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Listening askance with a seventeenth-century Chinese acousmatic voice 用十七世纪中国人的嗓音斜视
IF 0.3 4区 社会学 Q4 CULTURAL STUDIES Pub Date : 2020-04-02 DOI: 10.1080/13534645.2020.1766750
Yi Zheng
At a banquet held on the outskirts of Yangzhou (a commercial and cultural metropolis in eastern China) in the late 1670s, a writer named Wang Maolin (1640-1688) unexpectedly encountered a disembodi...
16世纪70年代末,在中国东部商业和文化大都市扬州郊外举行的一次宴会上,一位名叫王茂林(1640-1688)的作家意外地遇到了一个没有实体的。。。
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引用次数: 1
Dogs and Phonographs 狗和留声机
IF 0.3 4区 社会学 Q4 CULTURAL STUDIES Pub Date : 2020-04-02 DOI: 10.1080/13534645.2020.1766744
S. Butler
Let us begin by conjuring the ghost of a specific nonhuman listener: Kleinzach, the beloved dog of composer Jacques Offenbach, evidently named for the dwarf in E. T. A. Hoffmann’s story, ‘Klein Zac...
让我们从一个特定的非人类听众的鬼魂开始:作曲家雅克·奥芬巴赫的爱犬克莱因扎克,显然是以E.T.a.霍夫曼故事中的侏儒命名的,“克莱因扎克。。。
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引用次数: 0
Out of Her Depths: Playing With Pauline Oliveros 走出她的深渊:与Pauline Oliveros一起演奏
IF 0.3 4区 社会学 Q4 CULTURAL STUDIES Pub Date : 2020-04-02 DOI: 10.1080/13534645.2020.1766746
John Mowitt
To, for, with Jonathan KahanaThe human musician is deterritorialized in the bird, but it is a bird that is itself deterritorialized, “transfigured,” a celestial bird that has just as much becoming ...
为了,为了,与乔纳森·卡哈纳人类音乐家在鸟身上被剥夺了自由,但它本身就是一只被剥夺自由、“变形”的鸟,一只同样成为。。。
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引用次数: 1
The Fourth Level of Life: White Noise in the Homeric Hymn to Aphrodite and Plato’s Phaedrus 生命的第四层次:《阿芙罗狄蒂荷马赞美诗》和柏拉图《费德鲁斯篇》中的白噪音
IF 0.3 4区 社会学 Q4 CULTURAL STUDIES Pub Date : 2020-04-02 DOI: 10.1080/13534645.2020.1766747
Sarah H. Nooter
The noise machine is dead. How shall we hear our dreams? Where are the crickets now? Slain by what frost? The streams With pebbles in their mouths, The ovation of the rain, The stations of unconscious We travelled to by train, The ghosting of the wind, The seashell’s undertow, Where have they gone? The night Fills with a sound like snow. -A. E. Stallings.1
噪音机器坏了。我们该如何倾听我们的梦想?蟋蟀现在在哪里?被什么霜冻死了?嘴里含着鹅卵石的溪流,雨水的欢呼,昏迷的车站我们乘火车去了,风的幽灵,贝壳的潜流,他们去了哪里?夜晚充满了像雪一样的声音-A.E.失速。1
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引用次数: 1
The eco-sonic grotesque in Béla Bartók’s The Wooden Prince 巴姆拉西Bartók《木王子》中的生态声音怪诞
IF 0.3 4区 社会学 Q4 CULTURAL STUDIES Pub Date : 2020-04-02 DOI: 10.1080/13534645.2020.1766749
Rasheed Tazudeen
In his 1913 manifesto on noise-sound composition, ‘The Art of Noises’ Futurist painter Luigi Russolo draws a distinction between the noises of machinery and the supposed ‘silence’ of nature, whose ...
在他1913年关于噪音-声音构成的宣言“噪音的艺术”中,未来主义画家路易吉·卢索罗(Luigi Russolo)区分了机器的噪音和自然的“沉默”,后者的……
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引用次数: 0
Socioeconomic status update: on Whitehead, Facebook, and targeting a high-end smartphone advertisement 社会经济状况更新:在Whitehead、Facebook上,并针对高端智能手机广告
IF 0.3 4区 社会学 Q4 CULTURAL STUDIES Pub Date : 2020-01-02 DOI: 10.1080/13534645.2019.1685779
Tero Karppi
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引用次数: 1
Satellite Arts: a television of attractions 卫星艺术:一个电视的景点
IF 0.3 4区 社会学 Q4 CULTURAL STUDIES Pub Date : 2020-01-02 DOI: 10.1080/13534645.2019.1685786
Philip Glahn, Cary Levine
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引用次数: 1
The Coloniser and Corpus Nullius 殖民者与语料库Nullius
IF 0.3 4区 社会学 Q4 CULTURAL STUDIES Pub Date : 2020-01-02 DOI: 10.1080/13534645.2019.1685782
K. Guinness
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引用次数: 1
Networked liminality 网络文化
IF 0.3 4区 社会学 Q4 CULTURAL STUDIES Pub Date : 2020-01-02 DOI: 10.1080/13534645.2019.1685775
Yiğit Soncul, G. Bollmer
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引用次数: 0
The Subject of Always-On Computing: Thomas Ogden’s ‘Autistic-Contiguous Position’ and the Animated GIF 永远在线计算的主题:托马斯·奥格登的“自闭症连续位置”和GIF动画
IF 0.3 4区 社会学 Q4 CULTURAL STUDIES Pub Date : 2020-01-02 DOI: 10.1080/13534645.2019.1685780
J. Hodge
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引用次数: 1
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