Pub Date : 2023-01-16DOI: 10.1177/14740222221147483
I. Kinchin, Kieran Balloo, Laura Barnett, K. Gravett, M. Heron, Anesa Hosein, Simon Lygo-Baker, E. Medland, N. Winstone, N. Yakovchuk
To explore the affective domains embedded in academic development and teacher practice, a team of academic developers was invited to consider a poem and how it reflects the emotions and feelings underpinning experiences as teachers within Higher Education. We used a method of arts-informed, collective biography to evaluate a poem to draw upon and share memories to interrogate lived experiences. Our research is framed using the lens of pedagogic frailty model to see how affective and discursive encounters are produced and impact us. We contend that collective arts-based and biographical approaches can provide alternative ways for ourselves and teachers to examine their own pedagogic frailty.
{"title":"Poems and pedagogic frailty: uncovering the affective within teacher development through collective biography","authors":"I. Kinchin, Kieran Balloo, Laura Barnett, K. Gravett, M. Heron, Anesa Hosein, Simon Lygo-Baker, E. Medland, N. Winstone, N. Yakovchuk","doi":"10.1177/14740222221147483","DOIUrl":"https://doi.org/10.1177/14740222221147483","url":null,"abstract":"To explore the affective domains embedded in academic development and teacher practice, a team of academic developers was invited to consider a poem and how it reflects the emotions and feelings underpinning experiences as teachers within Higher Education. We used a method of arts-informed, collective biography to evaluate a poem to draw upon and share memories to interrogate lived experiences. Our research is framed using the lens of pedagogic frailty model to see how affective and discursive encounters are produced and impact us. We contend that collective arts-based and biographical approaches can provide alternative ways for ourselves and teachers to examine their own pedagogic frailty.","PeriodicalId":45787,"journal":{"name":"Arts and Humanities in Higher Education","volume":"22 1","pages":"305 - 321"},"PeriodicalIF":1.1,"publicationDate":"2023-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44240956","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-11-23DOI: 10.1177/14740222221137858
B. Batorowicz, M. Baguley, Martin Kerby
This article explores how artist-researchers navigate the “uncertain” space between theory and practice in a new Doctor of Creative Arts (DCA) program in an Australian regional university. The trickster is deployed as a metaphorical device to provide insights into how the first DCA’s candidates, their supervisors, and the university’s leadership make sense of their own experiences within and about the practice-led research program under a neoliberal climate. Tricksters’ cross boundaries between critical and imaginary spaces; yet they also create boundaries, by extending collective knowledge into the unknown. This process is entirely consistent with the critical and creative work required by doctoral candidates to produce innovative research. Narrative inquiry is applied in accordance with the artist-trickster’s subjective agency within practice-led doctoral study. The article charts the DCA’s emerging identity as a doctoral qualification equal to the traditional PhD but different from it, during its implementation in 2016 to the first successful completion in 2019. The findings reveal the benefits of the program’s innovative design, grounded in the creation of its distinctive community of practice that supports practice-led research, local and international connections, and regional resilience.
{"title":"Artists as tricksters: Exploring boundary crossing between theory and practice in a new doctor of creative arts program","authors":"B. Batorowicz, M. Baguley, Martin Kerby","doi":"10.1177/14740222221137858","DOIUrl":"https://doi.org/10.1177/14740222221137858","url":null,"abstract":"This article explores how artist-researchers navigate the “uncertain” space between theory and practice in a new Doctor of Creative Arts (DCA) program in an Australian regional university. The trickster is deployed as a metaphorical device to provide insights into how the first DCA’s candidates, their supervisors, and the university’s leadership make sense of their own experiences within and about the practice-led research program under a neoliberal climate. Tricksters’ cross boundaries between critical and imaginary spaces; yet they also create boundaries, by extending collective knowledge into the unknown. This process is entirely consistent with the critical and creative work required by doctoral candidates to produce innovative research. Narrative inquiry is applied in accordance with the artist-trickster’s subjective agency within practice-led doctoral study. The article charts the DCA’s emerging identity as a doctoral qualification equal to the traditional PhD but different from it, during its implementation in 2016 to the first successful completion in 2019. The findings reveal the benefits of the program’s innovative design, grounded in the creation of its distinctive community of practice that supports practice-led research, local and international connections, and regional resilience.","PeriodicalId":45787,"journal":{"name":"Arts and Humanities in Higher Education","volume":"22 1","pages":"280 - 304"},"PeriodicalIF":1.1,"publicationDate":"2022-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47452281","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-11-18DOI: 10.1177/14740222221137856
M. Charles, Marcus Harmes
The study of classics has been part of Australian and New Zealand higher education from the beginnings of tertiary education in these countries, followed shortly after by the study of ancient history. This article offers an analysis of current units of study in each Australian and New Zealand public university that continues to teach classics and ancient history. Set in the context of the origins of this field in both countries and contemporary debates on the value of studying not only the humanities in general but also classics and ancient history in particular, this article offers detailed analysis of what is taught and how universities conceptualize the merit and usefulness of this field of study. Analysis reveals some decline in more traditional areas, but also identifies the evolutionary trajectories that classics and ancient history have followed, including departures from the ‘sober’ political history to offerings that have been enabled by methodologies prevalent in social and gender history.
