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Review: The Origins of Greek Temple Architecture 回顾:希腊神庙建筑的起源
2区 艺术学 0 ARCHITECTURE Pub Date : 2023-09-01 DOI: 10.1525/jsah.2023.82.3.335
Jessica Paga
Book Review| September 01 2023 Review: The Origins of Greek Temple Architecture Alessandro Pierattini The Origins of Greek Temple Architecture Cambridge: Cambridge University Press, 2022, 350 pp., 2 tables, 85 illus. $120 (cloth), ISBN 9781108499477 Jessica Paga Jessica Paga William & Mary Search for other works by this author on: This Site PubMed Google Scholar Journal of the Society of Architectural Historians (2023) 82 (3): 335–336. https://doi.org/10.1525/jsah.2023.82.3.335 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Jessica Paga; Review: The Origins of Greek Temple Architecture. Journal of the Society of Architectural Historians 1 September 2023; 82 (3): 335–336. doi: https://doi.org/10.1525/jsah.2023.82.3.335 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentJournal of the Society of Architectural Historians Search The Origins of Greek Temple Architecture is a welcome contribution to the growing literature on pre-Classical architecture and society in ancient Greece. Alessandro Pierattini’s book not only sets forth a nuanced argument for the origins of pre-Archaic Greek temples but also models how the rigorous application of Bauforschung can illuminate the processes behind construction, thereby shedding light on issues of communal action, engineering, and cross-cultural and cross-media exchange. The book consists of an introduction, where the author sets out what is at stake in an evaluation of early Greek temple architecture; three chapters spanning the eleventh through seventh centuries BCE that detail what developed when, where, and why; and a concluding fourth chapter that both wraps up Pierattini’s observations and points toward future studies. Ample black-and-white photographs and illustrations (most by the author), three meticulous appendixes, and a substantial list of references round out the book. The text is remarkably... You do not currently have access to this content.
《希腊神庙建筑的起源》剑桥:剑桥大学出版社,2022年,350页,2表,85图例。$120(布),ISBN 9781108499477 Jessica Paga Jessica Paga William & Mary搜索作者的其他作品:本网站PubMed谷歌学者建筑历史学会杂志(2023)82(3):335-336。https://doi.org/10.1525/jsah.2023.82.3.335查看图标查看文章内容图表和表格视频音频补充数据同行评审分享图标分享Facebook Twitter LinkedIn电子邮件工具图标工具获得权限引用图标引用搜索网站引文杰西卡Paga;回顾:希腊神庙建筑的起源。《建筑历史学会学报》2023年9月1日;82(3): 335-336。doi: https://doi.org/10.1525/jsah.2023.82.3.335下载引文文件:Ris (Zotero)参考文献管理器EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex工具栏搜索搜索下拉菜单工具栏搜索搜索输入搜索输入自动建议过滤您的搜索所有内容建筑历史学家协会期刊搜索希腊神庙建筑的起源是对古希腊前古典建筑和社会不断增长的文献的欢迎贡献。Alessandro Pierattini的书不仅对前古希腊神庙的起源进行了细致入微的论证,而且还对Bauforschung的严格应用如何阐明建筑背后的过程进行了建模,从而揭示了社区行动、工程、跨文化和跨媒体交流等问题。这本书由一个引言组成,作者在其中阐述了早期希腊神庙建筑评估的利害关系;从公元前11世纪到公元前7世纪的三章,详细描述了什么东西在何时、何地以及为什么发展起来;第四章总结了皮拉蒂尼的观察,并指出了未来的研究方向。丰富的黑白照片和插图(大部分由作者绘制),三个细致的附录,以及大量的参考书目,使本书更加完善。这篇文章非常……您目前没有访问此内容的权限。
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引用次数: 0
Review: Modernity for the Masses: Antonio Bonet’s Dreams for Buenos Aires 评论:大众的现代性:安东尼奥·博内对布宜诺斯艾利斯的梦想
2区 艺术学 0 ARCHITECTURE Pub Date : 2023-09-01 DOI: 10.1525/jsah.2023.82.3.345
Inés Zalduendo
Book Review| September 01 2023 Review: Modernity for the Masses: Antonio Bonet’s Dreams for Buenos Aires Ana María León Modernity for the Masses: Antonio Bonet’s Dreams for Buenos Aires Austin: University of Texas Press, 2021, 288 pp., 60 b/w illus. $50 (cloth), ISBN 9781477321782 Inés Zalduendo Inés Zalduendo Harvard University Search for other works by this author on: This Site PubMed Google Scholar Journal of the Society of Architectural Historians (2023) 82 (3): 345–347. https://doi.org/10.1525/jsah.2023.82.3.345 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Inés Zalduendo; Review: Modernity for the Masses: Antonio Bonet’s Dreams for Buenos Aires. Journal of the Society of Architectural Historians 1 September 2023; 82 (3): 345–347. doi: https://doi.org/10.1525/jsah.2023.82.3.345 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentJournal of the Society of Architectural Historians Search