Pub Date : 2023-09-25DOI: 10.11648/j.frontiers.20230302.12
Folahan Anthony Adenaike
Studies and analyses of architectural design have become less visible in recent discourses. Current architectural education in Nigerian universities which is guided by a curriculum for Benchmark Academic Standard prescribes theory of architecture in the third year without going into specifics in the undergraduate programme. There is no explicit diet for students to understand designs or analyse them as was done in the past when students were exposed to critiques and meanings of the works of past and present architects. This trend is noticeable globally as a search in Google Scholar revealed very few mentions on the topics. This study seeks to present the analyses of design forms and elements in a concise form to be easily digested by architects and students who may wish to carry out specific analysis of architectural works and compositions. It was carried out by cursory investigations into the few publications on the subject matter and related fields in the Science Citation Index to decipher and extract the classical interpretations of the basic indices for analyzing architectural designs and presenting them in unambiguous terms. The positions held in this presentation are inferred or re-presented from the publications. The indices for analyses presented in the article are fundamental but not exhaustive as so many schools of thought in architecture may have other nuances for understanding of forms and elements in architectural design.
{"title":"Analysis of Forms and Elements in Architecture","authors":"Folahan Anthony Adenaike","doi":"10.11648/j.frontiers.20230302.12","DOIUrl":"https://doi.org/10.11648/j.frontiers.20230302.12","url":null,"abstract":"Studies and analyses of architectural design have become less visible in recent discourses. Current architectural education in Nigerian universities which is guided by a curriculum for Benchmark Academic Standard prescribes theory of architecture in the third year without going into specifics in the undergraduate programme. There is no explicit diet for students to understand designs or analyse them as was done in the past when students were exposed to critiques and meanings of the works of past and present architects. This trend is noticeable globally as a search in Google Scholar revealed very few mentions on the topics. This study seeks to present the analyses of design forms and elements in a concise form to be easily digested by architects and students who may wish to carry out specific analysis of architectural works and compositions. It was carried out by cursory investigations into the few publications on the subject matter and related fields in the Science Citation Index to decipher and extract the classical interpretations of the basic indices for analyzing architectural designs and presenting them in unambiguous terms. The positions held in this presentation are inferred or re-presented from the publications. The indices for analyses presented in the article are fundamental but not exhaustive as so many schools of thought in architecture may have other nuances for understanding of forms and elements in architectural design.","PeriodicalId":46007,"journal":{"name":"Frontiers-A Journal of Women Studies","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135865482","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:Scientists, conservationists, and environmentalists argue that the use of Atrazine, one of the most commonly used herbicides in the US, contributes to global amphibian population declines and extinctions. Researchers have also linked Atrazine to increased rates of cancer and other health complications in humans that disproportionately affect already marginalized communities. However, prevailing public discourse has focused primarily on the speculative risks that Atrazine, as an endocrine disruptor, could pose to normative human gender, sex, and sexuality. These concerns were sparked by experiments in the early 2000s, conducted by Dr. Tyrone Hayes and colleagues, characterizing frogs exposed to Atrazine as “feminized” and “chemically castrated.” I find that scientific and popular discourse surrounding the Atrazine controversy encodes cultural anxieties about the maintenance of normative masculinities and the future of humanity in an increasingly toxic world. Moreover, depending on the context, rhetorical depictions of frogs exposed to Atrazine reify binary sex/gender or, contrastingly, affirm sexual diversity. The case of Atrazine demonstrates that environmental discourse can sustain normalized and naturalized ideas of gender, sex, and sexuality even as the meanings imposed on them are contradictory and contextual.
