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Rethinking History最新文献

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Creating Cromwell: an analysis of the historical novel’s position and potentiality through a study of Hilary Mantel’s Wolf Hall trilogy 创造克伦威尔:通过研究希拉里-曼特尔的《狼厅》三部曲分析历史小说的地位和潜力
IF 0.6 2区 历史学 Q1 Arts and Humanities Pub Date : 2023-12-05 DOI: 10.1080/13642529.2023.2274773
Anne-Marie Harvatt
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引用次数: 0
Between agency and event the book of Job as a Greek tragedy 在机构与事件之间 《约伯记》是一部希腊悲剧
IF 0.6 2区 历史学 Q1 Arts and Humanities Pub Date : 2023-12-01 DOI: 10.1080/13642529.2023.2289101
J. Feldt
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引用次数: 0
Being alongside: the practice of collaborative public history 并肩作战:公共历史合作实践
IF 0.6 2区 历史学 Q1 Arts and Humanities Pub Date : 2023-11-16 DOI: 10.1080/13642529.2023.2270265
Karen Harvey, Laura King, J. McLellan
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引用次数: 0
Just a matter of time: reviewing temporality in Australian historiography 只是时间问题:回顾澳大利亚史学中的时间性
2区 历史学 Q1 Arts and Humanities Pub Date : 2023-11-06 DOI: 10.1080/13642529.2023.2267331
Anna Clark
ABSTRACTTime is a foundational concept in historical studies. The past is located ‘in time’, of course, such that time guides and bounds ‘what happened’ to a ‘when’. There have also been increasing theorisations that understand ‘time’ itself as temporally and culturally bound. As well as historicising, then, time itself must be historicised. Using Australian historiography as a case study, this paper explores the changing concept of ‘time’ over time. It sets out a provisional timeline of Australian history’s understanding and deployment of historical time, contributing a much-needed historicisation of time to a growing field of historical theory. In charting a history of time in Australian historiography, it demonstrates the historicity of ‘time’. This paper shows how the concept of time not only reflects, but in turn shapes and defines, historical practice and research.KEYWORDS: Australian historyhistoriographyhistoricityhistorical time Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1. It became the Royal Australian Historical Society in 1918.Additional informationFundingThis work was supported by the Australian Research Council [FTFT140100081].Notes on contributorsAnna ClarkAnna Clark is a historian at the Australian Centre for Public History based at the University of Technology Sydney. She is the author of Making Australian History (Penguin, 2022) and has written extensively on history education, historiography and historical consciousness, including: Teaching the Nation: Politics and Pedagogy in Australian History (2006), History’s Children: History Wars in the Classroom (2008), Private Lives, Public History (2016), and the History Wars (2003) with Stuart Macintyre (2003).
