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Art of Protest in Five Acts 五幕中的抗议艺术
IF 0.3 4区 社会学 Q2 AREA STUDIES Pub Date : 2023-07-01 DOI: 10.1017/irn.2023.18
Pamela Karimi
The world's first encounter with the tragic murder of the 22-year-old Mahsa Amini by Iran's “morality police” was through her image. As millions around the world browsed through news and social media, they were shocked by the image of the unconscious Amini hooked up to ventilators—her punishment for showing some hair through a loosely worn scarf (Fig. 1). The photograph was so influential that a week after its release, its brave photographer, journalist Niloofar Hamedi, was imprisoned. Despite government pressure, artists began reproducing this horrific image. In stylized reiterations, the portrait of Amini was at times coupled with mourning songs or counterrevolutionary music, as in the colorful animation by Belgium-based Iranian artist Niknaz Khalouzadeh that went viral overnight.
22岁的马赫萨·阿米尼(Mahsa Amini)被伊朗“道德警察”悲惨杀害,世界第一次接触到的是她的形象。当全世界数百万人浏览新闻和社交媒体时,他们被昏迷的阿米尼挂着呼吸机的照片震惊了,这是她通过宽松的围巾露出一些头发的惩罚(图1)。这张照片如此有影响力,以至于在发布一周后,勇敢的摄影师,记者Niloofar Hamedi被监禁。不顾政府的压力,艺术家们开始重现这幅可怕的画面。在程式化的重复中,阿米尼的肖像有时伴随着哀悼歌曲或反革命音乐,就像比利时的伊朗艺术家尼克纳兹·卡鲁扎德(Niknaz Khalouzadeh)在一夜之间走红的彩色动画一样。
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引用次数: 0
IRN volume 56 issue 3 Cover and Back matter IRN第56卷第3期封面和封底
IF 0.3 4区 社会学 Q2 AREA STUDIES Pub Date : 2023-07-01 DOI: 10.1017/irn.2023.46
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引用次数: 0
“Don't Let the Boats Pass!” Neo-Elamite Grain Procurement in Times of Famine and Drought “别让船过去!”饥荒和干旱时期新埃兰人的粮食采购
IF 0.3 4区 社会学 Q2 AREA STUDIES Pub Date : 2023-07-01 DOI: 10.1017/irn.2023.28
Elynn Gorris
Abstract This article is concerned with interregional trade dynamics between Elam and Mesopotamia in the early to mid-first millennium BC. During the seventh century BC, two great famines in the Neo-Elamite kingdom, of which climatological changes were a major cause, were documented in the textual records. An era of megadrought made grain procurement from the neighboring regions essential to feed the Neo-Elamite lowland population. This article further explores the impact of the two Neo-Elamite famines and “drought of the century” on the commercial and political mechanisms in the Upper Persian Gulf region.
本文关注的是公元前一千年早期至中期埃兰人和美索不达米亚人之间的区域间贸易动态。在公元前7世纪,新埃兰王国发生了两次大饥荒,其中气候变化是主要原因,在文字记录中有记载。一个特大干旱的时代使得从邻近地区采购粮食来养活新埃兰人的低地人口至关重要。本文进一步探讨了两次新埃兰饥荒和“世纪干旱”对上波斯湾地区商业和政治机制的影响。
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引用次数: 0
Women Reclaiming Their Voices for Life and Freedom: Music and the 2022 Uprising in Iran 女性为生命和自由重获话语权:音乐与2022年伊朗起义
IF 0.3 4区 社会学 Q2 AREA STUDIES Pub Date : 2023-07-01 DOI: 10.1017/irn.2023.15
Nahid Siamdoust
One of the most prominent features of Iran's 2022 Woman, Life, Freedom uprising has been the diverse profusion of songs created in its wake. Music has played an important role in Iran's social and political movements at least since the Constitutional Revolution when the poet and musical bard Abolqasem Aref Qazvini (d. 1934) effectively transformed the musical concert into a political congregation. Since then, musicians have given rhythm and rhyme to contentious movements all through modern Iranian history, most prominently during the 1979 revolution and again for the 2009 Green Uprising. Considering the important role of music in Iran's political movements, scholarship on music remains surprisingly marginal in Iranian studies.