Ana María León’s Modernity for the Masses: Antonio Bonet’s Dreams for Buenos Aires focuses on Argentina’s architectural avant-garde as it operated during the mid-twentieth century within a framework of state-sponsored projects to house Buenos Aires’s growing urban population. To build her narrative, León analyzes a small multifamily project and three larger unbuilt housing projects, all conceived by the Spanish architect Antonio Bonet (1913–89). She uses these works, produced during Bonet’s twenty years of professional practice in Argentina, to support her thesis concerning the shift in modern architectural practice from an active agent of change to a passive subject of capital. She also draws on local disciplinary discourses within architecture as well as within the fields of politics, sociology, and psychology. Although sociology and psychology did not emerge as disciplines in Argentina until Universidad Nacional del Litoral and Universidad de Buenos Aires began offering degrees in the late 1950s, ideas from... You do not currently have access to this content.
书评| 2023年9月1日评论:大众的现代性:安东尼奥·博内对布宜诺斯艾利斯的梦想Ana María León大众的现代性:安东尼奥·博内对布宜诺斯艾利斯的梦想奥斯汀:德克萨斯大学出版社,2021年,288页,60桶/桶。$50(布),ISBN 9781477321782 insamims Zalduendo哈佛大学在此网站PubMed谷歌建筑历史学家学会学者杂志(2023)82(3):345-347搜索作者的其他作品。https://doi.org/10.1525/jsah.2023.82.3.345查看图标查看文章内容图表和表格视频音频补充数据同行评议分享图标分享Facebook Twitter LinkedIn电子邮件工具图标工具获得许可引用图标引用搜索网站引文in Zalduendo;评论:大众的现代性:安东尼奥·博内对布宜诺斯艾利斯的梦想。《建筑历史学会学报》2023年9月1日;82(3): 345-347。doi: https://doi.org/10.1525/jsah.2023.82.3.345下载引文文件:Ris (Zotero)参考文献管理器EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex工具栏搜索搜索下拉菜单工具栏搜索搜索输入搜索输入自动建议过滤您的搜索所有内容建筑历史学家学会期刊搜索Ana María León大众现代性:Antonio Bonet的《布宜诺斯艾利斯之梦》聚焦于阿根廷前卫的建筑,因为它在20世纪中期在国家资助的项目框架内运作,以容纳布宜诺斯艾利斯不断增长的城市人口。为了构建她的故事,León分析了一个小型的多户家庭项目和三个较大的未建成的住房项目,这些项目都是由西班牙建筑师安东尼奥·博内(1913-89)构思的。她使用这些作品,这些作品是Bonet在阿根廷20年的专业实践期间创作的,以支持她的论文,即现代建筑实践从积极的变革主体转变为被动的资本主体。她还借鉴了建筑领域以及政治、社会学和心理学领域的本地学科话语。虽然直到20世纪50年代末,阿根廷国立大学和布宜诺斯艾利斯大学开始提供学位,社会学和心理学才成为阿根廷的学科,但来自……您目前没有访问此内容的权限。
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引用次数: 0
Review: Eyes That Saw: Architecture after Las Vegas 回顾:眼睛看到:拉斯维加斯之后的建筑
2区 艺术学 0 ARCHITECTURE Pub Date : 2023-09-01 DOI: 10.1525/jsah.2023.82.3.350
Christophe Van Gerrewey
Book Review| September 01 2023 Review: Eyes That Saw: Architecture after Las Vegas Stanislaus von Moos and Martino Stierli, eds. Eyes That Saw: Architecture after Las Vegas Zurich: Scheidegger & Spiess, 2020, 256 pp., 125 color and 50 b/w illus. $49 (paper), ISBN 9783858818201 Christophe Van Gerrewey Christophe Van Gerrewey École Polytechnique Fédérale de Lausanne Search for other works by this author on: This Site PubMed Google Scholar Journal of the Society of Architectural Historians (2023) 82 (3): 350–351. https://doi.org/10.1525/jsah.2023.82.3.350 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Christophe Van Gerrewey; Review: Eyes That Saw: Architecture after Las Vegas. Journal of the Society of Architectural Historians 1 September 2023; 82 (3): 350–351. doi: https://doi.org/10.1525/jsah.2023.82.3.350 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentJournal of the Society of Architectural Historians Search “Las Vegas is not the subject of our book,” Denise Scott Brown declared in the preface to the 1977 second edition of Learning from Las Vegas, originally published in 1972 and cowritten with Robert Venturi and Steven Izenour.1 What that subject might be is something that critics, historians, and architects have been trying to figure out for the last half century. Why should architects and students focus on popular and commercial developments in a place such as Las Vegas? Is it a problem if they suspend critical, aesthetic, or moral judgment? And how can such a study nourish contemporary architecture—with what effect—and for whom? These are also questions whose meaning and relevance for architecture have changed over time. Eyes That Saw: Architecture after Las Vegas is one of several recent books that examine the significance and the legacy of Learning from Las Vegas. It collects about twenty... You do not currently have access to this content.