{"title":"“Transgender Frogs Turn Your Son Gay”: Endangered Amphibians, Estrogenic Pollution, and Male Extinction","authors":"M. Perret","doi":"10.1353/fro.2023.0002","DOIUrl":"https://doi.org/10.1353/fro.2023.0002","url":null,"abstract":"Abstract:Scientists, conservationists, and environmentalists argue that the use of Atrazine, one of the most commonly used herbicides in the US, contributes to global amphibian population declines and extinctions. Researchers have also linked Atrazine to increased rates of cancer and other health complications in humans that disproportionately affect already marginalized communities. However, prevailing public discourse has focused primarily on the speculative risks that Atrazine, as an endocrine disruptor, could pose to normative human gender, sex, and sexuality. These concerns were sparked by experiments in the early 2000s, conducted by Dr. Tyrone Hayes and colleagues, characterizing frogs exposed to Atrazine as “feminized” and “chemically castrated.” I find that scientific and popular discourse surrounding the Atrazine controversy encodes cultural anxieties about the maintenance of normative masculinities and the future of humanity in an increasingly toxic world. Moreover, depending on the context, rhetorical depictions of frogs exposed to Atrazine reify binary sex/gender or, contrastingly, affirm sexual diversity. The case of Atrazine demonstrates that environmental discourse can sustain normalized and naturalized ideas of gender, sex, and sexuality even as the meanings imposed on them are contradictory and contextual.","PeriodicalId":46007,"journal":{"name":"Frontiers-A Journal of Women Studies","volume":"44 1","pages":"27 - 52"},"PeriodicalIF":1.2,"publicationDate":"2023-03-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41808909","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:Focusing on Mill’s The Subjection of Women (1869), this paper adopts the perspective of the feminist and decolonial history of philosophy. It defends the idea that this book may be read as making a contribution to the construction of a Euro-centered white feminism, which developed in the nineteenth century. In this book, Mill dissociates race from gender issues and characterizes feminism and its subject as being indifferent to racial problems. Indeed, the comparisons that the book makes between sexism and racism, between women and slaves, are not used as a way of drawing a connection between feminist and antiracist causes. On the contrary, they are usually used to dissociate the different fights and to separate the defense of English women’s rights from the defense of the rights of non-white men and women. In the first part of the paper, I show that Mill defines anti-Black racism as a non-European problem, unrelated to the domination of women. Next, I argue that he disconnects the subjection of women from slavery by affirming their non-contemporaneity and the exceptionality of the subjection of women in the modern world. Finally, I demonstrate how Mill appropriates and modifies the meaning of “slavery,” applying it primarily to English married women, and establishes a hierarchy that ranks Black enslaved women lower than white women on a scale of subjection. Thus, this paper uncovers and interprets these blind spots in order to allow contemporary feminists to make a cautious and mindful use of Mill’s The Subjection of Women.
{"title":"Gender and Race in John Stuart Mill’s The Subjection of Women","authors":"Aurélie Knüfer","doi":"10.1353/fro.2023.0003","DOIUrl":"https://doi.org/10.1353/fro.2023.0003","url":null,"abstract":"Abstract:Focusing on Mill’s The Subjection of Women (1869), this paper adopts the perspective of the feminist and decolonial history of philosophy. It defends the idea that this book may be read as making a contribution to the construction of a Euro-centered white feminism, which developed in the nineteenth century. In this book, Mill dissociates race from gender issues and characterizes feminism and its subject as being indifferent to racial problems. Indeed, the comparisons that the book makes between sexism and racism, between women and slaves, are not used as a way of drawing a connection between feminist and antiracist causes. On the contrary, they are usually used to dissociate the different fights and to separate the defense of English women’s rights from the defense of the rights of non-white men and women. In the first part of the paper, I show that Mill defines anti-Black racism as a non-European problem, unrelated to the domination of women. Next, I argue that he disconnects the subjection of women from slavery by affirming their non-contemporaneity and the exceptionality of the subjection of women in the modern world. Finally, I demonstrate how Mill appropriates and modifies the meaning of “slavery,” applying it primarily to English married women, and establishes a hierarchy that ranks Black enslaved women lower than white women on a scale of subjection. Thus, this paper uncovers and interprets these blind spots in order to allow contemporary feminists to make a cautious and mindful use of Mill’s The Subjection of Women.","PeriodicalId":46007,"journal":{"name":"Frontiers-A Journal of Women Studies","volume":"44 1","pages":"53 - 79"},"PeriodicalIF":1.2,"publicationDate":"2023-03-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49052966","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:The imposition of gender hierarchy has stigmatized and distorted knowledge about the clitoris. In instances when educators and activists resist the status quo by acknowledging and attempting to celebrate the clitoris, they often assert that the clitoris’s sole function is sexual pleasure. Though recognizing the clitoral role in pleasure supports liberatory progress, the sole function premise is inaccurate. The clitoris has multiple functions. The clitoris receives and transmutes sensation into sexual response psychophysiology: desire, arousal, plateau, orgasm, and resolution. Thus, together with the clitoris’s significant role in pleasure, it also functions in bodily protection and safety. Clitoral stimulation can reasonably be acknowledged as a prophylactic health behavior. The clitoris has reproductive functions as well. The clitoris supports reproduction while simultaneously fully functioning outside of reproductive sexuality, i.e., penile vaginal intercourse. The gendered lens through which we view the clitoris had hidden this sexual knowledge. Patriarchal cultures have not been able to conceptualize sexual pleasure, sexual safety, and freedom to participate (or not) in reproductive sexuality as characteristics that might co-occur for women as a sociopolitical identity, be they cisgender, transgender, or intersex women. This article presents evidence of simultaneous clitoral functionality in all these realms.
