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Architectura natural, the Unpublished Fourth Volume of Juan Caramuel’s Seventeenth-Century Architectural Treatise 建筑自然,未出版的第四卷胡安·卡拉梅尔的17世纪建筑论文
IF 0.4 2区 艺术学 0 ARCHITECTURE Pub Date : 2022-12-01 DOI: 10.1525/jsah.2022.81.4.414
Maria Elisa Navarro Morales
Architectura civil recta y obliqua (1678–79), by the Cistercian Juan Caramuel de Lobkowitz (1606–82), is one of the most important Spanish architectural treatises of the seventeenth century. The work was published in three volumes, and until recently, scholars knew of an unpublished fourth volume, Architectura natural, only through a fragment of sixty pages titled Compendio de architectura natural. In her Findings article Architectura natural, the Unpublished Fourth Volume of Juan Caramuel’s Seventeenth-Century Architectural Treatise, Maria Elisa Navarro Morales presents more than two hundred manuscript pages unearthed at the episcopal archive in Vigevano. This research not only proves that Caramuel intended to publish an additional volume but also critically expands our knowledge of his treatise by underscoring the vital importance of an understanding of the natural world for architectural education. This challenges our contemporary emphasis on professional specialization and invites us to rethink how architecture was viewed in the early modern world.
西多会教徒Juan Caramuel de Lobkowitz(1606-82)所著的《建筑》(Architectura civil recta y obliqua, 1678-79)是17世纪西班牙最重要的建筑专著之一。该作品共出版了三卷,直到最近,学者们才知道未出版的第四卷《自然建筑》,只是通过名为《自然建筑大全》的60页片段。Maria Elisa Navarro Morales在她的发现文章《建筑自然》中,Juan Caramuel未出版的17世纪建筑论文第四卷,展示了在Vigevano主教档案馆出土的200多页手稿。这项研究不仅证明了Caramuel打算出版额外的一卷,而且还通过强调对自然世界的理解对建筑教育的至关重要,批判性地扩展了我们对他的论文的认识。这挑战了我们当代对专业专业化的强调,并邀请我们重新思考在早期现代世界中如何看待建筑。
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引用次数: 0
Review: Philip II of Spain and the Architecture of Empire 回顾:西班牙腓力二世与帝国建筑
IF 0.4 2区 艺术学 0 ARCHITECTURE Pub Date : 2022-12-01 DOI: 10.1525/jsah.2022.81.4.516
Alejandra B. Osorio
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引用次数: 0
The Design of Carpets That Design Us 设计我们的地毯
IF 0.4 2区 艺术学 0 ARCHITECTURE Pub Date : 2022-12-01 DOI: 10.1525/jsah.2022.81.4.533
Sarah Molina
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引用次数: 0
Money and a Room of One’s Own 钱和一间自己的房间
IF 0.4 2区 艺术学 0 ARCHITECTURE Pub Date : 2022-12-01 DOI: 10.1525/jsah.2022.81.4.441
Kathryn Santner
Inhabitants of expansive, densely populated convents in colonial Latin America often enjoyed surprisingly luxurious, privately owned accommodations. Although known as cells (celdas), these dwellings consisted of multiple rooms occupied by nuns, their female relatives, servants, slaves, and young girls sent to the convents for their educations. Kathryn Santner takes the convent of Santa Catalina de Sena in Arequipa, Peru, as a case study in Money and a Room of One’s Own: Convent Cells and Self-Fashioning in Colonial Peru, examining two spaces within convent cells in particular: the estrado (women’s sitting room) and the oratory. These spaces reveal the role of convent cells in individual nuns’ self-fashioning within the cloister as well as the variety of social practices that took place within the multigenerational, multiethnic households of the colonial celda.
在拉丁美洲殖民时期,居住在人口密集的广阔修道院的居民经常享受着令人惊讶的豪华私人住宿。虽然被称为细胞(celdas),但这些住所由修女、她们的女性亲属、仆人、奴隶和送到修道院接受教育的年轻女孩所占据的多个房间组成。Kathryn Santner以秘鲁阿雷基帕的Santa Catalina de Sena修道院为例,在《金钱和自己的房间:秘鲁殖民地的修道院细胞和自我塑造》一书中,研究了修道院细胞中的两个空间:estrado(女性客厅)和演讲厅。这些空间揭示了修道院细胞在修道院内个体修女自我塑造中的作用,以及在殖民地塞尔达多代、多民族家庭中发生的各种社会实践。
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引用次数: 0
Pauline Saliga (1953–2022)
IF 0.4 2区 艺术学 0 ARCHITECTURE Pub Date : 2022-12-01 DOI: 10.1525/jsah.2022.81.4.412
Helena Dean
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引用次数: 0
The Organic and the Eclectic in César Daly’s “De l’architecture de l’avenir” cesar戴利的“未来建筑”中的有机与折衷
IF 0.4 2区 艺术学 0 ARCHITECTURE Pub Date : 2022-12-01 DOI: 10.1525/jsah.2022.81.4.456
G. He
In The Organic and the Eclectic in César Daly’s “De l’architecture de l’avenir,” Gary Huafan He explores Daly’s concept of eclecticism as a critical discourse in the context of nineteenth-century ideas about naturalism and architectural style. In the 1869 essay that is the focus of this article, Daly narrated the “social evolution” of architecture as a process oscillating between organic and eclectic phases and mapped the history of style onto a parallel movement of French political regimes from antiquity to the Second Empire. Written after the fierce academic debates that took place in Paris in the 1860s and immediately prior to the tumultuous events of 1870–71, “De l’architecture de l’avenir” demonstrates the critical intersection between the romantic theory of architecture and nineteenth-century French politics. This key text in Daly’s oeuvre challenges contemporary understandings by demonstrating the vital role of eclecticism in the development of a modern architectural style.