书评:《看到的眼睛:拉斯维加斯之后的建筑》斯坦尼斯劳斯·冯·莫斯和马蒂诺·斯蒂利主编。苏黎世:Scheidegger & Spiess, 2020, 256页,125色,50张/w。49美元(论文),ISBN 9783858818201 Christophe Van Gerrewey Christophe Van Gerrewey École Polytechnique fsamdsamusanne搜索作者的其他作品:此网站PubMed Google Scholar Journal of Architectural Historians(2023) 82(3): 350-351。https://doi.org/10.1525/jsah.2023.82.3.350查看图标查看文章内容图表和表格视频音频补充数据同行评审分享图标分享Facebook Twitter LinkedIn电子邮件工具图标工具获得许可引用图标引用搜索网站引用Christophe Van Gerrewey;回顾:眼睛看到:拉斯维加斯之后的建筑。《建筑历史学会学报》2023年9月1日;82(3): 350-351。doi: https://doi.org/10.1525/jsah.2023.82.3.350下载引文文件:Ris (Zotero)参考管理EasyBib Bookends Mendeley论文EndNote RefWorks BibTex工具栏搜索搜索下拉菜单工具栏搜索搜索输入搜索输入自动建议过滤您的搜索所有内容建筑历史学家协会期刊搜索“拉斯维加斯不是我们书的主题”丹尼斯·斯科特·布朗在《向拉斯维加斯学习》1977年第二版的序言中宣称,这本书最初出版于1972年,是与罗伯特·文丘里和史蒂文·伊泽诺尔合著的。“在过去的半个世纪里,评论家、历史学家和建筑师一直在试图弄清楚这个主题是什么。”为什么建筑师和学生要关注拉斯维加斯这样的地方的流行和商业发展?如果他们暂停批判、审美或道德判断,这是个问题吗?这样的研究如何滋养当代建筑——有什么效果——为谁?随着时间的推移,这些问题对建筑的意义和相关性也发生了变化。《眼看:拉斯维加斯之后的建筑》是最近几本书中的一本,探讨了向拉斯维加斯学习的意义和遗产。它收集了大约20个……您目前没有访问此内容的权限。
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引用次数: 0
Introducing JSAH Roundtables 介绍JSAH圆桌会议
2区 艺术学 0 ARCHITECTURE Pub Date : 2023-09-01 DOI: 10.1525/jsah.2023.82.3.248
David Karmon
Editorial| September 01 2023 Introducing JSAH Roundtables David Karmon David Karmon Editor, JSAH and JSAH Online Search for other works by this author on: This Site PubMed Google Scholar Journal of the Society of Architectural Historians (2023) 82 (3): 248–249. https://doi.org/10.1525/jsah.2023.82.3.248 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation David Karmon; Introducing JSAH Roundtables. Journal of the Society of Architectural Historians 1 September 2023; 82 (3): 248–249. doi: https://doi.org/10.1525/jsah.2023.82.3.248 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentJournal of the Society of Architectural Historians Search From the beginning of my term as editor at JSAH, I have been engaged in conversations with many different constituencies—including the SAH administration, the JSAH Editorial Advisory Committee, and our membership at large—about how the journal might build upon, diversify, and expand access to its existing offerings. Drawing on the many insights that have emerged from these conversations, I have experimented with the roundtable format in a number of recent issues. For the pilot study, I organized and edited a two-part JSAH Roundtable titled “Constructing Race and Architecture 1400–1800,” which appeared in the September and December issues of 2021. This was then followed in the June 2022 issue by the JSAH Roundtable “What Frameworks Should We Use to Read the Spatial History of the Americas?,” organized and guest edited by Fernando Lara. Most recently, Thaïsa Way and I coedited “Rethinking the Urban Landscape” for the September 2022 issue. All... You do not currently have access to this content.