{"title":"O tempora: The current presence of classics and ancient history in Australian and New Zealand public universities","authors":"M. Charles, Marcus Harmes","doi":"10.1177/14740222221137856","DOIUrl":"https://doi.org/10.1177/14740222221137856","url":null,"abstract":"The study of classics has been part of Australian and New Zealand higher education from the beginnings of tertiary education in these countries, followed shortly after by the study of ancient history. This article offers an analysis of current units of study in each Australian and New Zealand public university that continues to teach classics and ancient history. Set in the context of the origins of this field in both countries and contemporary debates on the value of studying not only the humanities in general but also classics and ancient history in particular, this article offers detailed analysis of what is taught and how universities conceptualize the merit and usefulness of this field of study. Analysis reveals some decline in more traditional areas, but also identifies the evolutionary trajectories that classics and ancient history have followed, including departures from the ‘sober’ political history to offerings that have been enabled by methodologies prevalent in social and gender history.","PeriodicalId":45787,"journal":{"name":"Arts and Humanities in Higher Education","volume":"22 1","pages":"235 - 257"},"PeriodicalIF":1.1,"publicationDate":"2022-11-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43063416","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-18DOI: 10.1177/14740222221132953
E. Coffield, Katie Markham, Jessica Crosby, M. Athanassiou, Cecilia Stenbom
This article challenges what is now a common assumption in Higher Education; that teaching for employability will result in enabled and empowered graduates. Drawing upon empirical data, and Foucault’s concept of subjectification, we argue that discourses of employability instead encouraged museum, gallery and heritage postgraduate students at one UK-based institution to perceive themselves as subjects ‘lacking’ the resources needed for work – an understanding of self that formed prior to study, which then permeated the entire learning and teaching experience. Moreover, we note that the trajectory from ‘lacking student’ to ‘employable graduate’ is often reliant upon an accrual of assets (e.g. work experience, skills) not openly available to all. As such, the article sounds a note of caution with regards the rhetoric of employability within Higher Education, while giving voice to students’ perspectives and anxieties around employability.
{"title":"‘Lacking’ subjects: Challenging the construction of the ‘empowered’ graduate in museum, gallery and heritage studies","authors":"E. Coffield, Katie Markham, Jessica Crosby, M. Athanassiou, Cecilia Stenbom","doi":"10.1177/14740222221132953","DOIUrl":"https://doi.org/10.1177/14740222221132953","url":null,"abstract":"This article challenges what is now a common assumption in Higher Education; that teaching for employability will result in enabled and empowered graduates. Drawing upon empirical data, and Foucault’s concept of subjectification, we argue that discourses of employability instead encouraged museum, gallery and heritage postgraduate students at one UK-based institution to perceive themselves as subjects ‘lacking’ the resources needed for work – an understanding of self that formed prior to study, which then permeated the entire learning and teaching experience. Moreover, we note that the trajectory from ‘lacking student’ to ‘employable graduate’ is often reliant upon an accrual of assets (e.g. work experience, skills) not openly available to all. As such, the article sounds a note of caution with regards the rhetoric of employability within Higher Education, while giving voice to students’ perspectives and anxieties around employability.","PeriodicalId":45787,"journal":{"name":"Arts and Humanities in Higher Education","volume":"22 1","pages":"112 - 127"},"PeriodicalIF":1.1,"publicationDate":"2022-10-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45962963","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-15DOI: 10.1177/14740222221132961
Lia Lonnert
The focus in this study is the relationships between one tertiary music academy and four amateur orchestras. In this study the kinds of cooperation that exist, how students benefit from participating in amateur orchestras, and how cooperation can be further developed is identified. Four administrators from the academy and four conductors were interviewed. The study shows that the bases for cooperation are informal arrangements and personal contacts between individuals. What the interviewees considered as the main benefit for students was that participating in amateur orchestras provided opportunities for orchestral playing that were lacking within their formal education. Policy decisions were based on the interviewees ideas about students’ benefits, which could be social, musical and professional. The interviewees also respected the students’, and teachers’, autonomy in choosing their own musical and professional paths. Both the academy administrators and the amateur orchestra conductors value the cooperative relationships between academy and amateur orchestras.