{"title":"A Feminist Sexology Perspective on the Multifunctional Clitoris: Dispelling the Sole Purpose Myth","authors":"Angela Towne","doi":"10.1353/fro.2023.0001","DOIUrl":"https://doi.org/10.1353/fro.2023.0001","url":null,"abstract":"Abstract:The imposition of gender hierarchy has stigmatized and distorted knowledge about the clitoris. In instances when educators and activists resist the status quo by acknowledging and attempting to celebrate the clitoris, they often assert that the clitoris’s sole function is sexual pleasure. Though recognizing the clitoral role in pleasure supports liberatory progress, the sole function premise is inaccurate. The clitoris has multiple functions. The clitoris receives and transmutes sensation into sexual response psychophysiology: desire, arousal, plateau, orgasm, and resolution. Thus, together with the clitoris’s significant role in pleasure, it also functions in bodily protection and safety. Clitoral stimulation can reasonably be acknowledged as a prophylactic health behavior. The clitoris has reproductive functions as well. The clitoris supports reproduction while simultaneously fully functioning outside of reproductive sexuality, i.e., penile vaginal intercourse. The gendered lens through which we view the clitoris had hidden this sexual knowledge. Patriarchal cultures have not been able to conceptualize sexual pleasure, sexual safety, and freedom to participate (or not) in reproductive sexuality as characteristics that might co-occur for women as a sociopolitical identity, be they cisgender, transgender, or intersex women. This article presents evidence of simultaneous clitoral functionality in all these realms.","PeriodicalId":46007,"journal":{"name":"Frontiers-A Journal of Women Studies","volume":"44 1","pages":"1 - 26"},"PeriodicalIF":1.2,"publicationDate":"2023-03-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48767107","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Whatever it is, coronavirus has made the mighty kneel and brought the world to a halt as nothing else could. Our minds are still racing back and forth, longing for a return to "normality," trying to stitch our future to our past, and refusing to acknowledge the rupture. But the rupture exists. And amid this terrible despair, it offers us a chance to rethink the doomsday machine we have built for ourselves. Nothing could be worse than a return to normality.-Arundhati Roy, "The Pandemic is a Portal"
{"title":"Pandemic Time: A Critical Introduction","authors":"Darius Bost","doi":"10.1353/fro.2023.0005","DOIUrl":"https://doi.org/10.1353/fro.2023.0005","url":null,"abstract":"Whatever it is, coronavirus has made the mighty kneel and brought the world to a halt as nothing else could. Our minds are still racing back and forth, longing for a return to \"normality,\" trying to stitch our future to our past, and refusing to acknowledge the rupture. But the rupture exists. And amid this terrible despair, it offers us a chance to rethink the doomsday machine we have built for ourselves. Nothing could be worse than a return to normality.-Arundhati Roy, \"The Pandemic is a Portal\"","PeriodicalId":46007,"journal":{"name":"Frontiers-A Journal of Women Studies","volume":"44 1","pages":"110 - 120"},"PeriodicalIF":1.2,"publicationDate":"2023-03-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44342193","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This article applies the Black queer vernacular form of “late” to interrogate arrival the of a privileged group into a consciousness of crisis and recasts the actions of Black LGBTQ+ people during the pandemic as part of a longer history of surviving catastrophe. The colloquial usage of late demonstrates Black queer awareness of the interconnection between the definition of time; its variable valuation; and the multiple, sometimes competing temporalities in which Black queers live and die. Racial disparities to the response of policies implemented during the rise of COVID-19, as well as the ways in which the habits and pace of Black LGBTQ+ life remained relatively unaffected by the pandemic, reveal the ways history and time unevenly impact different populations within the same crisis. Using Black studies theories of time, Black feminist theories of touch, and Black queer theories of gender and sex, this article illuminates the continuity between constructions of state-sanctioned notions of progress, a contemporary development of pandemic time, and the timing of whiteness as ontologically late. Through a reconsideration of the habits of Black queer life as always already attending to one urgency or another this article argues for building toward a crisis-oriented futurity with less concern for or and impulse to redress the lateness of other people.