编辑| 2023年9月1日介绍JSAH圆桌会议大卫·卡蒙大卫·卡蒙编辑,JSAH和JSAH在线搜索作者的其他作品:本网站PubMed谷歌学者建筑历史学会学报(2023)82(3):248-249。https://doi.org/10.1525/jsah.2023.82.3.248查看图标查看文章内容图表和表格视频音频补充数据同行评审分享图标分享Facebook Twitter LinkedIn电子邮件工具图标工具获得权限引用图标引用搜索网站引文大卫·卡蒙;介绍JSAH圆桌会议。《建筑历史学会学报》2023年9月1日;82(3): 248-249。doi: https://doi.org/10.1525/jsah.2023.82.3.248下载引文文件:Ris (Zotero)参考资料经理EasyBib Bookends Mendeley论文EndNote RefWorks BibTex工具栏搜索搜索下拉菜单工具栏搜索搜索输入搜索输入自动建议过滤您的搜索所有内容建筑历史学会期刊搜索从我担任JSAH编辑一开始,我就与许多不同的团体进行了对话,包括SAH管理部门,JSAH编辑咨询委员会,以及我们的广大会员——关于期刊如何在现有产品的基础上建立、多样化和扩大访问。根据这些对话中产生的许多见解,我在最近的一些问题中尝试了圆桌会议的形式。为了进行试点研究,我组织并编辑了一个由两部分组成的JSAH圆桌会议,题为“构建种族和建筑1400-1800”,发表在2021年9月和12月的问题上。随后在2022年6月的JSAH圆桌会议上,“我们应该用什么框架来阅读美洲的空间历史?”,由费尔南多·拉拉(Fernando Lara)组织和客串编辑。最近,Thaïsa Way和我共同编辑了2022年9月号的“重新思考城市景观”。所有……您目前没有访问此内容的权限。
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引用次数: 0
Review: Inessential Colors: Architecture on Paper in Early Modern Europe 回顾:不必要的色彩:早期现代欧洲的纸上建筑
2区 艺术学 0 ARCHITECTURE Pub Date : 2023-09-01 DOI: 10.1525/jsah.2023.82.3.336
Martin Olin
Book Review| September 01 2023 Review: Inessential Colors: Architecture on Paper in Early Modern Europe Basile Baudez Inessential Colors: Architecture on Paper in Early Modern Europe Princeton, N.J.: Princeton University Press, 2021, 278 pp., 172 color illus. $65 (cloth), ISBN 9780691213569 Martin Olin Martin Olin Nationalmuseum, Stockholm Search for other works by this author on: This Site PubMed Google Scholar Journal of the Society of Architectural Historians (2023) 82 (3): 336–338. https://doi.org/10.1525/jsah.2023.82.3.336 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Martin Olin; Review: Inessential Colors: Architecture on Paper in Early Modern Europe. Journal of the Society of Architectural Historians 1 September 2023; 82 (3): 336–338. doi: https://doi.org/10.1525/jsah.2023.82.3.336 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentJournal of the Society of Architectural Historians Search It is only in the past ten or fifteen years that architectural drawings have been reproduced in color (and exceptions are still frequent). The public has gradually become aware of the beauty of brilliant watercolors, subtle washes, and red chalk details in plans and elevations from the Renaissance to the nineteenth century. But do these colors have functions and meanings beyond the decorative? In Inessential Colors, Basile Baudez argues that the colors in architectural drawings serve three purposes: to imitate the world, to act as conventional signs for building materials and functions, and to move and delight—to affect—the viewer. Faint blue and pink washes reveal that Jacques Androuet du Cerceau intended the Château de Blois to have a slate roof and walls with visible brickwork. Such a drawing thus conveyed information about a project to a patron who might otherwise have had to inquire verbally about the roofing and... You do not currently have access to this content.