摘要时间是历史研究中的一个基本概念。当然,过去是“在时间里”存在的,因此时间引导和限制了“发生了什么”和“何时”。也有越来越多的理论将“时间”本身理解为时间和文化的约束。那么,在历史化的同时,时间本身也必须被历史化。本文以澳大利亚史学为例,探讨了“时间”概念随时间的变化。它列出了澳大利亚历史对历史时间的理解和部署的临时时间表,为不断发展的历史理论领域提供了急需的时间历史化。在绘制澳大利亚史学的时间史时,它展示了“时间”的历史性。本文展示了时间概念如何不仅反映,而且反过来塑造和定义了历史实践和研究。关键词:澳大利亚历史;史学;历史性;历史时间披露声明作者未报告潜在的利益冲突。1918年成为澳大利亚皇家历史学会。本研究得到了澳大利亚研究委员会[FTFT140100081]的支持。作者简介安娜·克拉克安娜·克拉克是悉尼科技大学澳大利亚公共历史中心的历史学家。她是《创造澳大利亚历史》(企鹅出版社,2022年)的作者,在历史教育、史学和历史意识方面著述颇多,包括:《教授国家:澳大利亚历史中的政治和教育学》(2006年)、《历史的孩子:课堂上的历史战争》(2008年)、《私人生活、公共历史》(2016年)和《与斯图尔特·麦金太尔的历史战争》(2003年)。
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引用次数: 0
Transients, punks and hobos: rethinking the history of train hopping through experimental film 瞬变,朋克和流浪汉:通过实验电影重新思考跳火车的历史
2区 历史学 Q1 Arts and Humanities Pub Date : 2023-11-03 DOI: 10.1080/13642529.2023.2269822
Kornelia Boczkowska
ABSTRACTWhile in social history and mobilities research, the study of railway mobility is becoming increasingly popular, offering new insights into (trans)national railway cultures, there is less interest in illicit mobility, unconventional modes of travel and non-regulated, irregular patterns of movement, such as train hopping, and the way they function in experimental film. To fill this gap, I build on the recent mobilities literature to discuss two stylistically distinct experimental films, Reading Canada Backwards (Steve Topping, 1995) and Portland (Greta Snider, 1996), which offer a social commentary on train hopping, typically associated with the history and material conditions of North American railway travels. Challenging the larger freighthopping mobilities discourse, both films confront the historical legacy of the hobo, as reimagined by occasional transients and punk drifters, as a product of capitalist enterprise, railroad transportation services and failed bourgeois masculinity. While in narrative and documentary films, hobo culture often emerges as an alternative, intrepid lifestyle and a personal philosophy based on economic or environmental concerns, Reading Canada Backwards and Portland take a more critical and ironic take on riding the rails, highlighting its casual spontaneity, playful creativity and affective potential, which questions the drifter as an active agent of marginal mobility practices.KEYWORDS: Train hoppingexperimental filmhobosocial historyillicit mobilityrailway mobility Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1. Reading Canada Backwards is available on Steve Topping’s YouTube channel: https://www.youtube.com/watch?v=g4LX52AGy5g. Steve Topping is a Canadian artist and filmmaker who lives in Montreal. Mostly associated with the 1960s and 1970s avant-garde cinema, Topping’s multidisciplinary practice has resulted in the creation of several Super 8 films, which use found materials to explore the physical representation of urban and rural landscapes, time, space and the specificity of the site of the film medium.2. Portland is available on Greta Snider’s Vimeo website: https://vimeo.com/79935794. Greta Snider is a San Francisco-based filmmaker. Since the late 1980s, Snider has made several 16 mm essay films, in which she combines the original and archival footage or uses stereoscopic, 3D, AR and hand-processed images. Her work ranges from autoethnographies and found footage films to 3D video collages, which focus on non-fiction and documentary forms of storytelling, human rights, oppressive structures, women’s issues, family history, document and the body.Additional informationFundingThis work was funded by the National Science Centre, Poland, under the project Lost highways, forgotten travels: The road movie in the post-war American avant-garde and experimental film through the lens of women and men filmmakers (grant no. UMO-2018/31/D/HS2/01553).Notes on contributors