{"title":"On the Lateness of Pandemic Time","authors":"William G. Mosley","doi":"10.1353/fro.2023.0008","DOIUrl":"https://doi.org/10.1353/fro.2023.0008","url":null,"abstract":"Abstract:This article applies the Black queer vernacular form of “late” to interrogate arrival the of a privileged group into a consciousness of crisis and recasts the actions of Black LGBTQ+ people during the pandemic as part of a longer history of surviving catastrophe. The colloquial usage of late demonstrates Black queer awareness of the interconnection between the definition of time; its variable valuation; and the multiple, sometimes competing temporalities in which Black queers live and die. Racial disparities to the response of policies implemented during the rise of COVID-19, as well as the ways in which the habits and pace of Black LGBTQ+ life remained relatively unaffected by the pandemic, reveal the ways history and time unevenly impact different populations within the same crisis. Using Black studies theories of time, Black feminist theories of touch, and Black queer theories of gender and sex, this article illuminates the continuity between constructions of state-sanctioned notions of progress, a contemporary development of pandemic time, and the timing of whiteness as ontologically late. Through a reconsideration of the habits of Black queer life as always already attending to one urgency or another this article argues for building toward a crisis-oriented futurity with less concern for or and impulse to redress the lateness of other people.","PeriodicalId":46007,"journal":{"name":"Frontiers-A Journal of Women Studies","volume":"44 1","pages":"157 - 165"},"PeriodicalIF":1.2,"publicationDate":"2023-03-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41527264","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:In the mid 1970s Black women, and Black feminists in particular, were increasingly visible on television, as they took positions as broadcast journalists and news anchors; starred in dramas and situation comedies, such as Good Times; and appeared as experts on an array of public affairs programs, including shows developed by Black Power leaders and feminists. This essay examines this rise and the constraints on it by analyzing Black feminists’ television activism and their appearances on three programs in the 1970s: two feminist public affairs programs that both aired on PBS stations, Woman (1973–1977) and Woman Alive! (1974, 1975, 1977); and For You Black Woman (1977–1985), a syndicated talk show which was not directly linked to any political movement but was pioneering because it was the first talk show and “public service” program addressed to Black women. Feminist programs—Woman and Woman Alive!—asserted a sisterhood based on gender oppression and encouraged Black women to join it, but they did not consistently address the intersection of race and gender. On the other hand, although For You Black Woman was a more conventional talk show for women, as it focused more on parenting, beauty, and fashion, not feminist or Black Power politics, the show tailored these topics to Black women, discussed race and gender in the distinctive experiences of Black women, and created space for Black women to be experts on a variety of topics. The least explicitly politically program of this triad, For You Black Woman provided a potent political space for Black feminism.
{"title":"Black Feminists on Television in the 1970s","authors":"M. Kibler","doi":"10.1353/fro.2023.0004","DOIUrl":"https://doi.org/10.1353/fro.2023.0004","url":null,"abstract":"Abstract:In the mid 1970s Black women, and Black feminists in particular, were increasingly visible on television, as they took positions as broadcast journalists and news anchors; starred in dramas and situation comedies, such as Good Times; and appeared as experts on an array of public affairs programs, including shows developed by Black Power leaders and feminists. This essay examines this rise and the constraints on it by analyzing Black feminists’ television activism and their appearances on three programs in the 1970s: two feminist public affairs programs that both aired on PBS stations, Woman (1973–1977) and Woman Alive! (1974, 1975, 1977); and For You Black Woman (1977–1985), a syndicated talk show which was not directly linked to any political movement but was pioneering because it was the first talk show and “public service” program addressed to Black women. Feminist programs—Woman and Woman Alive!—asserted a sisterhood based on gender oppression and encouraged Black women to join it, but they did not consistently address the intersection of race and gender. On the other hand, although For You Black Woman was a more conventional talk show for women, as it focused more on parenting, beauty, and fashion, not feminist or Black Power politics, the show tailored these topics to Black women, discussed race and gender in the distinctive experiences of Black women, and created space for Black women to be experts on a variety of topics. The least explicitly politically program of this triad, For You Black Woman provided a potent political space for Black feminism.","PeriodicalId":46007,"journal":{"name":"Frontiers-A Journal of Women Studies","volume":"44 1","pages":"109 - 80"},"PeriodicalIF":1.2,"publicationDate":"2023-03-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44380388","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This essay, “Language, Water, and Dance,” offers a meditation on pandemic time by engaging with Native American histories in relation to Indigenous epistemologies and theories as well as recent events. Looking to Winter Counts and science fiction by Indigenous authors, this meditation suggests that how we think of time and reality are intimately linked to settler colonialism in the United States. The creative form of the essay mirrors the ways in which Indigenous writers and theorists describe time as a spiral rather than a linear progression of lived experience. Relationality and Dakotaness are at the center of the essay’s stories of activism, performance, and survival. A discussion of the “Native slipstream” connects science fiction to the work of water protectors and the NoDAPL movement. The recordings of events through Winter Counts demonstrate how memory and history are collectively shared processes that were also linked to colonial pressures to assimilate Indigenous peoples living in the Plains during the late nineteenth and early twentieth century, further suggesting that the first pandemic to impact Indian Country was a colonial one. Concluding with a brief reading from Cherie Dimaline’s young-adult novel, The Marrow Thieves, suggests that as long as we can dream there is still hope for the world where being a good relative is at the center.
