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Hair and Hat Ritual Shaming Punishments in Nineteenth-Century Iran 19世纪伊朗的头发和帽子仪式羞辱惩罚
IF 0.3 4区 社会学 Q1 Arts and Humanities Pub Date : 2023-06-28 DOI: 10.1017/irn.2023.40
F. Vejdani
Abstract This article considers three temporary and reversible penal shaming acts in nineteenth-century Iran: the shaving or cutting of hair, irrespective of gender; the shaving or cutting of men's facial hair; and the forcible removal of headgear or the coerced wearing of silly headgear. Drawing on anthropological, historical, and sociological studies of hair, this study argues that hair and hat punishments embodied elements of ritual, sexuality, social control, and marginalization. In order to understand the meaning of these penal acts, the article looks at general taboos around hair and head exposure alongside licit and voluntary forms of cutting or shaving hair. Illicit sex, heresy, and alcohol consumption were recurring moral crimes most often associated with such forms of humiliating punishment. Since restoration of honor was not the sole prerogative of the government, these punishments were often carried out by those acting on behalf of a religious authority or individually and collectively by ordinary subjects outraged by a moral violation.
摘要:本文考虑了19世纪伊朗的三种暂时的和可逆的刑罚羞辱行为:剃须或剪头发,不分性别;剃须:剃除或剪掉男子面部毛发;以及强迫摘掉头饰或强迫戴上愚蠢的头饰。通过对头发的人类学、历史学和社会学研究,本研究认为头发和帽子的惩罚体现了仪式、性、社会控制和边缘化的元素。为了理解这些刑事行为的含义,本文着眼于围绕头发和头部暴露的一般禁忌,以及合法和自愿的修剪或剃须形式。非法性行为、异端邪说和酗酒是反复出现的道德犯罪,通常与这种形式的羞辱性惩罚有关。由于恢复名誉并不是政府的唯一特权,这些惩罚通常是由代表宗教权威的人执行的,或者是由被道德侵犯激怒的普通民众单独或集体执行的。
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引用次数: 0
Patterns of Wisdom in Safavid Iran: The Philosophical School of Isfahan and the Gnostic of Shiraz. Janis Esots (New York: Bloomsbury Publishing, 2021). 263 pp. ISBN 9780755644919 伊朗萨法维的智慧模式:伊斯法罕的哲学学派和设拉子的诺斯替派。贾尼斯·埃索茨(纽约:布卢姆斯伯里出版社,2021)。263页,ISBN 9780755644919
IF 0.3 4区 社会学 Q1 Arts and Humanities Pub Date : 2023-06-19 DOI: 10.1017/irn.2023.38
Gianni Izzo
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引用次数: 0
From Iran to the Netherlands, and everywhere in between 从伊朗到荷兰,以及中间的任何地方
IF 0.3 4区 社会学 Q1 Arts and Humanities Pub Date : 2023-06-16 DOI: 10.1017/irn.2023.31
Louise Ballière
Abstract A migrant's journey is no linear trajectory from A to B. It is a fragmented and complex move over different regions with alternating periods of mobility and immobility. This article researches the complex dynamics of irregular migration from Iran to the Netherlands, and everywhere in between. Through a historical comparison of the life stories of Iranian asylum seekers in the Netherlands in two time periods (1988–1989 and 2009–2010), it studies the routes they took, their relations with human smugglers, and their interactions with immigration policies and border managements along the way. It shows migrants' and smugglers’ flexibility and capacity to adapt to ever-changing circumstances. Migration politics and border controls, along with their increasing limitations on legal migration channels, are indeed crucial in the understanding of irregular migration practices and the ever-growing involvement of facilitating services. Through a combination of this migration policy research and the migration trajectory research, the paper explores these dynamics and the interactions between migrants, smugglers, and state policies in every phase of their journey from Iran to the Netherlands, and everywhere in between.
