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4区 社会学 Q2 AREA STUDIES Pub Date : 2023-10-01 DOI: 10.1017/irn.2023.60
Nasrin Rahimieh
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引用次数: 0
IRN volume 56 issue 4 Cover and Back matter IRN第56卷第4期封面和封底
4区 社会学 Q2 AREA STUDIES Pub Date : 2023-10-01 DOI: 10.1017/irn.2023.64
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引用次数: 0
IRN volume 56 issue 4 Cover and Front matter IRN第56卷第4期封面和封面
4区 社会学 Q2 AREA STUDIES Pub Date : 2023-10-01 DOI: 10.1017/irn.2023.63
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引用次数: 0
The American College of Tehran: A Memorial Album, 1932. Edited by Ali Gheissari (Irvine, CA: Jordan Center for Persian Studies and University of California, 2020). Hardcover, 464 pp. ISBN: 978-1949743227 德黑兰美国学院:纪念册,1932年。由Ali Gheissari编辑(加州欧文:约旦波斯研究中心和加州大学,2020年)。精装,464页。ISBN: 978-1949743227
4区 社会学 Q2 AREA STUDIES Pub Date : 2023-09-27 DOI: 10.1017/irn.2023.59
Mahdi Ganjavi
The American College of Tehran: A Memorial Album, 1932. Edited by Ali Gheissari (Irvine, CA: Jordan Center for Persian Studies and University of California, 2020). Hardcover, 464 pp. ISBN: 978-1949743227
德黑兰美国学院:纪念册,1932年。由Ali Gheissari编辑(加州欧文:约旦波斯研究中心和加州大学,2020年)。精装,464页。ISBN: 978-1949743227
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引用次数: 0
Alexander the Great or Būrān-Dukht: who is the true hero of the Dārāb-nāma of Ṭarsūsī? 亚历山大大帝或Būrān-Dukht:谁是Ṭarsūsī的Dārāb-nāma的真正英雄?
4区 社会学 Q2 AREA STUDIES Pub Date : 2023-09-26 DOI: 10.1017/irn.2023.49
Marina Gaillard
Abstract This article presents a new reading of the Dārāb-nāma (Book of Dārāb, ca. eleventh–twelfth century), a medieval popular narrative in prose ( dāstān ) ascribed to the storyteller Abū Ṭāhir Ṭarsūsī. While the narrative belongs to the Persian tradition of the Alexander romance, the Alexander figure it depicts bears little resemblance to that presented in high classical verse-forms by the likes of Firdawsī, Niẓāmī, Amīr Khusraw Dihlavī, or Jāmī. Although still a conqueror, legitimate ruler, and champion of Islam, the Alexander of the Dārāb-nāma appears in a strongly negative light: he is lame, cowardly, and sly. In fact, most of his success he owes to his once opponent and later wife, Būrān-dukht: could she be the true hero in the story? Drawing on a critical examination of characters based on Greimas's actantial model, this study probes the authorial program and intended audience of the Dārāb-nāma , and suggests the work can be read as mock-epic, possibly to cater to a Zoroastrian audience.
摘要:本文介绍了一个新的阅读Dārāb-nāma(书Dārāb,约十一至十二世纪),一个中世纪流行的叙事散文(dāstān)归因于故事讲述者abuh Ṭāhir Ṭarsūsī。虽然叙述属于波斯传统的亚历山大传奇,但它所描绘的亚历山大人物与firdaws, Niẓāmī, amurr Khusraw dihlavi, Jāmī等人在古典诗歌形式中所呈现的亚历山大人物几乎没有相似之处。虽然仍然是一个征服者,合法的统治者,伊斯兰教的斗士,Dārāb-nāma的亚历山大出现在一个强烈的负面光:他是跛脚的,懦弱的,狡猾的。事实上,他的大部分成功都归功于他曾经的对手和后来的妻子Būrān-dukht:她会是故事中真正的英雄吗?基于Greimas的现实模型对人物进行了批判性的考察,本研究探讨了Dārāb-nāma的作者计划和目标受众,并建议该作品可以作为模拟史诗来阅读,可能是为了迎合琐罗亚斯德教的受众。
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引用次数: 0
The Postal System in Safavid, Afsharid, and Zand Iran 萨法维德、阿富汗和伊朗的邮政系统
4区 社会学 Q2 AREA STUDIES Pub Date : 2023-09-25 DOI: 10.1017/irn.2023.51
Willem Floor
Abstract While the functioning of the postal system in Iran before 1500 and after 1800 has been studied, this article analyzes, based entirely on primary sources, the operation and characteristics of the Iranian postal system between 1500 and 1800 for the very first time. Such a study enables scholars to better understand the functioning of communication between both government officials and private individuals in Safavid, Afshari, and Zand Iran. During this time, there were two types of messengers: express-mounted couriers ( chapar ) for official business and foot messengers ( shater s) for both official and private mail. The designation of qased was rarely used to denote mail foot messengers.