摘要在社会历史和流动性研究中,对铁路流动性的研究越来越受欢迎,为(跨)国家铁路文化提供了新的见解,但对非法流动性、非常规的旅行方式和不受管制的不规则运动模式(如跳火车)及其在实验电影中的作用的兴趣较少。为了填补这一空白,我以最近的流动性文献为基础,讨论了两部风格迥异的实验电影,《倒读加拿大》(史蒂夫·托平,1995)和《波特兰》(格丽塔·斯奈德,1996),它们提供了对跳火车的社会评论,通常与北美铁路旅行的历史和物质条件有关。两部电影都挑战了更大范围的货运流动话语,直面流浪汉的历史遗产,他们被偶尔的过客和朋克流浪者重新想象成资本主义企业、铁路运输服务和失败的资产阶级男子气概的产物。虽然在叙事和纪录片中,流浪汉文化经常作为一种另类的、无畏的生活方式和基于经济或环境问题的个人哲学出现,但《向后阅读加拿大》和《波特兰》对乘坐铁路采取了更具批判性和讽刺意味的态度,突出了其随意的自发性、有趣的创造力和情感潜力,质疑流浪者作为边缘流动实践的积极代理人。关键词:跳车、实验电影、社会历史、非法流动、铁路流动披露声明作者未发现潜在利益冲突。在史蒂夫·托平的YouTube频道https://www.youtube.com/watch?v=g4LX52AGy5g上可以看到《向后阅读加拿大》。史蒂夫·托平是一位居住在蒙特利尔的加拿大艺术家和电影制作人。托平的多学科实践主要与20世纪60年代和70年代的前卫电影有关,他创作了几部超级8电影,这些电影使用现成的材料来探索城市和乡村景观、时间、空间和电影媒介地点的特殊性的物理表现。《波特兰》可以在Greta Snider的Vimeo网站上找到:https://vimeo.com/79935794。格丽塔·斯奈德(Greta Snider)是旧金山的一名电影制作人。自20世纪80年代末以来,斯奈德制作了几部16毫米的散文电影,在这些电影中,她结合了原始和档案镜头,或者使用了立体、3D、AR和手工处理的图像。她的作品范围从自传体民族志、发现片段电影到3D视频拼贴,重点关注非小说和纪录片形式的故事讲述、人权、压迫结构、妇女问题、家族史、文件和身体。本工作由波兰国家科学中心资助,在“失落的高速公路,被遗忘的旅行:战后美国先锋和实验电影中的公路电影”项目下,通过男女电影人的镜头。UMO-2018/31 / D / HS2/01553)。作者简介:cornelia Boczkowska, AMU英语学院助理教授。她获得了几项研究资助,著有两本书,并出版了40多部关于独立、实验和纪录片的出版物。
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引用次数: 0
Writing the concubine: Anne Boleyn, Eustace Chapuys and popular historiography in Hilary Mantel’s Wolf Hall trilogy 写贵妃:安妮·博林,尤斯塔斯·查普斯和流行历史在希拉里·曼特尔的狼厅三部曲
2区 历史学 Q1 Arts and Humanities Pub Date : 2023-10-29 DOI: 10.1080/13642529.2023.2269825
Laura Saxton
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引用次数: 0
Fraught spaces: the risks, challenges and failures of collaborative public histories 令人担忧的空间:合作公共历史的风险、挑战和失败
2区 历史学 Q1 Arts and Humanities Pub Date : 2023-10-05 DOI: 10.1080/13642529.2023.2255770
Sarah Lloyd, Gary Rivett
Throughout this article, we examine the potential pathways towards failure in public engagement projects as well as specific experiences of failure. Our aim is to identify some core reasons why attempts by historians to work with people beyond the campus contain risk and might fail. To do this, we focus on the types of relationships that are formed as a result of collaboration and emphasise the role of dialogue: of speaking and, more importantly, of listening. In writing this article, we therefore set out to explore the implications of sound and space for socially engaged public history. Throughout the article, we develop the idea of ‘fraught spaces’ as a way of recognising the feelings, especially of anxiety and insecurity, that all participants might experience as they enter what are sometimes complex relationships. We also suggest some practical steps to support collaborative research.
在这篇文章中,我们研究了公共参与项目失败的潜在途径以及失败的具体经验。我们的目标是找出一些核心原因,为什么历史学家尝试与校园以外的人合作存在风险,可能会失败。为了做到这一点,我们将重点放在由于合作而形成的关系类型上,并强调对话的作用:说话,更重要的是倾听。因此,在撰写这篇文章时,我们开始探索声音和空间对社会参与公共历史的影响。在整篇文章中,我们发展了“令人担忧的空间”的概念,作为一种认识感受的方式,特别是焦虑和不安全感,所有参与者在进入有时是复杂的关系时可能会经历。我们还提出了一些支持合作研究的实际步骤。
