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IRN volume 56 issue 3 Cover and Front matter IRN第56卷第3期封面和封面
IF 0.3 4区 社会学 Q1 Arts and Humanities Pub Date : 2023-07-01 DOI: 10.1017/irn.2023.45
N. Rahimieh, H. Borjian, Hamid Keshmirshekan, Mana Kia, N. Moruzzi, Kishwar Rizvi, Deborah Tor, Kayhan Nejad, Austin O’Malley, Editorial Board Kamran Scot Aghaei, Stephanie Cronin, A. Ferdowsi, A. Mirsepassi, Kazuo Morimoto, P. Orsatti, A. Rahnema, S. Tremayne
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引用次数: 0
Writing in Turbulent Times. Introduction to the Roundtable on the 2022–23 Iranian Protests 在动荡的时代写作。关于2022-23年伊朗抗议的圆桌会议简介
IF 0.3 4区 社会学 Q1 Arts and Humanities Pub Date : 2023-07-01 DOI: 10.1017/irn.2023.19
Paola Rivetti
The editorial decision to publish a roundtable on the 2022–23 protests in Iran has come with challenges and obvious limitations due to access and immediacy. The ambition of this intervention is to offer some initial reflections and some analytical instruments in the hope that they will be useful for future publications. We also want to write in this moment because we want to register its characteristics—emotions running high, the quick detours of power relations between the state and the protesters, the uncertainty, the changing political weight of the diaspora—along with the difficulty of doing analytical work in the midst of such processes.
编辑决定出版一份关于2022-23年伊朗抗议活动的圆桌会议,由于获取渠道和即时性,这一决定面临着挑战和明显的限制。这次发言的目的是提供一些初步的思考和一些分析工具,希望它们对今后的出版物有用。我们也想在这个时刻写作,因为我们想记录它的特征——高涨的情绪,国家与抗议者之间权力关系的快速迂回,不确定性,散居者不断变化的政治分量——以及在这些过程中进行分析工作的困难。
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引用次数: 0
Political Convergence, Surpluses of Activism, and Genealogy: Examining Iran's Quasi-Revolutionary Situation 政治趋同、激进主义盈余与宗谱:检视伊朗的准革命情势
IF 0.3 4区 社会学 Q1 Arts and Humanities Pub Date : 2023-07-01 DOI: 10.1017/irn.2023.14
Paola Rivetti, Shirin Saeidi
In this intervention, we discuss the ongoing protest movement and the quasi-revolutionary situation in Iran with the goal of offering contextual as well as background analysis. Our objective is to examine the current wave of revolutionary politics in the frame of a longer history, that is, the one of the “unaccomplished” 1979 revolution. We do not argue that the current movement is in continuity with the so-called Islamic revolution; rather, we ask what afterlives of the 1979 revolution and successive waves of mobilizations reverberate within the current situation. We do so from a political transformative vantage point, which we understand as inherently feminist, in that we refuse to recognize any hierarchy between the struggles, the issues, and the demands as expressed by the protesters. Indeed, we understand liberation as a collective project resulting from the intersection of struggles, demands, and issues. Following this line of reasoning, we interrogate the current moment along three thematic axes: the social composition, the prospects for political convergence, and the genealogy, or the ideational connection, of the current struggle with those of the past.
