Pub Date : 2023-06-01DOI: 10.1525/jsah.2023.82.2.208
F. Pereda
{"title":"Review: Habsburg Madrid: Architecture and the Spanish Monarchy","authors":"F. Pereda","doi":"10.1525/jsah.2023.82.2.208","DOIUrl":"https://doi.org/10.1525/jsah.2023.82.2.208","url":null,"abstract":"","PeriodicalId":45734,"journal":{"name":"JOURNAL OF THE SOCIETY OF ARCHITECTURAL HISTORIANS","volume":"29 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77649171","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1525/jsah.2023.82.2.231
Michael Andrés Forero Parra
{"title":"Traces of Disappearance: The Cases of Urabá, Palace of Justice, and Nukak Territory","authors":"Michael Andrés Forero Parra","doi":"10.1525/jsah.2023.82.2.231","DOIUrl":"https://doi.org/10.1525/jsah.2023.82.2.231","url":null,"abstract":"","PeriodicalId":45734,"journal":{"name":"JOURNAL OF THE SOCIETY OF ARCHITECTURAL HISTORIANS","volume":"37 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73404584","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1525/jsah.2023.82.2.110
Barry Bergdoll, Anne Hill Bird, Helena Dean, Beth Eifrig, Catherine Boland Erkkila, Carolyn Garrett, Karen Kingsley, Christopher Kirbabas, Katerina Bong, Charlette Caldwell, Sben Korsh, Leslie Lodwick, Antonio Pacheco, Sandra Bradley, J. Connolly, J. Shulman, S. Wheatley, K. Breisch, J. Buckley, S. Chattopadhyay, A. Clark, Valentina Dávila, Charles L. Davis, D. Harris, L. Horiuchi, Itohan I. Osayimwese, R. Longstreth, Keith N. Morgan, P. Morton, K. Ōshima, Cynthia Weese, Victoria Young
{"title":"Tribute to Pauline Saliga","authors":"Barry Bergdoll, Anne Hill Bird, Helena Dean, Beth Eifrig, Catherine Boland Erkkila, Carolyn Garrett, Karen Kingsley, Christopher Kirbabas, Katerina Bong, Charlette Caldwell, Sben Korsh, Leslie Lodwick, Antonio Pacheco, Sandra Bradley, J. Connolly, J. Shulman, S. Wheatley, K. Breisch, J. Buckley, S. Chattopadhyay, A. Clark, Valentina Dávila, Charles L. Davis, D. Harris, L. Horiuchi, Itohan I. Osayimwese, R. Longstreth, Keith N. Morgan, P. Morton, K. Ōshima, Cynthia Weese, Victoria Young","doi":"10.1525/jsah.2023.82.2.110","DOIUrl":"https://doi.org/10.1525/jsah.2023.82.2.110","url":null,"abstract":"","PeriodicalId":45734,"journal":{"name":"JOURNAL OF THE SOCIETY OF ARCHITECTURAL HISTORIANS","volume":"138 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76455489","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1525/jsah.2023.82.2.214
H. Joyce
{"title":"Review: Antiquity in Gotham: The Ancient Architecture of New York City","authors":"H. Joyce","doi":"10.1525/jsah.2023.82.2.214","DOIUrl":"https://doi.org/10.1525/jsah.2023.82.2.214","url":null,"abstract":"","PeriodicalId":45734,"journal":{"name":"JOURNAL OF THE SOCIETY OF ARCHITECTURAL HISTORIANS","volume":"45 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74673775","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1525/jsah.2023.82.2.184
Clare Robinson
This article uses archival research to illustrate how the Association of College Unions and the professional consultants it supported employed the metaphors of “home,” the “art of living,” and “laboratory for living” to organize architectural meaning, social spaces, and student activities in the design of student unions on campuses across North America in the period following World War II. These metaphors facilitated the spread of expert knowledge as well as the making of a new building type. This move toward standardization reflected the long-standing egalitarian character of student unions and the growing presence of the middle class in American universities during the mid-twentieth century. The standardized student union physically embodied the American middle-class “standard of living” and promoted ideal middle-class values through its presence on college campuses.
