{"title":"Philosophies of Improvisation","authors":"Erkki Huovinen","doi":"10.1093/aesthj/ayac052","DOIUrl":"https://doi.org/10.1093/aesthj/ayac052","url":null,"abstract":"","PeriodicalId":46609,"journal":{"name":"BRITISH JOURNAL OF AESTHETICS","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2024-01-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139443087","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A theory of aesthetic normativity states what makes it the case that the fact that an item is beautiful is reason to appreciate it. Aesthetic hedonists characteristically hold that the fact that an item is beautiful is reason to appreciate it because anyone always has reason to do what yields pleasure. Bernard Bolzano was an aesthetic hedonist who is best interpreted as offering a mixed theory of aesthetic normativity.The fact that an item is beautiful is reason to appreciate it because anyone always has reason to do what yields pleasure and because anyone also has reason to do what fosters virtue, the capacity to act well. The argument for this interpretation knits together Bolzano’s aesthetics, his ethics, and his philosophy of science. In doing so, this argument opens up a new perspective on aesthetic normativity.
{"title":"Bolzano on Aesthetic Normativity","authors":"Dominic McIver Lopes","doi":"10.1093/aesthj/ayad019","DOIUrl":"https://doi.org/10.1093/aesthj/ayad019","url":null,"abstract":"\u0000 A theory of aesthetic normativity states what makes it the case that the fact that an item is beautiful is reason to appreciate it. Aesthetic hedonists characteristically hold that the fact that an item is beautiful is reason to appreciate it because anyone always has reason to do what yields pleasure. Bernard Bolzano was an aesthetic hedonist who is best interpreted as offering a mixed theory of aesthetic normativity.The fact that an item is beautiful is reason to appreciate it because anyone always has reason to do what yields pleasure and because anyone also has reason to do what fosters virtue, the capacity to act well. The argument for this interpretation knits together Bolzano’s aesthetics, his ethics, and his philosophy of science. In doing so, this argument opens up a new perspective on aesthetic normativity.","PeriodicalId":46609,"journal":{"name":"BRITISH JOURNAL OF AESTHETICS","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2024-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139381877","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Philosophical Theories of Political Cinema","authors":"Sheryl Tuttle Ross","doi":"10.1093/aesthj/ayac037","DOIUrl":"https://doi.org/10.1093/aesthj/ayac037","url":null,"abstract":"","PeriodicalId":46609,"journal":{"name":"BRITISH JOURNAL OF AESTHETICS","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2023-11-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139228552","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Looking Through Images: A Phenomenology of Visual Media","authors":"Robert R. Clewis","doi":"10.1093/aesthj/ayac060","DOIUrl":"https://doi.org/10.1093/aesthj/ayac060","url":null,"abstract":"","PeriodicalId":46609,"journal":{"name":"BRITISH JOURNAL OF AESTHETICS","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2023-11-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139265473","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Journal Article Fashion Sense: On Philosophy and Fashion Get access Fashion Sense: On Philosophy and Fashion Gwenda-Lin Grewal. london: bloomsbury academic, 2022. pp. xxiv + 223.£24.50 (pbk) Laura T Di Summa Laura T Di Summa William Paterson University, USA disummaknoopl@wpunj.edu Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, ayac069, https://doi.org/10.1093/aesthj/ayac069 Published: 13 November 2023
期刊文章《时尚感:论哲学与时尚》参见《时尚感:论哲学与时尚》Gwenda-Lin Grewal。伦敦:布卢姆斯伯里学术出版社，2022。pp. xxiv + 223.£24.50 (pbk) Laura T Di Summa Laura T Di Summa威廉帕特森大学，美国disummaknoopl@wpunj.edu搜索作者的其他作品:牛津学术谷歌学者英国美学杂志，ayac069, https://doi.org/10.1093/aesthj/ayac069出版:2023年11月13日
{"title":"Fashion Sense: On Philosophy and Fashion","authors":"Laura T Di Summa","doi":"10.1093/aesthj/ayac069","DOIUrl":"https://doi.org/10.1093/aesthj/ayac069","url":null,"abstract":"Journal Article Fashion Sense: On Philosophy and Fashion Get access Fashion Sense: On Philosophy and Fashion Gwenda-Lin Grewal. london: bloomsbury academic, 2022. pp. xxiv + 223.£24.50 (pbk) Laura T Di Summa Laura T Di Summa William Paterson University, USA disummaknoopl@wpunj.edu Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, ayac069, https://doi.org/10.1093/aesthj/ayac069 Published: 13 November 2023","PeriodicalId":46609,"journal":{"name":"BRITISH JOURNAL OF AESTHETICS","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-11-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136282636","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Journal Article Artful Truths: The Philosophy of Memoir Get access Artful Truths: The Philosophy of Memoir Helena de Bresuniversity of chicago press. 2021. pp. 248. £18.55. Hannah H Kim Hannah H Kim The University of Arizona, USA hhkim@arizona.edu https://orcid.org/0000-0002-3318-0955 Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, ayac043, https://doi.org/10.1093/aesthj/ayac043 Published: 13 November 2023
