
这是劳拉-马库斯最后一部不朽但尚未完成的作品的导言,描述了她对十九世纪艺术和科学中节奏的核心重要性的全新理解。
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引用次数: 0
Introduction: unoccupied air 导言:闲置空气
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2024-04-17 DOI: 10.1080/0950236x.2024.2323270
Peter Boxall
This introduction sets the essays in the special issue into context, and reflects on Laura Marcus’s contribution both to the development of literary criticism over the last three decades, and to th...
这篇导言将特刊中的文章置于上下文中,并反思劳拉-马库斯在过去三十年中对文学批评的发展以及对文学史的贡献。
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引用次数: 0
Laura’s living writing 劳拉的生活写作
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2024-03-26 DOI: 10.1080/0950236x.2024.2323269
Elleke Boehmer
My contribution is a meditation on Laura Marcus's reflections on light – its rhythms and effects – that draws on insights from Katherine Mansfield and Virginia Woolf, especially the ‘Time Passes’ i...
我的作品是对劳拉-马库斯关于光的思考--光的节奏和效果--的沉思,其中借鉴了凯瑟琳-曼斯菲尔德和弗吉尼亚-伍尔夫的见解,尤其是《时光流逝》一书。
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引用次数: 0
The groovy: an everyday aesthetic of the sixties 嬉皮士:六十年代的日常美学
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2024-03-25 DOI: 10.1080/0950236x.2024.2321912
James Reath
In Christine Brooke-Rose’s novel, Out (1964), we are introduced to ‘Mr Blob’, a ‘filmy monster’ known for rearranging his molecular constitution on live television into a soft ensemble ‘of differen...
在 Christine Brooke-Rose 的小说《Out》(1964 年)中,我们认识了 "Blob 先生",他是一个 "电影怪物",以在电视直播中将自己的分子结构重新排列成一个 "不同...
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引用次数: 0
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