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The Persistence of Indigenous Unfreedom in Early American Newspaper Advertisements, 1704–1804 早期美国报纸广告中原住民不自由的持续,1704-1804
IF 0.7 2区 历史学 Q1 Arts and Humanities Pub Date : 2023-03-30 DOI: 10.1080/0144039X.2023.2189517
Anjali DasSarma, Linford D. Fisher
ABSTRACT The scholarship on early American slavery has not always fully acknowledged the persistent presence of enslaved and unfree Indigenous men, women, and children in the American colonies and (later) states. This paper aims to contribute to the broader conversation on the nature of American slavery by examining the presence of enslaved Native people and servants in the eighteenth century through the lens of 1,066 advertisements related to Indigenous people between 1704 and 1804 in colonial newspaper ‘runaway slave’ / self-emancipated and ‘to be sold’ advertisements, all drawn from the America’s Historical Newspapers database. A close examination of these advertisements reveals not only a surprisingly robust ongoing presence, but also important trends in terms of sex, racialization and race-designations by colonists, and varieties of slavery, servitude, and unfreedom, as well as the role of early newspapers in supporting and profiting from the business of slavery, including turning citizens into slave patrollers.
摘要关于美国早期奴隶制的学术界并不总是完全承认,在美国殖民地和(后来的)各州,被奴役和不自由的土著男子、妇女和儿童一直存在。本文旨在通过1704年至1804年间殖民地报纸“逃亡奴隶”/自我解放和“待出售”广告中1066则与土著人有关的广告来考察18世纪被奴役的土著人和仆人的存在,从而为更广泛地讨论美国奴隶制的性质做出贡献,全部来自美国历史报纸数据库。仔细研究这些广告,不仅可以发现其持续存在的惊人的强劲势头,还可以发现殖民者在性别、种族化和种族指定方面的重要趋势,以及奴隶制、奴役和非自由主义的多样性,以及早期报纸在支持奴隶制并从中获利方面的作用,包括将公民转变为奴隶巡逻者。
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引用次数: 0
Enslaved Women and Creoles in Guadalajara’s Slave Market, 1615–1735 1615-1735年,瓜达拉哈拉奴隶市场的被奴役妇女和克里奥尔人
IF 0.7 2区 历史学 Q1 Arts and Humanities Pub Date : 2023-03-28 DOI: 10.1080/0144039X.2023.2188202
Jorge E. Delgadillo Núñez
ABSTRACT Based on an extensive documentary database, this study charts the evolution of the slave market in seventeenth-century Guadalajara. The case of colonial Guadalajara offers a fascinating contrast to the better-known markets of Mexico City, Puebla, and Veracruz. Contrary to what happened in those cities, the local slave trade to Guadalajara peaked after 1640. Slavery thus remained significant for the economy of the region until at least the beginning of the eighteenth century. The study shows how the slave market of Guadalajara transitioned from more enslaved Africans being sold at the beginning of the century to mostly American-born slaves sold at the end of the period; from mostly enslaved negros sold to a majority of enslaved mulatos; and from more enslaved men being sold at the beginning of the century to more enslaved women sold at the end. These processes happened in the midst of gradually decreasing slave prices across the whole period. By shifting away the focus from Central Mexico to a lesser-known place, this article nuances our understanding of the transatlantic slave trade to Mexico and offers a reinterpretation of the history of colonial Guadalajara’s slave market.