在这次干预中,我们讨论了正在进行的抗议运动和伊朗的准革命局势,目的是提供背景和背景分析。我们的目标是在更长的历史框架内审视当前的革命政治浪潮,也就是1979年“未完成的”革命。我们并不认为当前的运动与所谓的伊斯兰革命是连续性的;相反,我们要问的是,1979年革命的余波和连续的动员浪潮在当前局势中回响着什么。我们这样做是从政治变革的角度出发,我们将其理解为固有的女权主义,因为我们拒绝承认斗争,问题和抗议者所表达的要求之间的任何等级关系。事实上,我们把解放理解为一项集体工程,它源于斗争、要求和问题的交叉。沿着这条推理线,我们沿着三个主题轴询问当前时刻:社会构成,政治趋同的前景,以及当前与过去斗争的谱系或观念联系。
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引用次数: 0
Iran Protests and Patterns of State Repression 伊朗的抗议和国家镇压模式
IF 0.3 4区 社会学 Q1 Arts and Humanities Pub Date : 2023-07-01 DOI: 10.1017/irn.2023.16
Maryam Alemzadeh
Over the past four months, the brutal, extralegal, and violent repression of protestors during the Woman, Life, Freedom movement in Iran has taken observers and participants by devastating and sometimes fatal surprise. Although not a drastic departure from past practices, the large scale and seemingly random acts of violence, such as the beating of protestors to death on the streets, the shooting of passersby and nonviolent demonstrators point blank, and the fatal torturing of detained protestors and activists, have marked new levels and scales of violence. In what follows I analyze this brutal repression campaign in relation to the institutional history of the Islamic Republic's armed units, particularly the Islamic Revolutionary Guards Corps (IRGC) as the most controversial entity among all. I contend that the IRGC's historic endorsement of firing at will as an accepted practice among its ranks has enabled the decentralized radical instances of violence. I will discuss how, despite the continued reliance on decentralized forces, their firing at will is not unanimously endorsed this time around, due to the different nature of the current movement and the deepening uncertainties and schisms in both the forces on the ground and the ruling elite.
在过去的四个月里,在伊朗的妇女、生命、自由运动中,对抗议者的残酷、法外和暴力镇压使观察员和参与者感到毁灭性的,有时甚至是致命的意外。尽管与过去的做法没有太大的不同,但大规模和看似随意的暴力行为,如在街头殴打抗议者,近距离射杀路人和非暴力示威者,以及对被拘留的抗议者和活动人士进行致命的折磨,标志着暴力的新水平和规模。在接下来的文章中,我分析了这场残酷的镇压运动与伊斯兰共和国武装部队的制度历史的关系,特别是伊斯兰革命卫队(IRGC)是所有实体中最具争议的实体。我认为,伊斯兰革命卫队历来支持随意开火,这在其队伍中是一种被接受的做法,这使得分散的激进暴力事件得以发生。我将讨论,尽管继续依赖分散的力量,但由于当前运动的不同性质,以及地面力量和统治精英之间不断加深的不确定性和分裂,他们的随意射击这次并没有得到一致认可。
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引用次数: 0
Art of Protest in Five Acts 五幕中的抗议艺术
IF 0.3 4区 社会学 Q1 Arts and Humanities Pub Date : 2023-07-01 DOI: 10.1017/irn.2023.18
Pamela Karimi
The world's first encounter with the tragic murder of the 22-year-old Mahsa Amini by Iran's “morality police” was through her image. As millions around the world browsed through news and social media, they were shocked by the image of the unconscious Amini hooked up to ventilators—her punishment for showing some hair through a loosely worn scarf (Fig. 1). The photograph was so influential that a week after its release, its brave photographer, journalist Niloofar Hamedi, was imprisoned. Despite government pressure, artists began reproducing this horrific image. In stylized reiterations, the portrait of Amini was at times coupled with mourning songs or counterrevolutionary music, as in the colorful animation by Belgium-based Iranian artist Niknaz Khalouzadeh that went viral overnight.
22岁的马赫萨·阿米尼(Mahsa Amini)被伊朗“道德警察”悲惨杀害,世界第一次接触到的是她的形象。当全世界数百万人浏览新闻和社交媒体时,他们被昏迷的阿米尼挂着呼吸机的照片震惊了,这是她通过宽松的围巾露出一些头发的惩罚(图1)。这张照片如此有影响力,以至于在发布一周后,勇敢的摄影师,记者Niloofar Hamedi被监禁。不顾政府的压力,艺术家们开始重现这幅可怕的画面。在程式化的重复中,阿米尼的肖像有时伴随着哀悼歌曲或反革命音乐,就像比利时的伊朗艺术家尼克纳兹·卡鲁扎德(Niknaz Khalouzadeh)在一夜之间走红的彩色动画一样。
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引用次数: 0
IRN volume 56 issue 3 Cover and Back matter IRN第56卷第3期封面和封底
IF 0.3 4区 社会学 Q1 Arts and Humanities Pub Date : 2023-07-01 DOI: 10.1017/irn.2023.46
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引用次数: 0
“Don't Let the Boats Pass!” Neo-Elamite Grain Procurement in Times of Famine and Drought “别让船过去!”饥荒和干旱时期新埃兰人的粮食采购
IF 0.3 4区 社会学 Q1 Arts and Humanities Pub Date : 2023-07-01 DOI: 10.1017/irn.2023.28
Elynn Gorris
Abstract This article is concerned with interregional trade dynamics between Elam and Mesopotamia in the early to mid-first millennium BC. During the seventh century BC, two great famines in the Neo-Elamite kingdom, of which climatological changes were a major cause, were documented in the textual records. An era of megadrought made grain procurement from the neighboring regions essential to feed the Neo-Elamite lowland population. This article further explores the impact of the two Neo-Elamite famines and “drought of the century” on the commercial and political mechanisms in the Upper Persian Gulf region.