伊朗2022年“女性、生活、自由”运动最显著的特点之一,是在运动结束后创作的丰富多样的歌曲。音乐在伊朗的社会和政治运动中扮演了重要的角色,至少自宪法革命以来,诗人和音乐诗人Abolqasem Aref Qazvini(生于1934年)有效地将音乐会转变为政治集会。从那以后,音乐家们为伊朗现代史上所有有争议的运动赋予了节奏和韵律,最突出的是1979年的革命和2009年的绿色起义。考虑到音乐在伊朗政治运动中的重要作用,音乐方面的学术研究在伊朗研究中仍然处于令人惊讶的边缘。
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引用次数: 1
Revolt with a Revolutionary Perspective 以革命的视角反抗
IF 0.3 4区 社会学 Q2 AREA STUDIES Pub Date : 2023-07-01 DOI: 10.1017/irn.2023.17
P. Jafari
At the zenith of the Women, Life, Freedom (WLF) protests in October to December 2022, the call for (general) strikes became a rallying point for activists who were seeking to increase the protests’ social reach and political strength in the face of increasing state repression. Therefore labor provides an advantageous analytical lens for exploring some of the constraints and potentials of the social dynamics of the WLF protests.
在2022年10月至12月的妇女,生命,自由(WLF)抗议活动的顶峰时期,(总罢工)的呼吁成为活动家们的集结点,他们在面对日益增加的国家镇压时,寻求增加抗议活动的社会影响和政治力量。因此,劳工提供了一个有利的分析视角来探索世界劳工联盟抗议活动的社会动态的一些限制和潜力。
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引用次数: 0
Women and the Islamic Republic: How Gendered Citizenship Conditions the Iranian State. Shirin Saeidi (Cambridge, UK: Cambridge University Press, 2022). 220 pp. Hardcover $75. ISBN: 1316515761 妇女与伊斯兰共和国:性别化公民身份如何制约伊朗国家。Shirin Saeidi(英国剑桥:剑桥大学出版社,2022)220页,精装版75美元。ISBN: 1316515761
IF 0.3 4区 社会学 Q2 AREA STUDIES Pub Date : 2023-07-01 DOI: 10.1017/irn.2023.32
K. Batmanghelichi
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引用次数: 1
Hair and Hat Ritual Shaming Punishments in Nineteenth-Century Iran 19世纪伊朗的头发和帽子仪式羞辱惩罚
IF 0.3 4区 社会学 Q2 AREA STUDIES Pub Date : 2023-06-28 DOI: 10.1017/irn.2023.40
F. Vejdani
Abstract This article considers three temporary and reversible penal shaming acts in nineteenth-century Iran: the shaving or cutting of hair, irrespective of gender; the shaving or cutting of men's facial hair; and the forcible removal of headgear or the coerced wearing of silly headgear. Drawing on anthropological, historical, and sociological studies of hair, this study argues that hair and hat punishments embodied elements of ritual, sexuality, social control, and marginalization. In order to understand the meaning of these penal acts, the article looks at general taboos around hair and head exposure alongside licit and voluntary forms of cutting or shaving hair. Illicit sex, heresy, and alcohol consumption were recurring moral crimes most often associated with such forms of humiliating punishment. Since restoration of honor was not the sole prerogative of the government, these punishments were often carried out by those acting on behalf of a religious authority or individually and collectively by ordinary subjects outraged by a moral violation.
摘要:本文考虑了19世纪伊朗的三种暂时的和可逆的刑罚羞辱行为:剃须或剪头发,不分性别;剃须:剃除或剪掉男子面部毛发;以及强迫摘掉头饰或强迫戴上愚蠢的头饰。通过对头发的人类学、历史学和社会学研究,本研究认为头发和帽子的惩罚体现了仪式、性、社会控制和边缘化的元素。为了理解这些刑事行为的含义,本文着眼于围绕头发和头部暴露的一般禁忌,以及合法和自愿的修剪或剃须形式。非法性行为、异端邪说和酗酒是反复出现的道德犯罪,通常与这种形式的羞辱性惩罚有关。由于恢复名誉并不是政府的唯一特权,这些惩罚通常是由代表宗教权威的人执行的,或者是由被道德侵犯激怒的普通民众单独或集体执行的。
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引用次数: 0
Patterns of Wisdom in Safavid Iran: The Philosophical School of Isfahan and the Gnostic of Shiraz. Janis Esots (New York: Bloomsbury Publishing, 2021). 263 pp. ISBN 9780755644919 伊朗萨法维的智慧模式:伊斯法罕的哲学学派和设拉子的诺斯替派。贾尼斯·埃索茨(纽约:布卢姆斯伯里出版社,2021)。263页,ISBN 9780755644919
IF 0.3 4区 社会学 Q2 AREA STUDIES Pub Date : 2023-06-19 DOI: 10.1017/irn.2023.38
Gianni Izzo
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引用次数: 0
From Iran to the Netherlands, and everywhere in between 从伊朗到荷兰,以及中间的任何地方
IF 0.3 4区 社会学 Q2 AREA STUDIES Pub Date : 2023-06-16 DOI: 10.1017/irn.2023.31
Louise Ballière
Abstract A migrant's journey is no linear trajectory from A to B. It is a fragmented and complex move over different regions with alternating periods of mobility and immobility. This article researches the complex dynamics of irregular migration from Iran to the Netherlands, and everywhere in between. Through a historical comparison of the life stories of Iranian asylum seekers in the Netherlands in two time periods (1988–1989 and 2009–2010), it studies the routes they took, their relations with human smugglers, and their interactions with immigration policies and border managements along the way. It shows migrants' and smugglers’ flexibility and capacity to adapt to ever-changing circumstances. Migration politics and border controls, along with their increasing limitations on legal migration channels, are indeed crucial in the understanding of irregular migration practices and the ever-growing involvement of facilitating services. Through a combination of this migration policy research and the migration trajectory research, the paper explores these dynamics and the interactions between migrants, smugglers, and state policies in every phase of their journey from Iran to the Netherlands, and everywhere in between.