摘要本研究基于广泛的文献数据库,绘制了17世纪瓜达拉哈拉奴隶市场的演变图。殖民地瓜达拉哈拉的案例与墨西哥城、普埃布拉和韦拉克鲁斯等知名市场形成了鲜明对比。与这些城市发生的情况相反,当地对瓜达拉哈拉的奴隶贸易在1640年后达到顶峰。因此,至少在十八世纪初之前,奴隶制对该地区的经济仍然具有重要意义。这项研究表明,瓜达拉哈拉的奴隶市场是如何从本世纪初被贩卖的更多被奴役的非洲人转变为本世纪末被贩卖的主要是美国出生的奴隶的;从大部分被奴役的黑人被贩卖到大多数被奴役的穆拉托斯;从本世纪初更多被奴役的男性被贩卖到本世纪末更多被奴役女性被贩卖。这些过程发生在整个时期奴隶价格逐渐下降的过程中。通过将焦点从墨西哥中部转移到一个鲜为人知的地方,这篇文章细微地改变了我们对跨大西洋向墨西哥贩卖奴隶的理解,并重新解释了殖民地瓜达拉哈拉奴隶市场的历史。
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引用次数: 0
Managing ‘Old Mammy’, Making ‘Mother Wit’: Older Enslaved Women, Efficiency, and Survival on the Plantation 管理“老奶妈”,创造“机智母亲”:种植园中被奴役的老年妇女、效率和生存
IF 0.7 2区 历史学 Q1 Arts and Humanities Pub Date : 2023-03-28 DOI: 10.1080/0144039X.2023.2192203
L. DeMarco
ABSTRACT This article analyzes the values of older enslaved women on cotton and sugar plantations in the antebellum lower Mississippi Valley. Planters derived efficiency value from aged enslaved women’s medical knowledge, domestic skills, and care-taking skills, believing that these qualities could be used to create maximally productive workforces. This meaning that planters and overseers placed on some older women was a perversion of value these women often held within enslaved communities. Enslaved people valued medical knowledge and a specific kind of social tact known as ‘Mother Wit’ because they were crucial tools for surviving slavery and resisting its degrading effects. The article utilizes plantation business records, agricultural trade publications, interviews with formerly enslaved people, and a composite and speculative methodology akin to Marisa J. Fuentes’ approach to ‘archival fragments’. It builds on the work of historians of enslaved aging as well as scholarship in the history of plantation medicine and the history of capitalism and slavery. Ultimately, this research demonstrates that there were complex understandings of aging on the plantation to both enslavers and the enslaved.
本文分析了内战前密西西比河谷下游棉花和甘蔗种植园的老年奴隶妇女的价值。种植园主从被奴役的老年妇女的医学知识、家务技能和护理技能中获得了效率价值,他们相信这些品质可以用来创造最大限度的生产力劳动力。种植园主和监工对一些老年妇女施加的这种意义是对这些妇女在被奴役的社区中通常持有的价值的曲解。被奴役的人重视医学知识和一种被称为“机智母亲”的特殊社会机智,因为它们是在奴隶制中生存和抵抗其堕落影响的关键工具。这篇文章利用了种植园的商业记录、农业贸易出版物、对以前被奴役的人的采访,以及一种类似于玛丽莎·j·富恩特斯(Marisa J. Fuentes)对“档案碎片”的方法的综合和推测方法。它建立在奴隶老龄化历史学家的工作基础上,也建立在种植园医学史、资本主义和奴隶制历史方面的学术研究基础上。最终,本研究表明,在种植园上,奴隶和奴隶对衰老都有复杂的理解。
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引用次数: 0
For the Record: Muzio Costanzo, ‘Franciscus Etiopem’, and Paris Bordon’s Portrait of a Man in Armour with Two Pages 记录:Muzio Costanzo,“Franciscus Etiopem”和Paris Bordon的两页盔甲男子肖像
IF 0.7 2区 历史学 Q1 Arts and Humanities Pub Date : 2023-03-07 DOI: 10.1080/0144039X.2023.2177158
S. Hickson
ABSTRACT The Metropolitan Museum’s Portrait of a Man in Armour with Two Pages, painted a sixteenth-century portrait by the Venetian artist Paris Bordone, has been of great interest to art and cultural historians studying the depiction of Black subjects in early modern portrait art, because it is the earliest known work to depict a Black page attending a White male subject. It influenced the development of a distinct European portrait type in which aristocratic white sitters were represented with enslaved Black attendants in which their unequal power relations underscored by the rigid hierarchies of their proximities. Lugo-Ortiz and Rosenthal observe that the result of this motif is ‘the paradoxical presence and erasure of the enslaved subject in portraiture’ as material subjects that are seen but not acknowledged. Such a voluntary ‘erasure’ of what is clearly present also applies to the ways we have read archival documents about enslaved people from the point of view of the colonizer. Here, I re-read both the painting and the documents to restore the identities of both the main soldier subject and his Black slave, Francisco of Ethiopia, by drawing attention to our encoded methods of reading racialized subjects in the gallery and in the archive.