《无关紧要的色彩:近代早期欧洲纸上建筑》书评| Basile Baudez《无关紧要的色彩:近代早期欧洲纸上建筑》,普林斯顿,新泽西州:普林斯顿大学出版社,2021年,278页,172个彩色插图。$65(布),ISBN 9780691213569马丁奥林马丁奥林国家博物馆,斯德哥尔摩搜索作者的其他作品:此网站PubMed谷歌学者建筑历史学会杂志(2023)82(3):336-338。https://doi.org/10.1525/jsah.2023.82.3.336查看图标查看文章内容图表和表格视频音频补充数据同行评审分享图标分享Facebook Twitter LinkedIn电子邮件工具图标工具获得权限引用图标引用搜索网站引用马丁奥林;回顾:不必要的色彩:早期现代欧洲的纸上建筑。《建筑历史学会学报》2023年9月1日;82(3): 336-338。doi: https://doi.org/10.1525/jsah.2023.82.3.336下载引文文件:Ris (Zotero)参考文献管理器EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex工具栏搜索搜索下拉菜单工具栏搜索搜索输入搜索输入自动建议过滤您的搜索所有内容建筑历史学会期刊搜索仅在过去的十年或十五年里,建筑图纸被复制为彩色(例外情况仍然频繁)。从文艺复兴时期到19世纪,公众逐渐意识到平面图和立面中绚丽的水彩画、微妙的水洗和红色粉笔细节的美。但是,这些颜色除了装饰之外,还有什么功能和意义吗?在《不重要的颜色》一书中,Basile Baudez认为,建筑图纸中的颜色有三个目的:模仿世界,作为建筑材料和功能的传统标志,以及感动和愉悦-影响-观众。淡蓝色和粉红色的洗色表明,Jacques Androuet du Cerceau希望ch teau de Blois有石板屋顶和可见砖砌的墙壁。因此,这样的图纸向客户传达了有关项目的信息,否则客户可能不得不口头询问屋顶和……您目前没有访问此内容的权限。
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引用次数: 0
Review: Miracles in Concrete: Structural Engineer August Komendant 回顾:混凝土中的奇迹:结构工程师August Komendant
2区 艺术学 0 ARCHITECTURE Pub Date : 2023-09-01 DOI: 10.1525/jsah.2023.82.3.348
Robert McCarter
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引用次数: 0
Review: The Structure of Skyscrapers in America, 1871–1900: Their History and Preservation 回顾:美国摩天大楼的结构,1871-1900:它们的历史和保护
2区 艺术学 0 ARCHITECTURE Pub Date : 2023-09-01 DOI: 10.1525/jsah.2023.82.3.344
Tyler S. Sprague
Book Review| September 01 2023 Review: The Structure of Skyscrapers in America, 1871–1900: Their History and Preservation Donald Friedman The Structure of Skyscrapers in America, 1871–1900: Their History and Preservation Springfield, Ill.: Association for Preservation Technology International, 2020, 450 pp., 539 illus. $65 (paper), ISBN 9780998634715 Tyler S. Sprague Tyler S. Sprague University of Washington Search for other works by this author on: This Site PubMed Google Scholar Journal of the Society of Architectural Historians (2023) 82 (3): 344–345. https://doi.org/10.1525/jsah.2023.82.3.344 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Tyler S. Sprague; Review: The Structure of Skyscrapers in America, 1871–1900: Their History and Preservation. Journal of the Society of Architectural Historians 1 September 2023; 82 (3): 344–345. doi: https://doi.org/10.1525/jsah.2023.82.3.344 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentJournal of the Society of Architectural Historians Search The significance of American skyscrapers needs little introduction. Tall urban buildings constructed in the late nineteenth and early twentieth centuries have come to symbolize the prosperity and growth of major American cities in both academic and public discourse. Skyscrapers—anointed with their own mythical, poetically ambiguous term—embody both the whimsical fascination of a city in the sky and the technical significance of (somehow) actually achieving a version of that reality. As a building typology, the skyscraper offers endless scholarly opportunities to explore the complexity of the American built environment. Donald Friedman’s recent book focuses on a singular, defining aspect of skyscrapers: their structure. As the very definition of a skyscraper relies on the achievement of significant height, this focus is essential to the world of skyscraper scholarship. Focusing on structure—the primary load-resisting, material assembly—foregrounds materials, geometries, and construction processes in a historical narrative. It includes discussion of weight and wind, capacity... You do not currently have access to this content.