Gary Huafan He在c萨·戴利的“De l 'architecture De l 'avenir”中探讨了戴利的折衷主义概念,并将其作为19世纪自然主义和建筑风格思想背景下的一种批判性话语。在这篇1869年的文章中,Daly将建筑的“社会进化”描述为一个在有机和折衷阶段之间摇摆的过程,并将风格的历史映射到从古代到第二帝国的法国政治制度的平行运动中。《De l’architecture De l’avenir》是在19世纪60年代巴黎激烈的学术辩论之后、1870-71年动荡事件之前写成的,它展示了浪漫主义建筑理论与19世纪法国政治之间的关键交叉点。戴利作品中的关键文本通过展示折衷主义在现代建筑风格发展中的重要作用,挑战了当代的理解。
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引用次数: 0
Review: The Routledge Companion to Women in Architecture 回顾:劳特利奇女性建筑伴侣
IF 0.4 2区 艺术学 0 ARCHITECTURE Pub Date : 2022-12-01 DOI: 10.1525/jsah.2022.81.4.531
L. Chee
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引用次数: 0
Review: Air-Conditioning in Modern American Architecture, 1890–1970 现代美国建筑中的空调,1890-1970
IF 0.4 2区 艺术学 0 ARCHITECTURE Pub Date : 2022-12-01 DOI: 10.1525/jsah.2022.81.4.523
Chandler Mccoy
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引用次数: 0
Building Fears of Fire 对火灾的恐惧
IF 0.4 2区 艺术学 0 ARCHITECTURE Pub Date : 2022-12-01 DOI: 10.1525/jsah.2022.81.4.476
J. Rowen
While scholars have studied both the visual and material culture of slavery and the history of efforts to design cities to avert fire, the two topics have not often overlapped. In the southern United States during the antebellum period, fire was a “weapon of the weak,” and architects devised instruments for fire deterrence—or at least fire suppression—in response to perceived threats. In Building Fears of Fire: Architecture and the Suppression of Black Insurrection in the U.S. Antebellum South, Jonah Rowen brings these two lines of inquiry together to ask: Where do architectural aesthetics convey traces of enslavementŒ If architects designed buildings for security, and enslaved people constituted internal threats, how did the apprehensions of white southerners appear in the built objects and environments that constituted the cityŒ Rowen analyzes Robert Mills’s Fireproof Building in Charleston, South Carolina (1822–26) in the context of the abortive 1822 uprising of Black people allegedly planned by Denmark Vesey, demonstrating how architecture emerged as a means of protecting against arson. Artifacts such as the Fireproof Building reveal the traces of a society in constant fear of the destructive impact of insurrection.
虽然学者们研究了奴隶制的视觉和物质文化,以及设计城市以避免火灾的历史,但这两个主题并不经常重叠。在南北战争前的美国南部,火是“弱者的武器”,建筑师们设计了防火工具,或者至少是灭火工具,以应对感知到的威胁。在《建筑对火灾的恐惧:美国南北战争前南方的建筑与对黑人起义的镇压》一书中,乔纳·罗文将这两条调查线结合在一起,提出了这样的问题:建筑美学在哪里传达了enslavementŒ如果建筑师设计建筑是为了安全,而被奴役的人构成了内部威胁,那么南方白人的忧虑是如何出现在建筑对象和构成cityŒ罗文分析了罗伯特·米尔斯在南卡罗来纳州查尔斯顿(1822 - 26)的防火大楼,在1822年黑人起义流产的背景下,据称是由丹麦·维西策划的,展示了建筑如何成为防止纵火的一种手段。防火建筑等文物揭示了一个社会对叛乱破坏性影响的持续恐惧的痕迹。
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引用次数: 0
Review: Historic Real Estate: Market Morality and the Politics of Preservation in the Early United States 回顾:历史房地产:美国早期的市场道德和保护政治
IF 0.4 2区 艺术学 0 ARCHITECTURE Pub Date : 2022-12-01 DOI: 10.1525/jsah.2022.81.4.519
Michael Holleran
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引用次数: 0
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