本文关注的是公元前一千年早期至中期埃兰人和美索不达米亚人之间的区域间贸易动态。在公元前7世纪,新埃兰王国发生了两次大饥荒,其中气候变化是主要原因,在文字记录中有记载。一个特大干旱的时代使得从邻近地区采购粮食来养活新埃兰人的低地人口至关重要。本文进一步探讨了两次新埃兰饥荒和“世纪干旱”对上波斯湾地区商业和政治机制的影响。
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引用次数: 0
Women Reclaiming Their Voices for Life and Freedom: Music and the 2022 Uprising in Iran 女性为生命和自由重获话语权:音乐与2022年伊朗起义
IF 0.3 4区 社会学 Q1 Arts and Humanities Pub Date : 2023-07-01 DOI: 10.1017/irn.2023.15
Nahid Siamdoust
One of the most prominent features of Iran's 2022 Woman, Life, Freedom uprising has been the diverse profusion of songs created in its wake. Music has played an important role in Iran's social and political movements at least since the Constitutional Revolution when the poet and musical bard Abolqasem Aref Qazvini (d. 1934) effectively transformed the musical concert into a political congregation. Since then, musicians have given rhythm and rhyme to contentious movements all through modern Iranian history, most prominently during the 1979 revolution and again for the 2009 Green Uprising. Considering the important role of music in Iran's political movements, scholarship on music remains surprisingly marginal in Iranian studies.
伊朗2022年“女性、生活、自由”运动最显著的特点之一,是在运动结束后创作的丰富多样的歌曲。音乐在伊朗的社会和政治运动中扮演了重要的角色,至少自宪法革命以来,诗人和音乐诗人Abolqasem Aref Qazvini(生于1934年)有效地将音乐会转变为政治集会。从那以后,音乐家们为伊朗现代史上所有有争议的运动赋予了节奏和韵律,最突出的是1979年的革命和2009年的绿色起义。考虑到音乐在伊朗政治运动中的重要作用,音乐方面的学术研究在伊朗研究中仍然处于令人惊讶的边缘。
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引用次数: 1
Revolt with a Revolutionary Perspective 以革命的视角反抗
IF 0.3 4区 社会学 Q1 Arts and Humanities Pub Date : 2023-07-01 DOI: 10.1017/irn.2023.17
P. Jafari
At the zenith of the Women, Life, Freedom (WLF) protests in October to December 2022, the call for (general) strikes became a rallying point for activists who were seeking to increase the protests’ social reach and political strength in the face of increasing state repression. Therefore labor provides an advantageous analytical lens for exploring some of the constraints and potentials of the social dynamics of the WLF protests.
在2022年10月至12月的妇女,生命,自由(WLF)抗议活动的顶峰时期,(总罢工)的呼吁成为活动家们的集结点,他们在面对日益增加的国家镇压时,寻求增加抗议活动的社会影响和政治力量。因此,劳工提供了一个有利的分析视角来探索世界劳工联盟抗议活动的社会动态的一些限制和潜力。
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引用次数: 0
Women and the Islamic Republic: How Gendered Citizenship Conditions the Iranian State. Shirin Saeidi (Cambridge, UK: Cambridge University Press, 2022). 220 pp. Hardcover $75. ISBN: 1316515761 妇女与伊斯兰共和国:性别化公民身份如何制约伊朗国家。Shirin Saeidi(英国剑桥:剑桥大学出版社,2022)220页,精装版75美元。ISBN: 1316515761
IF 0.3 4区 社会学 Q1 Arts and Humanities Pub Date : 2023-07-01 DOI: 10.1017/irn.2023.32
K. Batmanghelichi
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引用次数: 1
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Iranian Studies
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