书评:《美国摩天大楼的结构,1871-1900:它们的历史与保存》唐纳德·弗里德曼《美国摩天大楼的结构,1871-1900:它们的历史与保存》斯普林菲尔德,伊利诺伊州。:国际保鲜技术协会,2020,450页,539页。$65(论文),ISBN 9780998634715泰勒S.斯普拉格华盛顿大学泰勒S.斯普拉格搜索作者的其他作品:本网站PubMed谷歌学者建筑历史学会杂志(2023)82(3):344-345。https://doi.org/10.1525/jsah.2023.82.3.344查看图标查看文章内容图表和表格视频音频补充数据同行评审分享图标分享Facebook Twitter LinkedIn电子邮件工具图标工具获得权限引用图标引用搜索网站引文泰勒S.斯普拉格;回顾:美国摩天大楼的结构,1871-1900:它们的历史和保护。《建筑历史学会学报》2023年9月1日;82(3): 344-345。doi: https://doi.org/10.1525/jsah.2023.82.3.344下载引文文件:Ris (Zotero)参考文献管理器EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex工具栏搜索搜索下拉菜单工具栏搜索搜索输入搜索输入自动建议过滤您的搜索所有内容建筑历史学家学会期刊搜索美国摩天大楼的意义无需介绍。19世纪末和20世纪初建造的高层城市建筑在学术和公共话语中已经成为美国主要城市繁荣和发展的象征。摩天大楼——被赋予了自己神话般的、诗意模糊的术语——既体现了一座天空之城的异想天开的魅力,也体现了(以某种方式)实际实现这种现实的技术意义。作为一种建筑类型学,摩天大楼为探索美国建筑环境的复杂性提供了无尽的学术机会。唐纳德·弗里德曼(Donald Friedman)的新书关注摩天大楼的一个独特的、具有定义意义的方面:它们的结构。由于摩天大楼的定义依赖于取得显著的高度,这种关注对摩天大楼的学术世界至关重要。关注结构-主要的抗载荷,材料组合-在历史叙述中突出材料,几何形状和施工过程。它包括重量和风的讨论,容量…您目前没有访问此内容的权限。
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引用次数: 0
Review: The Place of Many Moods: Udaipur’s Painted Lands and India’s Eighteenth Century 书评:多种情绪的地方:乌代普尔的绘画之地和印度的十八世纪
2区 艺术学 0 ARCHITECTURE Pub Date : 2023-09-01 DOI: 10.1525/jsah.2023.82.3.341
Mehreen Chida-Razvi
Book Review| September 01 2023 Review: The Place of Many Moods: Udaipur’s Painted Lands and India’s Eighteenth Century Dipti Khera The Place of Many Moods: Udaipur’s Painted Lands and India’s Eighteenth Century Princeton, N.J.: Princeton University Press, 2020, 232 pp., 159 color illus. $75 (cloth), ISBN 9780691201849 Mehreen Chida-Razvi Mehreen Chida-Razvi Khalili Collections, London Search for other works by this author on: This Site PubMed Google Scholar Journal of the Society of Architectural Historians (2023) 82 (3): 341–342. https://doi.org/10.1525/jsah.2023.82.3.341 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Mehreen Chida-Razvi; Review: The Place of Many Moods: Udaipur’s Painted Lands and India’s Eighteenth Century. Journal of the Society of Architectural Historians 1 September 2023; 82 (3): 341–342. doi: https://doi.org/10.1525/jsah.2023.82.3.341 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentJournal of the Society of Architectural Historians Search In 1559 Udaipur, known as the City of Lakes for the natural and human-made lakes and streams in and around the valley surrounding the city, became the capital of Mewar, one of the regional Rajput courts of northwest India. Mewar’s painting tradition originated in the fifteenth century, making it one of the earliest Rajasthani schools of painting. By the late seventeenth century, painters from Udaipur had moved beyond merely depicting people and places to experimenting with conveying sensory experiences of space and mood of place. This representation featured the locale, landscapes, urban layout, architecture, and topography of the cities of the ranas (rulers) of Mewar, particularly Udaipur. As a result, Udaipur’s court paintings began to be produced on a larger scale to maximize their affective impact. Created during the long eighteenth century, as centralized imperial Mughal power declined and as the British East India Company became a political entity and... You do not currently have access to this content.