{"title":"Language, Water, Dance: An Indigenous Meditation on Time","authors":"Kiara M. Vigil","doi":"10.1353/fro.2023.0009","DOIUrl":"https://doi.org/10.1353/fro.2023.0009","url":null,"abstract":"Abstract:This essay, “Language, Water, and Dance,” offers a meditation on pandemic time by engaging with Native American histories in relation to Indigenous epistemologies and theories as well as recent events. Looking to Winter Counts and science fiction by Indigenous authors, this meditation suggests that how we think of time and reality are intimately linked to settler colonialism in the United States. The creative form of the essay mirrors the ways in which Indigenous writers and theorists describe time as a spiral rather than a linear progression of lived experience. Relationality and Dakotaness are at the center of the essay’s stories of activism, performance, and survival. A discussion of the “Native slipstream” connects science fiction to the work of water protectors and the NoDAPL movement. The recordings of events through Winter Counts demonstrate how memory and history are collectively shared processes that were also linked to colonial pressures to assimilate Indigenous peoples living in the Plains during the late nineteenth and early twentieth century, further suggesting that the first pandemic to impact Indian Country was a colonial one. Concluding with a brief reading from Cherie Dimaline’s young-adult novel, The Marrow Thieves, suggests that as long as we can dream there is still hope for the world where being a good relative is at the center.","PeriodicalId":46007,"journal":{"name":"Frontiers-A Journal of Women Studies","volume":"44 1","pages":"168 - 182"},"PeriodicalIF":1.2,"publicationDate":"2023-03-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46097828","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:In this essay, the author reflects on how a near death case of COVID in the first weeks of the pandemic informs a larger theory of the relationship between race, temporality, and racial capitalism. By examining the links between race, time, and breathe across time and space—from the plantation to the uprisings of the Black Lives Matter movement—the author argues that the pandemic in not an exception to the normal but as a dispersed amplification of it.
{"title":"The Temporality of Breath: Under Racial Capitalism","authors":"Stephen Dillon","doi":"10.1353/fro.2023.0011","DOIUrl":"https://doi.org/10.1353/fro.2023.0011","url":null,"abstract":"Abstract:In this essay, the author reflects on how a near death case of COVID in the first weeks of the pandemic informs a larger theory of the relationship between race, temporality, and racial capitalism. By examining the links between race, time, and breathe across time and space—from the plantation to the uprisings of the Black Lives Matter movement—the author argues that the pandemic in not an exception to the normal but as a dispersed amplification of it.","PeriodicalId":46007,"journal":{"name":"Frontiers-A Journal of Women Studies","volume":"44 1","pages":"194 - 204"},"PeriodicalIF":1.2,"publicationDate":"2023-03-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42514397","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This essay considers the compounding nature of grief as the author experienced it during the COVID-19 pandemic. The author considers how the pandemic shifted notions of time, alongside those of space and intimacy.
{"title":"A Meditation on Grief in Pandemic Times","authors":"Karma R. Chávez","doi":"10.1353/fro.2023.0010","DOIUrl":"https://doi.org/10.1353/fro.2023.0010","url":null,"abstract":"Abstract:This essay considers the compounding nature of grief as the author experienced it during the COVID-19 pandemic. The author considers how the pandemic shifted notions of time, alongside those of space and intimacy.","PeriodicalId":46007,"journal":{"name":"Frontiers-A Journal of Women Studies","volume":"44 1","pages":"183 - 193"},"PeriodicalIF":1.2,"publicationDate":"2023-03-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46534996","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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