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引用次数: 0
The Politicisation of historical memory on Twitter. “Positive antisemitism” in the Holocaust debate in Poland 推特上历史记忆的政治化。波兰大屠杀辩论中的“积极反犹主义”
2区 历史学 Q1 Arts and Humanities Pub Date : 2023-09-22 DOI: 10.1080/13642529.2023.2248451
Adrian Trzoss, Wiktor Werner, Cyprian Kleist, Katarzyna Kwiatkowska-Moskalewicz, Marcin Moskalewicz
ABSTRACTPolitical controversies concerning the memory of historical events have adapted to the digital specificity of Twitter and are currently growing in significance. This study investigates the sentiment bias of a memory war between two major Polish political parties, the currently ruling conservative Law and Justice (PiS) party and Civic Platform (PO), the main opposition party, concerning Polish-Jewish relations, and especially the Holocaust. Totally, 23699 PO Tweets and 29,441 PiS Tweets from 2015 to 2019 were collected, out of which, 241 concerning memory war were sampled with a lexicon-based approach. Sentiment was analysed using tweet-based consensual coding with an ordinal five-point scale and automated word-based coding with a three-point scale. PiS tweets had more positive sentiment regarding the memory of the Holocaust and Jewish legacy in Poland. The final hermeneutical analysis showed that the rulling party narratives were aimed appropriation of collective memory and “Polonizing” the Holocaust, and that the positive sentiment was a function of ‘positive anti-Semitism’.KEYWORDS: TwitterHolocaustantisemitismmemory warhistorical narrativessentiment bias AcknowledgementsThe research was funded by the Polish National Science Centre (NCN) under grant title “Historical narratives in Web 2.0 as a functional element of national identities in Central and Eastern Europe” (2020/39/B/HS3/01237). The computational component was performed with the cooperation of the Centre of Informatics Tricity Academic Supercomputer and Network (TASK) in Gdańsk using the computing cloud TASKcloud. Katarzyna Kwiatkowska-Moskalewicz was supported by the Polish National Agency for Academic Exchange (NAWA). Marcin Moskalewicz was supported by the Alexander von Humboldt Foundation.Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1. In 1983, General Wojciech Jaruzelski, who headed the Polish People’s Republic, going along with the Catholic Church, authorized the construction of a Carmelite convent at Auschwitz. Jewish circles protested against the appropriation of the territory. Despite the multilateral agreements reached on the matter and the pressure of international public opinion, the Carmelites did not move to a new off-site location until 1993. However, the so-called “Auschwitz cross” remained on the gravel site at the monastery, sparking a new round of conflict over the presence and hegemony of Catholic symbolism at the death camp. In late 1998 and early 1999, more than 300 crosses were set up on the grounds next to the camp at the call of the national-Catholic activist Kazimierz Switon. They were eventually removed amid an international scandal.2. See: https://www.president.pl/president-komorowski/news/president-on-barack-obamas-letter,385943. For the last two centuries, Polish history was marked by constant failed uprisings, lost defensive wars, and occupation by Nazis, Soviets and later communist regime; thus the topo