移民的旅程不是从A点到b点的线性轨迹,而是在不同地区之间的碎片化和复杂的迁移,流动和不流动交替进行。本文研究了从伊朗到荷兰的非正规移民的复杂动态,以及两者之间的任何地方。通过对两个时期(1988-1989年和2009-2010年)在荷兰的伊朗寻求庇护者的生活故事进行历史比较,研究他们所走的路线,他们与人口走私者的关系,以及他们与沿途移民政策和边境管理的互动。它显示了移民和走私者适应不断变化的环境的灵活性和能力。移民政治和边境管制,以及它们对合法移民渠道日益增加的限制,确实对理解非正常移民做法和便利服务日益增加的参与至关重要。通过结合这一移民政策研究和移民轨迹研究,本文探讨了这些动态以及移民、走私者和国家政策在从伊朗到荷兰的旅程的每个阶段之间的相互作用,以及两者之间的任何地方。
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引用次数: 0
America and Iran: A History, 1720 to the Present. John Ghazvinian (London: Oneworld, 2020). Pp 667, including notes and index. £35.00 hardcover. ISBN: 9781786079473 《美国和伊朗:1720年至今的历史》John Ghazvinian(伦敦:Oneworld, 2020)。第667页,包括注释和索引。精装£35.00。ISBN: 9781786079473
IF 0.3 4区 社会学 Q1 Arts and Humanities Pub Date : 2023-06-13 DOI: 10.1017/irn.2023.20
A. Ansari
medium of narrative (252). Although Gould’s argument on the poetics of incarceration in the modern period is not as well-substantiated as previous chapters, highlighting the continuity of the genre and its potential for new structural and topical transformation paves the way for further scholarly investigation. Postrevolutionary poets such as Mohammad Farrokhi Yazdi, Ahmad Shamlu, Esmail Khoi, Khosrow Golsorkhi, Saeed Soltanpour, Houshang Ebtehaj, Reza Baraheni, Mohammadreza Ali-Payam, and Baktash Abtin would all provide compelling case studies of Persian prison poetry for future scholarship. “All great works of literature either establish a genre or dissolve one,” said the writer Walter Benjamin, quoted by Gould on the book’s very first page, which explores the Bakhtinian notion of genre-making, establishing the three criteria of form, theme, and discourse. In writing this book, Gould has, herself, shaken up the genre of literary scholarship, issuing a “call for in-depth engagement with [poetry’s] historical, cultural and political milieus, beyond what would typically be encountered in a work of contemporary literary theory” (21). This book should inspire other scholars to interrogate literature through innovative theoretical frameworks that similarly place Persian literature, across time and place, on the world stage.
叙述的媒介(252)。尽管古尔德关于现代监禁诗学的论述不像前几章那样有充分的证据,但他强调了这种体裁的连续性及其在新结构和主题转变方面的潜力,为进一步的学术研究铺平了道路。后革命诗人如Mohammad Farrokhi Yazdi, Ahmad Shamlu, Esmail Khoi, Khosrow Golsorkhi, Saeed Soltanpour, Houshang Ebtehaj, Reza Baraheni, Mohammadreza Ali-Payam和Baktash Abtin都为未来的学术研究提供了引人注目的波斯监狱诗歌案例。古尔德在书的第一页引用了作家沃尔特·本雅明的话:“所有伟大的文学作品要么建立一种体裁,要么瓦解一种体裁。”该书探讨了巴赫蒂安的体裁创造概念,建立了形式、主题和话语的三个标准。在写这本书的过程中,古尔德自己动摇了文学学术的流派,发出了“深入研究[诗歌]的历史、文化和政治环境的呼吁,而不是在当代文学理论的作品中通常遇到的”(21)。这本书应该激励其他学者通过创新的理论框架来审视文学,这些理论框架同样将波斯文学置于世界舞台上,跨越时间和地点。
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引用次数: 0
Editor's Note 编者按
4区 社会学 Q1 Arts and Humanities Pub Date : 2023-06-13 DOI: 10.1017/irn.2023.39
Nasrin Rahimieh
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引用次数: 0
Shadow Performance in Iran 伊朗的影子表演
IF 0.3 4区 社会学 Q1 Arts and Humanities Pub Date : 2023-06-08 DOI: 10.1017/irn.2023.37
Milad Azarm
Abstract This study argues, contrary to some opinions, that shadow performance existed in Iran from at least the tenth to the twentieth century. Through a textual analysis of newly discovered ancient texts, two plays specifically, this study shows how shadow performance originated in the Indian subcontinent, was transported from Iran to the historical region now known as Iraq, and then spread to Egypt, developing over time through its historical progression. This study also looks at the reasons for the decline of shadow performance in Iran, including the centuries-old Iranian Sufi criticism of the form and the establishment of the Safavid dynasty, which introduced Shiism as the official religion of Iran in the sixteenth century. Certain Iranian Sufisms considered shadow performance debaucherous until the fifteenth century. After the sixteenth century, influenced by the Turkish Karagöz, shadow performance was considered a theatrical form associated with Sunni infidels. Consequently, shadow performance was replaced with Muharram mourning rituals, ritualistic forms that reflect Shia identity.