书评| 2023年9月1日书评:多种情绪的地方:乌代普尔的绘画土地和印度的18世纪的迪普提Khera多种情绪的地方:乌代普尔的绘画土地和印度的18世纪普林斯顿,新泽西州:普林斯顿大学出版社,2020年,232页,159彩色插图。$75(布),ISBN 9780691201849 Mehreen Chida-Razvi Mehreen Chida-Razvi Khalili合集,伦敦搜索作者的其他作品:此网站PubMed谷歌建筑历史学会学者杂志(2023)82(3):341-342。https://doi.org/10.1525/jsah.2023.82.3.341查看图标查看文章内容图表和表格视频音频补充数据同行评审分享图标分享Facebook Twitter LinkedIn电子邮件工具图标工具获得权限引用图标引用搜索网站引用Mehreen Chida-Razvi;书评:多种情绪的地方:乌代普尔的绘画之地和印度的十八世纪。《建筑历史学会学报》2023年9月1日;82(3): 341-342。doi: https://doi.org/10.1525/jsah.2023.82.3.341下载引文文件:Ris (Zotero)参考资料管理器EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex工具栏搜索搜索下拉菜单工具栏搜索搜索输入搜索输入自动建议过滤您的搜索所有内容建筑历史学家学会期刊搜索1559年,乌代浦尔因城市周围山谷中的自然和人造湖泊和溪流而被称为湖泊之城,成为Mewar的首府,Mewar是印度西北部地区拉吉普特法院之一。Mewar的绘画传统起源于15世纪,使其成为拉贾斯坦最早的绘画流派之一。到17世纪晚期,乌代普尔的画家们已经超越了仅仅描绘人物和地点,开始尝试传达空间的感官体验和地点的情绪。这幅作品描绘了Mewar统治者(ranas),尤其是乌代普尔(Udaipur)的地区、景观、城市布局、建筑和地形。因此,乌代普尔的宫廷画开始大规模生产,以最大限度地发挥其情感影响。在漫长的18世纪,随着中央集权的帝国莫卧儿权力的衰落,随着英国东印度公司成为一个政治实体……您目前没有访问此内容的权限。
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引用次数: 5
Review: Versailles: Architectures rêvées 1660–1815 凡尔赛:梦幻建筑1660 - 1815
2区 艺术学 0 ARCHITECTURE Pub Date : 2023-09-01 DOI: 10.1525/jsah.2023.82.3.339
Guy Walton
Book Review| September 01 2023 Review: Versailles: Architectures rêvées 1660–1815 Élisabeth Maisonnier, ed. Versailles: Architectures rêvées 1660–1815 Versailles: Établissement Public du Château, du Musée et du Domaine de Versailles, with Éditions Gallimard, 2019, 280 pp., 193 illus. $63.20/€49 (cloth), ISBN 9782072837524 Guy Walton Guy Walton New York University Search for other works by this author on: This Site PubMed Google Scholar Journal of the Society of Architectural Historians (2023) 82 (3): 339–341. https://doi.org/10.1525/jsah.2023.82.3.339 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Guy Walton; Review: Versailles: Architectures rêvées 1660–1815. Journal of the Society of Architectural Historians 1 September 2023; 82 (3): 339–341. doi: https://doi.org/10.1525/jsah.2023.82.3.339 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentJournal of the Society of Architectural Historians Search In his cleverly titled preface, “Versailles, de la pierre au papier” (Versailles, from stone to paper), Alexandre Gady signals the intent of the exhibition catalogue Versailles: Architectures rêvées 1660–1815 to reflect both the craft and the thinking of one of the greatest periods of French architecture through the drawings and prints that document important aspects of the Versailles château’s history. Furthermore, the catalogue’s designers enhance the reader’s experience by presenting an exceptionally handsome volume, one that should stimulate further discussions of many of these remarkable artworks. Élisabeth Maisonnier, curator of drawings and prints at the château museum, directed the Architectures rêvées exhibition and is also a major contributor to the catalogue. The topic of architectural dreams proved to be compatible with the decision to highlight the beauty and strategies of the project drawings, since many of the most interesting ones were destined to remain on paper during the reigns of... You do not currently have access to this content.
