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Writings of the Luddites 卢德派的著作
4区 社会学 Q1 Arts and Humanities Pub Date : 2021-08-01 DOI: 10.1215/0961754x-9268263
J. Perl
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引用次数: 0
Reckonings: Numerals, Cognition, and History 计算:数字、认知和历史
4区 社会学 Q1 Arts and Humanities Pub Date : 2021-08-01 DOI: 10.1215/0961754x-9522447
Thibault De Meyer
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引用次数: 6
Through A Glass, Darkly 透过玻璃,黑暗
4区 社会学 Q1 Arts and Humanities Pub Date : 2021-08-01 DOI: 10.1215/0961754x-9265339
E. Lago, Daniel Hahn
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引用次数: 0
Rethinking China's Rise: A Liberal Critique 反思中国崛起:自由主义批判
4区 社会学 Q1 Arts and Humanities Pub Date : 2021-08-01 DOI: 10.1215/0961754x-9268333
Perry Link
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引用次数: 4
Stalin and the Fate of Europe: The Postwar Struggle for Sovereignty by Norman M. Naimark (review) 《斯大林与欧洲命运:战后主权之争》诺曼·m·奈马克著(书评)
4区 社会学 Q1 Arts and Humanities Pub Date : 2021-08-01 DOI: 10.1215/0961754x-9268319
S. Lovell
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引用次数: 0
“Stands for Itself Certainly” “当然代表它自己”
4区 社会学 Q1 Arts and Humanities Pub Date : 2021-08-01 DOI: 10.1215/0961754x-9265297
Matthew Mutter
J. M. Coetzee's trilogy of novels with Jesus in their titles, published between 2013 and 2019, has bewildered many reviewers. This essay review proposes that that bewilderment stems from a misconception of the novels’ allegorical dimension and of the possible meanings evoked by their titles. The trilogy is the consummation of Coetzee's meditations on analogy and linguistic skepticism; on the ontological status of fictions; on the eschatological impulsion of writing; and on memory's capacity for true recognitions that have no empirical basis. The trilogy presents us with a world that affirms a purely immanent life. Coetzee tests this world dialogically by subjecting its self-identical “here” to the nonidentical repetitions of analogical thought, through which an “elsewhere” impinges on the “here.” The trilogy's deepest questions turn on the metaphysical scope of this “elsewhere”: that is, on whether the vertiginous depths of analogy participate in an underlying substrate of meaning, recognizable as “the Word of God.”
J·M·库切在2013年至2019年间出版的以耶稣为书名的小说三部曲让许多评论家感到困惑。这篇文章评论认为,这种困惑源于对小说寓言维度和标题可能引发的意义的误解。三部曲是库切对类比和语言怀疑论思考的完善;论小说的本体论地位;论写作的末世冲动;以及记忆对没有经验基础的真实识别的能力。三部曲为我们呈现了一个肯定纯粹内在生命的世界。库切对这个世界进行了对话性的检验,他将自我相同的“这里”置于类比思维的非同一重复之下,通过这种重复,“别处”对“这里”产生了冲击。三部曲最深刻的问题转向了“别处”的形而上学范围:即,令人眩晕的类比深度是否参与了意义的底层,被公认为“上帝的话语”
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引用次数: 0
Communities of Disagreement 分歧群体
4区 社会学 Q1 Arts and Humanities Pub Date : 2021-08-01 DOI: 10.1215/0961754x-9265269
LarsLaird Iversen
This guest column in Common Knowledge presents the concept of “communities of disagreement” to an international and interdisciplinary audience, perhaps for the first time. It takes as its starting point the contrast between agonistic and deliberative democratic theories, and it attempts to outline how democratic groups may live well with unresolved disagreement yet not give on up developing truth-sensitive decision-making processes. It argues against the widespread idea that shared values are the social glue of democratic communities. By developing arguments of Manfred Frank, the article outlines a model of the relationship between social context, interpretation, and information.
《常识》的这篇客座专栏向国际和跨学科观众介绍了“分歧群体”的概念,这可能是第一次。它以痛苦的民主理论和深思熟虑的民主理论之间的对比为出发点,并试图概述民主团体如何在未解决的分歧中过得很好,但又不放弃发展对真相敏感的决策过程。它反对普遍认为共同价值观是民主社区的社会粘合剂的观点。通过发展曼弗雷德·弗兰克的论点,文章概述了社会背景、解释和信息之间关系的模型。
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引用次数: 0
Gothic Antiquity: History, Romance, and the Architectural Imagination 1760–1840 by Dale Townshend (review) 戴尔·汤森(Dale Townshend)的《哥特式古物:历史、浪漫与建筑想象1760-1840》(综述)
4区 社会学 Q1 Arts and Humanities Pub Date : 2021-08-01 DOI: 10.1215/0961754x-9268291
Y. Shapira
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引用次数: 3
Between Two Millstones, Book 1: Sketches of Exile 1974–1978 by Alexander Solzhenitsyn (review) 亚历山大·索尔仁尼琴(Alexander Solzhenitsyn)的《两座磨石之间》(Between Two Millstone),第1册:《1974–1978年流亡素描》(Sketches of Exile 1974–1978)(评论)
4区 社会学 Q1 Arts and Humanities Pub Date : 2021-08-01 DOI: 10.1215/0961754x-9268347
Caryl Emerson
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引用次数: 0
Tragedy, the Greeks, and Us 悲剧、希腊人和我们
4区 社会学 Q1 Arts and Humanities Pub Date : 2021-08-01 DOI: 10.1215/0961754x-9268277
J. Billings
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引用次数: 0
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