{"title":"The Metaphors That Made the Student Union","authors":"Clare Robinson","doi":"10.1525/jsah.2023.82.2.184","DOIUrl":"https://doi.org/10.1525/jsah.2023.82.2.184","url":null,"abstract":"\u0000 This article uses archival research to illustrate how the Association of College Unions and the professional consultants it supported employed the metaphors of “home,” the “art of living,” and “laboratory for living” to organize architectural meaning, social spaces, and student activities in the design of student unions on campuses across North America in the period following World War II. These metaphors facilitated the spread of expert knowledge as well as the making of a new building type. This move toward standardization reflected the long-standing egalitarian character of student unions and the growing presence of the middle class in American universities during the mid-twentieth century. The standardized student union physically embodied the American middle-class “standard of living” and promoted ideal middle-class values through its presence on college campuses.","PeriodicalId":45734,"journal":{"name":"JOURNAL OF THE SOCIETY OF ARCHITECTURAL HISTORIANS","volume":"54 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81684406","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1525/jsah.2023.82.2.216
Barry Bergdoll
{"title":"Review: Enseigner l’architecture aux Beaux-Arts (1863–1968): Entre réformes et traditions","authors":"Barry Bergdoll","doi":"10.1525/jsah.2023.82.2.216","DOIUrl":"https://doi.org/10.1525/jsah.2023.82.2.216","url":null,"abstract":"","PeriodicalId":45734,"journal":{"name":"JOURNAL OF THE SOCIETY OF ARCHITECTURAL HISTORIANS","volume":"255 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79517270","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1525/jsah.2023.82.2.219
Carla L. Keyvanian
{"title":"Review: Manfredo Tafuri: Desde España","authors":"Carla L. Keyvanian","doi":"10.1525/jsah.2023.82.2.219","DOIUrl":"https://doi.org/10.1525/jsah.2023.82.2.219","url":null,"abstract":"","PeriodicalId":45734,"journal":{"name":"JOURNAL OF THE SOCIETY OF ARCHITECTURAL HISTORIANS","volume":"1 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90599805","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-01DOI: 10.1525/jsah.2023.82.1.7
Joanna Merwood-Salisbury
The American economist Thorstein Veblen’s The Theory of the Leisure Class (1899) has been used to support and define concepts of architectural modernity for more than one hundred years. Best known for introducing the concept of “conspicuous consumption,” this influential book has been especially valuable for historians of the architecture of consumer culture. Yet curiously, Veblen’s own architectural examples have escaped scholarly attention. This article explores the link Veblen drew between Gothic Revival architecture and cultural barbarism. Inverting the concepts and terminology of race science, Veblen used the image of the Gothic Revival university to criticize the rhetoric of American exceptionalism. Seen through the lens of Veblen’s writing, Henry Ives Cobb’s design for the University of Chicago (1891–97), where Veblen taught for fourteen years, represents the transformation of leisure-class aesthetics under the logic of capitalism.