摘要:威尼斯艺术家Paris Bordone绘制的大都会博物馆的《两页盔甲人肖像》是一幅16世纪的肖像画,它引起了艺术和文化历史学家的极大兴趣,他们研究了现代早期肖像艺术中对黑人主题的描绘,因为它是已知最早描绘黑人页面关注白人男性主题的作品。它影响了一种独特的欧洲肖像类型的发展,在这种肖像类型中,贵族白人保姆由被奴役的黑人侍从代表,在这种类型中,他们的不平等权力关系由他们亲密关系的僵化等级制度所突显。卢戈·奥尔蒂斯(Lugo Ortiz)和罗森塔尔(Rosenthal)观察到,这一主题的结果是“肖像画中被奴役的主体的矛盾存在和消失”,作为被看到但未被承认的物质主体。这种对明显存在的东西的自愿“擦除”也适用于我们从殖民者的角度阅读关于被奴役者的档案文件的方式。在这里,我重读了这幅画和文件,通过提请人们注意我们在画廊和档案中阅读种族化主题的编码方法,来恢复主要士兵主题和他的黑奴埃塞俄比亚的弗朗西斯科的身份。
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引用次数: 0
‘The Science of Human Rights:’ American Abolitionism and the Language of Human Rights 《人权科学:美国废奴主义与人权语言
IF 0.7 2区 历史学 Q1 Arts and Humanities Pub Date : 2023-02-02 DOI: 10.1080/0144039X.2023.2173005
B. Parten
ABSTRACT Historians of human rights have not had much to say about America’s anti-slavery movement. Scholars tend to focus instead on the early enlightenment or how ideas of human rights emerged over the twentieth century. This essay, however, makes a case for why American abolitionists should be considered early rights pioneers and progenitors of what we know as human rights. It argues that though different factions of the movement had particular conceptions of rights, the movement itself mobilized around a shared rights vision and made this vision of human rights a centre piece of America’s anti-slavery crusade. As a result, the essay intervenes in existing debates about how unified the abolitionists were and what made their thinking ‘modern,’ but it also speaks to the history of human rights by offering the field a new origin story to contend with.
研究人权的历史学家对美国的反奴隶制运动并没有太多评论。学者们倾向于关注早期启蒙运动,或者关注人权思想是如何在20世纪出现的。然而,这篇文章说明了为什么美国废奴主义者应该被视为早期的权利先驱和我们所知的人权的祖先。它认为,尽管该运动的不同派别对权利有着不同的概念,但该运动本身围绕着一个共同的权利愿景而动员起来,并使这一人权愿景成为美国反奴隶制运动的核心部分。因此,这篇文章介入了关于废奴主义者是如何统一的以及是什么使他们的思想“现代”的现有辩论,但它也通过为该领域提供一个新的起源故事来讲述人权的历史。
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引用次数: 0
Overseen and Overlooked: Spanish and British Silencing of Labor Resistance in Post-Emancipation Puerto Rico 监督与忽视:西班牙与英国对解放后波多黎各劳工抵抗的压制
IF 0.7 2区 历史学 Q1 Arts and Humanities Pub Date : 2023-01-25 DOI: 10.1080/0144039X.2023.2165064
Daniel Morales-Armstrong
ABSTRACT This article focuses on the reception and effects of the post-emancipation forced labour system in Puerto Rico (1873–1876) and contributes to the global understanding of the transition from slavery to coerced labour in the nineteenth century. Through an analysis of local reports, metropolitan responses, and archival documentation, I examine the ways both Spanish and British colonial administrators obscured and shaped the historical record through their promotion of the narrative of absolute success of the contracting system and minimization of widespread reports of newly-emancipated libertos’ (freedpeople’s) challenges to it. In addition to interrogating the colonial reporting strategies utilized, motivations for narrative silencing, and the consequent effects on the historiography of Puerto Rican emancipation, the article provides glimpses of liberto resistance that constitute direct contradictions to the dominant narrative.