期刊文章《巧妙的真理:回忆录的哲学》，芝加哥海伦娜·德·布雷斯大学出版社。2021. 248页。£18.55。Hannah H Kim Hannah H Kim美国亚利桑那大学hhkim@arizona.edu https://orcid.org/0000-0002-3318-0955搜索作者的其他作品:Oxford Academic b谷歌Scholar英国美学杂志，ayac043, https://doi.org/10.1093/aesthj/ayac043出版日期:2023年11月13日
{"title":"Artful Truths: The Philosophy of Memoir","authors":"Hannah H Kim","doi":"10.1093/aesthj/ayac043","DOIUrl":"https://doi.org/10.1093/aesthj/ayac043","url":null,"abstract":"Journal Article Artful Truths: The Philosophy of Memoir Get access Artful Truths: The Philosophy of Memoir Helena de Bresuniversity of chicago press. 2021. pp. 248. £18.55. Hannah H Kim Hannah H Kim The University of Arizona, USA hhkim@arizona.edu https://orcid.org/0000-0002-3318-0955 Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, ayac043, https://doi.org/10.1093/aesthj/ayac043 Published: 13 November 2023","PeriodicalId":46609,"journal":{"name":"BRITISH JOURNAL OF AESTHETICS","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-11-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136282656","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract This article addresses the subject of the ekphrastic description of experiencing music. It shows the main differences between ekphrasis and commonly used analysis in music theory and musicology. In approaching the problem of ekphrasis with what is called pure music, I emphasize its ancient understanding, thus differing from Lydia Goehr (2010) and Siglind Bruhn (2000, 2001, 2019). The ekphrastic analysis of the first movement of Arnold Schoenberg’s Six Little Piano Pieces Op. 19 conducted in this article uses the methodology developed by Gottfried Boehm (2014) and Georges Didi-Huberman (2005, 2015, 2017, 2018) in the discipline of art history. This article aims to delineate a new way of researching the art of music, an essential feature of which is the combination of the traditions of analytic philosophy and phenomenology.
{"title":"Merging philosophical traditions for a new way to research music: On the ekphrastic description of musical experience","authors":"Andrzej Krawiec","doi":"10.1093/aesthj/ayad018","DOIUrl":"https://doi.org/10.1093/aesthj/ayad018","url":null,"abstract":"Abstract This article addresses the subject of the ekphrastic description of experiencing music. It shows the main differences between ekphrasis and commonly used analysis in music theory and musicology. In approaching the problem of ekphrasis with what is called pure music, I emphasize its ancient understanding, thus differing from Lydia Goehr (2010) and Siglind Bruhn (2000, 2001, 2019). The ekphrastic analysis of the first movement of Arnold Schoenberg’s Six Little Piano Pieces Op. 19 conducted in this article uses the methodology developed by Gottfried Boehm (2014) and Georges Didi-Huberman (2005, 2015, 2017, 2018) in the discipline of art history. This article aims to delineate a new way of researching the art of music, an essential feature of which is the combination of the traditions of analytic philosophy and phenomenology.","PeriodicalId":46609,"journal":{"name":"BRITISH JOURNAL OF AESTHETICS","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-11-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136283767","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Art and its Objects by Richard Wollheim had a major impact on aesthetics and the philosophy of art when it was first published in 1968. Of the arguments offered in response to Wollheim’s essay, Jerrold Levinson’s intentional-historical theory of art has been one of the most enduring. Levinson was influenced by three key sections of Wollheim’s enquiry: Section 40, which considers the claim that works of art fall under a concept of art, or that we are disposed to regard certain things as works of art; and Sections 60 and 61, which deal with art as a historical phenomenon, and problems arising from its identification and interpretation. To date, these claims have been raised as points of contention in the philosophy of art. This paper takes a different perspective. Wollheim’s understanding of art’s historicity draws explicitly on the literature of theoretical art history. Via Wollheim, old art-historical problems will reappear as new philosophical questions.