{"title":"Benefits, co-operation and development—The relationship between a music academy and four amateur symphony orchestras","authors":"Lia Lonnert","doi":"10.1177/14740222221132961","DOIUrl":"https://doi.org/10.1177/14740222221132961","url":null,"abstract":"The focus in this study is the relationships between one tertiary music academy and four amateur orchestras. In this study the kinds of cooperation that exist, how students benefit from participating in amateur orchestras, and how cooperation can be further developed is identified. Four administrators from the academy and four conductors were interviewed. The study shows that the bases for cooperation are informal arrangements and personal contacts between individuals. What the interviewees considered as the main benefit for students was that participating in amateur orchestras provided opportunities for orchestral playing that were lacking within their formal education. Policy decisions were based on the interviewees ideas about students’ benefits, which could be social, musical and professional. The interviewees also respected the students’, and teachers’, autonomy in choosing their own musical and professional paths. Both the academy administrators and the amateur orchestra conductors value the cooperative relationships between academy and amateur orchestras.","PeriodicalId":45787,"journal":{"name":"Arts and Humanities in Higher Education","volume":"22 1","pages":"258 - 279"},"PeriodicalIF":1.1,"publicationDate":"2022-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46596107","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-13DOI: 10.1177/14740222221132952
Chloé Dierckx, B. Zaman, K. Hannes
Despite the growing interest of academia in public outreach, little is known about what university students, among who are future researchers, take away from their academic education in terms of research dissemination opportunities. In this study, we analyzed social science students’ discourses on creative dissemination practices in relation to standardized dissemination practices. Our findings reveal that student’s conceptions of creative research dissemination (CRD) are diverse and influenced by varying perceptions of knowledge, the public, and creativity. Discourses on CRD are also strongly linked with values such as innovation and impact on society, but the concrete meaning of these values often remains undefined. We propose rethinking the academic context at the educational level so it offers a platform for multimodal formats of research dissemination. This would require encouraging students to take a stance toward how they envision a progressive academic future.
{"title":"Sparking the academic curriculum with creativity: Students’ discourse on what matters in research dissemination practice","authors":"Chloé Dierckx, B. Zaman, K. Hannes","doi":"10.1177/14740222221132952","DOIUrl":"https://doi.org/10.1177/14740222221132952","url":null,"abstract":"Despite the growing interest of academia in public outreach, little is known about what university students, among who are future researchers, take away from their academic education in terms of research dissemination opportunities. In this study, we analyzed social science students’ discourses on creative dissemination practices in relation to standardized dissemination practices. Our findings reveal that student’s conceptions of creative research dissemination (CRD) are diverse and influenced by varying perceptions of knowledge, the public, and creativity. Discourses on CRD are also strongly linked with values such as innovation and impact on society, but the concrete meaning of these values often remains undefined. We propose rethinking the academic context at the educational level so it offers a platform for multimodal formats of research dissemination. This would require encouraging students to take a stance toward how they envision a progressive academic future.","PeriodicalId":45787,"journal":{"name":"Arts and Humanities in Higher Education","volume":"22 1","pages":"3 - 25"},"PeriodicalIF":1.1,"publicationDate":"2022-10-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49642751","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-26DOI: 10.1177/14740222221099776
Cathy Marie Ouellette
The question of how to engage undergraduate students in global learning is even more imperative given recent shifts in the global landscape and in higher education. Utilizing the value rubrics established by the American Association of Colleges and Universities, this analysis considers the importance of the humanities in realizing integrative, global learning in a domestic classroom. Intentionally underscoring global and integrative perspectives on race and ethnicity beyond the domestic sphere produces graduates with proficiencies in intercultural knowledge and competence who are capable of creating and applying solutions to complex global issues. Assessment data reveals growth in student worldviews, perspectives, empathy, and noteworthy internal changes in the learner. The humanistic focus on the human condition results in students meaningfully engaging on individual and community levels, and with heightened insight into the roles they play in the world. As such, they emerge transformed and prepared to thoughtfully engage with the global community.