在对1500年之前和1800年之后伊朗邮政系统的运作进行研究的同时,本文完全基于第一手资料,首次分析了1500年至1800年之间伊朗邮政系统的运作和特点。这样的研究使学者们能够更好地理解萨法维、阿夫沙里和伊朗土地上政府官员和个人之间的沟通功能。在这一时期,有两种信使:负责公务的快马信使(chapar)和负责公务和私人邮件的步行信使(shater s)。qased这个名称很少用来表示邮差。
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引用次数: 0
Kamran Talattof. Nezami Ganjavi and Classical Persian Literature: Demystifying the Mystic, Palgrave MacMillan, Switzerland, 2022, ISBN 978-3-030-97989-8, 284 pp. Kamran Talattof。Nezami Ganjavi与古典波斯文学:揭开神秘主义的神秘面纱,Palgrave MacMillan,瑞士,2022,ISBN 978-3-030-97989- 8,284页。
4区 社会学 Q2 AREA STUDIES Pub Date : 2023-09-11 DOI: 10.1017/irn.2023.52
Zhinia Noorian
Initially drawn to anthologies as a methodology to tell a social history of Isfahan, Babayan encountered in maj-mu`ah s and muraqq`as a discursive world that allowed for a new reading of social interaction and intimacy in the early modern Persianate urban environment. The City as Anthology , although slightly unwieldy at times as it shifts from detailed case study to detailed case study, is none-theless extremely effective in its careful approach to a unique and complicated genre of archival material; the implications of these innovative readings are, in turn, powerfully conveyed by Babayan in an intricate prose and style of argumentation. In addition to introducing and reha-bilitating this genre of anthologies, this study provides a “ fresh take ” and effectively re-aligns how we understand and interpret the constructs of gender and sexuality in Safavid Iran.
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引用次数: 0
To Tell Anew: Fresh Perspectives on Persian Narrative 重新讲述:波斯叙事的新视角
IF 0.3 4区 社会学 Q2 AREA STUDIES Pub Date : 2023-09-01 DOI: 10.1017/irn.2023.47
Julie Duvigneau, Yassaman Khajehi, Justine Landau
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引用次数: 0
From ritual to performance: Ta'zieh in Iran today 从仪式到表演:今天伊朗的塔齐耶
IF 0.3 4区 社会学 Q2 AREA STUDIES Pub Date : 2023-08-24 DOI: 10.1017/irn.2023.43
Yassaman Khajehi, Christian Biet
Abstract As a practice and experience, ta'zieh lies at the crossroads between ritual and performance, collective lament and recollection, literature, and folklore. Focusing on the experience of the spectator, this paper discusses ta'zieh's liminal status and diverse functions in Iran today. This study is based on observations gathered during fieldwork in the fall of 2017 in Tehran (Grand Bazaar), Isfahan (Falāvarjān), and Kashan (Nushābād). By way of comparison, we further reflect on a video installation by Abbas Kiarostami presented at the Centre Georges Pompidou in Paris in 2003, which challenges common assumptions about the aesthetic and religious effectiveness of ta'zieh. The contrast allows us to elucidate how, by renovating ancient narrative forms, contemporary Iranian performing arts partake in the shaping of individual affects as well as communal emotions.
作为一种实践和体验,打子戏处于仪式与表演、集体悲叹与回忆、文学与民俗的十字路口。本文以观众的体验为中心,探讨了ta’zieh在当今伊朗的有限地位和多种功能。本研究基于2017年秋季在德黑兰(大巴扎)、伊斯法罕(Falāvarjān)和卡尚(Nushābād)实地调查期间收集的观察结果。通过比较,我们进一步思考Abbas Kiarostami于2003年在巴黎蓬皮杜艺术中心(Centre Georges Pompidou)展出的一件录像装置,它挑战了人们对塔齐耶的审美和宗教效果的普遍假设。这种对比使我们能够阐明,当代伊朗表演艺术如何通过翻新古老的叙事形式,参与塑造个人情感和公共情感。
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引用次数: 0
Ali Gholipour, Parvaresh-e zogh-e āmme dar asr-e pahlavi: tarbiyat-e zibashenakhti-ye mellat dar siyasatgozari-ye farhangi-ye dolat [Cultivating the Public Taste in the Pahlavi Era: Aesthetic Upbringing of the Nation in the State's Cultural Policy] (Tehran, Iran, Nazar Publishing, 2019)
IF 0.3 4区 社会学 Q2 AREA STUDIES Pub Date : 2023-08-18 DOI: 10.1017/irn.2023.48
Ali Papoliyazdi
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引用次数: 0
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Iranian Studies
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