摘要本文关注波多黎各(1873-1876)解放后强迫劳动制度的接受和影响,有助于全球理解19世纪从奴隶制向强迫劳动的转变。通过对当地报告、大都市回应和档案文件的分析,我研究了西班牙和英国殖民地管理者如何通过宣传承包制度绝对成功的叙事来掩盖和塑造历史记录,并尽量减少关于新解放的自由人(自由人)对其挑战的广泛报道。除了质疑所使用的殖民报道策略、叙事沉默的动机以及由此对波多黎各解放史学的影响外,这篇文章还提供了自由抵抗的一瞥,这些反抗与主流叙事构成了直接矛盾。
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引用次数: 0
The Guyana Maroons, 1796–1834: Persistent and Resilient until the End of Slavery 圭亚那马龙派,1796-1834:持久而坚韧,直到奴隶制结束
IF 0.7 2区 历史学 Q1 Arts and Humanities Pub Date : 2023-01-18 DOI: 10.1080/0144039X.2023.2165065
David Alston
ABSTRACT In 1814, an enslaved woman named Antoinette was abducted in Berbice and lived for eleven years in a Maroon camp in Demerara (both parts of what became British Guiana, now Guyana). The camp was well established by the early 1800s and probably continued until emancipation in 1834. The persistence and strength of Maroon settlements throughout Guyana led the colonists to resort not only to force but also to negotiations and amnesties in order to mitigate the threat they posed. The Maroon’s weakness lay in being constrained by alliances between the Amerindians and the white authorities which restricted them geographically to a generally marshy hinterland behind the coastal plantations. Despite a continuing war of attrition with the white colonists, Maroons in Guyana developed complex systems of forest agriculture, trade, and social systems which may reflect some aspects of Akan (and presumably other) cultures. The experience of Antoinette, in as far as it can be recovered, is a reminder that life as a Maroon was difficult and that, for many, other ways of surviving slavery might have had greater appeal.
摘要1814年,一位名叫安托瓦内特的被奴役妇女在柏柏斯被绑架,并在德米拉拉(英属圭亚那,现圭亚那)的一个马龙派营地生活了11年。该营地在19世纪初建立得很好,可能一直持续到1834年解放。圭亚那各地马龙派定居点的持续存在和力量导致殖民者不仅诉诸武力,还诉诸谈判和大赦,以减轻他们构成的威胁。马龙人的弱点在于受到美洲印第安人和白人当局之间联盟的限制,这些联盟在地理上将他们限制在沿海种植园后面的沼泽腹地。尽管与白人殖民者的消耗战仍在继续,圭亚那的马龙派发展了复杂的森林农业、贸易和社会系统,这些系统可能反映了阿干文化(以及可能的其他文化)的某些方面。安托瓦内特的经历,就其所能恢复的而言,提醒人们,作为一个马龙派的生活是艰难的,对许多人来说,其他在奴隶制中生存的方式可能更有吸引力。
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引用次数: 0
The Sun King at Sea: Maritime Art and Galley Slavery in Louis XIV’s France 海上的太阳王:路易十四统治下的法国的海上艺术和帆船奴隶制
IF 0.7 2区 历史学 Q1 Arts and Humanities Pub Date : 2023-01-02 DOI: 10.1080/0144039X.2023.2165224
Élodie Peyrol-Kleiber
those who joined the Union effort towards the end of the war. This chapter also looks at enslaved individuals who joined the Confederacy, though Thorp argues that this only occurred as a result of force and not by choice. The following chapter shifts to look at the post-war status of Montgomery County and how families and communities responded to their newly acquired freedom. Thorp uses this chapter to illuminate post-war tensions between enslavers and recently emancipated individuals while also highlighting moments of continuity. While some individuals engaged in physical and legal battles for freedom and recognition, others maintained relationships with their former enslavers and, in some instances, remained on plantations under varied arrangements. The sixth and final chapter follows the families formed on the Smithfield plantations as they moved away from Montgomery County. This chapter looks at how these individuals navigated new opportunities and challenges as they migrated away from Smithfield to create their own legacies. In the True Blue’s Wake provides a compelling, exceptional, and deeply personal account of life and family during enslavement and in the wake of emancipation. Thorp’s outstanding genealogical research –which is neatly accessible in the appendices – will undoubtedly appeal to academics. At the same time, the easily consumable prose ensures that this story is approachable to a general audience. Like all great endeavours, however, this work does not go unscathed by oversight or errors. Limited evidence in the book’s first half forces the author to make numerous subjective leaps and fill in gaps with possibilities rather than facts. Thorp’s heavy reliance on cohabitation records and inclination to focus primarily on family units leaves many individuals enslaved at Smithfield out of their own story. Additionally, the author alternates between the use of given and surnames – as well as calling numerous individuals by the same surname – which will undoubtedly cause some confusion. Nevertheless, this book’s contributions overshadow its faults. This book is, by all counts, an impressive history that clarifies the undeniable overlap between history and genealogy.