{"title":"“A new way of asking why”: The transformative promise of integrative global learning","authors":"Cathy Marie Ouellette","doi":"10.1177/14740222221099776","DOIUrl":"https://doi.org/10.1177/14740222221099776","url":null,"abstract":"The question of how to engage undergraduate students in global learning is even more imperative given recent shifts in the global landscape and in higher education. Utilizing the value rubrics established by the American Association of Colleges and Universities, this analysis considers the importance of the humanities in realizing integrative, global learning in a domestic classroom. Intentionally underscoring global and integrative perspectives on race and ethnicity beyond the domestic sphere produces graduates with proficiencies in intercultural knowledge and competence who are capable of creating and applying solutions to complex global issues. Assessment data reveals growth in student worldviews, perspectives, empathy, and noteworthy internal changes in the learner. The humanistic focus on the human condition results in students meaningfully engaging on individual and community levels, and with heightened insight into the roles they play in the world. As such, they emerge transformed and prepared to thoughtfully engage with the global community.","PeriodicalId":45787,"journal":{"name":"Arts and Humanities in Higher Education","volume":"21 1","pages":"358 - 374"},"PeriodicalIF":1.1,"publicationDate":"2022-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48361529","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-16DOI: 10.1177/14740222221125640
A. Schiavio, Dylan van der Schyff, R. A. Philippe, M. Biasutti
What are the main views and perceptions of creativity of a music teacher? By administering an open-ended questionnaire to 11 music teachers, we sought to elicit responses to clarify what are their self-reported understandings of creativity; how they think musical creativity can be facilitated in a teaching setting; and how they can differentiate between individual and collective forms of musical creativity in the classroom. A thematic analysis gave rise to five categories, each addressing one or more of these dimensions from different angles. Findings indicate that our respondents tended to associate the development of a creative musicianship with generally positive concepts, attributing to it several interrelated meanings. In particular, the music teachers who took part in the study mentioned how fostering creative attitude in their students may involve stimulating their curiosity, changing their perspectives, and helping them navigate both personal and social domains; finally, our participants indicated that both individual and collective forms of teaching may display important constraints when creativity is placed at the heart of the lesson.
{"title":"Music teachers’ self-reported views of creativity in the context of their work","authors":"A. Schiavio, Dylan van der Schyff, R. A. Philippe, M. Biasutti","doi":"10.1177/14740222221125640","DOIUrl":"https://doi.org/10.1177/14740222221125640","url":null,"abstract":"What are the main views and perceptions of creativity of a music teacher? By administering an open-ended questionnaire to 11 music teachers, we sought to elicit responses to clarify what are their self-reported understandings of creativity; how they think musical creativity can be facilitated in a teaching setting; and how they can differentiate between individual and collective forms of musical creativity in the classroom. A thematic analysis gave rise to five categories, each addressing one or more of these dimensions from different angles. Findings indicate that our respondents tended to associate the development of a creative musicianship with generally positive concepts, attributing to it several interrelated meanings. In particular, the music teachers who took part in the study mentioned how fostering creative attitude in their students may involve stimulating their curiosity, changing their perspectives, and helping them navigate both personal and social domains; finally, our participants indicated that both individual and collective forms of teaching may display important constraints when creativity is placed at the heart of the lesson.","PeriodicalId":45787,"journal":{"name":"Arts and Humanities in Higher Education","volume":"22 1","pages":"60 - 80"},"PeriodicalIF":1.1,"publicationDate":"2022-09-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47359045","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-14DOI: 10.1177/14740222221125629
Karen Burland, L. Mellor, Christin E. Bates
Preparing students to navigate a life in music involves understanding how they develop awareness of their personal and professional identities, build networks, and reflect on practice in order to sustain and develop work which is meaningful. In a complex, uncertain and rapidly changing world, particularly following the Covid-19 pandemic, we explore the ways in which HEIs might support music students as they prepare for their futures. We argue that employability ecosystems may provide a useful frame for considering the ways in which students’ work transitions can be supported. We consider three vignettes of practice relating to the role of eportfolios and mentoring in scaffolding student reflections on how the intersections of passion, partnership and identity inform personal definitions of success. We suggest that there is a need to disrupt dominant working practices within the music industry and its institutions towards a more ethical, sustainable and culturally enriching employability ecosystem.