书评| 2023年9月1日评论:凡尔赛:建筑rêvées 1660-1815 Élisabeth Maisonnier主编。凡尔赛:建筑rêvées 1660-1815凡尔赛:Établissement Public du ch, du mus, et du Domaine de Versailles, with Éditions Gallimard, 2019, 280 pp., 193 illus。$63.20/€49(布),ISBN 9782072837524 Guy Walton Guy Walton纽约大学在此网站PubMed谷歌建筑历史学家学会学者杂志(2023)82(3):339-341搜索作者的其他作品。https://doi.org/10.1525/jsah.2023.82.3.339查看图标查看文章内容图和表视频音频补充数据同行评审分享图标分享Facebook Twitter LinkedIn电子邮件工具图标工具获得权限引用图标引用搜索网站引用盖伊沃尔顿;回顾:凡尔赛:建筑rêvées 1660-1815。《建筑历史学会学报》2023年9月1日;82(3): 339-341。doi: https://doi.org/10.1525/jsah.2023.82.3.339下载引文文件:Ris (Zotero)参考经理EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex工具栏搜索搜索下拉菜单工具栏搜索搜索输入搜索输入自动建议过滤您的搜索所有内容建筑历史学家协会杂志搜索在他巧妙的标题前言中,“Versailles, de la pierre au papier”(凡尔赛,从石头到纸),Alexandre Gady表明凡尔赛展览目录的意图:建筑rêvées 1660-1815,通过记录凡尔赛宫历史重要方面的图纸和印刷品,反映法国建筑最伟大时期之一的工艺和思想。此外,该目录的设计师通过展示一个非常漂亮的数量来增强读者的体验,这应该会激发人们对许多这些杰出艺术品的进一步讨论。Élisabeth Maisonnier, ch博物馆的绘画和版画策展人,指导了建筑rêvées展览,也是该目录的主要贡献者。事实证明,建筑梦想的主题与突出项目图纸的美感和策略的决定是相容的,因为许多最有趣的东西注定要在…您目前没有访问此内容的权限。
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引用次数: 0
Dialogues on the Global within and beyond Australasia 澳大拉西亚内外的全球对话
2区 艺术学 0 ARCHITECTURE Pub Date : 2023-09-01 DOI: 10.1525/jsah.2023.82.3.250
Research Article| September 01 2023 Dialogues on the Global within and beyond Australasia Journal of the Society of Architectural Historians (2023) 82 (3): 250–274. https://doi.org/10.1525/jsah.2023.82.3.250 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Dialogues on the Global within and beyond Australasia. Journal of the Society of Architectural Historians 1 September 2023; 82 (3): 250–274. doi: https://doi.org/10.1525/jsah.2023.82.3.250 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentJournal of the Society of Architectural Historians Search As often happens in academia, our research project originated with an unsuccessful fellowship application. And yet, if our proposal to address Australasian perspectives on architectural history had no luck as a fellowship proposal, the project took on new life as a symposium titled “Australasia and the Global Turn in Architectural History.” We issued invitations in fall 2021 and notified our list of contributors in December 2021. Hosted by the Australian Centre for Architectural History, Urban and Cultural Heritage (ACAHUCH) at the University of Melbourne, the symposium was held both online and in person on 27 April 2022 (Figure 1). The event also served to mark contributions made by Australian and New Zealand scholars to the latest edition of the venerable and problematic survey of architectural history originated by Banister Fletcher in 1896, restyled in 2020 as Sir Banister Fletcher’s Global History of Architecture. The arrival in Australia of... You do not currently have access to this content.
研究论文| September 01 2023全球内外对话[j] .建筑历史学会学报,2023,82(3):250-274。https://doi.org/10.1525/jsah.2023.82.3.250查看图标查看文章内容图表和表格视频音频补充数据同行评审分享图标分享Facebook Twitter LinkedIn电子邮件工具图标工具获得权限引用图标引用搜索网站引文对话在全球内外澳大拉西亚。《建筑历史学会学报》2023年9月1日;82(3): 250-274。doi: https://doi.org/10.1525/jsah.2023.82.3.250下载引文文件:Ris (Zotero)参考文献管理器EasyBib Bookends Mendeley论文EndNote RefWorks BibTex工具栏搜索搜索下拉菜单工具栏搜索搜索输入搜索输入自动建议过滤您的搜索所有内容建筑历史学会期刊搜索学术界经常发生的事情,我们的研究项目起源于一个不成功的奖学金申请。然而,如果我们提出的关于澳大利亚建筑史的观点的提案没有成为奖学金提案,那么这个项目作为一个名为“澳大利亚和建筑史的全球转折”的研讨会获得了新的生命。我们于2021年秋季发出邀请,并于2021年12月通知了我们的贡献者名单。该研讨会由墨尔本大学的澳大利亚建筑史、城市和文化遗产中心(ACAHUCH)主办,于2022年4月27日在网上和现场举行(图1)。该活动还纪念了澳大利亚和新西兰学者对最新版的建筑历史调查所做的贡献,该调查由班尼斯特·弗莱彻于1896年发起,在2020年被重新设计为班尼斯特·弗莱彻爵士的全球建筑史。抵达澳大利亚的……您目前没有访问此内容的权限。
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引用次数: 0
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JOURNAL OF THE SOCIETY OF ARCHITECTURAL HISTORIANS
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