那些在战争结束前加入联邦的人这一章还讨论了加入邦联的被奴役的人,尽管索普认为这只是由于武力而不是出于选择。接下来的章节转向蒙哥马利县的战后状况,以及家庭和社区如何应对他们新获得的自由。索普用这一章阐明了战后奴隶贩子和新近获得解放的个人之间的紧张关系,同时也强调了连续性的时刻。有些人为争取自由和得到承认而进行人身和法律上的斗争,而另一些人则与他们以前的奴隶主保持关系,在某些情况下,根据各种安排留在种植园。第六章也是最后一章讲述了在史密斯菲尔德种植园组建的家庭,他们从蒙哥马利县搬了出来。本章着眼于这些人如何驾驭新的机遇和挑战,因为他们离开史密斯菲尔德,创造自己的遗产。在真正的蓝色的觉醒提供了一个引人注目的,独特的,深刻的个人生活和家庭在奴役和解放之后的叙述。索普杰出的家谱研究——在附录中可以很容易地找到——无疑会吸引学者。与此同时,易于消费的散文确保了这个故事是平易近人的一般观众。然而,像所有伟大的努力一样,这项工作并非没有受到疏忽或错误的损害。在书的前半部分,有限的证据迫使作者做出许多主观的跳跃,用可能性而不是事实来填补空白。索普对同居记录的严重依赖,以及主要关注家庭单位的倾向,使许多在史密斯菲尔德被奴役的人脱离了他们自己的故事。此外,作者在名字和姓氏之间交替使用——以及用相同的姓氏称呼许多人——这无疑会造成一些混淆。然而,这本书的贡献掩盖了它的缺点。从各方面来看,这本书都是一部令人印象深刻的历史,它阐明了历史和家谱之间不可否认的重叠。
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引用次数: 0
Slavery and Class in the American South: A Generation of Slave Narrative Testimony, 1840–1865 美国南方的奴隶制与阶级:一代奴隶的叙事见证,1840–1865
IF 0.7 2区 历史学 Q1 Arts and Humanities Pub Date : 2023-01-02 DOI: 10.1080/0144039X.2023.2165227
S. Lussana
enslaved person. The fear of betrayal fundamentally characterized the master–slave relationship. With the Civil War and Emancipation, the formally enslaved made efforts to overcome their emotional oppression. They commemorated freedom through holidays, sought information about and reunion with separated family members, and wrote of their newfound happiness and freedom to their former masters. To regain the lost dominance of the old system, white elites employed legal and extra-legal means to reassert themselves emotionally via terrorism through the KKK and the Black Codes. Dwyer mentions a handful of times that her study offers the reader the ‘lived experience’ of slavery. But she is only partly there as the senses are present, but not analysed. Both the enslaved and slaveholding sources offer rich, sensorial clues as to how the emotions act and react. Most importantly, the sources offer us the performative nature of emotions. For instance, when Mary Chestnut and Harriet Jacobs record that men’s sexual abuse of enslaved women was a ‘sore spot’ of slave society. When one heard the quarrelling of a slaveholding couple, one knew and feared the retribution of either the enraged, jealous mistress or the reaction of the caught, angered master. Another example is how enslaved communities uncovered thieves within by combining ‘grave dust’, or dirt from the grave of the deceased, with water. No harm from drinking the mixture meant innocence. Dwyer’s work can assist historians to successfully employ both the emotions and the senses in recovering the historical lived experience. This is a valuable contribution to the history of antebellum American slavery and emotions history. Historians should add their own efforts to this methodological approach, which Dwyer has shown is achievable and greatly expands our understanding of the era.