{"title":"Employability ecosystems in music: (Re)navigating a life in music (in precarious times)","authors":"Karen Burland, L. Mellor, Christin E. Bates","doi":"10.1177/14740222221125629","DOIUrl":"https://doi.org/10.1177/14740222221125629","url":null,"abstract":"Preparing students to navigate a life in music involves understanding how they develop awareness of their personal and professional identities, build networks, and reflect on practice in order to sustain and develop work which is meaningful. In a complex, uncertain and rapidly changing world, particularly following the Covid-19 pandemic, we explore the ways in which HEIs might support music students as they prepare for their futures. We argue that employability ecosystems may provide a useful frame for considering the ways in which students’ work transitions can be supported. We consider three vignettes of practice relating to the role of eportfolios and mentoring in scaffolding student reflections on how the intersections of passion, partnership and identity inform personal definitions of success. We suggest that there is a need to disrupt dominant working practices within the music industry and its institutions towards a more ethical, sustainable and culturally enriching employability ecosystem.","PeriodicalId":45787,"journal":{"name":"Arts and Humanities in Higher Education","volume":"22 1","pages":"26 - 44"},"PeriodicalIF":1.1,"publicationDate":"2022-09-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44264916","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-10DOI: 10.1177/14740222221125621
Matthew Sillence
This study examines the early-stage progress assessment for doctoral candidates at a British university through the perceptions of academic staff who acted as assessors. It was conducted in response to staff concerns about changes to the process that shortened the timescale for candidates to prepare and present their research for peer review. As well as having an impact on doctoral supervisors, there were implications for researcher developers and ‘third space’ professionals who supported candidates with research skills training. The findings of four in-depth interviews with assessors in the arts and humanities are discussed in the form of a reflective, ‘structured debriefing’. The results of these reflections form recommendations for practice that highlight the importance of conceptual frameworks for doctoral assessment, and the interpretations of criteria at institutional, disciplinary and individual levels. These could be emphasised by academic supervisors and third space professionals supporting doctoral candidates through this milestone.
{"title":"Understanding doctoral progress assessment in the arts and humanities","authors":"Matthew Sillence","doi":"10.1177/14740222221125621","DOIUrl":"https://doi.org/10.1177/14740222221125621","url":null,"abstract":"This study examines the early-stage progress assessment for doctoral candidates at a British university through the perceptions of academic staff who acted as assessors. It was conducted in response to staff concerns about changes to the process that shortened the timescale for candidates to prepare and present their research for peer review. As well as having an impact on doctoral supervisors, there were implications for researcher developers and ‘third space’ professionals who supported candidates with research skills training. The findings of four in-depth interviews with assessors in the arts and humanities are discussed in the form of a reflective, ‘structured debriefing’. The results of these reflections form recommendations for practice that highlight the importance of conceptual frameworks for doctoral assessment, and the interpretations of criteria at institutional, disciplinary and individual levels. These could be emphasised by academic supervisors and third space professionals supporting doctoral candidates through this milestone.","PeriodicalId":45787,"journal":{"name":"Arts and Humanities in Higher Education","volume":"22 1","pages":"45 - 59"},"PeriodicalIF":1.1,"publicationDate":"2022-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42546952","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：