与一些观点相反,本研究认为,至少从10世纪到20世纪,伊朗就存在着影子表演。通过对新发现的古代文本,特别是两部戏剧的文本分析,这项研究显示了影子表演如何起源于印度次大陆,从伊朗运送到现在被称为伊拉克的历史地区,然后传播到埃及,随着时间的推移,在其历史进程中发展。本研究还探讨了伊朗影子表演衰落的原因,包括几个世纪以来伊朗苏菲派对这种形式的批评,以及萨法维王朝的建立,萨法维王朝在16世纪将什叶派作为伊朗的官方宗教。直到15世纪,某些伊朗苏菲派认为皮影表演是放荡的。16世纪以后,受土耳其Karagöz的影响,皮影戏被认为是一种与逊尼派异教徒有关的戏剧形式。因此,影子表演被穆斯林的哀悼仪式所取代,这种仪式形式反映了什叶派的身份。
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引用次数: 0
“Iranian Conditions: Health Problems and Medical Practices in the Words of the Staff of the Alliance Israélite Universelle, 1900–1950” "伊朗的情况:1900-1950年以色列世界宇航联合会工作人员所说的健康问题和医疗做法"
IF 0.3 4区 社会学 Q1 Arts and Humanities Pub Date : 2023-06-05 DOI: 10.1017/irn.2023.24
Isabelle S. Headrick
Abstract The staff of the Alliance Israélite Universelle (AIU), an international educational philanthropy, were professionally and personally buffeted by health and medical concerns. This article examines the value of their letters, arguing they serve as a deep reservoir of biased yet valuable evidence that corroborates other sources while also providing insight into the health and disease conditions of Iran's provincial cities. This article also asks why, in the early twentieth century, AIU staff failed to acknowledge Iranians who were similarly invested in medical services and public hygiene. Ultimately, the letters help scholars witness historical evolutions in Iran and in the AIU staff's understandings of the Iranian social and medical landscape they inhabited.
国际教育慈善机构以色列宇航联合会(AIU)的工作人员在职业和个人方面都受到健康和医疗问题的困扰。这篇文章探讨了他们信件的价值,认为它们是一个有偏见但有价值的证据的深刻宝库,证实了其他来源,同时也提供了对伊朗省级城市健康和疾病状况的见解。这篇文章也提出了疑问,为什么在20世纪初,AIU的工作人员没有承认在医疗服务和公共卫生方面同样投入的伊朗人。最终,这些信件帮助学者们见证了伊朗的历史演变,以及AIU工作人员对他们所居住的伊朗社会和医疗景观的理解。
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引用次数: 0
The City as Anthology: Eroticism and Urbanity in Early Modern Isfahan. Kathryn Babayan (Stanford, CA: Stanford University Press, 2021). Pp. 260. $65.00 hardcover. ISBN: 9781503613386 作为选集的城市:近代早期伊斯法罕的情色与都市化。Kathryn Babayan(加州斯坦福:斯坦福大学出版社,2021)。260页。精装书65.00美元。ISBN: 9781503613386
4区 社会学 Q1 Arts and Humanities Pub Date : 2023-06-05 DOI: 10.1017/irn.2023.33
Colin Mitchell
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引用次数: 1
Iranian Cities and Persian Fiction (Bibliotheca Iranica: Literature, 18) M. R. Ghanoonparvar Mazda Pub (January 28, 2022). 362 pages $35.00 ISBN-13: 978-1568593937 伊朗城市与波斯小说(伊朗图书馆:文学版,18版),马自达出版社,2022年1月28日出版。362页$35.00 ISBN-13: 978-1568593937
IF 0.3 4区 社会学 Q1 Arts and Humanities Pub Date : 2023-06-01 DOI: 10.1017/irn.2023.35
K. Tajbakhsh
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引用次数: 0
“The Shah's House Became the People's House”: Narrating Iran's Modern History at the Pahlavi Dynasty Museum “国王之家成为人民之家”:巴列维王朝博物馆讲述伊朗现代史
IF 0.3 4区 社会学 Q1 Arts and Humanities Pub Date : 2023-05-29 DOI: 10.1017/irn.2023.23
Marziyeh Bazyar, R. Steele
Abstract This paper examines the Pahlavi Dynasty Museum, which was inaugurated in 1976 during the celebrations marking the fiftieth anniversary of Pahlavi rule. Built inside the Marble Palace, the shah's former residence in the center of Tehran, the museum was intended to memorialize the achievements of the Pahlavis, presenting the official Pahlavi version of Iran's modern history. The museum was unique in many respects, not least because it was the only former Pahlavi palace that had been converted into a museum to honor the Pahlavis, but it shared the objectives of other museums constructed during this period. During the late Pahlavi era, a major aspect of the state's cultural policy was to sponsor initiatives that strengthened the official state narrative, which argued that the Pahlavis were the legitimate heirs of a 2500-year-old monarchical tradition. The article explores how the state attempted to express these narratives through the museum's design and exhibits.
摘要本文考察了巴列维王朝博物馆,该博物馆于1976年在纪念巴列维统治50周年的庆祝活动中落成。这座博物馆建在德黑兰市中心国王的故居——大理石宫内,旨在纪念巴列维王朝的成就,展示巴列维王朝官方版本的伊朗现代史。这座博物馆在许多方面都是独一无二的,尤其是因为它是巴列维王朝唯一一座被改造成博物馆以纪念巴列维家族的前宫殿,但它与这一时期建造的其他博物馆有着共同的目标。在巴列维统治后期,国家文化政策的一个主要方面是支持加强官方叙事的倡议,这种叙事认为巴列维家族是2500年君主传统的合法继承人。本文探讨了国家如何试图通过博物馆的设计和展览来表达这些叙事。
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引用次数: 0
期刊
Iranian Studies
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