移民的旅程不是从A点到b点的线性轨迹,而是在不同地区之间的碎片化和复杂的迁移,流动和不流动交替进行。本文研究了从伊朗到荷兰的非正规移民的复杂动态,以及两者之间的任何地方。通过对两个时期(1988-1989年和2009-2010年)在荷兰的伊朗寻求庇护者的生活故事进行历史比较,研究他们所走的路线,他们与人口走私者的关系,以及他们与沿途移民政策和边境管理的互动。它显示了移民和走私者适应不断变化的环境的灵活性和能力。移民政治和边境管制,以及它们对合法移民渠道日益增加的限制,确实对理解非正常移民做法和便利服务日益增加的参与至关重要。通过结合这一移民政策研究和移民轨迹研究,本文探讨了这些动态以及移民、走私者和国家政策在从伊朗到荷兰的旅程的每个阶段之间的相互作用,以及两者之间的任何地方。
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引用次数: 0
America and Iran: A History, 1720 to the Present. John Ghazvinian (London: Oneworld, 2020). Pp 667, including notes and index. £35.00 hardcover. ISBN: 9781786079473 《美国和伊朗:1720年至今的历史》John Ghazvinian(伦敦:Oneworld, 2020)。第667页,包括注释和索引。精装£35.00。ISBN: 9781786079473
IF 0.3 4区 社会学 Q2 AREA STUDIES Pub Date : 2023-06-13 DOI: 10.1017/irn.2023.20
A. Ansari
medium of narrative (252). Although Gould’s argument on the poetics of incarceration in the modern period is not as well-substantiated as previous chapters, highlighting the continuity of the genre and its potential for new structural and topical transformation paves the way for further scholarly investigation. Postrevolutionary poets such as Mohammad Farrokhi Yazdi, Ahmad Shamlu, Esmail Khoi, Khosrow Golsorkhi, Saeed Soltanpour, Houshang Ebtehaj, Reza Baraheni, Mohammadreza Ali-Payam, and Baktash Abtin would all provide compelling case studies of Persian prison poetry for future scholarship. “All great works of literature either establish a genre or dissolve one,” said the writer Walter Benjamin, quoted by Gould on the book’s very first page, which explores the Bakhtinian notion of genre-making, establishing the three criteria of form, theme, and discourse. In writing this book, Gould has, herself, shaken up the genre of literary scholarship, issuing a “call for in-depth engagement with [poetry’s] historical, cultural and political milieus, beyond what would typically be encountered in a work of contemporary literary theory” (21). This book should inspire other scholars to interrogate literature through innovative theoretical frameworks that similarly place Persian literature, across time and place, on the world stage.
叙述的媒介(252)。尽管古尔德关于现代监禁诗学的论述不像前几章那样有充分的证据,但他强调了这种体裁的连续性及其在新结构和主题转变方面的潜力,为进一步的学术研究铺平了道路。后革命诗人如Mohammad Farrokhi Yazdi, Ahmad Shamlu, Esmail Khoi, Khosrow Golsorkhi, Saeed Soltanpour, Houshang Ebtehaj, Reza Baraheni, Mohammadreza Ali-Payam和Baktash Abtin都为未来的学术研究提供了引人注目的波斯监狱诗歌案例。古尔德在书的第一页引用了作家沃尔特·本雅明的话:“所有伟大的文学作品要么建立一种体裁,要么瓦解一种体裁。”该书探讨了巴赫蒂安的体裁创造概念,建立了形式、主题和话语的三个标准。在写这本书的过程中,古尔德自己动摇了文学学术的流派,发出了“深入研究[诗歌]的历史、文化和政治环境的呼吁,而不是在当代文学理论的作品中通常遇到的”(21)。这本书应该激励其他学者通过创新的理论框架来审视文学,这些理论框架同样将波斯文学置于世界舞台上,跨越时间和地点。
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Iranian Studies
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