一百多年来，美国经济学家凡勃伦(Thorstein Veblen)的《有闲阶级理论》(The Theory of The Leisure Class, 1899)一直被用来支持和定义建筑现代性的概念。这本书以引入“炫耀性消费”的概念而闻名，对研究消费文化建筑的历史学家来说尤其有价值。然而奇怪的是，凡勃伦自己的建筑案例却没有引起学术界的注意。本文探讨了凡勃伦在哥特式复兴建筑和野蛮文化之间的联系。凡勃伦颠倒了种族科学的概念和术语，用哥特复兴大学的形象来批判美国例外论的修辞。从凡勃伦的作品来看，亨利·艾夫斯·科布(Henry Ives Cobb)为凡勃伦任教14年的芝加哥大学(University of Chicago, 1891-97)设计的建筑代表了资本主义逻辑下的休闲阶级美学的转变。
{"title":"The Architecture of the Leisure Class: Thorstein Veblen and the University of Chicago","authors":"Joanna Merwood-Salisbury","doi":"10.1525/jsah.2023.82.1.7","DOIUrl":"https://doi.org/10.1525/jsah.2023.82.1.7","url":null,"abstract":"\u0000 The American economist Thorstein Veblen’s The Theory of the Leisure Class (1899) has been used to support and define concepts of architectural modernity for more than one hundred years. Best known for introducing the concept of “conspicuous consumption,” this influential book has been especially valuable for historians of the architecture of consumer culture. Yet curiously, Veblen’s own architectural examples have escaped scholarly attention. This article explores the link Veblen drew between Gothic Revival architecture and cultural barbarism. Inverting the concepts and terminology of race science, Veblen used the image of the Gothic Revival university to criticize the rhetoric of American exceptionalism. Seen through the lens of Veblen’s writing, Henry Ives Cobb’s design for the University of Chicago (1891–97), where Veblen taught for fourteen years, represents the transformation of leisure-class aesthetics under the logic of capitalism.","PeriodicalId":45734,"journal":{"name":"JOURNAL OF THE SOCIETY OF ARCHITECTURAL HISTORIANS","volume":"20 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76931332","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-01DOI: 10.1525/jsah.2023.82.1.83
N. Klein
{"title":"Review: Building Democracy in Late Archaic Athens","authors":"N. Klein","doi":"10.1525/jsah.2023.82.1.83","DOIUrl":"https://doi.org/10.1525/jsah.2023.82.1.83","url":null,"abstract":"","PeriodicalId":45734,"journal":{"name":"JOURNAL OF THE SOCIETY OF ARCHITECTURAL HISTORIANS","volume":"56 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74297466","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-01DOI: 10.1525/jsah.2023.82.1.23
Bryan E. Norwood
This essay examines the southern picturesque, an architectural vision of the Old South formulated in the 1910s through 1930s in the Lower Mississippi River valley. This vision offered an oblique approach to the plantation big house that evoked a mythical antebellum past, presenting this fulcrum of chattel slavery and resource extraction as an image of leisurely natural order where climate assumed primary importance in the shaping of architectural form. Drawings and texts composed by architect and Tulane University professor Nathaniel Curtis, architect-artist William Spratling, and writer Natalie Scott participated in this maudlin display of the Old South. As this article argues, their work represented a kind of partially uprooted modernism that was in fact made possible by the expansion of the oil industry into the very same environment celebrated by the southern picturesque for its agrarian, nonindustrial authenticity.
{"title":"The Southern Picturesque: Visions of the New and Old South in the Lower Mississippi River Valley","authors":"Bryan E. Norwood","doi":"10.1525/jsah.2023.82.1.23","DOIUrl":"https://doi.org/10.1525/jsah.2023.82.1.23","url":null,"abstract":"\u0000 This essay examines the southern picturesque, an architectural vision of the Old South formulated in the 1910s through 1930s in the Lower Mississippi River valley. This vision offered an oblique approach to the plantation big house that evoked a mythical antebellum past, presenting this fulcrum of chattel slavery and resource extraction as an image of leisurely natural order where climate assumed primary importance in the shaping of architectural form. Drawings and texts composed by architect and Tulane University professor Nathaniel Curtis, architect-artist William Spratling, and writer Natalie Scott participated in this maudlin display of the Old South. As this article argues, their work represented a kind of partially uprooted modernism that was in fact made possible by the expansion of the oil industry into the very same environment celebrated by the southern picturesque for its agrarian, nonindustrial authenticity.","PeriodicalId":45734,"journal":{"name":"JOURNAL OF THE SOCIETY OF ARCHITECTURAL HISTORIANS","volume":"117 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74528429","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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