理查德·沃尔海姆(Richard Wollheim)的《抽象艺术及其对象》(Abstract Art and its Objects)于1968年首次出版，对美学和艺术哲学产生了重大影响。在对沃尔海姆文章的回应中，杰罗德·莱文森(Jerrold Levinson)的艺术意向性历史理论是最经久不衰的一个。莱文森受到了沃尔海姆调查中三个关键部分的影响:第40节，它考虑了艺术作品属于艺术概念的主张，或者我们倾向于将某些东西视为艺术作品;第60节和第61节，将艺术作为一种历史现象，以及从艺术的识别和解释中产生的问题。迄今为止，这些主张已被作为艺术哲学的争论点提出。本文采取了不同的视角。沃尔海姆对艺术历史性的理解明确地借鉴了理论艺术史的文献。通过沃尔海姆，旧的艺术史问题将作为新的哲学问题重新出现。
{"title":"Wollheim on art’s historicity: an intersection of theoretical art history and the philosophy of art","authors":"Jim Berryman","doi":"10.1093/aesthj/ayad024","DOIUrl":"https://doi.org/10.1093/aesthj/ayad024","url":null,"abstract":"Abstract Art and its Objects by Richard Wollheim had a major impact on aesthetics and the philosophy of art when it was first published in 1968. Of the arguments offered in response to Wollheim’s essay, Jerrold Levinson’s intentional-historical theory of art has been one of the most enduring. Levinson was influenced by three key sections of Wollheim’s enquiry: Section 40, which considers the claim that works of art fall under a concept of art, or that we are disposed to regard certain things as works of art; and Sections 60 and 61, which deal with art as a historical phenomenon, and problems arising from its identification and interpretation. To date, these claims have been raised as points of contention in the philosophy of art. This paper takes a different perspective. Wollheim’s understanding of art’s historicity draws explicitly on the literature of theoretical art history. Via Wollheim, old art-historical problems will reappear as new philosophical questions.","PeriodicalId":46609,"journal":{"name":"BRITISH JOURNAL OF AESTHETICS","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-11-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135037803","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract What does it say about you if you enjoy sexist humour? One answer to this question holds that finding sexist humour funny reveals that you have sexist beliefs, whilst another holds that it reveals nothing deeper about you at all. I argue that neither of these answers are correct, as neither can capture the feeling of unwilling complicity we often get from enjoying sexist jokes. Rather, we should navigate between these two positions by understanding the sense of humour as a kind of sensibility or taste, analogous to Anne Eaton’s account of erotic taste. This allows for a fleshing out of the purely belief-centred understanding of the sense of humour, adding emotional, perceptual and motivational aspects to it. Finally, I propose that one’s sense of humour is shaped the representations one engages with, which suggests a possible avenue for habituating it in a more egalitarian direction.
{"title":"A Sensibility of Humour: <i>BSA Prize Essay</i>, 2022","authors":"Zoe Walker","doi":"10.1093/aesthj/ayad020","DOIUrl":"https://doi.org/10.1093/aesthj/ayad020","url":null,"abstract":"Abstract What does it say about you if you enjoy sexist humour? One answer to this question holds that finding sexist humour funny reveals that you have sexist beliefs, whilst another holds that it reveals nothing deeper about you at all. I argue that neither of these answers are correct, as neither can capture the feeling of unwilling complicity we often get from enjoying sexist jokes. Rather, we should navigate between these two positions by understanding the sense of humour as a kind of sensibility or taste, analogous to Anne Eaton’s account of erotic taste. This allows for a fleshing out of the purely belief-centred understanding of the sense of humour, adding emotional, perceptual and motivational aspects to it. Finally, I propose that one’s sense of humour is shaped the representations one engages with, which suggests a possible avenue for habituating it in a more egalitarian direction.","PeriodicalId":46609,"journal":{"name":"BRITISH JOURNAL OF AESTHETICS","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136158462","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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