被奴役的人。对背叛的恐惧是主从关系的根本特征。随着内战和解放,被正式奴役的人努力克服他们的情感压迫。他们通过节日纪念自由,寻求有关离散家庭成员的信息并与他们团聚,并向他们以前的主人写下他们新获得的幸福和自由。为了重新获得旧制度失去的主导地位,白人精英采用法律和法外手段,通过KKK和黑人法典,通过恐怖主义在情感上重申自己。Dwyer多次提到,她的研究为读者提供了奴隶制的“生活体验”。但她只是部分地在那里,因为感官是存在的,而不是被分析的。被奴役和蓄奴的来源都为情感的行为和反应提供了丰富的感官线索。最重要的是,这些来源为我们提供了情感的表演性质。例如,Mary Chestnut和Harriet Jacobs记录了男性对被奴役女性的性虐待是奴隶社会的“痛点”。当人们听到一对蓄奴夫妇的争吵时,就会知道并害怕愤怒、嫉妒的情妇的报复,或者被抓住、愤怒的主人的反应。另一个例子是,被奴役的社区如何通过将“坟墓灰尘”或死者坟墓中的泥土与水结合起来,来发现里面的小偷。喝这种混合物没有害处就意味着清白。德怀尔的作品可以帮助历史学家成功地运用情感和感官来恢复历史生活体验。这是对南北战争前美国奴隶制史和情感史的宝贵贡献。历史学家应该在这种方法论方法上做出自己的努力,Dwyer已经证明了这是可以实现的,并极大地扩展了我们对这个时代的理解。
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引用次数: 0
Slavery on Display 展示奴隶制
IF 0.7 2区 历史学 Q1 Arts and Humanities Pub Date : 2023-01-02 DOI: 10.1080/0144039X.2022.2144050
Arielle Xena Alterwaite
‘In the period after slavery,’ writes sociologist Paul Gilroy in The Black Atlantic, ‘the memory of the slave experience is itself recalled and used as an additional, supplementary instrument with which to construct a distinct interpretation of modernity.’ Though Gilroy is less concerned with the fine arts in this canonical volume, four visual exhibitions of the past year stand as an unwritten chapter of his text. Each struggles differently with how to stage displays of Atlantic-world slavery and its afterlives. Recently on view at the National Gallery of Art in Washington, ‘Afro-Atlantic Histories’ mobilizes Gilroy’s concept of ‘the black Atlantic’ to encompass transnational identities formed after centuries of forced transportation and migration across Europe, Africa, and the Americas. The exhibition uses art to illustrate historical experiences within this loosely defined
社会学家保罗·吉尔罗伊(Paul Gilroy)在《黑大西洋》(the Black Atlantic)中写道:“在奴隶制结束后的时期,对奴隶经历的记忆本身就被唤起,并被用作一种额外的、补充的工具,用来构建对现代性的独特解读。”虽然吉尔罗伊在这本经典的书中不太关注美术,但过去一年的四次视觉展览是他书中未写的章节。对于如何展示大西洋世界的奴隶制及其余波,每个人都有不同的挣扎。最近在华盛顿国家美术馆展出的《非洲-大西洋历史》(african -Atlantic Histories)借用了吉尔罗伊的“黑人大西洋”概念,将几个世纪以来欧洲、非洲和美洲的强制运输和移民形成的跨国身份囊括在内。展览用艺术来说明这个松散定义的历史经验
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引用次数: 0
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Slavery & Abolition
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