【摘要】关于历史事件记忆的政治争议已经适应了推特的数字特殊性,并在当前日益重要。本研究调查了波兰两个主要政党,即目前执政的保守派法律与正义党(PiS)和主要反对党公民纲领党(PO)之间关于波兰与犹太人关系,特别是大屠杀的记忆战争的情绪偏见。共收集了2015 - 2019年的23699条PO推文和29441条PiS推文,其中基于词典的方法对241条关于内存战争的推文进行了采样。情绪分析使用基于推特的共识编码和有序的五分制,以及自动的基于单词的编码和三分制。PiS在推特上对波兰大屠杀和犹太人遗产的记忆有更积极的看法。最后的解释学分析表明,执政党的叙述旨在挪用集体记忆和“波兰化”大屠杀,而积极的情绪是“积极的反犹太主义”的功能。本研究由波兰国家科学中心(NCN)资助,资助标题为“Web 2.0中的历史叙事作为中欧和东欧国家身份的功能元素”(2020/39/B/HS3/01237)。计算部分是在Gdańsk中与信息学中心三合一学术超级计算机和网络(TASK)合作完成的,使用计算云TASKcloud。Katarzyna Kwiatkowska-Moskalewicz得到了波兰国家学术交流机构(NAWA)的支持。Marcin Moskalewicz得到了Alexander von Humboldt基金会的支持。披露声明作者未报告潜在的利益冲突。1983年,波兰人民共和国领导人沃伊切赫·雅鲁泽尔斯基将军与天主教会一道,批准在奥斯威辛建造一座加尔默罗修道院。犹太人团体抗议侵占该领土。尽管在这个问题上达成了多边协议和国际舆论的压力,加尔默罗修士直到1993年才搬到新的场外地点。然而,所谓的“奥斯维辛十字架”仍然留在修道院的砾石地上,引发了关于天主教象征在死亡集中营的存在和霸权的新一轮冲突。1998年底和1999年初,在国家天主教活动家Kazimierz Switon的号召下,300多个十字架被竖立在营地旁边的地面上。他们最终在一场国际丑闻中被撤职。见:https://www.president.pl/president-komorowski/news/president-on-barack-obamas-letter 385943。在过去的两个世纪里,波兰历史的特点是不断失败的起义,失败的防御战争,以及纳粹、苏联和后来的共产主义政权的占领;因此,出现在波兰历史叙事中的“殉难”主题。这象征着波兰反抗敌人和占领当局的独立行动的英勇牺牲,这些行动在很大程度上以波兰自由战士被处决而告终。“国家纪念研究所-起诉危害波兰民族罪行委员会”是一个波兰国家机构,负责历史教育和起诉二战和苏联时期纳粹和共产主义对波兰人民犯下的罪行。2018年,一项被媒体称为“ustaaipn”的臭名昭著的修正案,引发了一场更广泛的国内和国际辩论,即波兰人是否对大屠杀负有积极责任。2018年修正案的最初版本,后来经过修订和删除,旨在惩罚将大屠杀责任公开归咎于波兰或波兰人的行为。修正案的起源来自“波兰死亡集中营”的争议;该法案旨在成为反对这种虚假和简化措辞的工具。以“Oświęcim”为例,我们发现一些推文与大屠杀无关,而是与当地问题有关,如Oświęcim医院或政治事件,涉及当时的波兰总理Beata Szydło在Oświęcim的车祸。我们只选择与大屠杀事件日期一致的推文(纪念德国纳粹集中营和死亡集中营受害者全国纪念日,解放奥斯维辛死亡集中营)。"波兰大屠杀"一词一般被认为是指在1939年至1945年期间催化或促成波兰第二共和国约350万犹太公民中近300万人死亡的一系列个人或团体的决定、行动和过程。推而广之,它也被用来指一组类似的决策、行动和过程,这些决策、行动和过程有助于其余部分的生存。 在二十世纪末和二十一世纪初,波兰政府抗议使用这一短语,反对它认为这暗示波兰人对犹太人的死亡负有主要责任。它更喜欢用“纳粹占领下的波兰大屠杀”来形容。本研究由Narodowe Centrum Nauki [2020/39/B/HS3/01237]资助;亚历山大·冯·洪堡基金会和信息学中心的三合一学术超级计算机和网络在Gdańsk。作者简介:Adam Mickiewicz大学博士生sadrian Trzoss他的研究兴趣包括数字历史和社交媒体中的历史叙事。最近,他在波兰YouTube上调查了历史叙事中的性别差距。wiktor Werner, Adam Mickiewicz大学(历史系)副教授。主要研究方向:数字历史、大众文化历史。塞浦路斯·克莱斯特(cyprian Kleist), Gdańsk理工大学理学硕士,亚当·米奇维奇大学博士奖学金。主要研究方向为信息论、统计力学和云计算。Katarzyna Kwiatkowska-MoskalewiczCyprian Kleist, Gdańsk理工大学理学硕士,Adam Mickiewicz大学博士奖学金。主要研究方向为信息论、统计力学和云计算。Katarzyna Kwiatkowska-Moskalewicz,亚当·米奇维茨大学博士生。她的研究重点是波兰近代史上波兰与犹太人的关系。目前,她是海德堡大学Bekker NAWA项目研究员。marcin Moskalewicz,华沙IDEAS NCBR(人工智能和数字经济领域的研发中心)哲学副教授和团队负责人;现为海德堡大学洪堡研究员。
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引用次数: 0
To think a little of you: a paragraph about Rena Merrill 想想你:关于瑞娜·梅里尔的一段话
IF 0.6 2区 历史学 Q1 Arts and Humanities Pub Date : 2023-08-03 DOI: 10.1080/13642529.2023.2234244
Josh Schwartz
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引用次数: 0
The Cabinet of Charles Kirkpatrick Sharpe:an Essay in the Biographical Distillation of Affinities 查尔斯·柯克帕特里克·夏普的内阁:一篇关于亲缘关系的传记蒸馏的随笔
IF 0.6 2区 历史学 Q1 Arts and Humanities Pub Date : 2023-07-27 DOI: 10.1080/13642529.2023.2235530
Kelsey Jackson Williams
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引用次数: 0
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Rethinking History
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